Category Archives: Press Releases

Cincinnati Opera Announces its 2026 Summer Festival

Highlights of the season:

• A bold new chapter begins with the world premiere of Lalovavi, an Afrofuturist opera by Kevin Day and Tifara Brown, inaugurating Cincinnati Opera’s Black Opera Project

 • Strauss’s scandalous masterpiece Salome returns to Music Hall for the first time in more than 25 years

• Bizet’s beloved Carmen returns in a vibrant new-to-Cincinnati production infused with fiery passion

• Ricky Ian Gordon’s hauntingly beautiful Orpheus and Euridice receives its company premiere

• Two Studio Sessions performances offer rare, up-close musical experiences curated by the artists themselves


Cincinnati Opera presents a new-to-Cincinnati production of Bizet’s CARMEN as part of its 2026 Summer Festival. Photo by Steven Pisano, courtesy of Opera Philadelphia.

CINCINNATI (July 23, 2025)—Tonight, from the stage of Cincinnati Music Hall, Cincinnati Opera’s Harry T. Wilks Artistic Director Evans Mirageas unveiled details of the company’s 2026 Summer Festival. Performances will run from June 18 through August 2, 2026, at Music Hall, featuring internationally renowned artists in works from reinvigorated classics to the boldly future-focused.

The 2026 season opens with Richard Strauss’s psychological drama Salome (June 18 and 20), which takes the Music Hall stage for the first time since 2000 with a powerhouse cast: Kathryn Lewek, Alfred Walker, Chad Shelton, Michelle DeYoung, and Zach Borichevsky. The season continues with the world premiere of the thrilling Afrofuturist opera Lalovavi by Kevin Day and Tifara Brown (July 9 and 11), the first work in Cincinnati Opera’s three-part Black Opera Project; the cast is led by Brittany Olivia Logan, Talise Trevigne, Morris Robinson, Adrienne Danrich, Zoie Reams, Terrence Chin-Loy, Michael Preacely, and G. Thomas Allen. Georges Bizet’s iconic Carmen returns (July 25, 29, and 31; August 2) in a vibrant, new-to-Cincinnati production starring J’Nai Bridges, Matthew White, Teresa Perrotta, Ryan McKinny, and Kayleigh Decker. Presented alongside Carmen is Ricky Ian Gordon’s intimate and moving Orpheus and Euridice (July 28 and 30; August 1). Following a sold-out 2025 run, two Studio Sessions (June 25 and July 1) round out the season, featuring artist-curated repertoire in a cabaret-style setting.

Said Mirageas, “When opera is at its best, it has the potential to open doors to joy, empathy, and understanding. Our 2026 season was built on this aspiration, celebrating works that make us feel deeply, reflect on our world, and connect with one another through profound shared experiences. From the bold imagination of Lalovavi and the fierce power of Salome and Carmen, to the intimacy of Orpheus and Euridice and our artist-curated Studio Sessions, we invite audiences both longtime and new to discover themselves within these stories and become immersed in their inspiring artistry.”

Echoed Chris Milligan, Cincinnati Opera’s Harry Fath General Director & CEO, “As we launch our 2026 Summer Festival, we do so with incredible excitement and a deep appreciation for the city and region that has sustained and energized us for 106 years. We planned the 2026 season with this guiding belief in mind: anyone can enjoy opera, and everyone should have the opportunity. By sharing diverse voices and stories and presenting experiences rooted in and reflective of our community, we hope to offer meaningful pathways for everyone to find connection and belonging at Cincinnati Opera.”

Season and ticket information for Cincinnati Opera’s 2026 Summer Festival are available below and at cincinnatiopera.org.


Cincinnati Opera
2026 Summer Festival

SALOME
Music by Richard Strauss
Libretto by Hedwig Lachmann

Thursday, June 18, 2026 | 7:30 p.m.
Saturday, June 20, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in German with projected English translation

Drawn from the scandalous play by Oscar Wilde, Richard Strauss’s searing one-act opera Salome is set to a libretto by poet Hedwig Lachmann that explores obsession and the consequences of unchecked desire. The teenage princess Salome develops a singular fixation on Jochanaan (John the Baptist), which leads her to defy both her stepfather Herod and the rules of society to win her prize. Through its intense psychological drama and richly modernist score—including the provocative “Dance of the Seven Veils”—Salome is a tour de force that leads to a shocking, unforgettable conclusion.

Jose Maria Condemi, who directed Cincinnati Opera’s acclaimed production of Tosca last season, will lead this new imagining of Salome with lighting design by Thomas C. Hase. Internationally acclaimed maestro Robert Spano, current music director of the Washington National Opera, Fort Worth Symphony Orchestra, and Aspen Music Festival, and Music Director Laureate of the Atlanta Symphony Orchestra, conducts the Cincinnati Symphony Orchestra.

Soprano Kathryn Lewek, called “a sensation” (Cincinnati Business Courier) after her recent Cincinnati Opera appearances as Gilda (Rigoletto), makes her role debut as Salome. Jochanaan will be sung by the “rich-toned and charismatic” (The New York Times) bass-baritone Alfred Walker. As Salome’s stepfather, Herod, tenor Chad Shelton has been praised for “singing with heroic amplitude and thrust and bringing the text to vivid life” (Opera Magazine). Mezzo-soprano Michelle DeYoung, called a “powerful singer with a warm, seductive tone” (The New York Times), reprises the role of Herodias, Salome’s mother, which she recently sang at the Metropolitan Opera. Zach Borichevsky brings his “exciting tenor” (Cincinnati Business Courier) to the role of Narraboth, returning to Cincinnati Opera after appearing as the Duke of Mantua in last season’s Rigoletto.


LALOVAVI
Music by Kevin Day
Libretto by Tifara Brown

Thursday, July 9, 2026 | 7:30 p.m.
Saturday, July 11, 2026 | 7:30 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in English and Tut with projected English lyrics and translation

Cincinnati Opera is proud to continue its commitment to new works with the world premiere of Lalovavi, featuring music by Kevin Day and libretto by Tifara BrownLalovavi is the first work in Cincinnati Opera’s Black Opera Project, a nationally unique, three-opera commissioning initiative that brings together visionary artists to develop work that celebrates the resilience, richness, and creativity of the Black American experience.

Set 400 years into the future, Lalovavi is an Afrofuturist adventure that follows Persephone, the youngest daughter of Titan, the ruler of Atlas—the city once known as Atlanta. Currency and status in Atlas are determined based on the presence of Syndica, a gene that promotes vitality and longevity. When Persephone is found to possess a variant of Syndica that confers immortality, she is betrayed by her family and must run for her life. She is thrust into an epic journey, uncovering a hidden past that leads her to discover love’s true meaning and the power to determine her destiny.

Kimille Howard, a prolific director of new works at companies such as Opera Theatre of Saint Louis, the Glimmerglass Festival, and Washington National Opera, leads the new production as both stage director and dramaturg, with scenic design by Lawrence E. Moten III, costume design by Kara Harmon, and lighting design by Thomas C. Hase. Acclaimed pianist Kevin Miller makes his conducting debut guiding the Cincinnati Symphony Orchestra through Day’s richly layered and cinematic score.

Soprano Brittany Olivia Logan, praised for her “voice clear and rich, capable of burnished color and shocking lightness” (The Washington Post), leads the cast as the heroine, Persephone. Soprano Talise Trevigne, a “mesmerizing” artist with a “ravishing voice” (Cincinnati Business Courier), is Niamara, leader of the rebel nation. Grammy Award-winning bass and Cincinnati Opera Artistic Advisor Morris Robinson, lauded for a voice that “stunned with its richness and gravity” (Seen and Heard International), sings the role of the Atlan ruler, Titan Musan. Emmy-winning soprano Adrienne Danrich, called a “standout, a singer of unusual might” (The Washington Post) is Dinah, Persephone’s nursemaid. Hailed for her “velvety mezzo” (Opera News), Zoie Reams is Persephone’s older sister, Zipporah, and as Lucian, the leader of Titan’s elite guard, Terrence Chin-Loy will showcase his “beautiful lyric tenor voice” (Opera News). The cast also features more award-winning singers: baritone Michael Preacely as Atlas’s head geneticist Dr. Apollos and vocalist G. Thomas Allen as the rebel guardian Ivavi.


CARMEN
Music by Georges Bizet
Libretto by Henri Meilhac and Ludovic Halévy

Saturday, July 25, 2026 | 7:30 p.m.
Wednesday, July 29, 2026 | 7:30 p.m.
Friday, July 31, 2026 | 7:30 p.m.
Sunday, August 2, 2026 | 3 p.m.
Springer Auditorium | Cincinnati Music Hall
Sung in French with projected English translation

Returning to Music Hall after more than a decade is Carmen, Georges Bizet’s iconic story of passion, freedom, and fate. The captivating Carmen draws others into her orbit with her magnetic allure and fierce independence. When the soldier Don José becomes the latest to fall for her, he abandons everything and succumbs to a perilous obsession, hurtling them both toward deadly consequences. Carmen’s riveting drama is propelled by Bizet’s rhythmic score and irresistible melodies audiences will immediately recognize, including the famous “Habanera” and “Toreador Song.”

The new-to-Cincinnati production, a co-production between Opera Philadelphia and Seattle Opera originated by Paul Curran, designed by Gary McCann, and featuring lighting design by Thomas C. Hase, transports the story to an imaginary setting akin to late-1950s Havana. Frequent Cincinnati Opera guest artist and artistic director of Opera Naples, dynamic conductor Ramón Tebar takes the podium with the Cincinnati Symphony Orchestra.

J’Nai Bridges, known for her “plush-voiced mezzo-soprano” (The New York Times) and “calmly commanding stage presence” (The New Yorker), returns to Cincinnati Opera in the title role. Fresh off of his triumph in last season’s Tosca, Matthew White brings a “distinctive tenor [with a] dark and powerful lyric sound” (New York Classical Review) to the role of the soldier Don José. Appearing as Micaela is soprano Teresa Perrotta, a winner of the prestigious Metropolitan Opera Laffont Competition praised for her “sweet, rich voice” (Classical Voice North America), and bass-baritone Ryan McKinny, recognized as “one of the finest singers of his generation” (Opera News), sings the role of the toreador Escamillo. Kayleigh Decker shares a “shimmering mezzo-soprano” (Seen and Heard International) as Carmen’s friend, Mercedes.


ORPHEUS AND EURIDICE
Music and text by Ricky Ian Gordon

 Tuesday, July 28, 2026 | 8 p.m.
Thursday, July 30, 2026 | 8 p.m.
Saturday, August 1, 2026 | 3 p.m. and 8 p.m.
Wilks Studio | Cincinnati Music Hall
Sung in English

Composer Ricky Ian Gordon’s lyrical chamber opera Orpheus and Euridice retells the ancient myth from a contemporary perspective. When Euridice mysteriously dies and descends into the Underworld, Orpheus follows, playing music to appease the infernal deities he encounters and earning a second chance at life with his beloved. As Orpheus leads Euridice back to Earth, he looks back at her too soon, and she vanishes forever. Shattered, Orpheus’s sorrow is transformed into music that echoes throughout the world.

Scored for soprano, piano, clarinet, and string quintet and conducted by Stephen Mulligan, soprano Heidi Middendorf will serve as both narrator and Euridice, while Christopher Pell, Principal Clarinet with the Cincinnati Symphony Orchestra, gives haunting voice to Orpheus. The original production will be shaped for Music Hall’s intimate Wilks Studio by stage director Audrey Chait with choreography by Cincinnati Ballet’s Yoshihisa Arai.


Studio Sessions

Thursday, June 25, 2026 | 8 p.m.
Wednesday, July 1, 2026 | 8 p.m.
Wilks Studio | Cincinnati Music Hall

Cincinnati Opera will host two Studio Sessions in Music Hall’s Wilks Studio, each offering an artist-curated, up-close, and personal performance experience. These concerts immerse audiences in a unique atmosphere where artists take center stage, guiding the evening through storytelling and song. Featured artists and programming will be announced at a later date.

Tickets

Subscriptions for Cincinnati Opera’s 2026 Summer Festival are now available and start at $60 for 3-show packages. Tickets to individual performances go on sale November 21, 2025, and start at $21. Discounts are available for seniors, educators, U.S. veterans and active military personnel, full-time students, ArtsWave Pass members, and SNAP cardholders. For more information, visit cincinnatiopera.org or contact the Cincinnati Opera Box Office at 513-241-2742.

About Cincinnati Opera

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera receives funding from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund and the Harry T. Wilks Family Foundation, along with many other generous individuals, corporations, and foundations. The Black Opera Project has been made possible, in part, with support from the Mellon Foundation, Susan and Joseph Pichler, the Carol Ann and Ralph V. Haile, Jr. Foundation, Ann and Harry Santen, and Procter & Gamble. Lead funder for Lalovavi is the David C. Herriman Fund of the Greater Cincinnati Foundation, with additional support from The Louise Taft Semple Foundation, ArtsWave Flow, the H.B., E.W. & F.R. Luther Charitable Foundation, Arts Midwest, and the Aaron Copland Fund for Music, Inc. Cincinnati Opera is a member of OPERA America. Learn more: cincinnatiopera.org.

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A MAGICAL CIRQUE CHRISTMAS | Fri., Dec. 12 | Aronoff Center

A MAGICAL CIRQUE CHRISTMAS BRINGS THRILLS, SKILLS,
AND HOLIDAY CHEER TO CINCINNATI 

Elite Circus Artists, World Record-Holders, and Viral Performers from Around the Globe
Light Up the Stage in This Family-Friendly Holiday Spectacle

Aronoff Center – Procter & Gamble Hall
Friday, December 12, 2025 – 7:00 PM

Tickets On Sale Friday, July 25 

[Cincinnati, OH] – Ho-ho-hold on to your seats! MagicSpace Entertainment’s A Magical Cirque Christmas returns in 2025 for a very merry tour to more than thirty U.S. cities this holiday season. The ultimate holiday variety show will mesmerize, twist, flip, and jingle all the way to the Aronoff Center’s Procter & Gamble Hall for one show only on Friday, December 12, 2025 at 7:00 PM. Loaded with nostalgia, charm, comedy, music, and magic, A Magical Cirque Christmas showcases the world’s top cirque talent and takes audiences on a dazzling, winter wonderland journey, immersing them in the spirit of the season with a feel-good, holiday soundtrack featuring modern versions of popular Christmas classics. The show makes a perfect date night, fun family adventure, or group outing.

Tickets go on sale to the general public on Friday, July 25 at 10:00 AM at www.CincinnatiArts.org, (513) 621-2787 [ARTS], and the Aronoff Center Ticket Office. Ticket prices include all applicable fees and taxes and are subject to change.

In A Magical Cirque Christmas, the cast of world-class acrobats, contortionists, and aerialists will push the boundaries of imagination where gravity is defied, and human potential knows no limits. The performers are supported by a captivating musical score that will tug at your heartstrings, elevate your spirit, and have you tapping your foot and singing along to hit Christmas songs in the ultimate variety extravaganza. The festive show entertains audiences of all ages during an evening of spectacular feats, acrobatic antics, and magical performances complete with holiday hilarity and music.

The acts returning for the 2025 tour include audience favorites Jonathan Rinny (Rolla Bolla and unicycle performer), hair suspension artist and world record-holder Leila Noone, juggler Christopher Stoinev, MC and magician Mark Clearview, and acrobats Duo Metta (Laura Lebron & Joseph Gray). New additions to the cast include world record-holder for the jaw hang, Morgan Barbour, and elite contortionist Hannah Finn:

  • Rinny, a fourth-generation circus performer making his return to A Magical Cirque Christmas, began his career in his family’s Argentine circus at age five. Now an acclaimed Rolla Bolla and unicycle artist, he’s wowed audiences worldwide, including a “best act” nod from AGT’s Simon Cowell.
  • Noone, a four-time American Ninja Warrior competitor and Guinness World Record-holder, is ecstatic to return to the national tour of A Magical Cirque Christmas. She is known for her versatile performances and her role in the contemporary circus company Cirque Vida, based in Austin, TX.
  • Las Vegas resident Stoinev is a fifth-generation circus performer who started juggling at the age of five and hasn’t stopped ever since. At eight years old, he was invited to perform at Premier Rampe, an International Circus Festival hosted in Monaco.
  • Clearview, an internationally acclaimed magician and mentalist, has performed for stars like Neil Patrick Harris and appeared on Penn & Teller: Fool Us. A former Canada’s Got Talent finalist, who earned the Golden Buzzer and $25,000 cash prize, he is also a world record-holder. He now hosts NYC’s popular MAGIC, UNLOCKED.
  • Duo Metta’s Lebron and Gray met during acrobatic training in Costa Rica, where they built a strong bond over their mutual love for advanced acrobatics. They perform as a duo in Las Vegas and internationally, blending technical precision with artistic flair.
  • Barbour specializes in iron jaw, aerial ladder, and lyra. In 2024, she set the world record for “Heaviest Weight Held By Teeth Right-Side Up (387lbs).” She’s performed on five continents, in shows such as America’s Got TalentGiffords CircusKazakh State Circus, and Circo de Natal do Coliseu dos Recreios.
  • Finn specializes in a one-of-a-kind spinning cube act. Known for rare skills like foot archery and the Marinelli Bend, she blends fluid movement with sculptural precision. With nearly two decades of experience, she has performed around the world for Harry Styles, The Roundhouse, The Box Soho, Glastonbury Festival, and more.

“Absolutely fantastic show. We took our six- and three-year-olds and all had the best time,” said a happy reviewer after the Charlotte performance last year. “We will be making this a yearly Christmas tradition!” Another reviewer said, “Great for the whole family. The cast is incredibly talented. Mark keeps everyone laughing between the exciting acts.”

Attendees of all ages at A Magical Cirque Christmas will delight in the graceful, flexible, and hypnotic acrobatics, stunning gravity-defying performances, and high-flying aerial artists, as well as many more surprises.

For more information, visit www.MagicalCirqueChristmas.com. Celebrate the magic of the season and follow @AMagicalCirqueChristmas on Facebook and Instagram.

About MagicSpace Entertainment
MagicSpace Entertainment, a LiveCo Company, is a boutique producing and presenting firm focused on first-class properties and productions. Based in Park City, UT, the company has produced and presented national tours, Broadway shows, concerts, museum exhibits, and sporting events worldwide for over forty years with a powerhouse producing team focused on providing creative, marketing, and general management expertise. www.magicspace.net

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CALENDAR INFORMATION

WHAT:                A Magical Cirque Christmas
WHEN                 Friday, December 12, 2025 – 7:00 PM
WHERE:              Aronoff Center – Procter & Gamble Hall
ON SALE:            Friday, July 25 at 10:00 AM
PRICE:                 Ticket prices start at $62, inclusive of all fees. Subject to change

TICKET INFORMATION

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Cast and Creative Team Announced for U.S. Premiere of MYTHIC, A Pop-Rock Musical with Broadway Ambitions

MYTHIC
BOOK AND LYRICS
BY MARCUS STEVENS
MUSIC AND ORCHESTRATIONS
BY ORAN ELDOR

DIRECTED AND CHOREOGRAPHED
BY THREE-TIME-TONY AWARD-WINNING KATHLEEN MARSHALL
(Wonderful Town, Anything Goes, The Pajama Game)

CINCINNATI (July 22, 2025) – Cincinnati Playhouse in the Park announced today the full cast and creative team for the US premiere of MYTHIC, a new pop-rock musical comedy with Broadway ambitions, that previews September 20-24 with opening night on Sept. 25. Individual and season tickets are now on sale for MYTHIC and the entire 2025-2026 season at cincyplay.com.

MYTHIC features book and lyrics by Marcus Stevens, with music and orchestrations by Oran Eldor and is directed and choreographed by nine-time nominee and three-time Tony Award-winner Kathleen Marshall (Tony Awards: Wonderful Town, Anything Goes, The Pajama Game). MYTHIC is produced by special arrangement with SHO Productions / Shoshana Kovac Parets.

The ancient Greek myth of Persephone is turned on its ear in MYTHIC, with the gods reimagined as chart-topping pop stars, power-hungry politicians, and attention-seeking influencers. Starstruck by Olympian celebrity, Persephone rebels against her mother Demeter’s expectations and decides to forge her own path. When she sneaks into a party at the Acropolis and meets brooding bad-boy Hades, her life takes an unexpected turn into the Underworld. MYTHIC played to critical acclaim in London and in a sold-out run in Montreal.

“We’ve brought together an A-list creative team led by Kathleen Marshall to bring this unique and entertaining new musical to life,” explained Blake Robison, Osborn Family Producing Artistic Director. “Cincinnati audiences will get to see it first. That’s a benefit only the Playhouse provides to our community.”

The creative team includes designers with many Broadway credits including Hamilton, Anastasia, Beetlejuice, Kinky Boots and more: Set design is by Tony Award-nominee David Korins (Broadway: Hamilton, Dear Evan Hansen, Beetlejuice), costume design is by Tony Award-winner Linda Cho (Broadway: The Great Gatsby, A Gentleman’s Guide to Love and Murder, Anastasia), lighting design is by Tony Award-winner Kenneth Posner (Broadway: Wicked, Kinky Boots, The Coast of Utopia), music supervisor is Chris Fenwick (Broadway: Kimberly Akimbo, Once on This Island, Fun Home), music director is Bryson Baumgartel (Broadway: Merrily We Roll Along, Sunset Boulevard; The Great Gatsby), music producer is Tony Award-winner Doug Besterman (Broadway: Death Becomes Her, Thoroughly Modern Millie, The Producers), and sound design is by Tony Award-winner John Shivers (Broadway: Real Women Have Curves, Shucked, Kinky Boots).

The cast features a roster of exciting veteran and up-and-coming actors with Broadway credits: Savy Jackson (Broadway: Bad Cinderella, National Tour: Once on this Island) as Aphrodite; Michael Park (Broadway: Dear Evan Hansen, Redwood) as Zeus; Mamie Parris (Broadway: Cats, School of Rock) as Demeter; Analise Scarpaci (Broadway: Mrs. Doubtfire, Matilda) as Persephone; and Julius Thomas III (Broadway: Gershwin’s Porgy and Bess, International Tour: Hamilton) as Hades.

Joining them in the ensemble are Matthew Samuel Blum, Aaron Gabriel Graham, Alexa Magro, Stephanie Lynne Mason, Owen Scales, Cassidy Stoner, Kodiak Thompson, and Emily Grace Tucker. The swings are Josh Devine and Madison Osment.

Other artistic staff for MYTHIC include David Eggers, Associate Director/Choreographer; Stephanie Klapper CSA, Casting Director; Adam Biscow, Laser Effects Designer; Brandon T. Holmes, Stage Manager; Andrea L. Shell, 1st Assistant Stage Manager; and Madison Stone, 2nd Assistant Stage Manager/Cincinnati.

SPONSORS

Presented by MC and Tom Brennan and The David C. Herriman Fund of Greater Cincinnati Foundation. Honorary Producers are Barbara and Irwin Weinberg. Design Sponsors are Linda and Gary Greenberg. Principal Artist Sponsors are Jenny and David Powell. Artist Sponsor is Madeleine H. Gordon. Artist Sponsor-Kathleen Marshall is Karlee L. Hilliard. The 2025-2026 Season is sponsored by the Schueler Group. Season Design Sponsor is Kerry Automotive, and Season Sponsors of New Work are Nancy and Mark Dawes.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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Cincinnati Shakespeare Company Kicks off the 2025-2026 Season with THE PLAY THAT GOES WRONG

Photo by Mikki Schaffner.

Cincy Shakes brings back a crowd favorite with the with the highly requested comedy that is already breaking Box Office records! 

Cincinnati, July 17, 2025 – Cincinnati Shakespeare Company will launch its 2025–2026 season with an encore engagement of The Play That Goes Wrong by Henry Lewis, Jonathan Sayer, and Henry Shields, running July 18–August 10, 2025 directed by Brian Isaac Phillips. Following the production’s sold‑out success in 2024, Cincy Shakes is thrilled to bring the hit comedy back to their stage in this encore to give audiences another chance to experience- or discover- its uproarious mayhem.

About the show: It’s Opening Night at the Cornley Drama Society’s newest production, The Murder at Haversham Manor and the stakes have never been higher. But none of the on-stage drama is in the script! The theater is filled with accident-prone actors, a corpse that can’t play dead to save his life, and a knocked-out knock out of a leading lady. When all goes wrong, can this theater company make it to Opening Night and bring down the house (in a good way)? This fantastic, farcical, fiasco of a show and Off-Broadway and West End comedic hit is back and the age-old adage is true: “the show must go wrong!” oops sorry, we mean “the show must go on!”

Since its debut in London in 2012, The Play That Goes Wrong has become a global phenomenon. Its success caught the eye of producer-director J.J. Abrams, who brought the play to Broadway in 2017, where it was met with enthusiastic acclaim. This slapstick comedy has since become a favorite of theater companies nationwide, delighting audiences with its blend of physical comedy, witty dialogue, and sheer theatrical disaster. After 2024’s “must see” production, Cincy Shakes is thrilled to bring the madness back this summer with the encore of The Play That Goes Wrong!

Directed by CSC’s Producing Artistic Director and CEO, Brian Isaac Phillips, the returning cast of The Play That Goes Wrong, Billy Chace, Jeremy Dubin, Jared Earland, Candice Handy, Matthew Lewis Johnson, and Kelly Mengelkoch, is ready to bring the house down one more time. New cast members Montez Jenkins Copeland, Cary Davenport, and Sylvester Little Jr. join the ensemble for this encore.

The production’s creative team includes Samantha Reno (Scenic Design), who creates the perfect set for chaos to ensue, and Rainy Edwards (Costume Design), who dresses the actors in era-appropriate attire that adds to the humor. Alice Trent (Lighting Design) illuminates the stage to enhance the comedic mishaps, while Chris Guthrie (Sound Design) provides sound effects that punctuate every comedic turn. Gina Cerimele-Mechley (Fight Choreography) choreographs the slapstick and physical comedy, and Kara Eble Trusty (Properties Design), with coordination done by Alice Hopkins, ensures that every prop plays its part in the calamity. Stage Manager Cole Sweasy and Assistant Stage Manager Danitza Piper keep the backstage chaos under control.

The Play That Goes Wrong runs from July 18 – August 10, 2025. Performances of The Play That Goes Wrong are on Thursdays, Fridays, and Saturdays at 7:30 PM, with 3 Saturday Matinees at July 26, August 2, & 9, and 3 Sunday matinees on July 27, August 3, & 10 at 2:00 PM. CSC offers performances with accessibility resources. Live Audio Descriptions are available on July 18, and there is a Sign Language Interpreted performance on August 10.

Tickets are on sale now. Preview performances are on Wednesday, July 16, and Thursday, July 17, with half price tickets. Discounts are available for students, seniors, local residents, and community partners. Each performance night has a limited number of $14 “Access” tickets in the Upper Gallery.  These can be purchased in advance by going online or calling the Box Office.  And starting 1 hour before each performance, any unreserved tickets may be available as a discounted Rush Ticket to anyone, not just students. These tickets are only $12 and could be located anywhere in the house, depending on that evening’s availability. These cannot be reserved more than 1 hour before a show and must be purchased in person in the Box Office. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  Many parking spaces are available on the street and in nearby lots and garages- for more information, visit http://www.otrchamber.com/pages/WheretoPark.

CSC has coordinated a prepaid self-parking option right next door to the theater for a hassle‐free, guaranteed spot. A limited number of reserved spaces are available starting 2 hours before performances and lasting through the end of the show. The parking attendant will have your name on the list with advance purchase, guaranteeing your spot and price. Visit www.cincyshakes.com/parking to reserve self-parking.

Cincinnati Shakespeare Company’s 2025-2026 Season is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Linnemann Family Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the Classics!

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Acclaimed Broadway Musical THE NOTEBOOK – Tickets On Sale Friday, July 18

ACCLAIMED BROADWAY MUSICAL
BASED ON THE BESTSELLING NOVEL THAT INSPIRED THE ICONIC FILM

THE NOTEBOOK
COMING TO CINCINNATI FROM OCT 14-26
PUBLIC ON SALE JULY 18 

FEATURING AN AWARD-WINNING CREATIVE TEAM
Music & Lyrics by INGRID MICHAELSON
Book by BEKAH BRUNSTETTER
Choreography by KATIE SPELMAN
Directed by MICHAEL GREIF and SCHELE WILLIAMS

JULY 17, 2025 – Producers, Kevin McCollum and Kurt Deutsch, along with Broadway in Cincinnati are thrilled to announce that single tickets for The Notebook, the new musical based on the best-selling novel that inspired the iconic film, will go on sale to the public on Friday, July 18 at 10 AM EST. Critics call The Notebook, “absolutely gorgeous – not to be missed” (Chris Jones, Chicago Tribune), “romantic, life-affirming and ingeniously adapted” (USA Today), and “one of the most epic, romantic, touching musicals ever to grace Broadway” (New York Amsterdam News). The musical plays the Aronoff Center October 14 – 26 as part of the First Financial Bank Broadway in Cincinnati Presented by TriHealth. Tickets will be available online at CincinnatiArts.org, by phone at 513.621.ARTS or in person at the Aronoff Center Box Office, downtown.

“We are thrilled to bring the iconic love story found in The Notebook to audiences across America,” said Kevin McCollum and Kurt Deutsch. “People fell in love with this story first as a novel, then as a much revered film. And now they will be able to experience the heartfelt story of Allie and Noah live on stage, set to a moving and unforgettable score by the one and only Ingrid Michaelson with a book by Tony Award® nominee Bekah Brunstetter.” 

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart in a deeply moving portrait of the enduring power of love. Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of The Notebook played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

The Notebook features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC’s “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

The creative team on Broadway includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production’s music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy. Casting by The Telsey Office, Patrick Goodwin, CSA.

The production was recently recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

Atlantic Records officially released The Notebook (Original Broadway Cast Recording), with a score that Vanity Fair calls “strikingly beautiful” by multiplatinum singer-songwriter Ingrid Michaelson, available HERE.  Following its release,The Notebook (Original Broadway Cast Recording)debuted at #1 on the Top Broadway chart in Music Connect, with breakout single “My Days” now passing 9 million streams on Spotify alone.

The Notebook will play the Aronoff Center October 14 – 26, 2025: Tuesdays, Wednesdays, Thursdays, and Fridays at 7:30 PM, Saturdays at 2:00 PM and 7:30 PM, and Sundays at 1:00 PM and 6:30 PM. Tickets start at $48 and can be found online at CincinnatiArts.org, by phone at 513.621.ARTS or in person at the Aronoff Center Box Office downtown. For groups of 10 or more, contact the group sales department at 513.369.4363. Performance schedule, prices and cast are subject to change without notice. For more information, please visit BroadwayInCincinnati.com.

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First Financial Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. The season is sponsored by First Financial Bank and presented by TriHealth. 

The John Gore Organization is a leading presenter, distributor, and marketer of Broadway theater worldwide. Under the leadership of 25-time Tony-winner and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office and Broadway Brands. The company presents shows in over 45 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk, and Olivier Awards. The John Gore Organization is committed to supporting theater access and education programs that introduce Broadway to the next generation of audiences and theater professionals.

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com, Group Sales Box Office, and Broadway Brands. Led by 25-time Tony Award winner John Gore (Owner & CEO), Broadway Across America pioneered the Broadway subscription touring model and is a leading presenter of the first-class productions across more than 45 North American markets. Since inception, Broadway Across America has produced and/or invested in hundreds of Broadway, touring Broadway, and international productions that have won countless Tony awards and introduced millions of fans to the power of live theater.

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