Category Archives: Reviews

THREE DAYS OF RAIN Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

MaryKate Moran as Nan, Carter Bratton as Pip & Adam Jones as Walker.

MaryKate Moran as Nan, Carter Bratton as Pip & Adam Jones as Walker.

THREE DAYS OF RAIN presented by Untethered Theater through May 23. Click here for more information on the production. I attended the opening night performance.

Newcomer Adam Jones does well as neurotic Walker in the first act. There were times when I felt his performance slipped into a gay stereotype, and perhaps a bit more could have been done to communicate his attraction to Pip. Carter Bratton turns in a strong performance as don’t-sweat-the-small-stuff, handsome actor Pip. I felt his character had a true affection for the siblings. As Walker’s sister Nan, MaryKate Moran gives a solid performance but there were times where I was unclear about her emotional connection to her brother and to Pip.

Carter Bratton as Theo & MaryKate Moran as Lina.

Carter Bratton as Theo & MaryKate Moran as Lina.

Perhaps the second act would have worked better for me if more emphasis had been given to some of the important plot points in both acts. A dramatic pause or a shift in tone or emotion may have given these moments a bit more weight. The second act could have used a bit more energy as Ned (Jones) and Nina’s (Moran) long scene seemed very conversational. I didn’t get a hint of Lina’s mental instability and the total disappearance of Ned’s stutter seemed incongruous. Much of Theo’s (Bratton) anxiety seemed to be a bit too internalized. Maybe a moment or two of it escaping in front of the others would have given a better sense of his emotional turmoil.

Designing a set in the intimate space is always a challenge. I like the concept of the set (designed by Buz Davis), but I felt the main playing area needed to be a bit bigger.There was a sense of confinement that worked against the staging.

Overall an interesting but uneven production, with fun and well-written dialogue, that needed to be a bit bigger in emotion and could have used more room to breathe.

My rating: 3.75 out of 5

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OUTSIDE MULLIGNAR Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Dale Hodges as Aoife Muldoon & Joneal Joplin as Tony Reilly. Photo by Mikki Schaffner.

Dale Hodges as Aoife Muldoon & Joneal Joplin as Tony Reilly. Photo by Mikki Schaffner.

OUTSIDE MULLIGNAR presented by Ensemble Theatre Cincinnati through May 30. Click here for more information on the production. I attended the opening performance.

For its final show of the season, Ensemble Theatre Cincinnati welcomes Ed Stern back to the director’s chair for a charming and touching production of OUTSIDE MULLIGNAR.

Dale Hodges as Aoife Muldoon, Brian Isaac Phillips as Anthony Reilly & Joneal Joplin as Tony Reilly. Photo by Mikki Schaffner.

Dale Hodges as Aoife Muldoon, Brian Isaac Phillips as Anthony Reilly & Joneal Joplin as Tony Reilly. Photo by Mikki Schaffner.

The strong characterizations, the emotional tone, and the solid pacing of the production are excellent under Stern’s guidance.

Joneal Joplin doesn’t disappoint as stubborn and cantankerous Tom Reilly. In a way, Joplin brings a regal-ness to the role, as if Tom was an aging monarch worried about his kingdom’s future after his passing. Brian Isaac Phillips plays Anthony Reilly, the “unworthy” heir apparent to his father’s legacy. Phillips gives Anthony this great “odd duck” quality that is believable and endearing. In their opening scene together, it is easy to believe that this is only the latest in a series  of similar conversations between father and son. Their final scene together was incredibly honest and touching.

Jen Joplin as Rosemary Muldoon & Brian Isaac Phillips as Anthony Reilly. Photo by Mikki Schaffner.

Jen Joplin as Rosemary Muldoon & Brian Isaac Phillips as Anthony Reilly. Photo by Mikki Schaffner.

From the farm next door we have Aoife Muldoon, who is, in her own way, just as as stubborn and cantankerous as Tony, played wonderfully by Dale Hodges. Aoife is quite the spitfire, despite the physical frailty of the character. Rounding out the cast is Jen Joplin as Aoife’s daughter, Rosemary, an odd duck in her own way. I really enjoyed how Joplin’s characterization of Rosemary shared similar traits with her mother, giving depth to their relationship, despite their lack of stage time together.

 Brian Isaac Phillips as Anthony Reilly & Jen Joplin as Rosemary Muldoon. Photo by Mikki Schaffner.

Brian Isaac Phillips as Anthony Reilly & Jen Joplin as Rosemary Muldoon. Photo by Mikki Schaffner.

Jen Joplin and Phillips have great chemistry.  In their scenes together, there is this unspoken expectancy between the two characters, as if each one wants something more from the other, but is waiting for the other to “make the first move.” Stuck in this emotional stalemate, the two, at times, comically bicker like an old married couple. The ending is simple, sweet and emotionally satisfying.

The demands of the set design for OUTSIDE MULLINGAR were smartly handled by Joe Tilford. Also, special kudos for having it rain on stage.

Overall a simple, heartfelt, charming, and laugh-out-loud funny, romantic comedy. Very enjoyable.

My rating: 4.5 out of 5

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THE SOUND OF MUSIC Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

The Vontrapp Children (not in photo order): Margot Grom as Liesl, Alexander Mullins as Friedrich, Annabel Forman as Louisa, Jackson Higgason as Kurt, Jordan Darnell as Brigitta, Aine Steele as Marta & Violet Hicks as Gretl. Photo by Mikki Schaffner Photography.

The Vontrapp Children (not in photo order): Margot Grom as Liesl, Alexander Mullins as Friedrich, Annabel Forman as Louisa, Jackson Higgason as Kurt, Jordan Darnell as Brigitta, Aine Steele as Marta & Violet Hicks as Gretl. Photo by Mikki Schaffner Photography.

THE SOUND OF MUSIC presented by Covedale Center for the Performing Arts through May 24. Click here for more information on the production. I attended the opening Friday performance.

Closing out the 2014-2015 season at the Covedale is a solidly cast production of Rodgers and Hammerstein’s THE SOUND OF MUSIC.

Angela Alexander Nalley as the Mother Abbess. Photo by Mikki Schaffner Photography.

Angela Alexander Nalley as the Mother Abbess. Photo by Mikki Schaffner Photography.

Favorite numbers included: “Sixteen Going on Seventeen” performed by Margot Grom as Liesl & Mason Taylor as Rolf. Both handled the vocals, and the choreography by Dee Anne Bryll, well. The children’s acapella version of “The Sound of Music” that greeted their father’s return was extremely well-done. Angela Alexander Nalley sends the audience into intermission with an excellently-sung, “Climb Ev’ry Mountain.” The number “No Way to Stop It” featuring the trio of Captain Georg Von Trapp (Justin Glaser), Max Detweiler (John Langley) and Elsa Schrader (Laurie Wyant-Zenni), was well-staged number and both Langley and Wyant-Zenni brought nice characterizations to their respective roles.

For me, the show seemed to stumble on the technical side. I can’t say I was a fan of the pre-recorded music. The brass sounded tinny and there were volume issues throughout the performance. Several times, musical numbers that began acapella were jarred, by a faster-tempo track kicking in.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

I liked the idea of bringing the mountains into the set design, but the choice of colors were not ideal. The marble-ization technique used on the bigger white areas worked, but on smaller surfaces, such as the door frames, it read as dirt from my seat in the audience.

As the cyc carried the sky color all the way to the floor behind the set, I did find it distracting when every exit upstage exposed a burst of color to the audience. I also question why the stage curtain wasn’t pulled for some of the set changes. The show is written with small transitional scenes to be played in front of the curtain during theses changes. With the curtain open, the loud and hurried scene changes drew focus away from the performers downstage.

Overall a well-performed production, at times lacking in attention to detail, and with some technical issues.

My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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VANYA AND SONIA AND MASHA AND SPIKE Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Siblings Masha (Elizabeth Hess, Vanya (John Feltch,& Sonia enjoy an atypically peaceful, harmonious scene. Photo by Sandy Underwood.

Siblings Masha (Elizabeth Hess, Vanya (John Feltch,& Sonia enjoy an atypically peaceful, harmonious scene. Photo by Sandy Underwood.

VANYA AND SONIA AND MASHA AND SPIKE presented by Cincinnati Playhouse in the Park through May 23. Click here for more information on the production. I attended the opening performance.

There is much to like about VANYA AND SONIA AND MASHA AND SPIKE, the closing production of the Marx season. As you enter the theater, you are greeted by Paul Shortt’s gorgeous set design. The lighting, designed James Sales, compliments the set with its abundance of “natural light” and shadow.

Estranged sisters Masha (Elizabeth Hess) & Sonia (Suzanne Grodner) simultaneously bemoan their lots in life. Photo by Sandy Underwood.

Estranged sisters Masha (Elizabeth Hess) & Sonia (Suzanne Grodner) simultaneously bemoan their lots in life. Photo by Sandy Underwood.

Christopher Durang’s script is funny and smartly-written. There are plenty of laugh-out-loud moments over the two 70-minute acts. Playhouse’s production boasts a solid ensemble. Suzanne Grodner is a stand-out as poor, put-upon Sonia. She was hysterical as her costume-party character [vague to prevent spoilers -Rob]. Based on the audience’s and my reaction to the second act phone call, Grodner certainly had us rooting for Sonia’s happiness. Vanya’s (John Feltch) act two rant was another favorite moment in the show.

Cassandra (Shinnerrie Jackson, center) spews a torrent of zany prophecies upon the rest of the cast. Photo by Sandy Underwood.

Cassandra (Shinnerrie Jackson, center) spews a torrent of zany prophecies upon the rest of the cast. Photo by Sandy Underwood.

Opening night, the show felt a bit uneven in pacing and characterization. There were moments when I felt the roles were portrayed more caricature than character. Don’t get me wrong, there were some nice, emotional moments between the characters, I would just like to see that energy carry throughout the entire show. I’m sure a few more performances, under their belt, will help.

Overall, a great way to end the 2014-2015 season in the Marx Theater.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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IT’S A GRAND NIGHT FOR MURDER Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

Rhys Boatwright as Phil & Robert Macke as Ginger. Photo by Mikki Schaffner Photography.

IT’S A GRAND NIGHT FOR MURDER presented by Northern Kentucky University through April 25 as part of the Y.E.S Festival of New Plays. Click here for more information on the production. I attended the opening Sunday performance.

It may not have happened at Albuquerque, but this play took several wrong turns that it never quite recovered from.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Dakota Dean as Heather & Emily Fry as Sally. Photo by Mikki Schaffner Photography.

Perhaps the intent was to write a zany-comedy murder-mystery. What was on stage was the cast of a murder-mystery and the cast of a zany-comedy, dropped into the same production. These two extremes never meshed together.

Kudos to the young cast for giving their best effort. There were times when they seemed to flounder on stage, making me wish director Terry Powell had stepped in with a stronger hand.

The only advice I can give to the cast is to work their characterizations to meet a bit more in the middle and to ground the character’s reactions a bit more in reality.

My rating: 3.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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