Monthly Archives: March 2018

TICK, TICK…BOOM! / SONGS FOR A NEW WORLD Run April 3-8

NKU_ Tick Tick Boom Songs for a New World logoTICK, TICK…BOOM! / SONGS FOR A NEW WORLD
Northern Kentucky University
April 3-8
Stauss Theatre [Highland Heights]

TICK, TICK…BOOM!
This autobiographical musical by Jonathan Larson (RENT), follows Jon, an aspiring musical-theater composer who wonders if it’s time to settle for a second-choice life. Exhilarating, funny, and moving, TICK, TICK… BOOM! will speak to anyone who’s ever gotten lost on the way to finding their dreams. Set in 1990, this compelling story of sacrifice and personal discovery is presented as a rock musical.

SONGS FOR A NEW WORLD
Tony Award-winner, Jason Robert Brown, transports audiences from the deck of a 1492 Spanish sailing ship to a ledge, 57 stories above Fifth Avenue, to meet a startling array of characters. With a small, powerhouse cast and a driving, exquisitely crafted score that runs the gamut of today’s popular music, SONGS FOR A NEW WORLD is about the way we regroup and figure out how to survive in a new set of circumstances – a new world – even against seemingly overwhelming odds.

TICK, TICK…BOOM! SONGS FOR A NEW WORLD
  • Tue, April 3 at 7:30pm
  • Thu, April 5 at 7:30pm
  • Sat, April 7 at 7:30pm
  • Sun, April 8 at 2pm
  • Wed, April 4 at 7:30pm
  • Fri, April 6 at 7:30pm
  • Sat, April 7 at 2pm
  • Sun, April 8 at 7:30pm

Official page |

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Mariemont Players Announce AROUND THE WORLD

Eric Thomas

Eric Thomas as Phileas Fogg. Photo by KPIX Photography.

Mariemont Players presents Around the World in 80 Days at the Walton Creek Theater, 4101 Walton Creek Road (just East of Mariemont), March 9th to March 25th.

Hop aboard the train as Phileas Fogg and a small troupe of actors take on a global collection of unforgettable characters in this imaginative and theatrical re-imagining of Jules Verne’s classic adventure. You won’t know what hit you as you become immersed in this exciting, and incredibly silly, rollercoaster spectacle.

Around the World in 80 Days is directed by Jerry Wiesenhahn, produced by Kristen Vincenty, and features the talents of Eric ThomasEric DayRyan NaishJay Dallas BensonPatricia N. Mullins, and Patrick Kramer.

Come visit our beautifully renovated auditorium complete with more comfortable seating, center aisle seats, new carpeting, fresh paint, aisle lighting, and a sound induction loop for those with hearing aid T switches and head sets for those with low hearing issues.

Performances will be:

  • 8 PM Friday, March 9th (Post-Show Opening Night Reception)
  • 8 PM Saturday, March 10th
  • 2 PM Sunday, March 11th
  • 7:30 PM Thursday, March 15th
  • 8 PM Friday, March 16th
  • 8 PM Saturday, March 17th
  • 2 PM Sunday, March 18th
  • 7 PM Sunday, March 18th
  • 7:30 PM Thursday, March 22nd
  • 8 PM Friday, March 23rd
  • 3 PM Saturday, March 24th
  • 8 PM Saturday, March 24th
  • 2 PM Sunday, March 25th

To order tickets for Around the World in 80 Days, call Betsy at 513-684-1236 OR order online at www.mariemontplayers.com. All seats are reserved and $20 each.

Eric Thomas

Eric Thomas as Phileas Fogg. Photo by KPIX Photography.

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THE THEORY OF RELATIVITY Runs March 29-31

CCM_logoTHE THEORY OF RELATIVITY
UC College-Conservatory of Music
March 29-31
Cohen Family Studio Theater [University Heights]

Directed & choreographed by Katie Johannigman
Music directed by Stephen Goers

From Drama Desk Award nominees Neil Bartram and Brian Hill (The Story of My Life), THE THEORY OF RELATIVITY is a joyous and moving look at our surprisingly interconnected lives. Whether you’re allergic to cats, in love for the first or tenth time, a child of divorce, a germaphobe or simply a unique individual, audience members and actors alike are sure to find themselves in this fresh new musical. Created using the real-life experiences and struggles of Millennials, The Theory of Relativity introduces a compelling array of characters experiencing the joys and heartbreaks, liaisons and losses, the inevitability and the wonder of human connection.

Admission is free, but reservations are required. Tickets become available at noon on Monday, March 26. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

  • Thu-Fri, March 29-30 at 8pm
  • Sat, March 31 at 2pm & 8pm

Official page |

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Auditions Announced for PARADE at CenterStage Players

CSPOH_logoAuditions for Centerstage Players’ Production of PARADE

March 18th 5-8PM & 20th 6:30-9PM

Auditions will be held off site at The Arts Center at Dunham as our rehearsal/performance space, Lockland High School, will be in use at that time.

Dunham Arts Center
1945 Dunham Way, Cincinnati, OH 45238
To sign up for an audition slot via Signup Genius:
http://www.signupgenius.com/go/8050b45a8ad2da20-parade

Call Backs (if needed): March 21st
Production Dates: Late September 2018

Rehearsal/Performance Location:
Lockland High School
249 W Forrer, Cincinnati, OH 45215
Rehearsals will begin in mid July, 3 days per week from 7-9 PM dependant on cast availability.

Book by Alfred Uhry
Music and Lyrics by Jason Robert Brown
Co-Conceived by Harold Prince
Based on the true story of the trial
and lynching of Leo M. Frank

Director: Amanda Borchers
Music Director: Allen Lindsey
Producer: Fred Hunt
Choreographer: Garrett Klaas

About the show:
The tragic, true story of the trial and lynching of a man wrongly accused of murder is brought to theatrical life. Amid religious intolerance, political injustice and racial tension, the stirring TONY Award winning PARADE explores the endurance of love and hope against all the odds. In 1913, Leo Frank, a Brooklyn-raised Jew living in Georgia, is put on trial for the murder of 13-year-old Mary Phagan, a factory worker under his employ. Already guilty in the eyes of everyone around him, a sensationalist publisher and a janitor’s false testimony seal Leo’s fate. His only defenders are a governor with a conscience, and, eventually, his assimilated Southern wife who finds the strength and love to become his greatest champion.

AUDITION REQUIREMENTS:

  • Please prepare 32 measures of a ballad or up tempo musical theater piece.
  • An accompanist will be provided, please provide music in the appropriate key with your cut noted.
  • Please no acapella auditions or CDs.
  • You may be asked to perform a
    cold read from the script.
  • Callbacks will only be used if necessary.

General Statement about casting and production:

  • This show is capable of being performed with 13-15 people playing multiple roles. We could cast upwards of 20+.
  • Parade has a complex score and requires a great deal of singing by many of the roles. This is a great opportunity for the “musical theatre serious minded.”
  • Teens that want to audition must be at least 13 years old as this musical deals with mature content.

CHARACTER DESCRIPTIONS WITH STAGE AGES LISTED:

MALES:

  • Leo Frank: (Bari-Tenor, Low G-High G) Late 20s/Early 30s, lead role. Northern Jewish man who runs the National Pencil Factory and is falsely accused of the rape and murder of Mary Phagan
  • Jim Conley: (Tenor, Low D-High Bb) 20s. African-American janitor who works for Leo at the National Pencil Factory. A drunk and a convicted felon, as well as a master manipulator.
  • Britt Craig: (Tenor, Low D-High A) 20s/30s. Down-on-his luck newspaper man, whose career is revived by the Leo Frank trial.
  • Tom Watson: (Baritone/Bass) 30s/40s. Conservative politician and publisher, who helps to spur on the witch-hunt for Leo Frank.
  • Frankie Epps: (Tenor, Low Bb-High Ab) Teens. Mary’s friend and love interest.
  • Governor Jack Slaton: (Bari-Tenor, Low C-High G) 30s/40s. Governor of Georgia who pardons Leo Frank.
  • Hugh Dorsey: (Bari-Bass) 30s/40s. Prosecutor in the Leo Frank case, desperate for a conviction.
  • Newt Lee: (Bass, Low Bb-C) 40s/50s. African-American night watchman at the National Pencil Factory. Finds Mary Phagan’s body.
  • Judge Roan: (Bass, Low Bb-D) 50s/60s. Judge in the Leo Frank Case.
  • Luther Rosser: (Any voice part) 30s/40s/50s. Leo Frank’s lawyer, comes off as a blithering idiot.
  • Fiddlin’ John Carson: (Tenor, G-High A) 20s. First recorded country singer, who wrote popular songs about the Leo Frank Trial.
  • Young Soldier: (Tenor, Low D-High F [High A in falsetto]) Teens/20s. Young confederate soldier.
  • Old Soldier: (Bari-Tenor, Low C-High G) 50s/60s. Old man who was formerly the young confederate soldier.
  • Riley: (Baritone) 20s. African-American servant.
  • J.N. Starnes: (Any voice part). 20s/30s/40s. Police officer assigned to the case.
  • Officer Ivey: (Any voice part). 20s/30s/40s. Police officer assigned to the case.
  • Prison Guard: (Any voice part). 20s/30s/40s. Guards Leo Frank’s cell in Fulton.
  • Floyd McDaniel: (Any voice part). 20s/30s/40s. Local bartender, Irish.
  • Mr. Peavy: (Any voice part). 20s/30s/40s. Guards Leo Frank’s cell in Milledgeville.

FEMALES:

  • Lucille Frank: (Mezzo, Low A-D) 20s. Leo’s wife.
  • Mary Phagan: (Mezzo, D-D) 14. Young girl who is killed at the National Pencil Factory.
  • Mrs. Phagan: (Alto, Low F#-Bb*) 30s/40s. Mary’s mother.
  • Iola Stover: (Soprano, D-F) Teens. Friend of Mary and Frankie, who testifies against Frank.
  • Monteen: (Mezzo, Eb-Eb) Teens. Friend of Mary and Frankie, who testifies against Frank.
  • Essie: (Mezzo, Eb-Eb) Teens. Friend of Mary and Frankie, who testifies against Frank.
  • Lizzie Phagan: (Soprano) 30s/40s. Mary’s Aunt
  • Angela: (Mezzo) 20s. African-American servant.
  • Sally Slaton: (Any voice part) 20s/30s. Wife of Governor Slaton.

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