Category Archives: Reviews

RACE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Robert Allen as Charles Strickland. Photo by Mikki Schaffner.

Robert Allen as Charles Strickland. Photo by Mikki Schaffner.

RACE presented by New Edgecliff Theatre through April 25. Click here for more information on the production. I attended the opening night performance.

For its final show of the season, NET tackles a contemporary look at the “race” in a play by David Mamet. Commenting on his own work, Mamet has said the “theme is race and the lies we tell each other on the subject.” At the beginning, the theme is discussed clinically as an experienced attorney shares his legal-wisdom with his young protege. But when the theme turns personal, lines are quickly drawn between the characters.

Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

The four-person ensemble is solid across the board. Tackling a Mamet play is not an easy undertaking with its dense dialogue. Opening night, there were times when it felt like the cast was not quite on top of the script yet.

As the accused Charles Strickland, Robert Allen brings a great presence to the character. He is all indignation and wounded pride. There were moments when this came off as defensive which made me think the character was guilty of something. Perhaps a bit of rich man arrogance and swagger would have diffused that a bit at the beginning of the play.

Reggie Willis as Henry Brown. Photo by Mikki Schaffner.

Reggie Willis as Henry Brown. Photo by Mikki Schaffner.

Jack Lawson, one of the defense attorneys, is portrayed by Michael Shooner. Jack tends to wear his arrogance like an accessory. I thought Lawson’s mentoring relationship with Susan was very believable and yet contained a hint on inappropriateness that worked for the character.

Renika Williams as Susan. Photo by Mikki Schaffner.

Renika Williams as Susan. Photo by Mikki Schaffner.

Reggie Willis plays the other defense attorney, Henry Brown. I enjoyed how he would allow Jack to lead the interaction when dealing with Strickland, but clearly showed he was an equal partner when their client wasn’t present. Henry’s animosity toward Susan made sense, but initially it seemed a bit harsh. Perhaps if it built a little more.

Rounding out the cast is Renika Williams as young attorney Susan. Williams does well in holding her own against her peers. I wouldn’t have minded to see Susan a bit more grounded with a bigger chip on her shoulder. There were a few times Susan’s reactions seemed more appropriate to the actor’s age than the character’s.

Robert Allen as Charles Strickland, Reggie Willis as Henry Brown & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Robert Allen as Charles Strickland, Reggie Willis as Henry Brown & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Daryl Harris’ solid hand and knowledge of the material is visible in his direction of the actors. He also handles the performance space well, finding every opportunity to naturally move the action away from the stage left table to balance out the staging.

Set designer Rachel Kuhn uses the Hoffner Lodge space well. With the main floor being an over-sized conference room, she created two playing contrasting playing areas. By hanging material between the poles of the balcony, she smartly uses silhouette to depict the office area above.

Renika Williams as Susan & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Renika Williams as Susan & Michael Shooner as Jack Lawson. Photo by Mikki Schaffner.

Both prop master Mary Gascho and costume designer Sherry Amott Tippey do well in presenting “wealth” on a limited budget. The only costume that read less than ideal for me was Strickland’s first suit.

Overall, a well-executed, interesting and at times, intense drama.

My rating: 4 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

 

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THE TAMING OF THE SHREW Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and company. By Mikki Schaffner Photography.

THE TAMING OF THE SHREW presented by Cincinnati Shakespeare Company through April 25. Click here for more information on the production. I attended the opening night performance.

I’ve probably said it before, but large-cast productions, like this, really showcase the depth of talent in the CSC ensemble. No matter the size of the role, every actor on stage is committed to not only their character, but their relationships to every other character on stage.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Guest director Kevin Hammond offers a more-balanced take on the script. In this production, Petruchio is not bending Katherina to his will. Instead he is chipping-away (well, make that hammering-away) at the barriers “the shrew” has put around herself to protect her heart.

Nicholas Rose is excellent as Katherina’s (Kate’s) suitor, Petruchio. It is easy to see his attraction to the kindred spirit he sees in her. Even though the character goes to such lengths as denying Kate food and sleep, his soliloquy in Act II clearly shows his affection for Kate. Rose believably makes Petruchio’s actions come off as more playful and lovingly-intentioned than mean-spirited. Also to soften these tactics a bit, Petruchio suffers through them right along with her.

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Also strong is Kelly Mengelkoch as Kate. Her shrew-ness is presented as an almost knee-jerk reaction to any man or any notion that she needs a man to complete her. Her temperament seems to indicate that she had been deeply hurt in the past and refuses to allow it to happen again. Add in a bit of stubbornness and it’s understandable why Petruchio had to go to such lengths to break through.

There is a great “a-ha” moment when Kate finally realizes that Petruchio does not want her as a subordinate, but an equal partner in life. The results of this trust and understanding shines through in the satisfying final scene.

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

Kelly Mengelkoch as Kate and Caitlin McWethy as Bianca. By Mikki Schaffner Photography

The “battle” for the hand of Kate’s sister also plays out amusingly-well. Bianca (Caitlin McWethy) is woo-ed by disguised suitors Hortensio (Billy Chace) and Lucentio (Geoffrey Barnes). The latter with an assist from his flamboyant main servant Tranio (Justin McCombs).

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography.

Speaking of main servants, Jeremy Dubin is stellar fun as Gromio, partner in crime to Petruchio. Dubin’s ongoing bit was a guilty-pleasure. My inner child laughed every time, even though I knew it was coming.

Turning the set, I found it really clever for Andrew Hungerford to have the “inn” wrap around to stage-left and out of sight. It reinforced that concept of a play being performed by a traveling band of players. It also allowed for quick scene changes as pieces were moved from another part of the inn to the main playing area.

Overall, an excellent, fun, broad and bawdy battle of wills where the audience wins.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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HEARTS LIKE FISTS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Maggie Lou Rader as Lisa, Linnea Bond as Sally, Sola Thompson as Nina & Miranda McGee as Jazmin. Photo by Daniel R. Winters.

Maggie Lou Rader as Lisa, Linnea Bond as Sally, Sola Thompson as Nina & Miranda McGee as Jazmin. Photo by Daniel R. Winters.

HEARTS LIKE FISTS presented by Know Theatre of Cincinnati through April 25. Click here for more information on the production. I attended the opening night performance.

Associate Artistic Director Tamara Winters takes the reins of the final mainstage production, offering a strong cast and smartly-staged production.

If Lex Luthor can blame Superman for his hair loss to justify his descent into villainy, then Doctor X’s madness, caused by a broken heart (and a few good blows to the head), doesn’t seem all that far-fetched. In fact, the weakness for each character in the show is relationship-oriented.

James Creque as Doctor X & Sola Thompson as Nina.

James Creque as Doctor X & Sola Thompson as Nina. Photo by Daniel R. Winters.

James Creque is fun and creepy as drain-bamaged Doctor X. I wouldn’t have minded if he took his performance a bit bigger. Also fun is Lisa DeRoberts as the “awww”-inducing, unlucky in love Nurse, who feeds the hole in her heart with donuts….[mmmmm…donuts…]

Lisa DeRoberts as Nurse. Photo by Daniel R. Winters.

Lisa DeRoberts as Nurse. Photo by Daniel R. Winters.

The terrific trio of heroines include: Linnea Bond as Sally, who struggles with an on-again/off-again relationship with the police commissioner; Sola Thompson’s Nina, who struggles with her attraction to bad boys; and Jazmin, played by Miranda McGee, who struggles with monogamy. Recruited into their ranks is Lisa (Maggie Lou Rader) who struggles with commitment. Rounding out the cast is Andrew Ian Adams as handsome and clueless Peter, who struggles with his fear that his heart is damaged beyond repair.

James Creque as Doctor X & Maggie Lou Rader as Lisa.

James Creque as Doctor X & Maggie Lou Rader as Lisa. Photo by Daniel R. Winters.

A definite highlight of the production are the fight scenes, choreographed by Jonn Baca. Adding even more bang (WHAM! and POW!) are the projected images and sound effects courtesy of Doug Borntrager.

It may have been fun to use voice-over to read some of the locations shifts, ala the Super Friends cartoon. The set worked well, and I thought the dot pattern used to accent the walls was a great touch.

Maggie Lou Rader as Lisa & Andrew Ian Adams as Peter. Photo by Daniel R. Winters.

Maggie Lou Rader as Lisa & Andrew Ian Adams as Peter. Photo by Daniel R. Winters.

I liked the concept of the costumes for both The Crimefighters and Doctor X, but I did miss some color. Maybe a different color for Doctor X’s lab coat (blood red?) and perhaps a block of the lime green in the women’s tops would have added to the comic book feel. The light-up wrist bands communicators were perfect.

Opening night, I did feel that the pacing could be tightened-up a bit, perhaps a few too many dramatic pauses by the heroes. I did have trouble hearing Doctor at the beginning of his opening monologue and in the hospital scene.

Overall a fun, theatrical, comic-book romp that kicks butt and breaks a few hearts.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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BUZZER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

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Jackson (Cincinnati native Eric Lynch) listens to the escalating tensions of his friend and girlfriend. Photo by Sandy Underwood.

BUZZER presented by Cincinnati Playhouse in the Park through April 19. Click here for more information on the production. I attended the opening night performance.

Truth is an ongoing theme in BUZZER, Playhouse’s penultimate offering of the Shelterhouse season. Don, a recovering addict, is working through a 12-step program and tying to make amends. Taken in by his childhood friend, Jackson and Jackson’s girlfriend Suzy, the truths of their shared history come out, for better or worse, over the course of the play.

I really enjoyed the script by Tracey Scott Wilson. I found the characters to be believable and mostly-likeable. Their motivations are clearly defined and the way these unfold, as the layers peel away, is very engaging. There are some nice moments of humor spread throughout and a great intensity several scenes late in act two.

Jackson (Eric Lynch, center) tries to set ground rules with Don (Alec Shaw) and Suzy (Carly Zien) . Photo by Sandy Underwood.

Jackson (Eric Lynch, center) tries to set ground rules with Don (Alec Shaw) and Suzy (Carly Zien) . Photo by Sandy Underwood.

The three member cast is excellent. Eric Lynch’s Jackson has a rightfully-earned chip on his shoulder and a strong sense of compassion for those people important to him. Suzy, portrayed by Carly Zien, has a good heart but struggles with being honest about her vulnerability. Alec Shaw does an impressive job of bringing a likability and earnestness to recovering addict Don.

The three actors shine under the direction of Timothy Douglas. The character’s interactions are natural and ring true. Douglas finds a great emotional balance in the tone, where others could easily have over-emphasized the conflict.

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Suzy (Carly Zien) and Don (Alec Shaw) discuss differing perceptions of their shared history. Photo by Sandy Underwood.

Sound designer Matthew M. Nielson impresses with the sounds of the neighborhood intruding into the apartment. The outside confrontation worked extremely well, with the audience being able to recognize voices and intent, without being able to make out the entire conversation.

I thought the final short scene at the end of the play serves more as an epilogue, than the actual ending of the play. I found the last two scenes prior to this to be extremely well-done and intensely engrossing in different ways. A physical confrontation versus an emotional one. The damage done in the latter, with one character refusing to speak a truth that the other two characters obviously know, and which one begs to hear, leads to an ending that some audience members would see as less than satisfying.

Jackson (Eric Lynch) and his girlfriend Suzy (Carly Zien) share an affectionate moment. Photo by Sandy Underwood.

Jackson (Eric Lynch) and his girlfriend Suzy (Carly Zien) share an affectionate moment. Photo by Sandy Underwood.

Understandable in a way, but people don’t always make the right decisions, and the consequences of that can have a less than ideal outcome. For me, that lack of satisfaction shows that the production successfully pulled me in and and had me vested in the characters and the outcome.

A great production of an engrossing character-driven drama.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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DETROIT ’67 Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Darnell Pierre Benjamin as Sly. Photo by Mikki Schaffner.

Darnell Pierre Benjamin as Sly. Photo by Mikki Schaffner.

DETROIT ’67 presented by Ensemble Theatre Cincinnati through April 5. Click here for more information on the production. I attended the opening night performance.

Director D. Lynn Meyers makes great use of the space and elicits memorable performances from her cast. The solid five-person ensemble includes Darnell Pierre Benjamin as Sly, Bryant Bentley as Lank, Burgess Byrd as Bunny, Zina Camblin as Chelle and Leslie Goddard as Caroline.

Zina Camblin as Chelle Bryant Bentley as Lank. Photo by Mikki Schaffner.

Zina Camblin as Chelle
Bryant Bentley as Lank. Photo by Mikki Schaffner.

Bentley serves as the focal point for the show and does excellent work. His relationships with each character are fully-formed and very believable. Simply put, he is a good man and a bit of a dreamer.

Byrd is fun, sassy and quite the force of nature as go-to-girl Bunny. I enjoyed the underlying mother-hen quality to her character. The scene where Chelle confided her fears to Bunny about Lank’s decision-making, worked really well.

Burgess Byrd as Bunny. Photo by Mikki Schaffner.

Burgess Byrd as Bunny. Photo by Mikki Schaffner.

Part of the success of the character of Bunny has to go to costume designer Chad Phillips. The bold prints and smart accessories visually defined the character creating a great synergy with Byrd’s performance. Another highlight was Sly’s celebratory purple jacket. Across the show, all costumes were vintage and fit the characters nicely.

I also enjoyed the dynamic between Lank and Benjamin’s Sly. Their close, “partners in crime” friendship worked well.  When it comes the ladies, Sly is a bit of a good-natured player. It’s effective when he lets that persona drop a bit to reveal his honest affection for Chelle.

Leslie Goddard as Caroline & Zina Camblin as Chelle. Photo by Mikki Schaffner.

Leslie Goddard as Caroline & Zina Camblin as Chelle. Photo by Mikki Schaffner.

Camblin has a strong character in overly-protective Chelle. She handles the role well, but on opening night she didn’t seem 100% comfortable yet. I do think there were a couple of opportunities to see her character’s shell crack a bit more, especially in her second act scene with Sly. This would create an even stronger emotional impact later.

Leslie Goddard as Caroline & Bryant Bentley as Lank. Photo  by Mikki Schaffner.

Leslie Goddard as Caroline & Bryant Bentley as Lank. Photo by Mikki Schaffner.

The character of Caroline is a bit frustrating to me. As written, the audience is given practically no information about her in the first act. so we go into intermission with little sense on how she fits into the narrative. The role is nicely played by Goddard. Caroline’s relationship with Lank reads as genuine and their quiet scene together works well.

Darnell Pierre Benjamin as Sly & Bryant Bentley as Lank. Photo by Mikki Schaffner.

Darnell Pierre Benjamin as Sly & Bryant Bentley as Lank. Photo by Mikki Schaffner.

Excellent work by set designer Brian c. Mehring and the properties master, Shannon Rae Lutz. The sound of the wooden staircase and the metal support beams immediately evoked memories of my childhood home. I probably say this at least once a year, but when it comes to filling a set with “life clutter,” no one does it better than Lutz. Her choices are always extremely interesting, thoughtful and fun to explore.

Bryant Bentley as Lank & Burgess Byrd as Bunny. (background) Leslie Goddard as Caroline. Photo by Mikki Schaffner.

Bryant Bentley as Lank
& Burgess Byrd as Bunny.
(background) Leslie Goddard as
Caroline. Photo by Mikki Schaffner.

I did what to mention that there were moments I had trouble hearing and understanding the dialogue. At times the actors became a bit too soft, other times the issue seemed to be that they were facing upstage. During the confrontation between Chelle and Caroline, the latter was blocked near the bar, facing toward Chelle for a long stretch of dialogue, upstaging herself to most of audience right. Also at times, a few of the acting choices were too small or lacked a physical component to read to the back of the house.

Overall a solid production that packs an emotional punch. Another tale that puts a face to the statistics of a tragic moment in history. A moment, unfortunately, still reflected in current events.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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