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Ensemble Theatre Cincinnati Presents Regional Premiere Musical THE HOUSE ON WATCH HILL May 9-31

(Cincinnati, OH) The scariest thing isn’t the haunted house—it’s growing up. Ensemble Theatre Cincinnati (ETC) closes its 40th Anniversary Season with the regional premiere musical The House on Watch Hill by Richard Oberacker and Robert Taylor, the Tony-nominated creators of Bandstand. Pulsing with original ‘80s-inspired music, this thrilling new musical is full of nostalgia, heart, and a touch of the supernatural. Playing May 9–31, 2026 and directed by D. Lynn Meyers and Dee Anne Bryll. Premiere Sponsor is Manuel Hernandez.

Based on true events, The House on Watch Hill follows a group of teen misfits in the summer of 1984 who set out to build the ultimate haunted house in their Cincinnati suburb. Led by 14-year-old horror buff Patrick, their project stirs up fears far more real than any ghost story. Set to an original ’80s-inspired soundtrack and steeped in Cold War anxiety and latchkey freedom, this coming-of-age story is funny, moving, and maybe just a little spooky. A must-see for fans of Stranger Things, The Goonies, and anyone who’s ever felt like an underdog, The House on Watch Hill captures the bittersweet moment between childhood and growing up—when you’re old enough to know the world is scary but brave enough to face it anyway.

“Do you remember a summer when you thought everything was possible?” asks ETC’s Producing Artistic Director D. Lynn Meyers. “This show is about the stripping away all the layers of who we’ve become and going back to a time when we were still growing, still dreaming, and still hoping things come to fruition. It’s based on a true and local story about the life of one of its creators, Richard Oberacker, and the summer that changed his life. What a brave and beautiful opportunity to share his story. The concept of this story would be considered completely outrageous if it wasn’t true. And the music? It’s intoxicating. Once you jump in, the rhythm just keeps going throughout the whole piece. These songs could have been hits of the ‘80s had they been written during that time.”

The cast includes Jason Collins(Adult 1), Julianne Ferreira da Silva (Jennifer), Wesley Akio Geary (Paul), Adrian Graff (Patrick), Jordyn Amani Jones (Joy), Morgan Lindell (Kristin), Sara Mackie (Adult 2), Gavin Poronsky (Tim), and Tommy Sanders (Jason).

Production team: Brian c. Mehring (Resident Scenic & Lighting Designer), Steve Goers (Music Director), Dee Anne Bryll (Choreographer), Cat Schmeal-Swope (Costume Designer), Brian Hsieh (Sound Designer), Shannon Rae Lutz (Properties Curator & Design Associate), Jacob Dowell (Technical Director), Michele A. Kay (Production Stage Manager), and Lexi Muller (Assistant Stage Manager).

Performance Information
Performances Tuesday-Saturday at 7:30 pm; Saturday and Sunday at 2:00 pm. A complete calendar of performances is available at http://www.ensemblecincinnati.org.

Ticket Prices
Tickets start at $22 for adults; student tickets are $29; and children are $27. Half-Price Rush Tickets: All remaining tickets for the current day’s performance(s) are available two hours prior to each show time for half-price (discount only applies to adult tickets) when purchasing by phone or in person.

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2025–2026 Season Presenting Sponsor is the LKC Foundation.

Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich, and inspire our audiences

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Cincy Shakes Travels to the Farthest Reaches of Shakespeare’s Canon with PERICLES

In their quest to complete Shakespeare’s 40 play canon by their 40th anniversary, Cincy Shakes brings regional audiences a unique opportunity to experience a bold reimagining of this seldom seen Shakespearean Romance 

Jim Hopkins as Helicanus & Giles Davies as Pericles.

Cincinnati, April 15, 2026 – Cincinnati Shakespeare Company is proud to present William Shakespeare’s Pericles playing April 17 – May 3, 2026, directed by CSC Producing Artistic Director and CEO, Brian Isaac Phillips. This production features longtime favorite CSC Ensemble Member, Giles Davies as the titular Prince Pericles. This production is generously sponsored by Season Shakespeare Sponsor, The Linnemann Family Foundation and Design Sponsors Rance and Marilyn Duke; Marcie and Jim Kinney; and Messer Construction.

In this tale, Prince Pericles embarks on an epic voyage through alien worlds, cosmic storms, and intergalactic encounters on his search for true love. Join us on a journey to the farthest reaches of Shakespeare’s canon with this seldom seen treasure, revealing how hope can guide us- even through the most distant corners of the universe.

Bringing this classic to the stars is an ensemble cast of 16 talented actors. Giles Davies returns to the CSC stage as Prince Pericles, who embarks on an intergalactic adventure. Narrating this space epic through song is Gower, played by Cary Davenport, who has composed original music to tell the story. Barry Mulholland plays the tyrant Antiochus, with Patrick Earl Phillips as his interstellar bounty hunter. Courtney Lucien plays Antiochus’ daughter, as well as Lychorida and the goddess Diana. Billy Chace and Hayley Guthrie play Cleon and Dionyza, the King and Queen of the deteriorating Tarsus. Kelly Mengelkoch plays the ruler of Pentapolis Simonides, and her daughter Thaisa is played by Aiden Sims. After the story moves forward 15 years in Act II, Jasimine Bouldin plays Marina, the daughter of Thaisa and Pericles now grown up. Barry Mulholland, Elizabeth Chinn Molloy, and Jeremy Dubin play Pander, Bawd, and Boult. Rounding out the ensemble Geoffrey Warren Barnes II as Escanes and Leonine, Hannah Gregory as Musician, Jim Hopkins as Helicanus, and Sylvester Little Jr. as Lysimachus. All other roles in this space epic are played by members of the ensemble.

In Shakespeare’s original play, Pericles travels across the ancient world from kingdom to kingdom. In this production, those kingdoms become planets, each with its own ruler, culture, and story, and his journey becomes a voyage across a theatrical galaxy. Below are the worlds Pericles encounters on his journey and Cincy Shakes’ creative interpretation of those planets. Audiences will see costumes, projections, and other design elements on stage that bring these worlds to life:

The Planets of CSC’s Pericles Production:

  • Tyre – A planet of advanced technology and abundant resources. Once devoted to conquest, its people now foster peace across the galaxy.
  • Antioch – A terrible planet that consumes all, where individuality is erased in service of a king whose conquering hand has spread across the galaxy.
  • Tarsus – A dying planet, ravaged by its people’s environmental exploitation. Barely surviving, its people suffer while the King and Queen live in excess.
  • Pentapolis – A bountiful and beautiful water planet that has known peace for centuries. With its plentiful resources and strong royal line, one would not find a better ally than Pentapolis.
  • Ephesus – Home of the Temple of Diane. A moon that has survived the destruction of the planet it orbits and has become the last bastion of hope for many.
  • Mytilene – At the center of the galactic highways, Mytilene caters to travelers from all over the galaxy, offering a place to refuel your ship or engage in the intergalactic black-market trade.

Creating outer space on Cincy Shakes’ stage is the out-of-this-world design team led by director Brian Isaac Phillips with assistant direction by Liz Carman. Scenic Designer Andrew Hungerford transforms the stage into spaceship filled with hidden entrances, tv screens, and spaces for projections designed by Robert Carlton Stimmel. Rainy Edwards’ costume designs are out of this world; completed by Kayla Cieslinski’s Wig Designs, these costumes truly transport the audience to the planets visited in Pericles. Watson’s lighting design, assisted by Cole Benner-Smith and Donnie Wolf, along with Zack Bennett’s sound design, immerses the audience into each planet. Susan Jung has choregraphed dynamic dances for the Q-Kidz Dance Team and the cast, set to music by composer Cary Davenport. Gina Cerimele-Mechley acts as fight director. Pericles is stage managed by Cole Cammack-Sweasy with assistant stage management by Colton Wolf.

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Pericles runs from April 17 – May 3, 2026. Performances of Pericles are on Thursdays, Fridays, and Saturdays at 7:30 PM, with two Sunday Matinees on April 26 and May 3 at 2:00 PM. CSC offers performances with accessibility resources. Live Audio Descriptions are available on April 17, and there is a Sign Language Interpreted performance on May 2 at 2:00 PM.

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Tickets are on sale now. Preview performances are on Wednesday, April 15, and Thursday, April 16, with half price tickets. Discounts are available for students, seniors, local residents, and community partners. Each performance night has a limited number of $14 “Access” tickets.  These can be purchased in advance by going online or calling the Box Office.  And starting 1 hour before each performance, any unreserved tickets may be available as a discounted Rush Ticket to anyone, not just students. These tickets are only $12 and could be located anywhere in the house, depending on that evening’s availability. These cannot be reserved more than 1 hour before a show and must be purchased in person in the Box Office. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  Many parking spaces are available on the street and in nearby lots and garages- for more information, visit online here.

CSC has coordinated a prepaid self-parking option right next door to the theater for a hassle‐free, guaranteed spot. A limited number of reserved spaces are available starting 1.5 hours before performances and lasting through the end of the show. The 3CDC parking attendant will have your name on the list with advance purchase, guaranteeing your spot and price. Visit www.cincyshakes.com/parking to reserve self-parking.

Cincinnati Shakespeare Company’s 2025-2026 Season is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Linnemann Family Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the Classics!

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Auditions Announced for SHE KILLS MONSTERS at Prism Community Players

We are thrilled to announce our first show under our new name:

Prism Community Players presents SHE KILLS MONSTERS by Qui Nguyen

  • Location: Lakeview UCC, Maineville, OH
  • Auditions: Sunday, May 3rd | 1–5 PM
  • Callbacks (if needed): Monday, May 4th | 7–9 PM
  • Performances: July 17, 18, 24, & 25 at 7:30 PM
Auditions will consist of readings from the script, with sides emailed to you ahead of time.
About the Play
SHE KILLS MONSTERS follows Agnes Evans as she discovers her late sister’s Dungeons & Dragons campaign and embarks on a journey through it to better understand her. As fantasy and reality intertwine, Agnes uncovers hidden truths about her sister’s life while navigating grief, identity, and connection.
Director: Corey McOsker – Nieman
Assistant Director: McKenzie Kugler
Stage Manger/ Artistic Painter: Nicole Haake
Assistant Stage Manger: Tina Berhringer
Prism Community Players encourages performers of all races, ethnicities, gender identities, sexualities, abilities, body types, and ages to audition. No roles are precast.
Rehearsals Begin Sunday, May 17
Sundays | 1–5 PM
Mondays | 7–10 PM
Thursdays | 7–10 PM

We are so excited to begin this new chapter as Prism Community Players and can’t wait to see this magical, heartfelt adventure come to life with you! 💛

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2026-2027 Season Announced by Loveland Stage Company

The Loveland Stage Company is pleased to announce its 2026/2027 season — a lineup full of adventure, music, and plenty of twists and turns!

INTO THE WOODS
October 9-25, 2026
Directed by Ethan Mann

INTO THE WOODS follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them later with disastrous results.

SCHOOL OF ROCK
March 5-21, 2027
Directed by Erica Mann

Based on the hit movie, School of Rock follows Dewey Finn, a failed, wannabe rock star who decides to earn an extra bit of cash by posing as a substitute teacher at a prestigious prep school. There he turns a class of straight–A pupils into a guitar-shredding, bass-slapping, mind-blowing rock band. But can he get them to the Battle of the Bands without their parents and the school’s headmistress finding out?

THE BOLD, THE YOUNG, AND THE MURDERED
May 14-23, 2027
Directed by Justin Hanks

The long-running soap opera The Bold and the Young is in its last days: its hunky hero has self-esteem issues, its villainous old man is more interested in soup, and its heroines are slightly psychopathic. The executive producer gives the squabbling cast an ultimatum: Complete one episode overnight or the show dies. But when the director ends up murdered and other cast members start dropping like flies, it seems like his threat might actually come true. Can these misfits discover the murderer before the show is literally killed off?

Get ready for a season of unforgettable stories, incredible talent, and live theatre that keeps you on the edge of your seat.

Stay tuned for ticket info, auditions, and more!

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MADE IN CINCY: New Works Festival at Cincinnati Playhouse in the Park Runs May 8-9

MADE IN CINCY: New Works Festival
Cincinnati Playhouse in the Park
May 8-9
Rehearsal Studio [Eden Park]

Fri, May 8 at 7pm SOLD OUT, waiting list available
CHURCH OF BROKEN THINGS by Maggie Lou Rader

Three girls grow up to become young women in rural, turn of the 21st century, Sleeper, Oklahoma. They navigate friendship, faith, sexuality and danger in a town where hypocrisy is inherited and silence is survival. Spanning childhood through adolescence, the play tracks how the girls are shaped by institutions meant to protect them: church, family, school and law. Ferociously funny and devastatingly honest, The Church of Broken Things captures the raw confusion of girlhood in a world that demands purity while excusing harm. A coming-of-age story about belief as refuge and weapon, and the fierce bond that forms when girls refuse to look away.


Sat, May 9 at 1pm
THE MINK by Isaiah Reaves

New Orleans, 1959. Christmas Eve. One lavish mink coat and far too many people who want it. When Wyatt, a young Black playwright and occasional escort, is gifted a stunning mink by a powerful white mayoral candidate, a simple goodbye spirals into a razor-sharp farce about secrecy, desire and survival in the Jim Crow South. As the coat changes hands, chaos erupts: a crumbling political campaign, a meddling sister-in-law, a conniving fiancée, a hysterical son and a web of lies that can longer hold. With fast-paced dialogue, bold characters, and a little ancestral magic, this is a play about claiming your dignity —even when the world insists you give it back.


Sat, May 9 from 5-6pm
FESTIVAL PANEL DISCUSSION
With playwrights Nathan Alan Davis, Maggie Lou Radar and Isaiah Reaves. Followed by Happy Hour.


Sat, May 9 at 7pm
OHIO RIVER PRAYERS by Nathan Alan Davis

In antebellum Cincinnati, the Fugitive Slave Act tightens its grip and Zavia shelters eleven fugitive children in her home on the edge of the Ohio River, praying faith will hold where law has failed. Her beliefs become a battleground when a white bounty hunter arrives, her estranged husband returns hardened by violence and her son Asa refuses to meet cruelty with force. Surrounded by danger and guided by three formidable elder women, Zavia must decide what faith demands when mercy and survival are no longer aligned. Written in searing verse and shot through with dark humor, Ohio River Prayers is a tragic, urgent reckoning with resistance, inheritance and the unbearable cost of choosing how to fight.

Official page |

 

 

 

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