Category Archives: Press Releases

Diogenes Theatre’s BIBI Recognized by LCT

DTC_BibiPanelists for the League of Cincinnati Theatres (LCT) have recognized Diogenes Theatre’s premier production of BIBI for its excellence in sound and set design. BIBI, a new play by local playwright Kalman Kivkovich, is a one man play loosely based on the life of Israel’s charismatic prime minister, Benjamin Netanyahu.

Panelists praised scenic designer Mark Halpin for designing “a functional set with elegantly simple solutions for multiple locations and a nice surprise with a shift to the UN.” They were also impressed by David Levy’s sound design, “ taking us to the courtyard, the auditoriums, the phones, and the wonderful harp.”

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT gala in the spring.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.com.

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The Piano Guys | Wed., September 3 | Aronoff Center

THE PIANO GUYS
SEPTEMBER 3 AT THE ARONOFF CENTER

Reserved Seat Tickets: $49.50, $35, $25 and a limited number of $125 (VIP)
Tickets go on sale Friday, April 4 at 10am and will be available at www.livenation.com,
CincinnatiArts.org, charge by phone (513) 621-ARTS [2787], Aronoff Center Ticket Office

CAA_The Piano GuysHailing from Utah, The Piano Guys became an Internet sensation by way of their immensely successful series of strikingly original self-made music videos. They’ve made over 35 since joining forces in early 2011, including their hit video, an innovative 10-handed version of One Direction’s “What Makes You Beautiful.” But it’s the Guys’ highly original blend of classical music with pop that has really been the cause of an Internet phenomenon that has brought them to their major label debut album, The Piano Guys, released on Sony Masterworks on October 2nd, 2012.

In the last few months, The Piano Guys have performed everywhere from “The Tonight Show with Jay Leno,” to “The Today Show” and “Katie.” Their most recent video, “Mission Impossible,” featuring YouTube violin sensation Lindsey Stirling, continues to build momentum with over 1.5M views in a month. It finds the band and Stirling in a spy thriller as covert operatives while playing their unique take on this famous musical theme.

The album features more of the imaginative mash-up arrangements that The Piano Guys are already famous for, including sources ranging from Michael Jackson to Mozart, The Bourne Identity to David Guetta. It also includes an original song and innovative takes on hits by One Direction, Adele, and Christina Perri.

But just who are The Piano Guys? Actually, there’s only one piano player, Jon Schmidt, and one other instrumentalist, Steven Sharp Nelson, on cello. Yet the other two – Paul Anderson and Al van der Beek – are equally significant members of the group. The Piano Guys’ name comes from Anderson’s piano store in St. George, Utah, which was called The Piano Guys. Looking for an alternative to low-yield conventional advertising, Anderson devised a Facebook promotional page and YouTube channel featuring the most famous pianist he could find – local pianist, Jon Schmidt. A self-described “New Age Classical” player, Schmidt was indeed well-established locally, thanks to eight albums and seven piano books of his song transcriptions. He also performed concerts throughout Utah, one of which featured a young guest artist, Steven Sharp Nelson, who adventurously combined traditional cello playing with percussion effects. “I was 15 when I met Jon and started playing with him,” Nelson recalls. “I had to get a ride to shows! But we’ve had a great brotherhood that’s now lasted 20 years.”

When Nelson moved from Salt Lake City to the suburb of Sandy, providence, if not serendipity, intervened. Al van der Beek, who came from a musical family and played several instruments and sang, lived down the street from Nelson’s new place, and helped him move. “I suggested we ‘collaborate’ sometime and he hesitated, because I think he didn’t want to disappoint me if I was horrible!” says van der Beek, laughing. “But,” says Nelson, “I checked out his home studio and started playing some of my unfinished songs, and he told me what the titles should be and their meaning – and finished them on the spot! The guy is music incarnate!”

In The Piano Guys, then, van der Beek is charged with the studio operations, as well as co-writing and some vocal texturing, music arranging, “and a lot of percussion work,” adds Nelson.

Anderson was so taken by the music of Schmidt and Nelson that he closed his store at the end of 2011 in order to devote himself to the group, which only became a full-time operation in February 2012. “I had to let the piano store go!” he says, laughing. “Some of the pianos are still in storage and have been used in the videos.”

The spectacular Piano Guys videos, which have so far netted over 293 million YouTube views (and 500,000 new views a day), are essentially divined by Stewart and Anderson. “Jon had built up a fan base for 20 years, and we used that as a springboard for getting exposure,” Anderson notes, “but it’s all about the merits of the videos, and share-ability. People see them and then share them with their friends on Facebook, and before you know it, they can take off.”

And sure enough, The Piano Guys have over 696,000 Facebook fans who have shared videos like “Michael Meets Mozart,” which features over 100 tracks of cello textures, including a deep bass drum sound created by tapping on the cello body; a shaker sound made by Nelson rubbing rosin on his bow; and a record-scratch noise caused by his scraping a quarter on the strings. “Michael Meets Mozart” is on The Piano Guys debut CD, as is “Cello Wars,” the ambitious video which resulted from a six-month production required to realize its Star Wars-inspired light saber/cello bow concept, since rewarded by over 14 million YouTube views.

“We try to put a ‘wow factor’ in every video,” says Anderson, promising that future videos for The Piano Guys tracks will likewise factor in plenty of wow. This certainly is true for “Peponi (Paradise),” the Guys’ African spin on Coldplay’s “Paradise,” for which the group, hours after coming up with the concept, helicoptered a grand piano onto the edge of a 1,000-foot cliff, where stellar African guest vocalist Alex Boyé sang the translated words. Same with “Code Name Vivaldi,” which blends The Bourne Identity soundtrack riff with a similarly intense Vivaldi cello concerto in a breathless video culminating with Schmidt and Nelson, who was originally swayed into classical music by the Vivaldi piece, performing on a flatcar on a high-speed train.

The album’s lead track “Titanium/Pavane” is a mash-up of French classical composer Gabriel Fauré’s “Pavane” with David Guetta’s “Titanium,’ – the Guys having previously lensed a lovely take on Guetta’s “Without You.” A clip will certainly be created for “Arwen’s Vigil,” a Piano Guys original. “Beethoven’s 5 Secrets” merits special mention. The piece itself employs five separate melodies from the four movements of Beethoven’s 5th Symphony, in conjunction with OneRepublic’s “Secrets.”

“We love showcasing the beauty of the earth—where people don’t expect to find classical instruments,” says Anderson, and sure enough, the Beethoven video combines stunning outdoor performance footage from the mountains surrounding St. George, Utah, with a concert featuring the American Heritage Lyceum Philharmonic Youth Orchestra, thereby manifesting The Piano Guys’ dual goal of bringing people to classical music and inspiring young musicians.

“Lots of parents are using our music to show their kids how fun classical music can be and motivate them to learn instruments,” says Schmidt. The Piano Guys’ cover song mash-ups, adds Nelson, have become “a great way to introduce ourselves and make an instant connection with our audience as a classic spin on new stuff – and a new spin on classic stuff.”

With van der Beek’s studio prowess together with the inventive cinematography of Anderson, Schmidt and Nelson have forged a fresh approach to the growing classical crossover fusion of classical and pop music that in their case has connected quietly but emotionally with a massive audience.

“We’re all spiritual guys, and the only way to properly explain it is not to take credit!” says Nelson. “It really seems meant to be.”

The Piano Guys
Official Website: www.thepianoguys.com
Official Facebook Page: www.facebook.com/PianoGuys
Official Twitter: www.twitter.com/PianoGuys (@pianoguys)
Official YouTube Channel: www.youtube.com/ThePianoGuys

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INTO THE WOODS Opens Next Week at LTC

LTC_logoJack and the Beanstalk, Little Red Riding Hood, Rapunzel, and Cinderella are familiar stories to many people. But what about The Baker and his wife? And who is this narrator? “Into the Woods,” a musical by Stephen Sondheim and James Lapine tells us the stories of these familiar folks.

The Baker and his wife desperately desire a child, so they ask their friendly neighbor, who happens to be a witch, for help. She agrees to help them get the thing they want the most and, in the process, the rest get what they want, too. They should all now “live happily ever after,” but do they? “ Into the Woods” explores the question, “Is getting what you want worth what it costs?”

Lebanon Theatre Company presents this show, sponsored by the First National Bank of Warren County, that many people believe is one of Sondheim’s greatest works. Steven Haines is directing. The cast includes veterans of the LTC stage as well as newcomers. Veterans are Gina Beck, Chris Carter, Amy Edington-King, Melanie Highland, Timothy Larrick, Dance Morey, Karen Oehler, Kurt Percy, BJ Simpson, Bryan Wallingford, and Cindy Wilmes. Making their LTC debut are Brent Hoggatt and Abby Land.

Opening night on May 9, which includes dinner at the Golden Lamb and a ticket to the show, is sold out. Tickets are available for other shows including May 10, 16, & 17 at 8 p.m. and May 11 & 18 at 2 p.m. Tickets are $18 each and can be ordered on line at LTCplays.com or by calling (513) 228-0932. All performances are at the Mechanic Street Playhouse, 10 S. Mechanic, Lebanon, OH.

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TDW Offers Regional Premiere of SUITE SURRENDER

"Tempers flare in the Presidential Suite of the Palm Beach Royale in The Drama Workshop's production of SUITE SURRENDER, opening May 2. Pictured left-to-right: Stefanie Adams, Joe Wagner, Robin Rubeo, Dennis Murphy, Lynn Minges. Image provided by The Drama Workshop"

Tempers flare in the Presidential Suite of the Palm Beach Royale in The Drama Workshop’s production of SUITE SURRENDER, opening May 2. Pictured left-to-right: Stefanie Adams, Joe Wagner, Robin Rubeo, Dennis Murphy, Lynn Minges. Image provided by The Drama Workshop

(Cheviot, Ohio) The Drama Workshop is thrilled to present the Cincinnati regional premiere of Michael McKeever’s hilarious hotel comedy, “Suite Surrender”. Performances will take place at The Glenmore Playhouse, 3716 Glenmore Ave, Cheviot. The show runs from May 2 to May 18, with performances on Friday, Saturday, and Sunday for three consecutive weekends. Friday and Saturday performances begin at 8 pm, and Sunday performances are at 2 pm.

“Suite Surrender” takes place in 1942. Two of Hollywood’s biggest divas have descended upon the luxurious Palm Beach Royale Hotel — assistants, luggage, a lap dog, and legendary feud with one another in tow. Everything seems to be in order for their wartime benefit performance…that is, until they are somehow assigned to the same suite. The hotel staff must somehow keep the two apart from each other and away from the gossip columnist who has appeared at the hotel. Of course, everything that can go wrong, does. As hotel manager Mr. Dunlap exclaims, “The war is a bad thing. This is much, much worse.”

Hilarious characters, slamming doors and the antics of the frantic hotel staff will have the audience surrendering to waves of laughter.

The show features an award-winning cast, including Gretchen Gantner (Mrs. Osgood), Dennis Murphy (Mr. Dunlap), Julia Hedges (Murphy), Stefanie Adams (Athena Sinclair), Dan Maloney (Francis), Lynn Minges (Claudia McFadden), Chuck Beatty (Mr. Pippet), Robin Rubeo (Dora Del Rio), and Joe Wagner (Otis). They are joined by the adorable Evie (Mr. Boodles), a toy poodle accompanied by Kent and Carol Smith.

“Suite Surrender” is directed by Fred Hunt, who received Cincinnati Association of Community Theatres and Ohio Community Theater Association awards for last season’s “The Laramie Project” for Center Stage Players. The similarly accomplished production staff is headed by producer Ray Persing and stage manager Wendy Williams.

This is Mr. Hunt’s first show directing for TDW, and he exudes excitement. “When you combine the brilliance of Mr. McKeever’s script with the talent and dedication of The Drama Workshop, you are guaranteed to have a successful production,” he said. “I am truly blessed to be part of the team that gets to bring the show to this region.”

The Drama Workshop performs at The Glenmore Playhouse, formerly the Glenmore Bowl, at the corner of Glenmore and Gamble in the heart of the Cheviot Business District. There are many options for dinner and drinks within a short walk from the Playhouse. TDW received a prestigious Rehabilitation Award from the Cincinnati Preservation Association last November for their efforts to save the building from demolition and repurpose it. The Glenmore Playhouse also recently installed new theatrical seating for the audience’s comfort. Tickets may be reserved on-line at The Drama Workshop’s website, http://www.thedramaworkshop.org, or by calling the ticket line at 513.598.8303. Tickets are $15 for adults, $12 for children 12 and younger. Reservations are strongly recommended. “Suite Surrender” contains some mild adult language.

THE DRAMA WORKSHOP was founded in 1954. TDW is a 501(c)3 non-profit organization dedicated to advancing education and promotion of the theatrical arts. The Drama Workshop is widely recognized as one of greater Cincinnati’s most accomplished community theater organizations, garnering dozens of awards annually from the Cincinnati Association of Community Theatres. TDW productions have been regularly selected to represent the Southwest Ohio region at the Ohio Community Theatre Association annual conference, and TDW was also honored to represent the state of Ohio at the American Association of Community Theatre regional conference in 2013. The Drama Workshop recently was recognized by the Cincinnati Preservation Association for their efforts to rehabilitate the former Glenmore Bowl into The Glenmore Playhouse. Prospective members, and individuals or businesses interested in becoming involved or in helping advance TDW’s mission are encouraged to contact the group through our website at www.thedramaworkshop.org, or by phone at 513-598-8303.

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Middletown Lyric Theatre’s 2014-2015 Season

MLT_logoMIDDLETOWN LYRIC THEATRE
2014-2015 SEASON

September 19, 20, 26 & 27 Auditions: June 8, 9 & 10

SIDE BY SIDE BY SONDHEIM – Music by Stephen Sondheim and Leonard Bernstein and Jule Styne and Richard Rodgers and Mary Rodgers Lyrics by Stephen Sondheim Continuity by Ned Sherrin

DIRECTED BY: Charley Shafor

VOCAL DIRECTION: Julia Abanto-Bethune
PIANIST: Jay Mills

This dazzling array of some of Sondheim’s best-known songs features numbers from landmark shows that revolutionized the musical theatre with their masterful craft and astounding creativity

 

October 24, 25, 31 & November 1 Auditions: July 14, 15 & 16

BEAUTY QUEEN OF LEENANE – By: Martin McDonagh

DIRECTED BY: TBA

Tells the darkly comic tale of Maureen Folan, a plain and lonely woman, and Mag, her manipulative aging mother, whose interference in Maureen’s first and possibly final chance of a loving relationship sets in motion a train of events that leads inexorably towards the play’s terrifying dénouement.

 

December 5, 6, 12 &13 Auditions: August 11, 12 & 13

THE LAST NIGHT OF BALLYHOO – By: Alfred Uhry

DIRECTED BY: Charley Shafor

We’re in Atlanta, Georgia, in December of 1939. Gone with the Wind is having its world premiere, and Hitler is invading Poland, but Atlanta’s elitist German Jews are much more concerned with who is going to Ballyhoo, the social event of the season. Especially concerned is the Freitag family. The family gets pulled apart and then mended together with plenty of comedy, romance and revelations along the way.

 

March 6, 7, 13 &14 Auditions: November 2, 3 & 4

PICASSO AT LAPINE AGILE – By: Steve Martin

DIRECTED BY: Nathan Greer

This long running Off-Broadway absurdist comedy places Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with cubism. The show plays fast and loose with fact, fame and fortune as these two geniuses muse on the century’s achievements and prospects as well as other fanciful topics with infectious dizziness.

April 17, 18, 24 & 25 Auditions: January 5, 6 & 7

FORBIDDEN BROADWAYS: GREATEST HITS – Created by Gerard Alessandrini

DIRECTED BY: Ryan Heinrich

VOCAL DIRECTION: Ryan Heinrich

In this long-running Off-Broadway hit musical revue, Broadway’s greatest musical legends meet Broadway’s greatest satirist in this hilarious, loving, and endlessly entertaining tribute to some of the theatre’s greatest stars and songwriters.

 

May 29, 30 & June 5, 6 Auditions: February 15, 16 & 17

NOVEMBER – By: David Mamet

DIRECTED BY: Claire LaNicca

It’s a Presidential election year, and incumbent Charles Smith’s chances for reelection are looking grim. Approval ratings are down, his money’s running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn’t ready to give up just yet. November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win. (this play does contain strong adult language)

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