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NEW WORKS Streams FREE Feb. 25-28 & March 5-7

CB_New Works 2021Five world-premiere, contemporary ballets recorded at the Aronoff Center

Cincinnati Ballet’s The Kaplan New Works Series shifts to an innovative, digital experience, streaming FREE, Feb. 25-28 and March 5-7. Audiences can look forward to thought-provoking new work that reflects this unprecedented moment in time. Cincinnati Ballet’s Resident Choreographer Jennifer Archibald and choreographers Dana Genshaft and Helen Pickett will share their personal perspectives through movement. The digital program also features choreography from Cincinnati Ballet Principal Dancer Melissa Gelfin De-Poli and Corps de Ballet Dancer Taylor Carrasco. New Works was recorded at the Aronoff Center’s Jarson-Kaplan Theater with multiple cameras for an immersive digital experience, following strict health and safety protocols.

What the choreographers say inspired their pieces for New Works:

Jennifer Archibald, Pursuit:
“It’s a play on power. It’s a play on the fearlessness and the sexual power of the madams of the 19th century. A lot of the madams of the 19th century had some of the highest wages of American women at that time. A lot of them funded irrigation and roadbuilding projects, and they provided their employees with healthcare. They were these brazenly public women. Even if you didn’t agree with their life choices, they were able to gain power and control of their womanhood and moved through society in this non-apologetic way.”

Taylor Carrasco, Regards:
“I decided to go the gay, queer route because that is how I identify and there have been a lot of voices like mine that have not been heard. Luckily, I’ve been given a platform. So, when I was thinking about how I wanted to explain that voice, I started gravitating towards Broadway music, because when I thought about, it is an art form that has a lot of gay men involved in it, but if you look at the subject matter of a lot of Broadway works, they’re not extremely inclusive of gays. You’re probably not going to be lead male unless you’re strong and masculine and fawning after a beautiful woman. I wanted to give people like me a space to feel like themselves.”

Melissa Gelfin De-Poli, Ain’t I a Woman:
“I am exploring the voice of intersection — intersections of equality for the voices of minority groups. Humans whose voices have been silenced, whose being has been hushed because of gender, race, religion. But more importantly, I hope to address ‘the how’ — how can we put away the blocks of judgment between us and race as one.”

Dana Genshaft, Wunderkammer:
“My piece is about fantasy. Fantasy is the bridge our minds make when it is reaching for ‘knowing.’ When we don’t know, we often create fantasies to make sense of the world. This piece is about acceptance of the things that are unknown, strange or don’t fit into society, that somehow don’t have a place in the logical, ‘real’ world.”

Helen Pickett, BALANCE:
“BALANCE is a journey solo, a dive into the continual negotiation of life’s on and off balance, physically and emotionally. What do we choose to carry or relinquish? In the solo, there is a chair and the image of the world printed on a carpet. Is that carpet the small/interior world, and the room, the large/exterior world? Or vice versa? How can we move fluidly between both worlds? When we DO find our balance, we dance our way through life.”

WHO: Cincinnati Ballet
WHAT: The Kaplan New Works Series
WHEN: February 25-28 & March 5-7
*Video link will be available at cballet.org beginning at 8 pm, Thursday, February 25 through 11:59 pm, Sunday,
February 28 and again beginning at 8 pm Friday, March 5 through 11:59 pm, Sunday, March 7.
WHERE: FREE at cballet.org

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and outreach in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2020-2021 Season Sponsors: Rhonda & Larry A. Sheakley, Margaret and Michael Valentine, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, The Austin E. Knowlton Foundation

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Falcon Theatre to Produce THE AGITATORS as On-demand Theater/Film Project

FT_The Agitators promo

Elliott Young as Frederick Douglass & Cat Cook as Susan B. Anthony. Photo by Kristy Rucker.

For forty-five years, they agitated the nation and each other. They met in the 1840s as young abolitionists, full of hopes and sharing a common purpose. They became cultural and historical icons. They were Susan B. Anthony and Frederick Douglass. Their tempestuous decades-long  friendship is the subject of playwright Mat Smart’s THE AGITATORS, currently in production at Falcon Theatre as a special theater-for-film presentation. The production will be available for on-demand streaming from March 12 – 20, 2021.

This project has been more than a year in the making. Originally scheduled as the fourth production of Falcon’s 2019-2020 season, the play was mere days from opening last March when the COVID-19 pandemic forced the theater to shelve the project temporarily. Out of concern for cast, crew, and audience safety, Falcon Artistic Director Ted Weil and production director Darnell Benjamin agreed to push the production to the 2020-2021 season. Weil and Benjamin ultimately opted to produce the play as Falcon’s second theater-for-film project. This past October, the theater filmed a similar venture for Sean Devine’s play Daisy.

Anthony and Douglass found a common cause in the abolition of slavery, though each came at the subject from a different standpoint. She was white, a Quaker. He was black, an escaped slave. Both used their gifts as writers and orators, along with their shared passion for equality to forge an unlikely friendship. Slavery ended after the Civil War, and the two focused on what they hoped would be universal suffrage. Their friendship and alliance became strained with the proposal of the 15th Amendment, which would grant voting rights to black men, but not to women of either race.

Playwright Smart sees the story of the pair as timely for 21st Century America. “The distance between people in this country seems to be growing greater and greater,” Smart says. “And something that is so inspiring to me about Susan and Frederick was their ability to have a healthy, hard dialogue with the people they disagreed with…with the people who hated them. So I hope a lesson we can take from them is how we can better listen to people who believe different things than we believe, and how we may better agitate the people who disagree with us to change their thinking. Or vice versa.”

Details for streaming the presentation will appear soon on Falcon’s website (www.falcontheater.net) and on Falcon’s Facebook and Instagram (@falcontheatrenky) pages.

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GRACE & GLORY Runs March 5-20

MLT_Grace & Gloria logoGRACE & GLORY
Middletown Lyric Theatre
March 5-20
[Middletown]

Cast: Betty Coulter as Grace & Elizabeth Hickerson as Glorie

Set in the Blue Ridge Mountains; Grace, has checked herself out of the hospital and returned to her beloved homestead to die alone. Her volunteer hospice worker, Glorie, a New-York transplant is tense, unhappy and guilt-ridden. As she attempts to care for and comfort the cantankerous Grace, the sophisticated Glorie gains new perspectives about life.

  • Fri-Sat, March 5-6 at 8pm SOLD OUT
  • Fri, March 12 at 8pm
  • Sat, March 13 at 3pm & 8pm
  • Fri, March 19 at 8pm SOLD OUT
  • Sat, March 20 at 3pm

Official page |

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Neil Simon’s RUMORS Runs March 5-7

XACT_Rumors logoNeil Simon’s RUMORS
Xenia Area Community Theatre
March 5-7
Sorg Theater [Hamilton]

Directed by Carter Hume

Charlie and Myra’s ten-year anniversary party does not go quite as planned. Chris and Ken Gorman discover Charlie unconscious with a gunshot wound upstairs and Myra is nowhere to be found. In order to avoid a scandal, they attempt to cover up the mysterious incidents from the rest of the guests, but everyone jumps to their own conclusion and it turns into a farcical he said she said where nothing adds up. Don’t miss this thrilling play that will keep you guessing until the very end, live on the Sorg stage!

  • Fri-Sat, March 5-6 at 7:30pm
  • Sun, March 7 at 3pm

Official page | Facebook event |

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Walnut Hills High School Theatre Department Brings Light and Hope Through Music in SONGS FOR A NEW WORLD

WHHS_Songs For a New World5

Sunny Dighe & Sophia Cotton-Riker. Photo courtesy of Mikki Schaffner Photography.

Cincinnati, OH – Following up it’s virtual productions of Hamlet and The Virtual Theatre Festival earlier in the fall, The Walnut Hills High School Theatre Department is back on its stage and on your screen with their senior high musical, Songs For a New World.

The show will be livestreamed from the Walnut Hills auditorium March 4-6, @ 7 p.m.

“We had hoped to be welcoming back small live audiences by this point, but unfortunately, that is not reality yet,” says director Mike Sherman.  “Still, we’re giving you as close to a live theatre experience as possible with being able to watch the show in your home live as it happens on stage in real time.”

WHHS_Songs For a New World4

Ella Vaughn & Nadyaa Betts. Photos courtesy of Mikki Schaffner Photography.

Songs For a New World, by esteemed Broadway composer Jason Robert Brown (Parade, The Bridges of Madison County), is a song cycle of 16 independent stories told entirely through song.  From immigrants sailing to the new world, to a kid growing up in Brooklyn with dreams of becoming a basketball star, to a couple taking a second chance at love, the songs span a diverse cast of characters throughout different periods of space and time. Whether dramatic, tragic, or comedic;  all of the stories and songs in the show are tied together by the common themes of change, love, hope, and resolve.

This production and the entire WHHS Theatre Season is graciously sponsored by the Walnut Hills High School Class of 1964 Performing Arts Fund.

For tickets: https://sites.google.com/view/whhstheatredepartment/tickets

WHHS_Songs For a New World1

Diana Hutchinson, Gabe Donnelly, Ella Vaughn, & Olivia Busche, Photo courtesy of Mikki Schaffner Photography.

Featuring cast members Katie Berich, Nadyaa Betts, Maya Busche, Olivia Busche, Lily Canter, Lily Clark, Sophia Cotton-Riker, Sunny Dighe, Gabe Donnelly, Kyra Doty, Avery Frank, Jack Giglia, Chloe Goodman, Clare Graff, Diana Hutchinson, Lily Jones, Adeleigh Karoutchi, Isabella Lachey, Josie Leanza, Lizzy Reber, Ella Vaughn, and Anika Vockell.

  • Directed by Mike Sherman
  • Music Director: Steve Goers
  • Choreographer: Maggie Perrino
  • Student Choreographer: Lily Jones
  • Orchestra Conductor: Rick Canter
  • Technical Director: Helen A. Raymond-Goers
  • Scenic Designer: Ella Knellinger
  • Stage Manager: Sarah Mansfield
  • Assistant Stage Manager: Jamiera Jones and Lucia Johns
  • Costume Designer: Sadie Gray
  • Lighting Designer: JP Oberst
  • Makeup Designer: Laurel Price
  • Props Designer: Keziah Wilkins
  • Sound Designer: John Arora

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