Category Archives: Press Releases

Trading Spaces’ Paige Davis Comes to The Carnegie in GREASE

Broadway’s PAIGE DAVIS, best known as the host of Trading Spaces, will rule the school this summer as Miss Lynch in GREASE.

Class is in session from August 15-24—don’t be late!

Book Today!

Paige is best known as the host of the Emmy-nominated Trading Spaces and has also hosted shows for Hallmark Channel, OWN, and Food Network.

On Broadway and tour, she’s dazzled as Babette (Beauty and the Beast), Charity (Sweet Charity), and Gloria (Boeing–Boeing). Her longest running association has been with Chicago, having played Roxie Hart in multiple turns on Broadway, and on the national and international tours.

She’s headlined Mame (North Shore Music Theatre) and Hello, Dolly! (Pioneer Theatre Company) and starred in productions at The Old Globe, Pittsburgh Civic Light Opera, Barrington Stage, Arizona Theatre Company, Austin Musical Theatre, and Missouri Repertory Theatre.

Locally, audiences may recognize Paige from her turn as a spokesperson for Fifth Third Bank. She spent much of her childhood in Louisville where she graduated from the Youth Performing Arts School. She lives in Manhattan with her husband, actor Patrick Page.

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The Know Theatre Presents the World Premiere of J. Corey Buckner’s BLERDS

Derek J. Snow Directs this Coming-of-Age Play About
Black Nerds in the Era of the DC Sniper

Cincinnati, OH – The Know Theatre, Cincinnati’s premiere black box professional theatre proudly presents the long-awaited World Premiere of BLERDS by J. Corey Buckner, April 4–19, 2025. A blending of the words “Black” and “nerd,” BLERDS is the story of three Black middle schoolers who skip school and set off across Washington, DC, on a quest to meet the coolest
Jedi in the galaxy: Samuel L. Jackson. Production sponsored by the Brabson Family Foundation and the National Endowment for the Arts. Directed by Derek J. Snow.

A coming-of-age journey in the spirit of The Goonies and Stand By Me, this adventure quest through the DC Metro system is a story about Black superheroes, family joy, and the perils of the very real world, as told through the lens of Star Wars fandom.

“The need for the Black superhero is super important because those ideas are under attack right now,” says Director Derek J. Snow. “I was definitely a Blerd myself – I’ve always wanted to direct a show like this. I think it’s really important to create spaces and mythologies of our own… that’s what attracted me to this show, that we did not have enough shows in this city that represented mythologies for people of color. If you are creating a mythology it should be larger than life; [the actors] have all the permission in this show to do so, because that’s what it’s about.”

The Know Theatre is committed to creating an atmosphere of radical hospitality where all are welcome to come as they are. Our Mainstage production of BLERDS has a Sensory-Friendly performance on Sunday, April 13, an Arts & Service Industry Workers Appreciation night with $20 tickets on Monday, April 14, an ASL-interpreted performance on Friday, April 18, and Welcome Wednesday performances where we offer $15 advanced reservations and pay-what-you-wish walk-up tickets an hour before the show.

Featuring

  • Dominique Owens (DJ)
  • Kenny Rayborn (Kiera)
  • Malik Smith (Brandon)
  • Deondra Kamau Means (Derek)
  • Meredith Crutcher (Tonya)
  • Phillip Latham (Stranger/Samuel L. Jackson)

The Creative Team

Production Team: Jide Fresh (Scenic Designer), Mike Gaynor (Lighting Designer), Noelle Wedig-Johnston (Costume Designer), Doug Borntrager (Sound & Video Designer), Danielle Robison (Props & Scenic Charge), Byron Hutchins (Consultant) and Drew Homan (Technical Director). Production & Stage Manager is Grace Wohlschlegel.

Performance Information
BLERDS runs April 4–19, 2025
Content Warnings: adult language, themes around violence, active shooter, depictions of guns; Rated: PG-13
Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
All evening performances are at 7:30pm, matinee performances are at 2pm.Sensory Friendly Performance: Sunday, April 13th at 2:00pm
Arts & Service Industry Night: Monday, April 14th at 7:30pm
ASL-interpretation on Friday, April 18th at 7:30pm

Ticket Information
Tickets may be purchased online at www.knowtheatre.com or by phone at (513) 300-5669

  • Single tickets : $38
  •  Flex Pass : $120
    • Four MainStage tickets in any combination ($160 value)
  • Welcome Wednesdays: Each Wednesday during a MainStage production we offer pay-what-you-wish Walk-Up tickets and $15 advance reservation tickets.

Auditions for Know Theatre’s 2025 Youth Summer Camp
A collaboration with local theatre company InBocca Performance, the Know Theatre Youth Education Program offers youth grades 3-12 the opportunity to create an original production as an ensemble. Led by local theatre-maker Caroline Stine, whose popular summer youth theatre camps have thrilled local audiences for their fierce imagination and creative storytelling, the 2025 Summer Camp will occur weekday mornings from 9am to noon, July 7–August 3 and culminate in performances July 31–August 3, 2025

Auditions: Saturday, April 5th from 11:30am–1:30pm
Actors and dancers are asked to prepare one 1-minute monologue and come prepared to move, speak and sing.
Sign-ups online at Outlaws in Sherwood Audition: April 5
Location: Know Theatre of Cincinnati, 1120 Jackson St, Cincinnati OH 45202
Cost: $800 (Discount for multi-child families, scholarships available). Early bird discounts will be available after cast lists go out AND some scholarships are available! Please do NOT let cost keep you from auditioning. Questions? Email info@inboccaperformance.com

We are Know Theatre of Cincinnati: where artists and audiences can come together to produce and experience work that you haven’t seen before. We strive to build a community around viscerally theatrical, exciting new works.

A Case for the Existence of God is made possible by Drew Gores and George Warrington, Production Sponsors, and Taft, Stettinius, & Hollister, Opening Night Sponsors.

The 22nd Annual Cincinnati Fringe Festival is made possible by a generous partnership with our neighbor the Art Academy of Cincinnati.

Know Theatre is supported by the generosity of tens of thousands of contributors to the annual ArtsWave Campaign, the region’s primary source for arts funding.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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ALICE IN THE HUNDRED ACRE WOOD Runs Feb. 24-May 2

ALICE IN THE HUNDRED ACRE WOOD
Cincinnati Playhouse in the Park
Feb. 24-May 2
Various Locations

Written by Maggie Lou Rader
Directed by Katie Baskerville

True crime in the Hundred Acre Wood? Yes, please! Join the fun as Alice, the best detective in Wonderland, hunts for clues in a crime caper mystery featuring some of childhood’s favorite characters. When Winnie the Pooh hires Alice to solve the case of Christopher Robin’s kidnapping, she arrives in the Hundred Acre Wood to find a very anxious Piglet, a terribly unfocused Tigger and a very Eeoyre-y Eeoyre. Will Alice find the culprit? Will she be able to bring Christopher Robin home? This literary mashup will have audiences laughing as they follow clues and help Alice crack the case! Recommended for ages 5 and up.

Click here for the official list of performances

Official page |

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Cincinnati Shakespeare Company Presents an Electrifying MACBETH That Explores the Dark Intersection of Mind Control and Ambition

Hayley Guthrie as Lady Macbeth and Darnell Pierre Benjamin as Macbeth. Photo by Mikki Schaffner.

Cincinnati Shakespeare Company’s highly anticipated production, set in the early days of the Cold War, begins with a sold-out opening weekend

Cincinnati, February 27, 2025 – Cincinnati Shakespeare Company is thrilled to present Shakespeare’s Macbeth, a chilling and electrifying adaptation that blurs the boundaries between free will and control, playing February 28 – March 23, 2025. This production is directed by one of CSC’s Artistic Associates, Christopher V. Edwards and features an ensemble cast of 16 actors. Macbeth is generously sponsored by Monteverdi Tuscany, Blank Rome, and Messer.

Set during the early days of the Cold War, this reimagining of Macbeth delves into ambition, mind control, and psychological manipulation. When enigmatic witches unveil a prophecy of power, Macbeth and his calculating wife spiral into a ruthless pursuit of dominance. As paranoia mounts and reality fractures, their descent into madness becomes a chilling exploration of how far the human mind can be pushed—and who is truly pulling the strings. This electrifying adaptation blurs the boundaries between free will and control, immersing audiences in a world where the edge of insanity is closer than it appears.

Christopher V. Edwards is returning to the CSC stage to direct Macbeth. In addition to his role as a CSC Artistic Associate, his previous directing credits at Cincy Shakes include: A Raisin in the Sun, Othello, and Fences. Edwards is also the current Artistic Director at the Actors’ Shakespeare Project in Boston. “In the corridors of power, a covert operation codenamed “MK-Beth” unfolds, blending Shakespearean tragedy with Cold War paranoia. This is all used as a jumping off point for the production.” Says director Christopher V. Edwards. Inspired by Mk-Ultra and similar Cold War conspiracies, Edwards has created a mind-bending Macbeth that investigates the dangers of ambition and power grounded in history. “In my experience with Macbeth productions and analyses, I’ve noticed a tendency to emphasize the play’s supernatural elements. While these dark, seemingly omnipotent forces do create a palpable sense of fear and loss of control over our lives and destinies, I believe their impact is less significant than the realities of human capacity for evil.”

The cast includes many familiar faces. Darnell Pierre Benjamin plays Macbeth with Hayley Guthrie as Lady Macbeth. Sara Mackie, Elizabeth Chinn Molloy, and Aiden Sims play the three witches and Kelly Mengelkoch plays Hecate as well as the Porter and Seyton. Jasimine Bouldin, Billy Chace, Jim Hopkins, Patrick Earl Phillips, Sylvester Little Jr., and Brent Vimtrup return to the CSC stage, filling out the ensemble. Jason Coffenberry and Dani Grace Nissen make their first appearance in a main-stage production after both performing in previous educational and park tours. Adah Mosher and Ceridwyn Guthrie will both be making their CSC debuts as Fleance and Little Duff respectively.

The creative team features many returning and guest designers. Robert Carlton Stimmel returns as Projections Designer with Rainy Edwards acting as Associate Projections Designer. Jon Savage sets the stage with his eerie scenic design, creating the setting of MK-Beth. Nia Safarr Banks’ costume design establishes the early 60’s time period. Lighting Designer Watson and Sound Designer Zack Bennett help further establish the sinister feelings associated with the Scottish play. Gina Cerimele-Mechley returns as intimacy and fight director, guiding the cast through the many murders of Macbeth. Macbeth will be stage managed by Cole Sweasy with Assistant Stage Manager Rowan Rozzi.

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Macbeth runs from February 28 – March 23. Performances are on Thursdays, Fridays, and Saturdays at 7:30 PM, with 3 Sunday matinees on March 9, 16, and 23 at 2:00 PM. CSC offers performances with accessibility resources. Live Audio Descriptions are available on February 28, and there is a Sign Language Interpreted performance on March 23.

For the best ticketing experience and to avoid resale sites or scams, please be sure to only purchase tickets directly through Cincinnati Shakespeare Company online at cincyshakes.com or by calling the Box Office at 513.381.2273. Ticket prices range from $12-$82; don’t pay more!

Discounts are available for students, seniors, educators, military personnel, local residents, and community partners at all performances.

For those seeking last-minute options or additional ways to save, $12 Rush Tickets are available to anyone (not just students) starting one hour before each performance. These tickets, offered in various seating locations, are subject to availability and must be purchased in person at the Box Office within an hour of show time. Additionally, $14 “Access” tickets are offered in the Upper Gallery for each performance and can be purchased in advance online or by calling the Box Office.

To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or visit cincyshakes.com. Visa, Discover, MasterCard, and American Express are accepted, and ticketing fees apply.

Cincinnati Shakespeare Company is located at 1195 Elm Street, adjacent to Washington Park. In addition to abundant public parking options in the immediate vicinity, CSC offers parking services, including valet parking for $25 (managed by Star Parking) and self-parking for $15 (managed by 3CDC) in the adjacent lot. Reservations can be made in advance online or by contacting the Box Office. For more details, visit cincyshakes.com/your-visit/parking.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all. In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand-new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and the Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers, and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible. Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

Cincinnati Shakespeare Company’s 2024-2025 Season is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

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Cincinnati Opera Announces New Date, Name, and Speakers for FIDDLER ON THE ROOF Opera Rap

CINCINNATI (February 26, 2025)—Cincinnati Opera has announced a new name, date, and guest speakers for an event this spring, part of its popular series of Opera Raps. Opera Raps are free community conversations exploring the works featured during the company’s 2025 Summer Festival. For a complete list of Opera Raps, visit cincinnatiopera.org/operaraps.

The beloved musical Fiddler on the Roof is full of classic tunes like “If I Were a Rich Man” and “Matchmaker, Matchmaker.” The creators of the show—Jerry Bock (music), Sheldon Harnick (lyrics), and Joseph Stein (book)—were so prolific that they also produced many songs that did not make the final cut. Evans Mirageas and musical guests will serve as guides through the forgotten songs of Fiddler on the Roof, including hits from the show as we know it today and surprises from the archives.

April 10, 2025, at 7:30 p.m.
Fiddler on the Roof: Wonder of Wonders—How Fiddler Came to Be
The Amberley Room, Mayerson JCC
8485 Ridge Road, Cincinnati, OH 45236

Presented in partnership with the Mayerson JCC, this special two-part evening features preeminent Fiddler on the Roof scholar and author Alisa Solomon (Wonder of Wonders: A Cultural History of Fiddler on the Roof, Metropolitan Books) and Broadway scholar Ben Whiteley, who will trace the origins, creation, and worldwide success of one of the most beloved musicals ever written. With rare video footage of the creative process and live musical performances, Solomon and Whiteley will share behind-the-scenes stories alongside excerpts from Fiddler’s beloved score. Whiteley will also offer a fascinating glimpse into “the songs that got away”—selections originally written for the show that were cut prior to its Broadway opening.

Admission: Free, though reservations are required. To reserve, call 513-241-2742 or visit cincinnatiopera.org.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. This project was supported in part by the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives general season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with general season and project support from many other generous individuals, corporations, and foundations. Cincinnati Opera is a member of OPERA America. Learn more at cincinnatiopera.org.

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