Category Archives: Press Releases

World Premiere of FAMILY TIES Takes the Stage with Dayton’s The Human Race Company

HRTC_Family Ties preview

Clockwise from top left: Jim Stanek, Sarah Mackie, Eve Plumb, Lawrence Redmond, Thea Brooks, and Maggie Lou Rader – Photo by Scott J. Kimmins.

The Keatons are back in Daniel Goldstein’s new comedy featuring Broadway’s Jim Stanek and television’s Eve Plumb, June 1 – 25, 2017 at Loft Theatre

(Dayton, OH) — One of the most beloved television families of the 1980s is set to make a long awaited return in the world premiere of FAMILY TIES, written by Daniel Goldstein (The Song of Songs, Unknown Soldier and Row), based on the classic television series, directed by The Human Race’s President & Artistic Director Kevin Moore and produced by special arrangement by Araca Media & Entertainment. Twenty years have passed and Alex P. Keaton, now running for Congress, returns to his parents’ Columbus home with his sisters, Mallory and Jennifer, who are parents of their own. Gathered together once again, they relive some of the most important moments from their childhood – the growing pains, heartbreaks and reconciliations – with fondness and appreciation for simpler times that defined a generation. The preview performance of FAMILY TIES is Thursday, June 1. Opening night is Friday, June 2, and the production runs through June 25 at The Human Race’s home at downtown Dayton’s Loft Theatre.

Responsible for shepherding Goldstein’s play through development, New York City-based Araca Media & Entertainment believed the stage version of FAMILY TIES—a series about a family living in central Ohio—should make its debut in the Buckeye State when it brought the property to The Human Race’s Kevin Moore in 2016. “To be hand selected as the theatre to bring this show to life is a huge honor, and speaks to our national reputation,” beams Moore, who has directed and produced dozens of new plays and musicals over the past thirty years. “Developing new works has become a vital part of our mission,” explains Moore, “and working with playwright Danny Goldstein has been a joy and privilege. Theatre is never more exciting than when you are creating something for the first time.”

Unlike most new works, FAMILY TIES has the added benefit of nostalgia for Moore, and likely much of the country. “Being a TV show that I watched faithfully, I am thrilled to be able to continue the Keatons’ story,” he says, “and to find out how life played out for these characters who I, and America, loved for seven seasons.” While preparing for rehearsals on the play, which revisits many poignant moments in the characters’ lives twenty years earlier, Moore spent time watching and reviewing episodes from the television series. “The research—if I may call binge watching ‘research’—was refreshing.” He explains, “I was reminded how many tough and timeless issues are tackled in FAMILY TIES, and how smart the writing of the TV show is. Yes, it is a comedy, but good comedy comes from good drama. And that’s what we’re really all about at The Human Race.”

CAST AND DESIGN TEAM

The six-member cast features Jim Stanek (Fun Home, Lestat, The Rivals on Broadway) as “Alex,” Eve Plumb (TV’s The Brady Bunch, Dawn: Portrait of a Teenage Runaway and Fudge, Unbroken Circle Off-Broadway) as “Elyse” and Lawrence Redmond (Intelligence at Arena Stage, A Prayer for Owen Meany at Cincinnati Playhouse in the Park, Elmer Gantry at Signature Theatre) as “Steven.” Thea Brooks (Dirty Dancing 1st national tour, I Love Lucy, Live on Stage national tour) plays “Mallory,” Sara Mackie (Hands on a Hardbody and Other Desert Cities at Ensemble Theatre of Cincinnati, Green Gables for HRTC) is the youngest daughter, “Jennifer.” Maggie Lou Rader (Heavier Than… at Know Theatre Cincinnati, Emma and Little Women at Cincinnati Shakespeare Company) rounds out the ensemble as Alex’s love interest, “Ellen.”

The creative team includes Tamara L. Honesty (Other Desert Cities, Becky’s New Car and Lombardi at HRTC), scenic design; Janet G. Powell (Sweeney Todd, The Full Monty and the world premiere of Family Shots at HRTC), costume design; Human Race Resident Artist John Rensel (The Glass Menagerie, Crowns and Next to Normal for HRTC), lighting design; Human Race Resident Artist Jay Brunner (the world premiere of 26 Pebbles, The Glass Menagerie and Hail Mary! at HRTC) sound design; and Lexi Muller, production stage manager.

FAMILY TIES reunites audiences with one of the most beloved television families of the 1980s. Twenty years have passed and Alex P. Keaton, now running for Congress, returns to his parents’ Columbus home with his sisters, Mallory and Jennifer, who are parents of their own. Gathered together once again, they relive some of the most important moments from their childhood—the growing pains, heartbreaks and reconciliations—with fondness and appreciation for simpler times that defined a generation.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of Family Ties is under license by CBS Consumer Products and sponsored by the Miriam Rosenthal Foundation for the Arts, Marion’s Piazza, Beth and Alan Schaeffer and The George B. Quatman Foundation – Fifth Third Bank, Trustee.

Performance and special event information

Tickets for the preview performance of Family Ties on June 1 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances June 2 – 25, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities during the run of the show. A limited number of $12 and $25 side-area seats are available in advance for all performances. The Sunday, June 4 7:00 p.m. performance is “Sawbuck Sunday,” when any available seat can be purchased in person for just $10 at the Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at The Human Race’s home in the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Family Ties are 8:00 p.m. on Thursday, Friday and Saturday evenings. Performances on Sunday, Tuesday and Wednesday evenings begin at 7:00 p.m., and at 2:00 p.m. on Sunday matinees.

Tickets and performance information for Family Ties are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

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Now celebrating its 30th anniversary, The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces new works development and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, an In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2016-2017 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson, Steve and Lou Mason, and Morris Home. The 2016-2017 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health.

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THE MONSTER SONGS @ 2017 Cincinnati Fringe Festival

Dr. Dour & Peach
present
THE MONSTER SONGS

Presented as a part of the 2017 Cincinnati Fringe Festival
A playfully macabre cabaret about zombies, mummies and stranger things

cff_DrDourandPeach_hires1

Dr. Dour & Peac. Photo by Kintz.

Cincinnati, OH – The Know Theatre of Cincinnati brings musical clown duo Dr. Dour & Peach’s THE MONSTER SONGS to the 14th Annual Cincinnati Fringe Festival this May 30th – June 11th. Traveling from Washington, DC, the pair presents tales of monsters great and small in a unique combination of comedic songwriting, horror movie references, and theatrical clowning.

Dr. Dour & Peach are expert ethno-crypto-zoo-musicologists. THE MONSTER SONGS is their vehicle to entertain and educate all well-meaning monster-seekers on the dangers of such ventures. Dr. Dour sings songs about monsters. And Peach helps. Together they deliver never-before-told tales of lovesick mummies, giant lizards, bargain-hunting zombies, and other hapless creatures of the night in a cabaret cocktail of original songs, peppered with vaudevillian banter. The mysterious is scrutinized. The strange is eternalized. And the dangerous is epitomized in song. Dr. Dour (vocals, 10-string touch-guitar) and Peach (cello, banjo, cute) use an array of musical stylings in this 60-minute performance. The show is for all ages and for all monsters.

THE MONSTER SONGS features husband and wife team Toby Mulford and Rachel Spicknall Mulford, the performers and co-creators of Dr. Dour & Peach. They’re based in Washington, DC, and have appeared at the Capital Fringe Festival, Clown Cabaret, ABSFest, Shenandoah Fringe, and the New York Clown Theatre Festival. 2016 marked the release of their studio album The Monster Songs, available now on CDBaby.com. This July they return to Capital Fringe in DC with their new show Love and Other Lures. http://www.drdourandpeach.com

To songwriter Toby Mulford, the horror genre is a rich mine of analogies for the human experience. The first monster songs were born when Toby watched Night of the Living Dead after a 10-hour retail shift during the holiday season. That night he dreamed of zombies devouring people, underscored by Bing Crosby’s “Have Yourself a Merry Little Christmas.” He hasn’t stopped writing since. From a tongue-in-cheek bossa nova about a love-sick Pharaoh to a sorrowful folk melody about ancient rituals to promote the harvest, the songs range in feeling as much as they do in style. The subjects themselves include unpredictable protagonists, some dangerous and looming, and some residing within ourselves.

The Cincinnati Fringe Festival (Cincy Fringe) is a 13-day theatre and arts festival produced by Know Theatre of Cincinnati. Live performances occur in over a dozen locations in and around the Over-the-Rhine neighborhood of Cincinnati, just north of Downtown. Every Festival features 200+ performances of over 40 productions from local, national, and international artists, each featuring unique styles or disciplines and a wide variety of subject matter. http://www.cincyfringe.com

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WHAT:
THE MONSTER SONGS, presented by Dr. Dour & Peach in the 2017 Cincinnati Fringe Festival

DATES AND TIMES:
Friday, June 2 at 7:45pm
Sunday, June 4 at 6:30pm
Wednesday, June 7 at 7:00pm
Thursday, June 8 at 8:30pm
Saturday, June 10 at 4:45pm

LOCATION:
Coffee Emporium
110 E Central Parkway, Cincinnati, OH 45202

TICKETS and PASSES:
Online: www.cincyfringe.com
Tel: 513–300–KNOW (5669)
Running time is 60 minutes.
Appropriate for all ages.

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NYC Theatre Co. Brings Indie Rock Shakespeare-Inspired Play to Cincinnati Fringe Festival

CFF_Romeo + Juliet + Anybodys

The Functional Shoes, a New York City theatre company, presents their original indie-rock Shakespeare-inspired play ROMEO + JULIET + ANYBODYS June 6-10th at the 14th annual Cincinnati Fringe Festival.

ROMEO + JULIET + ANYBODYS takes the tragic love story you think you know by heart and rips it a new one. At the center is Anybodys, musical theatre’s most overlooked heroine, fighting for her glimpse of the spotlight and grappling with the reality that in most stories, “you ain’t somebody, you somebody’s girl.”

ROMEO + JULIET + ANYBODYS received a workshop production at the Manhattan Repertory Theatre in New York City in 2016. Featuring original live music, roller-skating, and the perfect white dress, this 50 minute mosh-pit-play is one show you won’t want to miss at the Cincy Fringe Fest.

Fun fact: The playwright is a native Ohioan and alum of The Ohio State University. Nearly a decade ago, she played Anybodys in her high school’s production of West Side Story. Now she returns to finally give this tomboy her say.

ROMEO + JULIET + ANYBODYS is performing at the Know Theatre for the Cincinnati Fringe Festival on June 6th at 8:30pm, June 8th at 6:30pm, and June 10th at 7pm. Tickets are available at: www.cincyfringe.com

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FloatBrilliance @ 2017 Cincinnati Fringe Festival

Cincinnati Fringe Festival PRESENTS dropshift’s:
FloatBrilliance at Memorial Hall Ballroom, Cincinnati

CFF17_FloatBrilliance

Photo Credit: Rosa Gaia

CINCINNATI- dropshift dance, celebrating its 7th Anniversary Season in 2017 and praised for creating work which is “…playful and alluring” (Art Intercepts, Chicago) and “…an ingenious offering…” (Laura Molzahn, The Chicago Tribune), premieres FloatBrilliance: an immersive performance uniting movement, original musical score, and textural costume piece. Showing May 31 at 7pm, June 3 at 3:30pm, and June 4 at 4:45pm.

When:

  • Wednesday. May 31, 7pm
  • Saturday. June 3, 3:30pm
  • Sunday. June 4, 4:45pm

Where:

Memorial Hall Ballroom
1225 Elm Street
Cincinnati, OH

Tickets: $15 general admission, available online at knowtheatre.com.

Program:
FloatBrilliance
Directed by Andrea Cerniglia
Movement creation in collaboration with dancers

Featuring:
Andrea Cerniglia, Weichiung Chen-Martinez, Jill Moshman and Colleen Welch

Original Score: Elliot Cless, Luke Gullickson
Costume: Collin Bunting
Lighting Design: Richard Norwood

FloatBrilliance explores honest physicality, how we embody fulfillment, and sense being whole. The immersive evening length work examines fulfilling space physically, visually, and sonically while investigating the blurring of roles between movers, composers, and video artists. Dancers explore when movement is exhaustive, thorough, and fulfilled. Movement vignettes reveal refined spatial relationships, anticipatory response, and sensory feedback through touch and aural elements. The performers rely on one another to fulfill choreographic sequences while creating a playful, organic community amongst movers. Physical partnerships are built from playful shifts of time and weight and explore the sensations of tossing, diving, and catching to physicalize gravity’s stabilizing/mobilizing effects on the body.

The overall work looks at the spectrum of physical states that exists in response to fulfilling a role, existence within a synergetic partnership, and physicalizing honest movement. Movers combine in duet, trio, and quartet sequences to explore timelessness, a soft sternum and heart, and quirky gestural conversations between bodies. For the musical element of the project, dropshift engaged composerperformers Elliot Cless and Luke Gullickson to undergo a longitudinal collaboration with each other and the company. The resulting music is a dynamic tapestry of folk-inspired acoustic instrumentals, lo-fi electronica, and environmental sounds that place the artwork within its own germination. Musical ideas return, develop, and unfold in response to the subtle individuality of gesture that courses through dropshift’s movement.

FloatBrilliance’s collaborative team includes artistic architect and director of dropshift dance, Andrea Cerniglia, composers Elliot Cless and Luke Gullickson, designer Collin Bunting, and lighting designer Richard Norwood.

dropshift dance (DSD) is a provocative, inquisitive and authoritative investigator of movement. Conceived through a collaborative incubation laboratory of movement, sound, and visual installation, the work engages audience with dialogue, choice and experimental practice. DSD works through a rigorous process of studio investigation to create work that energizes the space and creates an alternate world for the performer and viewer. dropshift was founded in 2009 by Chicago based artist Andrea Cerniglia as a movement project dedicated to a collaborative and investigative studio practice and pushing boundaries of the art form in performance. The company mines abstract concepts that dissect societal structure, dynamics, and events that surround and impact us. Collaboration extends beyond dance into the realm of film, visual art and installation piece, and musical composition. This multi-disciplinary approach engages audience in a visual, aural, and human experience in order to move audience towards a transformative experience.

For reservation information call dropshift dance at 978-317-5577 or visit www.dropshiftdance.com

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Alton Brown: Eat Your Science | Sat, Oct. 21 | Aronoff Center

CAA_Alton Brown promoALTON BROWN EXTENDS NORTH AMERICAN TOUR

EAT YOUR SCIENCE COMING TO CINCINNATI’S
ARONOFF CENTER ON OCTOBER 21

Tickets on sale Thursday, May 11 at 10:00 AM

(Cincinnati, OH) – Television personality, author, and Food Network star Alton Brown has announced that his Alton Brown Live: Eat Your Science tour will visit the Aronoff Center’s Procter & Gamble Hall on Saturday, October 21, 2017 at 7:30 PM.  Brown created a new form of entertainment – the live culinary variety show – with his “Edible Inevitable Tour,” which played in over 100 cities with more than 150,000 fans in attendance. The Eat Your Science tour has sold over 200,000 tickets in over 80 cities.

Tickets go on sale Thursday, May 11 at 10:00 AM at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.  Group discount tickets for 10 or more are available by calling (513) 977-4157.

Brown says fans can expect “all-new everything including songs, new comedy, new puppets, and bigger and better potentially dangerous food demonstrations.” Critics and fans have raved about the interactive components of Brown’s shows. He promises “plenty of new therapy inducing opportunities during our audience participation segments. I don’t want to give too much away, but this time we’re going to play a little game.”

Brown has a knack for mixing together science, music, and food in to two hours of pure entertainment. “Plus, you’ll see things I’ve never been allowed to do on TV.”

Although Alton Brown is best known as the creator, writer, and host of Good Eats, which ran for fourteen years on Food network, he also hosted Cutthroat Kitchen and served as the culinary commentator on Iron Chef America. He’s written eight books on food and cooking (including his newest, EveryDayCook), and is currently touring the country with his second live culinary variety show, Eat Your Science.

Information about Alton Brown or the Eat Your Science tour can be found on Facebook, Twitter, Instagram or use the tour hashtag #AltonBrownLive.

Those with an appetite for more Alton Brown can find additional show and ticketing information at www.altonbrownlive.com.

About MagicSpace Entertainment
Alton Brown Live is produced by MagicSpace Entertainment. The company is headed by Lee D. Marshall, Joe Marsh, John Ballard, Steve Boulay, and Bruce Granath, and has been producing and presenting national tours, Broadway shows, concerts, and museum exhibits worldwide for over thirty years. Consistently one of the top promoters in North America, MagicSpace Entertainment typically produces and presents more than 250 events in 75 cities per year.  They have offices in Park City and Salt Lake City, UT. www.magicspace.net

Cincinnati Arts Association SPONSORS

Season Sponsors:  AMERITAS (Founding Season Sponsor), FIFTH THIRD BANK (Lifetime Endowment Partner), FURNITURE FAIR, LOCAL12 WKRC, THE P&G FUND of The Greater Cincinnati Foundation

SEASON PRESENTING SPONSORS:  21C Museum Hotel, Cincinnati Herald, CityBeat, Heidelberg Distributing, Hilton Cincinnati Netherland Plaza, Hyatt Regency – Cincinnati , Macy’s, Pepsi, Skyline Chili, TriHealth, Ultimate Air Shuttle, Wells Fargo Insurance Services USA, Inc.

Alton Brown: Eat Your Science Media Partner:  WARM98-FM

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