Category Archives: Auditions

Auditions Announced for Tiny Tim in A CHRISTMA CAROL at NKU SOTA

NKU Theatre & Dance Program is casting the role of “Tiny Tim” in their upcoming mainstage production of A CHRISTMAS CAROL.

Production Details:
  • The role of Tiny Tim is a paid, guest artist role.
  • Performances are November 21 – 23, December 3 – 7, 2025.
  • The rehearsal period is October 14 – November 20, but the actor playing Tiny Tim will not be required to attend all rehearsals. The rehearsal process is very flexible for this role.
  • Rehearsals are 6:00 to 9:00 p.m. A parent or guardian is always welcome to be in the rehearsal process.
  • An Assistant Stage Manager will also be with the actor throughout the process.
  • Free campus parking will be provided to the parent/guardian.
  • Child actor will have a dressing room separate from the college students. A parent or guardian is always welcome to be present in the dressing room.
Role Requirements:
  • Seeking male presenting actors between the ages of 6 and 10 years old.
  • Actors must be shorter than 4 feet tall.
  • The role will require some memorization of lines.

Audition Requirements:

Please submit the following:

  • a resume and headshot (or photo)
  • a 60 second or less video of the actor telling a story or monologue of their choice

Submit materials directly to the director, Michael Hatton, at: hattonm@nku.edu

Audition submissions must be submitted by September 26, 2025.

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Auditions Announced for WITCHCRAFT at Cincinnati Music Theatre

Cy Coleman penned songs such as “Witchcraft” and “The Best Is Yet to Come” (signature tunes for Frank Sinatra and Tony Bennett, respectively) and wrote such musicals as Sweet Charity, I Love My Wife, On the Twentieth Century, and The Will Rogers Follies – yet a revue of his music has gone entirely unexplored until now.

WITCHCRAFT explores his music from his time as a hot jazz pianist and early television celebrity in the 1950s, and his life as one of Broadway’s preeminent composers.

Looking for 4 male presenting & 6 female presenting ACTORS WHO SING WELL

Choose a 45- 60 second jazz standard or musical theatre tune (prior to 1990 preferred) that highlights your best performance.

An accompanist will be provided.

  • October 12, 2025 from 2:00pm – 5:00pm
  • October 15, 2025 from 6:30pm – 9:00pm

www.signupgenius.com/go/10C0945A8AE22ABF5C52-58582441-cmtauditions

Mike Fielder, Director
Chelsea Harris, Vocal Director
Josh Toth, Music Director
Caitlyn Thiel, Producer

Performance dates: Jan. 23-31

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Video Auditions Announced for CLOS(IN)G at American Legacy Theatre

CLOS(IN)G: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive. As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE
Video Auditions: NOW. Submit by September 29th, 2025 for first consideration. Auditions accepted after as well.
Rehearsals: November 2nd, 2025 – November 7th, 2025; 6:30pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)
Performances: November 8th and 9th, 1:00pm – 5:00pm
To submit a video audition:

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to colin.waters@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece.

COMPENSATION
This contract provides a one-time stipend of $225.
Artists are able to earn additional compensation for key audience referrals.
For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES

  • George- African American, Male, 68
  • Theresa- African American, Female, 42 (CAST)
  • Brent- African American, Male, 16
  • Carter – Any race, Male, 59
  • Brandy – Caucasian, Female, 39
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45
  • Isabelle – Latina, Female 17 (CAST)

A Character Breakdown and audition sides can be found HERE. The Roles of Theresa and Isabelle have been CAST.

SUBMISSION

Video Auditions: NOW. Submit by September 26, 2025 for first consideration. Auditions accepted after as well.
Rehearsals: November 2nd, 2025 – November 7th, 2025; 6:30pm – 10:00pm
Performances: November 8th and 9th, 1:00pm – 5:00pm

To submit a video audition:

  • Prepare one of the attached sides provided in the Casting Call.

Send a video submission to colin.waters@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name)

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Auditions Announced for BUDDY-The Buddy Holly Story at the Covedale Center

Cincinnati Landmark Productions to hold auditions for Covedale Marquee Holiday show:
BUDDY – The Buddy Holly Story

  • Sunday, Oct. 5th, 2025 1pm to 3:30pm
  • Monday, Oct. 6th, 2025 6:30pm to 8:30pm
    Callbacks: Tuesday, Oct. 7th, 2025 6:30pm to 8:30pm

Audition Location: Warsaw Federal Incline Theater – 801 Matson Place, Cincinnati, OH 45204

If you’d like the audition form sent to you in advance, email Jennifer Perrino AT Jenniferperrino@clpshows.org.

CLP is actively seeking diverse casts. Performers of all races and ethnicities, gender identities, sexualities and abilities are especially encouraged to audition and will be considered for all roles

January 22 – February 15, 2026
By arrangement with Alan Janes; Written by Alan Janes

BUDDY – The Buddy Holly Story Tells the true story of Buddy’s meteoric rise to fame, from the moment in 1957 when ‘That’ll Be The Day’ hit the airwaves until his tragic death less than two years later on “The Day The Music Died”. Featuring over 20 of Buddy Holly’s greatest hits including: “That’ll be the Day”, “Peggy Sue”, “Everyday”, “Oh Boy”, “Not Fade Away”, “Rave On”, “Chantilly Lace” and many more! The incredible legacy of the young man with glasses, whose musical career spanned an all too-brief period during the golden days of rock & roll, continues to live on in Buddy.

Production Team: Hunter Henrickson, Director/Music Director

  • Please prepare to read from the script.
  • Please prepare to sing between 16 and 32 measures of a musical theatre song (an accompanist will be provided).
  • You will be taught a dance combination as well.
  • Must be a minimum of 18 years of age to audition.
  • MUST HAVE A RESUME listing theatrical experience in order to audition.
  • A headshot/picture is appreciated. Please bring a headshot and resume.

While The Buddy Holly Story is first and foremost a musical, its use of live musicians doubling as actors and concert players makes it unique. Almost every cast member will be featured as an instrumentalist if able. I encourage any and all who play an instrument to promote that skill at the time of auditioning and to be prepared to showcase their playing abilities at the auditions/callbacks or with a short video that can be emailed to the directorial team. While not every track in the show requires playing ability, it’s certainly a plus to have.

  • Jerry Allison – Male 20s – 30s. One of the Crickets. Sings backup vocals in many songs and must play drums.
  • 4th Cricket – 20s – 30s. Second guitarist for the Crickets. Sings back up, must play guitar, and potentially plays other characters throughout the show.
  • Highpockets Duncan – Male 30s – 50s. Father figure to Buddy who helps jump start his career. May play other characters in the show. Singing and instrumental experience are an added plus but not required.
  • Norman Petty/Big Bopper – Male late 20s – 40s. The recording studio owner that first captured Buddy’s Rock n Roll music. Also plays the Big Bopper and sings “Chantilly Lace,” as well as other features in the show. Must be able to sing and portray the “larger than life” personality of the Big Bopper.
  • Vi Petty – Female late 20s – 40s. The wife of Norman and second half of the recording team that helped launch Buddy’s career. Must play piano.
  • Maria Elena – 20s – 30s latine. Eventual wife to Buddy Holly. Strong acting chops are a must. Singing, dance, and/or instrumental abilities are a plus but not required.
  • Ritchie Valens – 20s male Latine. The youthful third in the trio of featured performers for the Winter Dance Party Tour. Sings La Bamba as well as other features in the final concert.
  • 2 or 3 Apollo Performers – 20s – 40s African American. Sings “Shout” during act 1. Must be comfortable with light crowd work and have powerhouse vocals. May also double as a dancer or backup singer in other parts of the show.
  • 4 – 6 Dancers – 20s – 30s. High energy dancers with partnering experience. Heavily featured throughout the show as the choreographed transitions between scenes and concert performers. May also play other characters throughout the show.
  • Various Musicians – any age group. Musicians who play in the concert at the end of the show. Brass, reed, and piano players in particular are sought after for these positions. If comfortable, they may play other roles in the show.

Note: this production is not currently casting for the roles of Buddy Holly and Joe B. Mauldin.

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Auditions Announced for BLITHE SPIRIT at Troy Civic Theatre

Director Derek Dunavent is seeking 2 men and 5 women of various ages for the upcoming production of Noel Coward’s classic comedy, BLITHE SPIRIT. Auditions are being held Monday and Tuesday, September 22 and 23, 2025, starting at 7:00 PM.

Charles, a well-respected author, and his second wife Ruth has decided to invite the local medium, Madame Arcati, over to their house for dinner and a seance. Researching a book about spiritualism, Charles intends to prove the world of seances as fake. However, the evening does not go as planned when Madame Aracati succeeds in bringing back the spirit of Charles’ first wife, Elvira, who greatly misses Charles and has no intention of being separated from him again.

Characters:

  • Charles Condomine – English author, widower in his second marriage to Ruth
  • Ruth Condomine – Charles’ second wife, a bit jealous of his first marriage
  • Dr. Bradman – local doctor and Charles’ friend
  • Mrs Bradman – Dr. Bradman’s wife
  • Madam Arcati – local spiritualist, definitely a little bit different than her dinner companions
  • Elvira – Charles’ deceased first wife, brought back to this plane by Madame Arcati
  • Edith – the Condomine’s maid

Auditions will consist of readings from the script. Anyone auditioning should be prepared to attempt an English accent during auditions.

BLITHE SPIRIT, the second show of our 60th season, will be presented November 14-16 and 21-23, 2025, with performances Fridays and Saturdays at 8:00 pm and Sundays at 2:00 pm. Rehearsals will be 3-4 days a week, until the week prior to opening night.

BLITHE SPIRIT is being presented by special arrangement through Concord Theatricals, and is sponsored by Chevrolet of Troy.

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