Category Archives: Press Releases

Cincinnati Playhouse’s A CHRISTMAS CAROL Brings the Spirits of the Season to Life on the Robert S. Marx Stage Nov. 23-Dec. 31

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Ebenezer Scrooge (Bruce Cromer) celebrates his renewed holiday spirit . Photo by Sandy Underwood.

(CINCINNATI) — The Cincinnati Playhouse in the Park’s joyous, time-honored celebration of the true meaning of the holidays, a tradition enjoyed by multiple generations of Cincinnatians each year, returns for its 26th season as U.S. Bank presents Charles Dickens’ A CHRISTMAS CAROL. The beloved, iconic story will be performed Nov. 23 through Dec. 31 in the Playhouse’s Robert S. Marx Theatre.

A CHRISTMAS CAROL, an immediate hit when Dickens wrote it in 1843, is often credited for revitalizing the celebration of Christmas as we know it today. The renowned tale is so imbedded in popular culture that “Scrooge” is universally recognized as a synonym for a mean, tight-fisted person. A CHRISTMAS CAROL has also inspired countless television, film and stage adaptations — from classic interpretations to contemporary and even cartoon versions — that share the heartwarming truth of Dickens’ most popular work among a prolific output of classics.

The Playhouse’s version of A CHRISTMAS CAROL, adapted by Howard Dallin, brings Dickens’ narrative to vivid life with spectacular effects that illuminate Ebenezer Scrooge’s time-traversing pilgrimage with the spirits one magical Christmas Eve. From his kind-hearted sister Fan and first love Belle to his generous employer Fezziwig and humble clerk Bob Cratchit, Scrooge is repeatedly shown the saving grace of love and concern for humanity. The timeless message of A CHRISTMAS CAROL helps to make it one of the Playhouse’s most popular productions each season and a perfect way to introduce children to the joys of theatre.

The cast of the 26th annual production of A CHRISTMAS CAROL features a mix of new and familiar actors. Bruce Cromer returns to fill Ebenezer Scrooge’s miserly shoes for the 12th time this season, the longest run among the four actors who have played the role in the Playhouse’s production. (Cromer previously portrayed long-suffering clerk Bob Cratchit for eight years.) Also returning are Craig Wesley Divino as Fred, Annie Fitzpatrick as Mrs. Fezziwig/Patience, Ryan Wesley Gilreath as Bob Cratchit/Schoolmaster Oxlip, Kelly Mengelkoch as Mrs. Cratchit/Laundress at Fezziwig’s, Gregory Procaccino as Jacob Marley/Old Joe, Douglas Rees as Mr. Fezziwig/Ghost of Christmas Present, Nick Rose as Mr. Cupp/Percy/Rich Man at Fezziwig’s, Stephen Skiles as Mr. Sosser/Topper/Man with Shoe Shine/Guest at Fezziwig’s and Kathleen Wise as Ghost of Christmas Past/Mrs. Peake. New to A CHRISTMAS CAROL this season and making their Playhouse debuts are Sara Masterson as Belle/Catherine Margaret and John Skelley as Young and Mature Scrooge/Ghost of Christmas Future.

Members of the Playhouse’s Bruce E. Coyle Acting Intern Company — Richard Buchanan, George Bull, Ernaisja Curry, Candice Handy, Tatum Hunter, Taha Mandviwala and Koray Tarhan — will play carolers, party guests and others.

Nine Tristate children also appear in A CHRISTMAS CAROL. This season, one new junior cast member will join eight veterans of the production. Returning are Ella Faith Gallagan as Belinda Cratchit/Guest at Fezziwig’s, Ari Elizabeth Johnson as Want/Guest at Fezziwig’s, Aidan McCracken as Peter Cratchit/Gregory/Apprentice at Fezziwig’s, Ty Joseph Shelton as Ignorance/Matthew/Rich Son at Fezziwig’s, Livvy Stubenrauch as Fan/Guest at Fezziwig’s, Ashley Taylor as Martha Cratchit/Guest at Fezziwig’s, Austin Vaughan as Boy Scrooge/Guest at Fezziwig’s/Bootblack and Henry Charles Weghorst as Tiny Tim. New to A CHRISTMAS CAROL this year is Sabian George Swan as George/Charles/Apprentice at Fezziwig’s.

“It is a recurring joy to bring Charles Dickens’ A CHRISTMAS CAROL to life every holiday season,” says Michael Evan Haney, who is directing the production for the 24th time. (Haney has been associated with A CHRISTMAS CAROL since its debut in 1991, playing Bob Cratchit for the first two seasons.) “Cincinnati has enthusiastically embraced this production and many have made it a family tradition. Seeing the faces of the children entering the theatre and getting their first glimpse of the set, hearing their squeals at Marley’s entrance and their laughter as Scrooge enjoys his redemptive metamorphosis — these moments sweeten my holiday season like nothing else.”

In addition to Haney, the creative team for A CHRISTMAS CAROL includes James Leonard Joy (set designer), David Murin (costume designer), Kirk Bookman (lighting designer), David B. Smith (sound designer/composer), Steve O’Shea (lighting contractor), Cindy Witherspoon (costume coordinator), Rebecca N. Childs (music director) and Dee Anne Bryll (choreographer). The stage manager is Andrea L. Shell and second stage manager/assistant stage manager is Brooke Redler.

A CHRISTMAS CAROL is presented by U.S. Bank. The design sponsor and artist sponsor/Ghosts is Ohio National Financial Services. Artist sponsor/Ebenezer Scrooge is AAA and Provident Travel, artist sponsor/Tiny Tim is Skidmore Sales and Distributing and artist sponsor/Bob Cratchit is Bahl & Gaynor Inc.

Additional support is provided by The Stona Fitch Family.

All show times for A CHRISTMAS CAROL are at 2 p.m. for matinees and 7 p.m. for evening performances to accommodate families with children. Please note the earlier curtain time. There will be no performances on Thanksgiving Day, Christmas Eve, Christmas Day and selected weekdays in early December. There is an added performance on Monday, Dec. 26.

A CHRISTMAS CAROL is suitable for all general audiences, including children ages 5 and older. Due to the full-length nature of the show, children younger than 5 cannot be admitted.

Tickets for A CHRISTMAS CAROL start at $40. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Tickets for children, teenagers and students are $30 and $45. Tickets for the public preview, which will be performed at 7 p.m. Wednesday, Nov. 23, begin at $35. The official opening night is at 7 p.m. Friday, Nov. 25.

A CHRISTMAS CAROL will be audio described for those with visual impairments at 2 p.m. Saturday, Dec. 3, and signed for persons with hearing impairments at 2 p.m. Sunday, Dec. 4. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

For the 21st year, the Playhouse will partner with the University of Cincinnati’s Hoxworth Blood Center for a blood drive on Saturday, Nov. 19, from 8 a.m. to 1:30 p.m. Blood donors who attend the special event will receive vouchers good for half-price tickets to select performances of A CHRISTMAS CAROL and LITTLE SHOP OF HORRORS. To schedule an appointment, visit www.hoxworth.org/groups/playhouse. Because donation times are limited, donors are strongly encouraged to make an appointment in advance. Questions may be directed to Hoxworth at 513-451-0910.

Spread the joy this holiday season by participating in the Playhouse’s Cratchit Family Food Drive for the Freestore Foodbank. Bring donations of non-perishable food or personal care items (no glass, please) to the Playhouse during performances in November and December and place them in barrels located near the Box Office.

Characters from A CHRISTMAS CAROL, Ensemble Theatre Cincinnati’s holiday production of CINDERELLA: AFTER EVER AFTER, Cincinnati Ballet’s FRISCH’S PRESENTS THE NUTCRACKER and The Children’s Theatre of Cincinnati’s production of ELF THE MUSICAL JR. will be spreading the holiday spirit at festive events throughout the Tristate this season. For a listing of events, visit www.cincyplay.com.

Tickets to A CHRISTMAS CAROL are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2016-17 Robert S. Marx Theatre season is presented by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is the Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

 

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Cincinnati Opera Announces Its 2017 Summer Festival

co_logoFeaturing LA BOHEME, FRIDA, THE MAGIC FLUTE and special events including
Opera in the Park and SONG FROM THE UPROAR

LA BOHEME and THE MAGIC FLUTE to be presented in acclaimed European productions

Cincinnati Symphony Orchestra Music Director Louis Langrée to conduct
four performances of LA BOHEME

Company premiere of FRIDA, Robert Xavier Rodríguez’s 1991 opera on
Mexican artist Frida Kahlo

A new blockbuster production of THE MAGIC FLUTE from the
Komische Oper Berlin

Opera in the Park to kick off season with mainstage artists in
Spanish-themed program at Washington Park

Cincinnati Opera collaborates with concert:nova to present
SONG FROM THE UPROAR

Performances at Aronoff Center for the Arts due to renovation of Cincinnati Music Hall

CINCINNATI, OH–Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, is pleased to announce the repertoire, selected guest artists and creative team members, and special events for the company’s 2017 Summer Festival, which will run from June 15 to July 23. The company’s 97th season will feature three mainstage operas, including the return of the company’s heartbreaking English National Opera co-production of LA BOHEME, conducted by Cincinnati Symphony Orchestra Music Director Louis Langrée; the company premiere of Robert Xavier Rodríguez’s FRIDA, inspired by the life and work of Mexican artist Frida Kahlo; and the spectacular Barrie Kosky/1927 production of THE MAGIC FLUTE from the Komische Oper Berlin. Cincinnati Opera will also collaborate with concert:nova on a special presentation of Missy Mazzoli’s SONG FROM THE UPROAR. The season will commence with the fifth annual free Opera in the Park concert in Washington Park.

While the $135 million renovation of the company’s performance and administrative home, Cincinnati Music Hall, continues on schedule, all mainstage performances will take place as planned at the Aronoff Center for the Arts in downtown Cincinnati. The project is anticipated to be completed in fall 2017, and Cincinnati Opera’s 2018 Summer Festival will be presented in the revitalized Music Hall.

The 2017 Summer Festival will open with Giacomo Puccini’s La Bohème in the 2,500-seat Procter & Gamble Hall, followed by Robert Xavier Rodríguez’s Frida in the 400-seat Jarson-Kaplan Theater. The season will close with Wolfgang Amadeus Mozart’s The Magic Flute in the Procter & Gamble Hall. All performances feature the Cincinnati Symphony Orchestra.

CINCINNATI OPERA 2017 SUMMER FESTIVAL

LA BOHÈME
Music by Giacomo Puccini
Libretto by Giuseppe Giacosa and Luigi Illica
Sung in Italian with projected English supertitles

  • Thursday, June 15, 2017 at 7:30 p.m.
  • Saturday, June 17, 2017 at 7:30 p.m.
  • Thursday, June 22, 2017 at 7:30 p.m.
  • Saturday, June 24, 2017 at 7:30 p.m.

Procter & Gamble Hall, Aronoff Center for the Arts

For more than a century, Puccini’s most celebrated opera, La Bohème, has moved audiences to tears with its sweeping score of gorgeous melodies and timeless tale of young lovers in Paris. Cincinnati Opera presents its co-production with English National Opera, originally directed by the legendary Jonathan Miller. The production, last seen at Cincinnati Opera in 2010, is set in 1930s Paris and was inspired by the photography of the era by Brassaï and Cartier-Bresson. Cincinnati Symphony Orchestra Music Director Louis Langrée will conduct, becoming only the third sitting CSO music director to conduct his orchestra for Cincinnati Opera, and the first since Thomas Schippers conducted Puccini’s Manon Lescaut in 1974.

American soprano Nicole Cabell will sing the lead role of the impoverished seamstress Mimì in her fifth appearance with Cincinnati Opera. Cabell recently sang the role of Mimì to great acclaim at the Opéra National de Paris. Her “faultlessly gleaming soprano” (Financial Times) has previously enthralled Cincinnati audiences in the roles of Rosalinde in Die Fledermaus (2016), Donna Elvira in Don Giovanni (2013), Pamina in The Magic Flute (2011), and the Countess in The Marriage of Figaro (2009).

American tenor Sean Panikkar, whose “pure, clear voice displays truly remarkable power” (Broadway World) will make his company debut in the role of the poet Rodolfo. In recent years, he has sung Rodolfo at Michigan Opera Theatre (with Nicole Cabell as Mimì) and Fort Worth Opera, Tamino in The Magic Flute for Glimmerglass Festival, Opera Theatre of Saint Louis, and Pittsburgh Opera, Henry Rathbone in the world premiere of JFK at Fort Worth Opera, and Shalimar in the world premiere of Shalimar the Clown at Opera Theatre of Saint Louis.

Musetta will be sung by American soprano Jessica Rivera. Her previous Cincinnati Opera roles include a “deeply moving performance” (Cincinnati Enquirer) as Kumudha in A Flowering Tree (2011) and the student Nuria in Ainadamar (2009).

Following recent appearances at the Metropolitan Opera, Russian baritone Rodion Pogossov is the lovelorn painter Marcello. The philosopher Colline will be sung by Nathan Stark, a graduate of the University of Cincinnati College-Conservatory of Music (CCM) and a frequent guest artist at Cincinnati Opera. Recent performances include Rocco in Fidelio (2016), Sylvan in La Calisto (2014), and the Commendatore in Don Giovanni (2013). Baritone Edward Nelson, a graduate of CCM and the Merola Opera Program, takes on the role of the musician Schaunard in his company debut. Italian Marco Nisticò will perform the roles of Alcindoro and Benoit.

Natascha Metherell, who assisted director Jonathan Miller on the original production, will stage direct. Sets and costumes are by Isabella Bywater, and lighting design is by Thomas C. Hase.

Cincinnati Opera will continue its frequent collaboration with Cincinnati Boychoir, which will provide singers for the children’s chorus in the opening of Act II.

Company Premiere
FRIDA
Music by Robert Xavier Rodríguez
Libretto by Hilary Blecher and Migdalia Cruz
In English and Spanish with projected English supertitles

  • Friday, June 23, 2017 at 7:30 p.m.
  • Sunday, June 25, 2017 at 3:00 p.m.
  • Tuesday, June 27, 2017 at 7:30 p.m.
  • Thursday, June 29, 2017 at 7:30 p.m.
  • Saturday, July 1, 2017 at 7:30 p.m.
  • Thursday, July 6, 2017 at 7:30 p.m.
  • Saturday, July 8, 2017 at 7:30 p.m.

Jarson-Kaplan Theater, Aronoff Center for the Arts

Cincinnati Opera presents the company premiere of Robert Xavier Rodríguez’s 1991 opera Frida, inspired by the life and art of Mexican painter Frida Kahlo. Frida has previously been presented by such diverse companies as American Repertory Theater, Brooklyn Academy of Music, and Houston Grand Opera. The production, with sets and costumes by Moníka Essen, debuted at Michigan Opera Theatre in 2015. Frida will be presented in seven performances at the 400-seat Jarson-Kaplan Theater. Cincinnati Opera will present a range of multidisciplinary community events around the production, with details to be announced at a future date.

Colombian-born soprano Catalina Cuervo returns to sing the title role following her company debut as the star of 2012’s María de Buenos Aires, a collaboration with concert:nova. Cuervo first performed Frida for Michigan Opera Theatre in 2015, and The Detroit News gave a rave review: “Cuervo doesn’t just play the role, she embodies it. Never was there any doubt that she was Kahlo personified. By turns defiant, fiery, and sensitive, Cuervo also has the rare ability to act with her voice, calibrating it to project rage, pain, or tenderness.” Bass-baritone Ricardo Herrera will bring his “powerfully voiced” (Detroit Free Press) portrayal of Diego Rivera, reprising his role from the Michigan Opera Theatre production.

The opera will be conducted by Uruguayan conductor Andrés Cladera, who was recently named the artistic director of Emerald City Opera, in his company debut. The opera will be directed by Jose Maria Condemi, who also directed this production for Michigan Opera Theatre. Condemi is a frequent guest artist at Cincinnati Opera; his previous directing credits for the company include Tosca (2016), Il Trovatore (2015), La Traviata and María de Buenos Aires (2012), and Ainadamar (2009). Thomas C. Hase will be the lighting designer.

New-to-Cincinnati Production
THE MAGIC FLUTE
Music by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder
In German with projected English supertitles

  • Saturday, July 15, 2017 at 7:30 p.m.
  • Thursday, July 20, 2017 at 7:30 p.m.
  • Saturday, July 22, 2017 at 7:30 p.m.
  • Sunday, July 23, 2017 at 3:00 p.m.

Procter & Gamble Hall, Aronoff Center for the Arts

Mozart’s sublime fairy tale The Magic Flute has been masterfully re-imagined by Komische Oper Berlin’s Barrie Kosky and the British theater group 1927 in a “surreally enchanting” (LA Weekly) production that has stunned and delighted audiences across the world. The clever marriage of early cinema style, fanciful projections, and nimble stagecraft results in “a deliciously absurd blend of silent film and animation” (Berliner Morgenpost).

American tenor Aaron Blake leads the cast as Tamino, following his starring role as Timothy Laughlin in Cincinnati Opera’s 2016 world premiere of Gregory Spears and Greg Pierce’s Fellow Travelers; The Wall Street Journal hailed Blake’s performance as “touching and explosive.” British soprano Kim-Lillian Strebel, a frequent performer with Deutsche Oper Berlin and Theater Freiburg in Germany, makes her company debut as Pamina. Soprano Jeni Houser, who “made a fierce Queen of the Night, singing those daunting high notes with impressive ease and accuracy” (Star Tribune) reprises the role in her company debut. Papageno will be sung by baritone Rodion Pogossov, whose performance in the role for Los Angeles Opera was praised for its “silky, powerful baritone and comic presence” (Seen and Heard International). Bass Tom McNichols makes his company debut singing the roles of Sarastro and The Speaker. After a memorable appearance as Miss Lightfoot in Fellow Travelers, soprano Alexandra Schoeny returns to sing First Lady. Additional casting will be announced at a future date.

The Magic Flute will be conducted by Christopher Allen, the John L. Magro Resident Conductor, who previously conducted Tosca (2016) and Morning Star (2015) for the company. The production will be directed by Daniel Ellis. This is a production of the Komische Opera Berlin, co-produced by Los Angeles Opera and Minnesota Opera. Production is by Suzanne Andrade and Barrie Kosky, with animation by Paul Barrit. Concept by “1927” (Suzanne Andrade and Paul Barrit) and Barrie Kosky. Stage design and costumes are by Esther Bialas. Thomas C. Hase will be the lighting designer.

SPECIAL PERFORMANCES AND EVENTS

Opera in the Park
Sunday, June 11, 2017
Washington Park

On Sunday, June 11, Cincinnati Opera will kick off the season with Opera in the Park, a free concert in Washington Park featuring a Spanish-themed program of opera and musical theater favorites performed by stars from the 2017 season, the Cincinnati Symphony Orchestra, and the Cincinnati Opera Chorus.

Song from the Uproar
July 17, 19 & 21, 2017
Music by Missy Mazzoli
Libretto by Royce Vavrek
Fifth Third Bank Theater, Aronoff Center for the Arts

In collaboration with concert:nova, Cincinnati Opera will offer a special presentation of Missy Mazzoli and Royce Vavrek’s 2012 opera Song from the Uproar. The story is inspired by the journals of Isabelle Eberhardt, a turn-of-the-twentieth-century nomad, journalist, Sufi, and one of the most unique and unusual women of her era. Called “powerful” (The Wall Street Journal) and “a masterpiece of modern opera” (I Care If You Listen), the 75-minute work will star mezzo-soprano Abigail Fischer, who the Los Angeles Times praised as “enthralling…one of the rising stars of new music.” The production will be directed and choreographed by Marco Pelle.

Community Programs
The 2016-2017 season will also include Cincinnati Opera’s signature programs, including Back to the Zoo, performances by The Opera Express, Opera Goes to Church, and Opera Goes to Temple. Details will be announced at a future date.

Cincinnati Opera also presents the second installment of The Essentials touring education series with a reduced version of The Barber of Seville, touring Greater Cincinnati October 15 through 29, 2016.

Cincinnati Opera 2017 Summer Festival
June 15-July 23

LA BOHÈME
June 15, 17, 22 & 24

FRIDA
June 23-July 8

THE MAGIC FLUTE
July 15, 20, 22 & 23

Evening performances take place at 7:30 p.m., with matinee performances at 3:00 p.m. All performances feature the Cincinnati Symphony Orchestra. A free Opera Insights lecture is presented one hour prior to each performance.

Cincinnati Opera subscriptions will go on sale in November, with single tickets on sale in spring 2017. For additional information, please visit cincinnatioperanow.org or contact the Cincinnati Opera Box Office at (513) 241-2742.

Founded in 1920 and the second oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every June and July. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative teams.

Cincinnati Opera’s 2017 Summer Festival runs June 15 through July 23, featuring Giacomo Puccini’s La Bohème, Robert Xavier Rodríguez’s Frida, and Wolfgang Amadeus Mozart’s
The Magic Flute. The season will open with Opera in the Park, a free community concert in Washington Park, on June 11. Cincinnati Opera will also present Missy Mazzoli’s
Song from the Uproar in collaboration with concert:nova. Cincinnati Opera’s 2017 season is made possible with support from ArtsWave, Ohio Arts Council, Macy’s, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations.

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CCM’s Studio Series Continues Oct. 20-22: Welcome to MIDDLETOWN

ccm_middletown-promoIn the next installment of UC College-Conservatory of Music’s 2016-17 Studio Series, the Acting Department introduces audiences to the residents of a small town as they search for life’s meaning. Directed by CCM Acting Professor and Department ChairRichard Hess, Will Eno’s MIDDLETOWN runs Thursday, Oct. 20- Saturday, Oct. 22 in the Cohen Family Studio Theater.

MIDDLETOWN runs in CCM’s Cohen Family Studio Theater Oct. 20-22.
MIDDLETOWN, which won the 2010 Horton Foote Prize for Promising New American Play, was praised by the New York Times for its “tart, funny, gorgeous little comments on the big things: the need for love and forgiveness, the search for meaning in life, the long lonely ache of disappointment.”

Will Eno veers toward the avant-garde with his approach to stark realism in MIDDLETOWN. His influences include playwrights Samuel Beckett and Don DeLillo, and the recently deceased Edward Albee was a mentor to him. The play was inspired by Thorton Wilder’sOur Town, which was last seen on CCM’s Mainstage in April 2011.

One of the central characters in Our Town is the local milkman, while MIDDLETOWN gives the spotlight to the town’s celebrity, an astronaut in orbit around Earth. Both plays concern the passing seasons of life and are unapologetically frank and sentimental, according to Hess.

“MIDDLETOWN is about nothing except life and death and everything in between,” Hess says. “With a wry and unexpectedly profound touch, Will Eno has written one of the wisest plays I have ever worked on. Its simplicity is monumental.”

The show will be presented in thrust theater configuration, with set design by CCM student Theron Wineinger. Audience members will be seated close to the action of the play in this intimate setting.

“MIDDLETOWN might make the audience both laugh and cry,” Hess says. “It will hit home for everyone in a deeply personal way. Its wisdom is universal, and, in our crazy world, human to human contact that is sane, rational and open might be a welcome tonic.”

Admission is free for MIDDLETOWN, but tickets are required. Tickets become available through the CCM Box Office on Monday, Oct. 17. They often sell out quickly, so visit ourguide to Studio Series tickets for tips and tricks to secure your seats.

Cast List

  • Sydney Ashe as Mary Swanson
  • Lauren Carter as Tour Guide/Aunt/Female Doctor
  • Kenzie Clark as Tourist/Woman on Date/Attendant 2
  • Mafer Del Real as Librarian
  • Nick Heffelfinger as Tourist/Astronaut Greg/Freelancer/Male Doctor
  • Isaac Hickox Young as Cop
  • Meg Olson as Public Speaker/Cop’s Radio Voice/Ground Control/Hospital Intercom Voice/Science Radio Host/Music Radio Host
  • Maddie Page-Schmit as Sweetheart
  • Andrew Ramsey as Mechanic
  • Graham Rogers as Landscaper/Man on Date/Hospital Attendant
  • Rupert Spraul as John Dodge

Performance Times

  • 8 p.m. Thursday, Oct. 20
  • 8 p.m. Friday, Oct. 21
  • 2 p.m. and 8 p.m. Saturday, Oct. 22

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 17. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visituc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

 

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THE MLH CARAVAN: A DIASPORA CALLING! Concert Series | Thu., Feb. 2 | Aronoff Center

caa_the-mlh-caravan-logoMS. LAURYN HILL
THE MLH CARAVAN: A DIASPORA CALLING! CONCERT SERIES

February 2, 2017 – 8:00 PM
Aronoff Center – Procter & Gamble Hall

On sale Friday, October 21 at 10:00 AM

CINCINNATI, OH – Ms. Lauryn Hill has announced additional dates for The MLH Caravan: A Diaspora Calling! Concert Series. The tour, presented by Ms. Hill, in association with Live Nation and global music and entertainment platform, Tidal, will be traveling to New York, Los Angeles, San Francisco, and many more cities across North America. In additional to her headlining shows with The MLH Caravan, Ms. Hill also has some festival performances scheduled, with stops in Paris, St. Louis, and Tokyo.

The tour plays the Aronoff Center’s Procter & Gamble Hall on Thursday, February 2, 2017 at 8:00 PM. Tickets are $250.00, $125.00, $75.00, $59.50, and $39.50, and  go on sale Friday, October 21 at 10:00 AM at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office at 650 Walnut Street, downtown.

The concert series will bring aspects of the inaugural Diaspora Calling! Festival to the road. Each show will feature performances by artists from different parts of the African diaspora. Additional guest performers, as well as the full lineup for each show, will be announced in the coming weeks.

Of the concert series, Ms. Hill says: “The MLH Caravan allows me to continue the theme of unity and celebration of the many facets of cultural and artistic beauty throughout the African diaspora while on tour this summer and fall. In these days of tension, tumult and transition, an exchange of this kind can yield direction, expression, understanding, and empowerment, as well as connection, self-love, and appreciation that hopefully overflows into our respective communities.”

VIP experiences are available at each show. Options include a Meet & Greet and photo opportunity with Ms. Hill, and limited-edition merchandise bundles.  Click here for more details.

Tickets for all other shows are on sale now. Go to www.MsLaurynHill.com for tickets and more information.

Citi is the official credit card of The MLH Caravan: A Diaspora Calling! Concert. Citi card members will have access to presale tickets through Citi’s Private Pass Program. For complete presale details, visit  www.citiprivatepass.com.

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Teaching Artists from Shakespeare’s Globe to Lead Workshops with Cincinnati Shakespeare Company’s PROJECT38 Teachers

Cincinnati Shakespeare brings internationally renowned artist-educators to town to work with this year’s PROJECT38 Teachers

CSC_logoCINCINNATI, October 17, 2016 – A pair of teaching artists from Shakespeare’s Globe in London will be visiting the Cincinnati Shakespeare Company on October 22 to facilitate a day of workshops for the CSC artist-educators and the local teachers involved in this year’s PROJECT38. PROJECT38 is an educational celebration of the thirty-eight plays in Shakespeare’s canon in which each of over forty schools in the greater Cincinnati area explore one of Shakespeare’s plays, facilitated by classroom visits from a CSC artist-educator; the project culminates in the spring in a weekend-long arts festival in which students present a series of performances and visual art projects created in response to their assigned play.

Jeremy Dubin, Cincinnati Shakespeare Company Artistic Associate and Co-Artistic Director of PROJECT38, said about the workshops with the Globe educators, “When it comes to Shakespeare, we like to think that we have some of the most experienced people in the area, but now we have the opportunity to be working with some of the most experienced people in the world.  We couldn’t be more excited to be working with practitioners form Shakespeare’s Globe, an organization that is continually demonstrating how engaging, exciting and accessible Shakespeare is. To have these folks, who really are some of the best at what they do in their field, coming to work with PROJECT38 teachers and teaching artist is tremendously exciting, and we hope it’s the beginning of a collaboration that will continue and grow.”

Founded by the pioneering American actor and director Sam Wanamaker, Shakespeare’s Globe (located in London) is a unique international resource dedicated to the exploration of Shakespeare’s work and the playhouse for which he wrote, through the connected means of performance and education. Together, the Globe Theatre, Globe Exhibition & Tour and Globe Education seek to further the experience and international understanding of Shakespeare in performance.

There will be two workshops in which the PROJECT38 educators can take part. Mary McNulty will be teaching a masterclass on rhetoric, the art of using language to persuade. It was something of which Shakespeare was an undisputed master, and is a topic that’s especially compelling during this election season. Ms. McNulty was a member of the Artistic Advisory Committee during the planning stages of the construction of Shakespeare’s Globe, and currently is a lecturer at Kent University in England, specializing in courses in Shakespeare, Modern Theatre, and Dramaturgy. In the second workshop, Tas Emiabata will be delving into Macbeth, leading a physical exploration of the text that will experiment with archetypes and power dynamics, seeing just what can be gleaned about one of Shakespeare’s most fascinating couples. Mr. Emiabata is a London-based actor and arts educator who has appeared on stages across the United Kingdom and leads Shakespeare workshops across the world.

The workshops are on Saturday Oct. 22 at the School of Creative and Performing Arts and is invitation only to PROJECT38 Teachers. The workshops will include a teaching demonstrations with students, curriculum and activity workshops, and pedagogical discussion with Teaching Artists and Educators.

Meet the Globe Teaching Artists!

csc_project38-mcnultyMary McNulty– Mary gained her BA in English and Theatre Studies at Lancaster University, then spent some time in journalism before taking a Post-Graduate Acting Diploma at The Drama Studio and a Licentiate in Speech and Drama Teaching from the Royal Academy of Shakespeare’s Globe, and continues to work with the Globe’s Education Department as a Learning Consultant, developing strategies for teaching performance skills which are practical, text-based and draw on early modern theatre practice. Mary used her experience during the planning stages of Shakespeare’s Globe as the basis for her research MA: The Cultural Positioning of Shakespeare’s Globe from Wanamaker to Rylance. She is an Associate Lecturer at Kent University, teaching Shakespeare at the undergraduate and postgraduate levels, as well as courses in Modern Theatre and Dramaturgy.

csc_project38-emiabataTas Emiabata- Tas’s theatre credits include I Do (Dante or Die/Almeida Festival); The Two Noble Kinsmen; The Tempest; Romeo and Juliet (2004); Anthony and Cleopatra;In Extremis; Romeo and Juliet (2007 Globe Tour); Much Ado About Nothing (Ed. Tour); Othello (Ed. Tour) all for Shakespeare’s Globe Theatre. Other theatre work includes: Paul (National Theatre); Natural Breaks and Rhythms (Northampton); Oedipus (Actors of Dionysus); Woyzech (Theatre Melange); Guess Who’s Coming to Dinner(Calypso Productions); Macbeth (Ludlow Festival); The Lion, The Witch And The Wardrobe (RSC). Film includes Hippie Hippie Shake, dir. Beeban Kidron & Simon McBurney; Jack Brown and the Curse of the Crown; Hidden City. Television includes: Murder Investigation Team (Thames TV), Neighbors (Grundy Television).

Tas is a Globe Education Learning Consultant and regularly facilitates workshops with Shakespeare’s Globe Theatre both nationally and internationally. He also works with Southwark Theatres Education Partnership, Talawa, The National Youth Theatre, English National Opera and Emergency Exit Arts.
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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  Currently located in the heart of downtown Cincinnati, CSC produces a dozen mainstage productions each season. In the summer of 2017, the theater will relocate to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations and contemporary classics. CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Cincinnati Shakespeare Company’s Education and Outreach Programs reached over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2016-2017 Season:
This season is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at http://www.cincyshakes.com.

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