Monthly Archives: April 2026

The Passing of Jared O’Roark

From Spring Grove Obituaries

Michael Jared O’Roark, age 46, passed away suddenly on March 18th, 2026, in Cincinnati, Ohio. He was born on June 13th, 1979, in Jacksonville, Arkansas.

Jared was a devoted husband, son, and brother whose life was rooted in love for his family and friends. He leaves behind his partner and husband of eight years, Benjamin Herrin, parents Michael Ron and Jody L. (Stobbs) O’Roark, brother Jordan (Ashley Rountree) O’Roark, nieces Tatum and Piper O’Roark, mother-in-law Vicky (Weitz) Herrin, father-in-law Mark (Liz Potter) Herrin, brother-in-law Bradley (Anna Sebastian) Herrin and nephew Lincoln Herrin.

Jared was preceded in death by his maternal grandparents, John (Evelyn Rymal) Stobbs and paternal grandparents, James (Barbara St Clair) Roark.

Along with Jared being a loving and devoted family member and friend, Jared was an award-winning arts leader, educator, and community builder whose work over more than two decades left a lasting imprint across Cincinnati, Tampa Bay, and far beyond. He believed deeply that the arts should belong to everyone. He did not just talk about equity, accessibility, and inclusion. He lived those values, showing up with an authenticity in his work and in his life that people could feel, creating spaces where people felt welcomed, seen, heard, and valued.

He approached his work with care and intention, building something strong, beautiful, and deeply human. Young people found their voice through him. Communities connected. The arts became a bridge. He had a gift for bringing people into the same room, listening, and helping shape something meaningful and wonderful. Those who worked with him knew his integrity, felt his empathy and love, and saw the impact he made.

At the Cincinnati Arts Association, Jared poured himself into connecting young people to the arts and to one another. He built a group of teaching artists who reflected the communities they served, because it mattered to him that every student could see themselves in the room and in what was possible. What he helped create became more than an after-school program. It became a space where students could express themselves, feel supported, and begin to understand their own voice.

Jared was always thinking about who else could be reached. He worked to bring the arts into classrooms, supported young artists through the Overture Awards, and contributed to healing-centered work that met people where they were. He believed that when people are met with care, creativity, and connection, something shifts, sparks ignite, and lives change.

One of his most enduring works was Project: Shattered Silence, a youth-centered creative process he created, wrote, and directed. It invited young people to step forward with their stories, to speak what had often gone unspoken, and to be heard. Over a decade, more than 400 teenagers took part, discovering the strength of their own voice.

What began on stage reached far beyond it, becoming a PBS documentary that earned three Regional Emmy Awards in 2013, with additional nominations in 2014. But its true impact lived in the conversations it sparked, the understanding it deepened, and the quiet ways it changed those who experienced it, sending ripples outward for years to come.

Jared moved through the world with a fierce and gentle awareness. He saw something in people they had not yet seen in themselves. Through his work, he did not just create. He made space for others to step into their own voice.

He opened doors for young people and artists, building connections and supporting those around him. Earlier in his journey, he helped bring new performance spaces to life and supported more than 150 artists, including work with Broadway producer Zev Buffman. But more than anything, his impact lived in the people he believed in and the light he helped them find.

Jared received many honors, including Best of the Bay: Theatrical Trailblazer, the National Art of Heart Award, and international humanitarian recognitions. But that was never what drove him. He was guided by a belief in people, in their stories, and in helping others see themselves more clearly.

What he leaves behind cannot be measured in awards, but in the lives he touched, the voices he helped bring forward, and the sense of belonging he created for so many, including himself. He carved out space where there was none, and in doing so, helped others find where they belong.

He was a collaborator, mentor, and advocate who led with intention, resilience, and humor. He believed in the arts as a way to heal, connect, and transform. We have lost a giant, and he will be deeply missed.

Jared’s Celebration of Life Memorial Service will be held on Saturday May 16th, 2026 beginning at 1:00 pm in the ballroom at Music Hall, 1241 Elm St., Cincinnati, OH. with an Irish Wake to immediately follow. Kindly respond to joroark.memorial@gmail.com to RSVP and to share any photos as we are creating a photo montage for the memorial.

To honor Jared’s life and the causes he was passionate about, a GoFundMe campaign has been created in his memory. Donations will support several charities and organizations that were meaningful to him and will allow his legacy to live on.

https://gofund.me/541d3c877

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Auditions Announced for THE HOLY RUG at Dayton Playhouse

AUDITIONS FOR THE HOLY RUG

THE HOLY RUG will be a one performance, staged reading.

Story and Book by Ray Gambrel
Music by Terry O’Brien
Lyrics by Jeff Sams and Terry O’Brien
Director: Annie Pesch
Music Director: Brennan Paulin

Auditions will be held on Sunday, May 3 rd from 1:00 – 3:00 PM at the Dayton Playhouse.

Annie Pesch, Ray Gambrel, and Accompanist, Charles Larkowski, will be attending.

NEEDED

  • Please provide a 32-bar cut. Bring your own sheet music. (a Bluetooth speaker will be provided for accompaniment on audio files if you choose)
  • You will be asked to read sides. Please note: Audition songs may be recorded for the musical director.
    If callbacks are needed, they will be held on May 4th or 5th .

If you have any questions or are unable to attend and would like to submit an audition video (YouTube or Vimeo link), please send an email to: theholyrugmusical@gmail.com

Performance Date: June 6th, 2026

Place: Dayton Playhouse
Time: 7:30 PM

There will be about 10 rehearsals from May 18th to June 5th .

Synopsis

The Holy Rug is a musical about a young man, Harlan, that was raised in a Pentecostal church and realizes that he’s gay. He confides in the pastor but
is betrayed when the church attempts to exorcise the “demon of homosexuality” out of him. Harlan leaves the church and goes on a personal and spiritual journey that consists of loss, pain, and acceptance.

Cast

  • HARLAN: Mid 20s to early 30s, on a spiritual and personal journey (Baritone/Tenor A2 – Ab4)
  • DAD: Early 40s to early 50s, Harlan’s father, stern Evangelical (Bass/Baritone A2 -Ab4)
  • SISSY: Mid 20s to early 30s, Harlan’s sister, rebel later in life (Mezzo Soprano E3 – C5)
  • PASTOR RAY: Late 40s to Early 50s, Evangelical pastor / preacher (Baritone/Tenor A2 – G4)
  • SISTER PAULINE: Late 40s to late 50s, Pastor Ray’s wife (Mezzo/Alto G3 – A4)
  • SKIP: 20s to early 30s, the Pastor’s son, Harlan’s best friend (Baritone A3 – E4)
  • SISTER OVA: Mid 50s to late 60s, Traveling evangelical preacher, energetic and quite the character (Mezzo/Alto A3 – A4)
  • BROTHER BRICE: Mid 50s to late 60s, evangelical church member, very self-centered (non-singing)
  • EDITH DAVENPORT: Mid 30s to late 40s, drag queen and gay club owner, extremely over the top, lots of fun, diva (Baritone D3 – F4)
  • ELDER THOMAS: 20s to early 30s, Mormon missionary (Baritone F3 – F4)
  • SHIRLEY MACLAINE: Around 55, singer, dancer, actress, DIVA (Mezzo/Soprano B3 – B4)

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Directors Sought for FutureFest 2026 at Dayton Playhouse

NOTICE TO ALL STAGE DIRECTORS
FUTUREFEST 2026 is on the horizon, and we are officially opening our search for visionary leaders to helm this year’s selection of NEW PLAYS.
We are looking for bold, decisive talent to bring original manuscripts to life for our festival weekend this July.
IMPORTANT DATES:
  • SCRIPTS RELEASED: Monday, April 20th
  • FESTIVAL WEEKEND: July 17th – 19th, 2026
If you wish to be considered for a directorial post, please file your intent with Matthew Lindsay via the following channels:

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Auditions Announced for FutureFest 2026 at Dayton Playhouse

Auditions for FutureFest 2026

Open auditions for FutureFest 2026 will be held Tuesday, May 26 and Wednesday, May 27, 2026 starting at 7:00 pm each evening. Auditioners are encouraged to arrive early in order to complete the audition form before auditions begin. All five scripts will be auditioned each evening.

The festival will run July 17 through July 19, with each script performed once over the weekend. All scripts will be presented as Staged Readings, meaning all actors will carry their scripts with them, and will be “on book.” Directors will have the freedom to use lighting, sound, costuming, props, and blocking to present as full a production as possible within the festival framework.

Questions about these auditions or FutureFest generally may be directed to Matt Lindsay, FutureFest 2026 Chair at box.office.dayton.playhouse@gmail.com.

Below are synopses and cast descriptions from the five finalist scripts. The scripts are listed in alphabetical order.

AT THE BROKEN PLACES
Director: TBD
Worried that his son Devon–who is on the neurodiversity spectrum–might be harboring suicidal thoughts, Mike reaches out as a last resort to his half-brother Jimmy–the man responsible for the death of Devon’s mother five years earlier. But the men face a challenge they never expected; a challenge made more desperate because of secrets that could destroy their fragile bonds–or be the underpinnings of mercy. When are broken relationships worth mending no matter the cost? And when must they be discarded because the price of truth is too high? When a desire to heal eventually pits brother against brother and father against son, there is a road out. But is anyone willing to walk that road?

Characters:

  • Mike Father, 48; Widower, crusty, life weary Jimmy Mike’s half-brother, 41; Lost soul
    Devon Mike’s son, 21; neuro-divergent, smart
    Franny Mike and Jimmy’s aunt, 68: firecracker
    Karl Franny’s love interest, 72: a gentleman

CHAGUTOK
Director: TBD
Four Americans each make a solitary pilgrimage to a remote, unpopulated Alaskan island, hoping to witness a mysterious atmospheric phenomenon known as the Chagutok Lights, which occurs only once every 17 years. These people-skills-challenged individuals find themselves stuck in each other’s company, but they manage…until a dead body appears. And it’s just the first. Alone on this barren island, these four loners must work together to solve the mysteries of the dead, the Lights, and each other.

Characters:

  • TASHA: woman in her early 20s, white, American-born granddaughter of Russian Jewish immigrants; her natural-fiber, crunchy-granola aesthetic clashes with her prickly personality.
  • REX : man in his late 30s, white. Ideally of meaty build, scruffy or bearded. Conversationally and emotionally guarded, if not downright secretive. A photographer.
  • MARY JO: woman in her early-to-mid 50s, white; a redneck in sound and vibe, but smart and well-educated. Witty, cantankerous, and a loner — but also a talker.
  • DANIEL: man in his early 30s, Black, an American-born son of South African immigrants. A science nerd. Smart, insightful, a little excitable but emotionally grounded.

None of these people have a lot of friends.


dress
Director: TBD
Martin’s surprising fashion choice sets his friend group of Brooklyn hipsters into a tailspin, reopening old wounds and leading them to question the very basis of what holds them together. A dark social comedy about liberal blindspots and the messy minefield that is gender in the 21st century.

  • chuck: male, mid-thirties, white, a writer, straight
  • ted: male, mid-thirties, white, a bartender, straight
  • clem: female, almost halfway to twenty-five, white, actress, pan
  • danielle: female, mid-thirties, jamaican-american, a lawyer, straight
  • elijah: male, mid-thirties, black, a fashion designer, gay
  • martin: mid-thirties, white, a cook

POCKETS
Director: TBD
After putting her career on hold to raise her son and support her husband’s rise in the US Attorney’s office, Mona finds herself divorced, alone, and in a low paying job that barely covers her debt and her rent at an age when most women are thinking about retirement. While she is struggling to put her life together, Mona not only discovers she has a very special talent, but risks everything for the joy of using it.

Characters:

  • Mona Middleway Female, late 50’s early 60’s
  • Mike Middleway Male, late 50’s early 60’s
  • Lilith Fortuna Female, late 40’s
  • Max Duffy Male, 60’s
  • Judge Griswold Female, 50’s
    All roles are racially neutral.

VICHY
Director: TBD
When a young man returns Elyce’s lost ration book in Nazi-occupied Vichy, France, she’s torn between trust and suspicion. Her friend Emma, a Jewish mother, begs for help hiding her daughter. As danger grows, Elyce relies more on the man Emma fears is the enemy—until a final reckoning reveals the truth.

Characters:

  • ELYCE Mid-thirties.
  • PHILIPPE SCHILLER Mid twenties.
  • CAMILLE GOLDSTEIN Fourteen years old.
  • EMMA GOLDSTEIN Mid-thirties, CAMILLE’S mother.

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Auditions Announced for MISERY at The Drama Workshop

This psychological thriller based on Stephen King’s novel Misery follows successful romance novelist Paul Sheldon, who is rescued from a car crash and wakes up captive in a secluded home owned by his self-identified “number one fan,” Annie Wilkes. While Paul is convalescing, Annie reads the manuscript of his latest book and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Annie forces Paul to write a new Misery novel and he quickly realizes Annie has no intention of letting him go. The irate Annie has Paul writing as if his life depends on it – and it does.

Directed by Dane Rogers & Sarah Louise Rogers

AUDITION DATES

  • Sunday, May 10, 6-9 pm
  • Monday, May 11, 7-10 pm
  • Wednesday, May 13, 7-10 pm (Last check in at 9pm)

Call Backs if necessary, Wednesday, May 13, 7-10pm

AUDITION DETAILS·       Cold readings from the script (you will be given time to review)
·       Be prepared to list your conflicts between Aug 1– October 1

CAST REQUIREMENTS

ANNIE WILKES (Female Presenting, Age 30s – 50s – any race) Annie seems to be a kind, tender woman who cares deeply for Paul, even if she does seem slightly off but it becomes clearer that she is manipulative, cunning, and hides a deep set and terrifying malice behind her cheery simple façade.PAUL SHELDON (Male Presenting, Age 30s – Early 60s – any race) He’s thoughtful, if not a touch arrogant, and extremely crafty. He quickly realizes how dangerous his situation is and must use anything and everything at his disposal to survive.BUSTER (Male Presenting, Age 30s –60s, any race) The Sheriff of a nearby town searching for Paul. Very friendly with possible hopes of something more with Annie.

SHOW DATES
Friday, October 2, 2026 7:30PM
Saturday, October 3, 2026 7:30PM
Sunday, October 4, 2026 2:00PM

Friday, October 9, 2026 7:30PM
Saturday, October 10, 2026 7:30PM
Sunday, October 11, 2026 2:00PM

Thursday, October 15, 2026 7:30PM
Friday, October 16, 2026 7:30PM
Saturday, October 17, 2026 7:30PM
Sunday, October 18, 2026 2:00PM

QUESTIONS: danerogers1@gmail.com sarahhoback@gmail.com

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