Category Archives: Press Releases

Ensemble Theatre Cincinnati Announces the 2016-2017 Otto M. Budig Family Foundation Season

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(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) is thrilled to announce its 2016-2017 Season, which features a compelling selection of stories centered upon the power of change and moving forward. The lineup showcases a exhilarating range of topics including: a music-filled comedy about finding your voice; a powerful tale of resilience in the face of tragedy with a timely, unique perspective on urban violence; a hysterical and hopeful new Broadway musical about the chances we all take to find love; and a deeply moving and engaging drama set during a pivotal turning point for women’s issues in our nation’s history. Additionally, 2016-2017 welcomes the next chapter of ETC’s best-selling show in a new world premiere holiday musical that continues the story of a cast of beloved characters.

Although the 2016-2017 Season contains a six-show selection, please note that performance dates for the latter half of the season are earlier in the calendar year than is typical. This is to accommodate the construction schedule for major renovations of ETC’s facilities, which will go through fall 2017.

About the Plays
Ensemble Theatre Cincinnati’s kicks off its 31st season with the heartwarming, music-filled comedy of Matthew Lopez’s The Legend of Georgia McBride, September 6-25, 2016. He’s young, he’s broke, his landlord’s knocking at the door, and he’s just found out his wife is going to have a baby. To make matters even more desperate, Casey is fired from his gig as an Elvis impersonator in a run-down, small town Florida bar. When the bar owner brings in a B-level drag show to replace his act, Casey learns that necessity is the mother of reinvention and that he has a whole lot to learn about show business—and himself. Playwright Matthew Lopez, known for his powerful off-Broadway post-Civil War slave drama The Whipping Man and HBO’s The Newsroom, has made a 180-degree turn with this wonderfully appealing and compulsively funny new work that The New York Times calls “full of sass and good spirits.”

Next, taking the stage is Kimber Lee’s bold new play brownsville song (b-side for tray), playing October 11-30, 2016. Set in the Brownsville neighborhood of Brooklyn and moving fluidly between past and present, this drama is a powerful tale of resilience in the face of tragedy. Eighteen-year-old Tray is committed to making something of himself. He’s working on his college essay, boxing at the gym, and holding down a part-time job. When he happens to be at the wrong place at the wrong time, a senseless act ends his life, leaving his family to ponder what might have been. This poetic and powerful story jumps between a hopeful future and an uncertain present to show a unique perspective on urban violence. Far from being a play “ripped from the headlines,” this lyrical social drama about the shocking death of a young African-American teenager is a poignant story for our time, and demands the attention of audiences far and wide.

For the holidays, ETC is thrilled to present the world premiere of Cinderella: After Ever After, November 30-December 30, 2016 with book by Joseph McDonough, lyrics by David Kisor, and music by Fitz Patton. Following ETC’s sold-out success of Cinderella this past year, Cinderella: After Ever After continues the story about what happens following a fairy tale’s “happily ever after.” What happens when Cinderella and Prince Freddy move into the palace with her diva stepmother and two fabulously self-absorbed stepsisters in tow? What becomes of Cinderella’s beloved animal friends and Gastón, Freddy’s trusted companion? Change can be hard, and when Gwendolyn The Well Wisher gets involved in an attempt to bring peace to the royal kingdom, she sets off a series of chaotic events. This brand new family-friendly musical will delight audiences of all ages this holiday season.

Mid-season, following its sensational Broadway run, First Date takes ETC’s stage, exploring the most dangerous human endeavor in existence: the dreaded blind date. Making its regional debut at ETC January 17-February 5, 2017, this musical comedy has a book by Austin Winsberg, music and lyrics by Alan Zachary and Michael Weiner. When blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a uproarious high-stakes dinner when other restaurant patrons transform into supportive best friends, manipulative exes, and protective parents, who sing and dance them through ice-breakers, appetizers and potential conversational land mines. Can this couple turn what could be a dating disaster into something special before the check arrives?

Then in spring, ETC presents the regional premiere of When We Were Young and Unafraid (February 21-March 12, 2017), Sarah Treem‘s (Netflix’s House of Cards, HBO’s In Treatment) powerful new play that takes us inside an underground women’s shelter in the early 1970s. Before Roe v. Wade, before the Violence Against Women Act, Agnes has turned her quiet bed and breakfast into one of the few spots where victims of domestic violence can seek refuge. But to Agnes’s dismay, her latest runaway, Mary Anne, is beginning to influence Agnes’s college-bound daughter Penny. As the drums of a feminist revolution grow louder outside of Agnes’s tiny world, Agnes is forced to confront her own presumptions about the women she’s spent her life trying to help.

Finally, to close out the 2016-2017 Season, ETC presents the regional premiere of Steven Dietz’s BloomsdayApril 4-23, 2017. Set against the backdrop of James Joyce’s groundbreaking modernist novel Ulysses, an American man searches for the Irish woman who first captured his heart 30 years earlier while leading a “Bloomsday” walking tour in Dublin. Told with humor, wit and heartache, this buoyant and moving new play bends time and space to explore a love affair that might have been. Bloomsday references June 16, 1904, the day in Joyce’s novel Ulysses when the central characters in the novel, Leopold Bloom and Stephen Dedalus, peregrinate through Dublin and briefly encounter one another. Named a 2016 Finalist for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.

Subscriptions On Sale Now
Subscriptions to the 2016-2017 Ensemble Theatre Cincinnati season are on sale now. ETC will continue to offer a 5-show Tuesday evening Preview Subscription for just $125 (excludes holiday production). Additionally, ETC has added a reduced-price Sunday Evening Saver package at just $156. Regular subscription prices range from $156 to $210. The popular FlexPass is $202, which includes six flexible tickets to use for any show and in any combination.

Student Subscription Options
The 2016-2017 season will continue to offer a robust suite of affordable ticket and program options designed specifically for local area teens and students to experience professional theatre. This includes a $120 Student Subscription available for any performance and which provides a seat for each of the six productions during the season. Additionally, ETC continues its $90 Teen Scene Subscription, a deeply discounted subscription option exclusively for students ages 13-19 (available select dates only). 

Single Tickets On Sale August 1, 2016
All single tickets for the 2016-2017 Season go on sale to the general public on Monday, August 1, 2016 at 10:00 am. Subscribers, however, may start making exchanges, purchasing additional tickets, or reserving their FlexPass dates during Subscriber-Only Days, July 25-29 2016. 

About ETC’s History
In 1986, Ensemble Theatre Cincinnati drew back its curtains with the intended purpose of supporting local professional artists and a steadfast belief in the transformative power of the arts to create sustainable and attractive communities. After performing for two subscription seasons at Memorial Hall and following an extended search throughout the downtown area, the fledgling theatre moved to its present location at 1127 Vine Street in historic Over-the-Rhine with financial support from co-founders John and Ruth Sawyer and Ken and Mary “Murph” Taft Mahler. The theatre then secured a contract with Actors’ Equity Association and opened its doors in 1988 as a fully professional theatre, presenting a wide range of productions, including classics and contemporary theatre. Then, in 1996 ETC sharpened its mission as a theatre solely dedicated to producing new works and introduced several educational outreach programs focusing on economically disadvantaged children. Today, Ensemble Theatre remains the Greater Cincinnati area’s second largest professional theatre, with a subscription base of  2,300 patrons and drawing nearly 30,000 attendees annually.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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The Children’s Theatre of Cincinnati Presents SHREK THE MUSICAL JR.

This April at the Taft Theatre!

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Brandon Bentley as Shrek and Kayla Burress as Princess Fiona. Photo by Phil Groshong.

Everyone’s favorite ogre is back in SHREK THE MUSICAL JR., the hilarious stage spectacle based on the Oscar-winning smash hit film.  The Children’s Theatre of Cincinnati brings this production to life on the Taft Theatre stage April 8-10, 16-17, 2016.

In a faraway kingdom, the green ogre Shrek finds his swamp invaded by banished fairytale misfits, runaways who’ve been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wise-cracking donkey to confront Farquaad, he’s handed a task – if he rescues feisty Princess Fiona from the Dragon-guarded tower, his swamp will be returned to him. But, a fairy tale wouldn’t be complete without unexpected twists and turns along the way.

Based on the DreamWorks Animation Motion Picture and the book by William Steig.  Book and Lyrics by David Lindsay-Abaire.  Music by Jeanine Tesori.  Originally produced on Broadway by DreamWorks Theatricals and Neal Street Productions.  Original production directed by Jason Moore and Rob Ashford.  “I’m a Believer” by Neil Diamond.  Puppets by The Frisch Marionettes. Directed and Choreographed by Roderick Justice.

SHREK THE MUSICAL JR. presented by The Children’s Theatre of Cincinnati, April 8-10, 16-17, 2016. Friday April 8 at 7:30 PM; Saturday April 9 at 2 PM; Sunday, April 10 at 2 PM; Saturday, April 16 at 2 PM and 5 PM; and Sunday, April 17 at 2 PM.  At the Taft Theatre, 5th and Sycamore Streets in Downtown Cincinnati. Tickets $7-$25. 1-800-745-3000 and www.ticketmaster.com.  Tickets are selling fast!

The Children’s Theatre of Cincinnati’s production of SHREK THE MUSICAL JR.  is made possible by the generous support of TriHealth, and the generosity of community contributions to the ArtsWave Campaign. Season Sponsors are the Charles H. Dater Foundation and the Marge and Charles J. Schott Foundation.  The Ohio Arts Council helped fund this program with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Media sponsors are Cincinnati Enquirer, LOCAL 12 and Q102.  The Children’s Theatre of Cincinnati Kids Club is presented by Time Timer.

The cast of The Children’s Theatre of Cincinnati’s production of SHREK THE MUSICAL JR. includes:

  • Brandon Bentley as Shrek
  • Kayla Burress as Fiona
  • Ellie Chancellor as Pig 2/ Ensemble
  • Liz Comstock  as Mama Ogre/ Ensemble
  • Lily Deye as Young Fiona/ Baby Bear/Ensemble
  • Allison Edwards as Shoemaker’s Elf/ Ensemble
  • Gabriella Francis as Ugly Duckling/ Dragon/Ensemble
  • Josh Galloway as Pig 1/ Puss n Boots/ Enemble/ U.S. Farquaad, Donkey
  • Reed Gnepper as Peter Pan/Ensemble /U.S. Pinnochio
  • Hannah Gregory as Teen Fiona/ Wicked Witch/Ensemble/U.S. Fiona
  • LOCAL 12’s Bob Herzog as Donkey
  • Will Jackson as White Rabbit/ Ensemble/ U.S. Peter Pan, Pied Piper
  • Sam Johnson as Big Bad Wolf/ Ensemble
  • Sydney Kline   as Mother Goose/ Ensemble/ U.S Wicked Witch
  • Ethan Marx as Young Shrek
  • Evan Moore as Frog Prince/ Pied Piper/Ensemble/U.S. Papa Bear, Pig 1
  • Danielle Muething as Mama Bear/ Gingy/ Ensemble
  • Elijah Prather as Humpty Dumpty/Ensemble
  • Gretchen Priddy as Pig 3/ Ensemble
  • Morgan Reece as Sugar Plum Fairy/ Ensemble
  • Cody Roberts as Papa Bear/ Ensemble/ U.S. Shrek
  • Spenser Smith as Lord Farquaad
  • Andrew Wiemann as Pinocchio/ Ensemble
  • Trace Young as Captain of the Guard/ Bishop

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Cincinnati Ballet Announces Celebratory 2016-2017 Season

Innovative works, family favorites and special events highlight Victoria Morgan’s 20th Season

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Janessa Touchet & Patric Palkens in KING ARTHUR’S CAMELOT.

CINCINNATI, OH. Cincinnati Ballet’s 2016-2017 Season marks Artistic Director & CEO Victoria Morgan’s 20th. To celebrate, the new season features unique collaborations, world premieres and the return of treasured family classics performed at the Aronoff Center for the Arts, including Director’s Cut, Coppélia, Frisch’s Presents The Nutcracker with a Washington, D.C. debut, King Arthur’s Camelot, Bold Moves and The Kaplan New Works Series. The commemorative season of dance is complemented with a series of special events celebrating Victoria Morgan’s tenure.

Cincinnati Ballet’s Otto M. Budig Academy hosts a kick-off event August 27 at the Cincinnati Ballet Center chaired by Michelle Frodge and Erin Starkey. An exciting season of dance kicks off with an invitation-only black tie gala in honor of Victoria Morgan, September 15. An Intimate Evening with Victoria Morgan is chaired by Rhonda Sheakley, Dianne Dunkelman and Larry Kellar.

The gala is followed by a special presentation of the Director’s Cut series September 16 and 17, for which Victoria Morgan has curated a diverse, mixed-repertoire performance of her favorites including world famous dancer/choreographer Justin Peck’s Capricious Maneuvers, a farewell performance of Raymonda from retiring dancers Sarah Hairston and Zack Grubbs with students from the Otto M. Budig Academy, Victoria Morgan and Ma Cong world premieres and more. A star in the making, Justin Peck was recently the subject of the documentary Ballet 422, chronicling the creation of a brand new work. Ma Cong’s stunning piece, Mind on the [Re]Wind, was met with admiration by Cincinnati audiences last season as part of The Kaplan New Works Series. Hairston and Grubbs take their final bow on stage as Principal and Senior Soloist, respectively, before going on to serve as the new Academy leadership. Director’s Cut performances close out with a celebratory Homecoming Brunch on September 18 at the Transept, chaired by long-time Cincinnati Ballet supporter Ronna Willis.

Coppélia will captivate audiences of all ages when it takes the Cincinnati stage for the first time in 15 years, October 21 through 23. Dr. Coppélius’ dream comes true when his latest creation, a doll named Coppélia, comes to life – or so he thinks! Unbeknownst to him, the doll has caused quite a stir in the village. This comedic story of love and mistaken identities features the challenging, yet charming choreography of Kirk Peterson. The treasured ballet classic is set to the melodic music of Léo Delibes, played by the Cincinnati Symphony Orchestra.

Frisch’s Presents The Nutcracker, Cincinnati’s favorite holiday tradition, makes its Washington, D.C. debut at the famed Kennedy Center, November 21-28 with music performed by The Kennedy Center Opera House Orchestra. The Nutcracker returns to Cincinnati’s Aronoff Center December 9 through 18. A Cincinnati tradition spanning more than four decades, The Nutcracker is a joyful holiday celebration for the entire family. Re-envisioned by Victoria Morgan in 2011, Cincinnati CityBeat says this version “strikes a delightful balance between light family fare and serious technical ballet.” The Cincinnati Symphony Orchestra will perform Tchaikovsky’s magical score live at each Cincinnati performance.

King Arthur’s Camelot is one of the first ballet incarnations of the legendary tale and saw a world premiere of epic proportions in 2014. A highlight of a momentous season, the legendary tale of love and honor returns to delight audiences of all ages, February 12 through 14, featuring choreography by Victoria Morgan and an original musical composition by John Estacio, performed by the Cincinnati Symphony Orchestra. A visually stunning display of dance and drama, the production features larger than life puppets, projections, special effects and exquisite costumes by one of the most sought after designers, Sandra Woodall.

Bold Moves joins a weeklong series of cultural events by showcasing Israeli artistic innovators, March 17 and 18. A mixed-repertoire series focused on innovation that defies traditional expectations of classical ballet, Bold Moves includes the world famous Ohad Nahrin’s Minus 16, a collection of vignettes incorporating improvisation and his acclaimed “Gaga” method. “Gaga” is a language of movement created by Naharin that challenges dancers to liberate themselves from old habits and explore new and inventive ways to use their bodies. The San Francisco Chronicle describes Minus 16 as, “delighting in its own wackiness, while celebrating the joy of dancing.” Resident Choreographer Adam Hougland presents his seventh world premiere for Cincinnati Ballet with the music of the award-winning Ariel Quartet. The quartet, which originally formed in Israel during the members’ early years, is now internationally recognized and serves as the Quartet-in-Residence at University of Cincinnati’s College-Conservatory of Music. Hougland is known for his creation of the spectacular productions of The Firebird and Mozart’s Requiem specifically for Cincinnati Ballet, and in 2011 he was named one of Dance Magazine’s “25 to Watch.” He contributed his talent to a piece in the collaborative performance of Frampton & Cincinnati Ballet Live, which was performed at the Joyce Theater in New York City in 2014, and audiences may remember his piece All My Favorite People, set to the music of Over the Rhine, performed in last season’s New Works.

Ballet Toybox returns offering the perfect opportunity to introduce young children to the joy of dance, Sunday, March 19 at 2 pm at the Aronoff Center. The program features the Cincinnati Ballet Second Company in a mix of ballet and storybook classics. At under an hour and only $20 a ticket, Ballet Toybox is an interactive adventure where the audience learns about the essential elements that make up the beauty, humor and inspiring discipline of dance.

Known as Cincinnati’s hottest dance party of the year, Club B returns in April 2017, chaired by long time Cincinnati Ballet supporters Keke Sansalone, Cynthia Henderson, Halle Quinn and Chris Lippert. The date and location are still to be announced.

A special spring presentation of The Kaplan New Works Series runs April 20 through 29 in the Aronoff’s intimate Jarson–Kaplan theater, rounding out the season with a tradition of innovation in dance. New Works brings acclaimed choreographers from all over the world to Cincinnati Ballet. This season features an impressive roster of female choreographers in a continued effort to shine a spotlight on the talented women who are underrepresented in the dance world. The lineup includes Cincinnati Ballet’s own Artistic Director and CEO, Victoria Morgan along with Jennifer Archibald, Annabelle Lopez Ochoa and Heather Britt. Jennifer Archibald, the founder and artistic director of New York City’s acclaimed Arch Dance Company, presented her piece Sit in the 2014 Kaplan New Works Series, described by the Cincinnati Enquirer as, “…voluptuous…fiery…sensual…” This time she teams up with fellow female innovator, the artist known as Swoon, to present an unparalleled collaboration of performance and visual art. The experience is augmented by a presentation of Swoon’s work at the Contemporary Arts Center in the fall of 2017. Cincinnati audience favorite and the creator of DANCEFIX, Heather Britt returns with her anticipated choreography that exudes an energy of fearless confidence and innovation. New Works will also feature the U.S. premiere of Eros Redux, a mythical piece by international choreographer extraordinaire Annabelle Lopez Ochoa. Temecula Performing Arts Examiner describes Ochoa as, “a truly masterful choreographer with an edge for what dance can and should be in this constantly changing industry.”

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Cincinnati Ballet 2016-2017 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, PNC Bank, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, National Endowment for the Arts, Frisch’s

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy-winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

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Lewis Black’s ONE SLIGHT HITCH is a Wedding Day Dream Turned Disaster at the Human Race Theatre Company

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Alex Sunderhaus, Alex Curtis, Cecily Dowd, Brian Dykstra, Rita Rehn, Dana Berger & Kyle Nunn. Photo by Scott J. Kimmins.

Comedian/playwright Black’s romantic farce is a nightmare for any father of the bride at The Loft Theatre, April 7 – 24, 2016.

(Dayton, OH) — Spring has sprung and while love is in the air at The Human Race, April showers loom for the characters of the theatre company’s latest production, One Slight Hitch. Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster? The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Margarett Perry and features actors Brian Dykstra and Rita Rehn, with Dana Berger, Alex Curtis, Cecily Dowd, Kyle Nunn and Alex Sunderhaus. The preview performance of One Slight Hitch is Thursday, April 7. Opening night is Friday, April 8. The production runs through April 24.

For years, Lewis Black has been a nationally recognized comedian and social critic thanks largely to his regular “Back in Black” segments on The Daily Show and multiple Comedy Central specials. But years before he was a successful stand up, Black aspired to be a playwright, first studying at the University of North Carolina at Chapel Hill before earning an MFA degree at the Yale School of Drama. He served as the associate artistic director and playwright-in-residence of New York City’s West Bank Café Downstairs Theatre Bar, where he developed hundreds of one-act plays in the 1980s. Black’s stand-up comedy began as an opening act for the plays. His full-length plays include The Laundry Hour, The Czar of Rock and Roll, Nightfall and The Deal. His comedy CDs have earned him two Grammy Awards, and as an author, three of his books, Nothing’s Sacred, Me of Little Faith, and I’m Dreaming of a Black Christmas are New York Times best sellers. On film, Black has starred in such movies as Accepted, Unaccompanied Minors and Man of the Year, but is now probably best known as the voice of “Anger” in Disney/Pixar’s hit animated film, Inside Out.

Black wrote One Slight Hitch in the early 1980s, inspired by his breakup with a girlfriend who married quickly after their separation. Confused and upset over her nuptials, he turned his pain into a comedy that had some initial success with readings at various regional theatres and festivals. It was even optioned for Broadway before interest in the script faded for the better part of 30 years. Now a published work, Black attributes the play’s newfound success to his celebrity status as the “King of Rant,” but cautions that it is very different than his stand-up persona. “If my name weren’t on it,” he says, “nobody would know that I wrote this play.”

Director Margarett Perry returns to The Loft Theatre after having helmed The Human Race Theatre Company’s March 2015 production of Vanya and Sonia and Masha and Spike in the Victoria Theatre. The Resident Director at Ithaca, New York’s Kitchen Theatre, Perry has developed and directed new works Off-Broadway and in regional theatres across the country. Her other shows for The Human Race include Other Desert Cities, God of Carnage, Painting Churches, The Retreat from Moscow and the world premiere of Michael Slade’s Under a Red Moon. One Slight Hitch, however, holds a special place in heart as it allows her the opportunity to finally direct a play by one of her oldest, dearest friends, Lewis Black, and to bring her long-time collaborator, Brian Dykstra, along for the ride. “Brian and I have known Lew for years,” says Perry. “We met him when we were doing a play of Brian’s at the West Bank Café Downstairs Theatre Bar and Lew opened for our show every night with a 20 minute set. I had just moved to New York City. Lew was just getting started as a comedian, but we knew he was something special. When we first found out that this comedian would be opening for our show, we thought, ‘What?! How is that going to work?’ Obviously, it rocked.” Bound by a common sense of humor, the trio’s friendship has never wavered. She fondly recalls seeing Black perform on numerous occasions throughout the years and of more relaxed times at the West Bank Café’s weekend midnight comedy shows. “I have an enormous amount of respect for both Brian and Lew and so I’m really looking forward to working with both of them and sharing their talents with Dayton audiences,” beams Perry. “I’m getting nostalgic, but it’s just magical that all these years later we are working on Lew’s play in Dayton at The Human Race.” The director wants to let everyone in on one pleasant surprise, “You may not see it from his performances on The Daily Show, but Lew has a big heart. So naturally, One Slight Hitch is a funny, smart play with a big heart.”

CAST AND DESIGN TEAM

Perry has assembled a seven-member cast, most of whom will be new to Loft Theatre audiences. New York City actor and playwright Brian Dykstra (Lucky Guy on Broadway, The Body Politic and Call Me Waldo Off-Broadway, All the Way at The Repertory Theatre of St. Louis) is the harried father of the bride, “Doc.” Rita Rehn (Nine on Broadway, Last Dance and Defiance Off-Broadway) plays his wife, “Delia.” Alex Curtis (The Grapes of Wrath at Trinity Rep and Yellowjackets at Berkeley Rep) is “Ryan,” the ex-boyfriend with the worst timing. New York-based actress Dana Berger (Elementary on CBS, Seminar at Kitchen Theatre Company) is the bride, “Courtney,” and the oldest of three daughters. Cincinnati native Alex Sunderhaus (HRTC’s Vanya and Sonia and Masha and Spike at the Victoria Theatre and August: Osage County, HRTC’s collaboration with Wright State University) plays middle sister “Melanie.” Centerville High School junior Cecily Dowd (Muse Machine’s Mary Poppins) is teenage daughter “PB.” Cincinnati Conservatory of Music alum Kyle Nunn (HRTC’s Miracle on South Division Street) returns for his second comedy at The Loft as Courtney’s fiancé, “Harper,” a role for which he was hand-selected by Lewis Black himself.

Dayton area artist Ray Zupp takes his first turn as scenic designer at The Human Race, having created sets for a number of regional performing arts organizations. One Slight Hitch marks frequent Human Race costume designer Janet G. Powell’s twelfth production at The Loft. Resident Artist John Rensel is the lighting designer. Todd Mack Reischman (HRTC’s Seussical, Big River), resident sound designer at Indiana Repertory Theatre, serves as the sound designer. Kay Carver is the production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of One Slight Hitch is sponsored by India and John Clarke and the Theda and Tamblin Clark-Smith Family Foundation, Doug Annala and Sam Rinehart, Heidelberg Distributing Company, Burhill Leasing Corporation and Matthew J. Scarr, CPA LLC.

Performance and special event information

Tickets for the preview performance of One Slight Hitch on April 7 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 8  – 24, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, April 10 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for One Slight Hitch are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on One Slight Hitch are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

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The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Human Race Theatre Company presents
ONE SLIGHT HITCH
by Lewis Black
Directed by Margarett Perry
April 7 – 24, 2016

Performed at The Loft Theatre
Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and turns their best laid plans into total chaos. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

For tickets:

Ticket prices start at: $35 – $50 for adults, $32 – $46 for seniors and $17.50  – $25.00 for students. Prices vary depending on performance date.

Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” April 10 at 7:00 p.m. – $10 seats available for walk up sales only

Group sales: Contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com

ONE SLIGHT HITCH performance dates:

  • Wednesday, April 6 8:00 p.m.  Pay-What-You-CAN open rehearsal
  • Thursday, April 7 8:00 p.m.  “Inside Track” pre-show discussion/Preview performance
  • Friday, April 8 8:00 p.m.  Opening night with post-show party at Uno Pizzeria & Grill
  • Saturday, April 9 8:00 p.m.
  • Sunday, April 10 2:00 p.m.
  • Sunday, April 10 7:00 p.m.  “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, April 12 7:00 p.m.  Lite Fare at The Loft pre-show lobby dining
  • Wednesday, April 13 8:00 p.m.
  • Thursday, April 14 8:00 p.m.
  • Friday, April 15 8:00 p.m.
  • Saturday, April 16 8:00 p.m.  Audio Described/Sign Interpreted performance (reserve by April 1)
  • Sunday, April 17 2:00 p.m.  “While We’re on the Subject” post-show talk-back
  • Tuesday, April 19 7:00 p.m.
  • Wednesday, April 20 8:00 p.m.
  • Thursday, April 21 8:00 p.m.
  • Friday, April 22 8:00 p.m.
  • Saturday, April 23 8:00 p.m.
  • Sunday, April 24 2:00 p.m.  Closing performance

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Know Theatre Looks Toward the Skies With SILENT SKY

SILENT SKY
by Lauren Gunderson
directed by Tamara Winters
The true story of the women who changed our understanding of the universe

KTC_Silent Sky logoIn the late 19th Century, a group of brilliant women were hired by the Harvard Observatory to catalog the stars.

Called “computers” by their employer (and sometimes, infuriatingly, “Pickering’s Harem,” in reference to the director of the Observatory), Henrietta Leavitt and her pioneering colleagues performed calculations for the male astronomers, but were discouraged from pursuing their own research and forbidden from using Harvard’s famed Great Refractor Telescope.

Yet Henrietta’s probing mind showed her a pattern in the data: a crucial relationship between the varying brightness of stars and their distances from us in the universe.

Her discovery, the period-luminosity relationship of Cepheid variable stars, became the standard by which previously unmeasurable distances in the universe could now be measured—a standard we use to this day. Henrietta’s discovery quite literally changed our understanding of the universe, and our place in it.

Silent Sky, opening April 15 and running through May 14 on the Know Theatre MainStage, follows Henrietta’s story from the moment she embarks on her journey to Harvard. As it unfolds, we discover the spirit and fire that drove her to pursue the truth, despite every challenge.

Silent Sky comes to us from playwright Lauren Gunderson (author of two hit shows in Cincinnati — Know’s Toil and Trouble and Cincinnati Playhouse’s The Revolutionists) and reveals how a group of extraordinary women found a way to measure the universe, providing a glimpse of the light within us all.

Directed by Know Theatre Associate Artistic Director Tamara Winters, Silent Sky features a cast full of celebrated local performers. Maggie Lou Rader stars as Henrietta Leavitt, joined by Annie Fitzpatrick as Annie Jump Cannon and Regina Pugh as Williamina Fleming, Henrietta’s tough-as-nails colleagues at the Harvard Observatory. Miranda McGee returns to the MainStage as Margaret, Henrietta’s sister whose fierce sisterly love is Henrietta’s bedrock. Justin McCombs joins this A-list group of ladies as Peter Shaw, Henrietta’s sometimes rival, sometimes love interest who propels and challenges Henrietta’s pursuit of the truth.

Silent Sky marks Know Theatre Associate Artistic Director Tamara WInters’ fourth foray onto the MainStage, having previously directed 2014’s Bureau of Missing Persons, and 2015’s Hearts Like Fists and All Childish Things.

About Silent Sky, director Tamara Winters says:

“I couldn’t more thrilled to take on this story of fierce and brilliant women who changed our world. Not only is Lauren’s script inspirational, witty, and poetic, but it is also timely. Henrietta Leavitt’s role in the history of astronomy has largely been forgotten, and overshadowed by the men whose work would later be made possible by her discovery–a fate sadly familiar to many high-achieving women. The time is right for us to shine a light on her work, and by extension, shine a light on the fierce and brilliant spirits that drive trailblazing women to succeed.”

Adds Know Theatre artistic director Andrew Hungerford:

“This play is very important to me personally for a lot of reasons: I spent  many nights observing variable stars as an undergraduate astrophysics student, and the synthesis of art and science in this show is beautiful and compelling. But more important than my own connection: the contributions of women in all fields of science have been overlooked for far too long, and the casual sexism and dismissal encountered by these women in the early 20th century are still experienced in the Astro community today, with sexual harassment in the field now being called out on social media with the hashtag #AstroSH.”

Know Theatre believes Cincinnati is an ideal place to showcase this story of American scientific ingenuity, as the Queen City is home of The Cincinnati Observatory, the Birthplace of American Astronomy.

In collaboration with the Observatory, Know Theatre is inviting students from all over the tri-state to two special performances of Silent Sky. Before these shows, there will be a panel featuring several Greater Cincinnati women working in STEM (Science Technology Engineering and Math) fields, who will share their experience with the students in attendance. Know Theatre and the Observatory are proud to collaborate on this important project to highlight brilliant women in science of the past and present in hopes of inspiring the future generation of women in STEM.

Know Theatre is especially happy to be able to leverage this collaboration to help bring wider attention to The Observatory, a true gem of Cincinnati’s architectural and cultural history.

Silent Sky is a poetic, witty, and inspiring tale you will not soon forget. Appropriate for all ages, Henrietta’s story reminds us all what we can achieve when we allow curiosity and wonder into our lives.

For tickets and more information, please call 513-300-5669 or visit www.knowtheatre.com.

Cast in Alphabetical Order

  • Annie Fitzpatrick* as Annie Jump Cannon
  • Justin McCombs* as Peter Shaw
  • Miranda McGee as Margaret Leavitt
  • Regina Pugh* as Williamina Fleming
  • Maggie Lou Rader as Henrietta Leavitt

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, appearing under a Special Appearance Contract.

Production Team

  • Director – Tamara Winters
  • Scenic & Lighting Design – Andrew Hungerford
  • Costume Design – Noelle Wedig
  • Sound Design – Doug Borntrager
  • Music Arranged by – James Allen

Calendar Listing

  • Production:   Silent Sky by Lauren Gunderson
  • When: 8:00pm April 15, 16, 20, 21, 22, 23, 27, 29, 30, May 4, 5, 6, 7, 12, 13, 14
                  3:00pm April 17, May 1, 8
  • Where: Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202. In historic Over-the-Rhine.
  • Tickets: $20 in advance
    $10 Rush tickets at the door 10 minutes prior to curtain (when available)

FREE performances on Wednesdays, as part of Know’s Welcome Experiment initiative. May be reserved at the door, or online beginning the Sunday before each performance. Subject to availability; reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.

Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669 (KNOW).  One-year sustaining memberships are available for $20/month or $240.     

Since 1997, Know Theatre has been dedicated to creating explosive and evocative live entertainment. We value a playful artistic community where artists can collaborate and grow.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. 

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. 

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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