Category Archives: Reviews

SOMETHING ROTTEN! Review

SOMETHING ROTTEN! presented by Broadway in Cincinnati through March 5. Click here for more information on the production. I attended the opening night performance.

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Cast of the Something Rotten! National Tour. © Jeremy Daniel.

As you are probably aware, I receive numerous press releases every month and, when it comes to comedies, the word “hilarious” is used quite frequently. So much so that I sometimes think to myself, “I don’t think that word means what you think it means.” But in the case of SOMETHING ROTTEN! though, “hilarious” is easily a well-earned description.

Not even half-way through the first act, the audience’s response to “A Musical” stopped the show cold. And that was only the first of three show-stopping numbers. The jokes, musical theater references, and nods to Shakespeare’s works come fast and furious and run the gambit from brilliant to bawdy.

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Blake Hammond as Nostradamus & Rob McClure as Nick Bottom. © Jeremy Daniel

The cast, from Bottoms to top, is also brilliant. Rob McClure as Nick, the more aggressive Bottom brother, easily establishes a great rapport with the audience and is a tap-dancing triple threat. Adam Pascal brings rock-star glam to the role of Shakespeare. Maggie Lakis charms as Nick’s way-too-understanding and supportive wife, Bea. As Nigel, Josh Grisetti is the passive, put-upon Bottom who is easy to root for, especially in his budding romance with Portia (Autumn Hurlbert), the Puritan with a love for poetry who looks and sounds like she could break into “Popular” at any moment (that is not a complaint 🙂 ). Scott Cote is a riot on stage as Portia’s father, Brother Jeremiah, who is comically word-choice inappropriate. And you can’t help but love Blake Hammond as Nostradamus whose semi-accurate predictions of the future drive the plot. Finally hats off to the remainder of the hard-working ensemble for sharing their talents.

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Autumn Hurlbert as Portia and Josh Grisetti as Nigel Bottom. © Jeremy Daniel

I very much enjoyed the contemporary dance moves, peppered with nods to iconic musical theatre choreography, by Casey Nicholaw who also directs the production. And did I mention there are also multiple tap numbers? The costumes designed by Gregg Barnes were beautiful, clever, and full of surprises which I won’t spoil.

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Cast of the Something Rotten! National Tour. © Jeremy Daniel.

Overall, a NOT TO BE MISSED production for any musical theater fan. Hilariously funny and a great time at the theater. I’d gladly see it again before it leaves if I could. Thank you all for a completely enjoyable, laugh-filled Tuesday night.

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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ALL SHOOK UP Review

ALL SHOOK UP presented by Northern Kentucky University through Feb. 26. Click here for more information on the production. I attended the opening Sunday matinee performance.

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The Cast.

The songs of Elvis Presley, the King of Rock and Roll, take center stage in the jukebox musical, ALL SHOOK UP at Northern Kentucky University.

The cast of 25 showcases the depth of talent in NKU’s theater program. Soloists were strong across the named roles with Brittany Hayes’ “There’s Always Me” being a personal favorite. The harmonies on the Act I finale, “Can’t Help Falling in Love,” were goosebump-inducing and a great way to send the audience into intermission.

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Melissa Cathcart as Natalie Haller & Xander Wells as Chad.

Director Brian Robertson wisely goes broad in the performance-style, emphasizing both the comedy and the relationships in the book.

The simple, multi-level set allowed for quick entrances and exits, especially when the whole ensemble was involved in a number. The screens upstage served as a nice backdrop and added a bit a color to the scenes.

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Aaron Marshal as Dennis & Ellie Chancellor as Miss Sandra.

The concept of a completely black and white color scheme for the costumes was successful and an impressive amount of work. The only one I misinterpreted was Dean Hyde’s outfit, thinking he was the Mayor’s chauffeur until he was introduced as her son. Perhaps some black accents would have helped it read a bit more military.

It was great to have the 11-piece orchestra, under the direction of Jamey Strawn, visible on stage and the sound was rich and full. Speaking of sound, hats off to sound designer Kevin Havlin and his team. The blend, balance, and execution were outstanding. I’m pretty sure I heard every word and note.

Overall, the production was highly energetic and highly enjoyable.

My rating: 4.25 out of 5.

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The Cast.

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THE ROCKY HORROR SHOW Review

THE ROCKY HORROR SHOW presented by Warsaw Federal Incline Theater through March 5. Click here for more information on the production. I attended the opening Saturday night performance.

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The Cast. Photo by Mikki Schaffner Photography.

I imagine staging a musical based on a movie, especially one with such a rabid fan base, would present a challenge in finding that balance between the two mediums. Since I’m not part of the film’s fan base, I’ll be talking about the theatrical side of things.

Vocally I thought the cast was really strong, but unfortunately at the performance I attended, there were several issues working against them. The sound execution was clunky. Mics were not hot on entrances and the balance was off between the orchestra and both the backup and lead vocals. I also felt the tempos on several of the rock-n-roll numbers were too fast which made it hard to understand the lyrics if you don’t know them.

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Caroline Schisholm as Janet & Dakota Mullins as Brad. Photo by Mikki Schaffner Photography.

Matt Krieg does well as Frank-n-Furter, but I would like to have seen him be bigger and take command of the stage. Dakota Mullins was fun to watch as Brad and I felt he had a good sense of the character that he maintained well throughout the zany situations of the show. Solos and group numbers aside, it seemed like the bulk of the ensemble spent most of the show standing in small groups upstage, so they tended to fade into the background. Their blocking seemed tied to their characters’ lines so there were stretches where the show seemed visually stagnant.

The pacing also felt slow to me. It almost seemed like the cast was holding for expected laughs that just didn’t come. Other times cast members would make a long cross and hit their mark before speaking. The audience participation aspect of this performance exacerbated the problem when the video cues for the audience callbacks were late. Some of the comic bits were over-milked in the sense that longer doesn’t always translate into funnier.

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Marissa Poole as Magenta, Heather Hale as Columbia, Matt Krieg as Frank-n-Furter, Chris Logan Carter as Riff Raff & Michael Wright as Phantom. Photo by Mikki Schaffner Photography.

I enjoyed the multi-level set design by Brett Bowling. It had several fun surprises with the front door being a personal favorite. I also thought the “machine” was visually a great compilation of mixed/matched found objects. Costumes worked well and I thought the similar but different looks of the bustiers across the cast was great. The one “head scratcher” was Frank’s blood-stained smock which looked like he had tried to “Shout” out the blood stain before returning to the stage.

While I understand the decision to present the cast on video during the curtain call, I’d much rather applaud the actual actors who have worked so hard the past couple of hours.

Overall I found the show fun, but at times uneven. If this is your first time experiencing THE ROCKY HORROR SHOW, I’d strongly advise you to avoid the audience participation performances. Despite the pre-show warnings, we still wound up with alot of “Brads” in the audience.

My rating: 4 out of 5. If you are a Rocky fan, make it 4.25. With corrected sound issues make that a 4.5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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RICHARD III Review

RICHARD III presented by Cincinnati Shakespeare Company through March 11. Click here for more information on the production. I attended the opening night performance.

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Billy Chace as Richard III (Kyle Brumley and Geoffrey Warren Barnes in the background). Photo by Mikki Schaffner Photography.

Congratulations to Cincinnati Shakespeare Company! With the opening of RICHARD III, CSC becomes only the second theater company in the United States to complete Shakespeare’s entire history cycle in chronological order.

Billy Chace is exceptional as Richard, Duke of Gloucester who manipulates (and murders) his way to the throne through friend and foe to become King Richard III. Chace plays the role with great humor and zeal, giving us a King who is fully aware of his misdeeds and unapologetic in his quest for the crown.

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Aiden Sims as Lady Anne and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Director Brian Isaac Phillips again keeps the action focused and brisk. The ensemble, across the board, was excellent, giving the production great energy and scope. Favorite scenes included Lady Anne’s (Aiden Sims) confrontation with Richard over the dead body of Henry VI, the grief-stricken, half-mad, curse-flinging Queen Margaret (Kelly Mengelkoch), and Queen Elizabeth (Sara Clark) going nose to nose with Richard after the death of her children.

The haunting dream shared by Richard and Henry, Earl of Richmond, was visually striking and appropriately creepy. The special stage effect added a unique element to the final battle between their forces.

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Sara Clark as Queen Elizabeth and Billy Chace as Richard III. Photo by Mikki Schaffner Photography.

Overall, a perfect and immensely satisfying conclusion to CSC’s four-year epic endeavor. Bravo!

My rating: 5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THIS WIDE NIGHT Review

THIS WIDE NIGHT presented by The Clifton Players through March 4. Click here for more information on the production. I attended the opening night performance.

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Miranda McGee as Marie & Dale Hodges as Lorraine.

Can dreams of the future made by cellmates survive the reality of life outside of prison? That possibility is explored in Clifton Players’ production of the two-person play, THIS WIDE NIGHT.

Miranda McGee, perhaps more known for her comedic turns, shines in the challenging role of Marie. Throughout the performance, I was struck how the emotional swings of her character emanated from the actress and always rang true.

As Lorraine, Dale Hodges enters as an adrift soul trying to find solace with the only “family” she has known during her long incarceration. She brings a great vulnerability to the role but there are these great moments of seemingly innocent manipulation that remind the audience she’s not as innocent as she appears.

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Miranda McGee as Marie & Dale Hodges as Lorraine.

Faults aside, I was surprised how invested I had become in these two ladies. True to its source material (interviews from recently released inmates) the script doesn’t answer all questions or provide a happy ending.

Director Kevin Crowley keeps the movement within the confirmed space of the studio apartment natural and motivated. There are several great stage pictures created in response to lines in the script that could easily be missed by a less experienced director.

Re-configuring the play space worked well to create Marie’s below street level apartment. I would encourage the covering of the windows above the apartment door as the foot traffic outside was a bit distracting at times.

One element that was unclear to me was how much time had passed between the various scenes. The dialogue in the scenes doesn’t always help. A bit of period underscoring during the scene changes might have helped define the time period. Speaking of the time period, the use of a CD and a shopping bag printed with a web site address were a bit anachronistic. One of the downsides of such an intimate venue. 🙂

Overall, a smartly directed production with strong, emotional true performances.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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