Monthly Archives: March 2015

Casting Call for 4 HOUR NAP

MISC_Casting call2Union and Non-Union Actors

Premise: (10-15 min.) A man hires a prostitute to relive/rekindle a relationship from his past.
***Disclaimer: NO NUDITY/SEX SCENE***

Casting for:

Sara (female): late 20s, she is a prostitute for a high-class escort
service; she is professional at her job and has had a few years of
experience at it; she makes her clients comfortable and fulfills their
fantasies and desires, and she is very good at this; she treats her
interactions as a form of acting, where her client is both her co-star and
audience.

Audition Dates:

  • Setup at convenience of talent and crew

Filming Dates:

  • Tentative scheduled dates are March 13-16 and April 3-5
  • Will be adjusted based on actor’s availability
  • Looking for talent mostly free during these dates

If interested please contact Marie Burns at burnsm8@mail.uc.edu or 513.324.7335 where I will provide more information, and a current draft of the script.

***Please come prepared with a 1 min. monologue, headshot and résumé***

Crew:
Marie Burns: Producer/Asst. Director
Patrick Kevin: Writer/Director
Reuben Moreland: Director of Photography/Editor
Danielle Kokochak: Producer

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LITTLE WOMEN Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

(Clockwise from top) Maggie Lou Rader as Jo, Kelly Mengelkoch as Meg, Courtney Lucien as Amy, Annie Fitzpatrick as Marmee, and Caitlin McWethy as Beth. By Mikki Schaffner Photography.

(Clockwise from top) Maggie Lou Rader as Jo, Kelly Mengelkoch as Meg, Courtney Lucien as Amy, Annie Fitzpatrick as
Marmee, and Caitlin McWethy as Beth. By Mikki Schaffner Photography.

LITTLE WOMEN presented by Cincinnati Shakespeare Company through March 21. Click here for more information on the production. I attended the opening night performance.

A cold February night brings the March Family to the stage at Cincinnati Shakespeare Company. Director Sara Clark has assembled a talented and strong ensemble to bring these characters to life.

When some of the cast were playing the younger versions of their characters, I felt they pushed a bit too hard and the performances didn’t come off as honest. The characterizations did grow stronger as the play progressed. For me, the family became cohesive with the news of their father’s illness.

Maggie Lou Rader was engaging as strong-willed Jo. I enjoyed Caitlin McWethy’s Beth, who was the only one who could calm Jo’s forthrightness. I would have liked to have seen some physical or verbal reaction by Jo at the end of the scene where Jo is reading to Beth in the bedroom.

 Justin McCombs as Laurie & Courtney Lucien as Amy. By Mikki Schaffner Photography.

Justin McCombs as Laurie & Courtney Lucien as Amy. By Mikki Schaffner Photography.

The pigtails and fingers-on-chalkboard voice of young Amy nicely transformed into a worldly and educated young woman as played by Courtney Lucien. I thought the deepening of Amy and Laurie’s relationship come together naturally. Also well-handled was the change this caused in Jo and Laurie’s (Justin McCombs) relationship.

Nicholas Rose as Professor Bhaer & Maggie Lou Rader as Jo. By Mikki Schaffner Photography

Nicholas Rose as Professor Bhaer & Maggie Lou Rader as Jo. By Mikki Schaffner Photography

I thoroughly enjoyed Nicholas Rose as Professor Bhaer. His performance was charming, sweet and I found it quite easy to see the attraction between Bhaer and Jo. Abby Rowold is convincingly old and bitter aged-up into the role of Aunt March. I was confused by the gender-bending casting of Frank Delaney as Aunt Carol. For me, it was more distracting than a strong comic element.

Miranda McGee as Sallie Gardiner & Kelly Mengelkoch as Meg. By Mikki Schaffner Photography.

Miranda McGee as Sallie Gardiner & Kelly Mengelkoch as Meg. By Mikki Schaffner Photography.

Speaking of distracting, I had the same reaction to the technological additions (flat screen windows and projections) to the show. The concept is interesting, but perhaps better used on a more contemporary script. For me, the digital special effects intruded on the simplicity of the time period.

Small complaints aside, this is a heartfelt and entertaining version of the literary classic.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Cincinnati Modern Dance company MamLuft&Co. Dance to Give Free Spring Concerts, DANCE AT DUSK on April 2 & 3

MamLuft&Co. Dance, Cincinnati

MamLuft&Co. Dance, Cincinnati

IN GOOD WEATHER:
Smale Riverfront Park Schmidlapp Lawn & Stage
, behind Moerlein Lagerhouse, Downtown Cincinnati, OH 45202

IN BAD WEATHER:
Thursday, April 8: Intimate studio showing and meet-the-dancers at Clifton Cultural Arts Center 3rd Floor, 3711 Clifton Ave., Cincinnati, OH 45220.
Friday, April 9: Westwood Town Hall, 3017 Harrison Ave, Cincinnati, OH 45211.

See our Facebook Page (facebook.com/mamluftcodance) for announcements by 5pm each day for location confirmation.

CINCINNATI, OHIO — Cincinnati’s Modern Dance company MamLuft&Co. Dance is partnering with Cincinnati Parks to showcase the premiere of a video-and-dance trio funded by the Cincinnati Arts Ambassador Fellowship which was awarded the dance company’s director, Jeanne Mam-Luft.

Ms. Mam-Luft is the city’s first and only dance Fellow. With the award, the interdisciplinary artist created a trio titled “Unyielding” with dancer-collaborators and MamLuft&Co. Dance Members Steven Evans, Susan Honer, and Neile Martin. Artists in their own right, the three will be preceding the main attraction trio by performing solo works.

The evening spring lawn concerts are best intended for adults as date nights or post-work “R&R” (although they do not contain material inappropriate for children). Concert-goers are encouraged to order from the Moerlein Lagerhouse carry-out window before the performance begins at 8:30pm. Concert-goers should also bring their own chairs or blankets.

MamLuft&Co. Dance was recently named “Best Dance Company Pushing the Envelope” (2012) and described as “intrepid” and “impressive” by CityBeat, whose Kathy Valin also called Jeanne Mam-Luft “a brainy director and accomplished choreographer (and filmmaker).” Seen and Heard International’s Rafael de Acha describes the company’s work as “potent stuff,” “athletic,” and “pure.”

The Cincinnati Arts Ambassador Fellowship funded trio, “Unyielding” exists both on the stage, and as a separate and self-contained film. In the live performances, it features a version of the film projected on the stage to augment the experience. At the Smale Riverfront Park Schmidlapp Stage, the projections will be cast onto the underside of stage’s uniquely curved overhanging structure. “Unyielding” was inspired by how intrinsic fears are basic and common amongst most people, and yet, creates conflict, in which we can take unyielding stances.

Steven Evans will perform his solo, “Succession,” which addresses how successive and constant change allows us to move forward. Neile Martin will perform a new solo titled, “Loss: Anonymous and Specific,” in which she explores what is worth saving after a loss. Susan Honer will perform “Home” by Northwest Florida Ballet’s Sharon Honer and “fine fine” by Bessie Award-winning Karinne Keithley Syers, two pieces inspired by very different music.

The concerts are free to the public, thanks to the Cincinnati Arts Ambassador Fellowship Program and Cincinnati Parks. The performances take place Thursday, April 2 and Friday, April 3, 2015 at 8:30pm at Smale Riverfront Park’s Schmidlapp Lawn and Stage, located downtown behind Moerlein Lagerhouse. The nearest street intersection to the stage is located at the end of Walnut and Theodore M. Berry Way. Concert-goers may find parking near the Banks, or may visit MLCo.org/dusk for a map of the area. (In case of inclement weather, the concerts may be postponed to April 9 and 10, and such a decision will be posted on the organization’s website and Facebook page.)

Other opportunities to see “Unyielding” include a free preview and process lecture on Saturday, March 7, 2015 at the Art Academy (1212 Jackson Street, Cincinnati, OH 45202) from 12-1pm as part of the Macy’s ArtsWave Sampler. A performance and process lecture will also be given Saturday, April 4, 2015 from 1-2pm at Cincinnati Art Museum Fath Auditorium (953 Eden Park Dr, Cincinnati, OH 45202).

Having just completed a successful fall touring season (during which the Company of eight dancers performed in Chicago and Roanoke, Virginia), as well as their home season kick-off at the Aronoff Center in January with a repertory concert, MamLuft&Co. Dance will be premiering their next mainstage and full-evening length work, Memoriam (In Memory of Memory), May 22 and 23.

MamLuft&Co. Dance gratefully acknowledges the operating support of the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. “Unyielding” was funded by an award to Director Jeanne Mam-Luft from the Cincinnati Arts Ambassador Fellowship Program, and the film location was sponsored by Rhinegeist. Dance at Dusk is sponsored by Cincinnati Parks.

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NEXT TO NORMAL at Beavercreek Community Theatre, March 6-15

BCT_Next to NormalBeavercreek Community Theatre is proud to present their Edge of the Creek production of the Pulitzer Prize winning rock musical, NEXT TO NORMAL.

This story of one suburban family’s struggle with mental illness and family dynamics will be presented at 8pm on March 6, 7, 13, and 14 and at 3 p.m. on March 8 and 15.

Becky Barrett-Jones leads the cast as Diana Goodman, the family matriarch, struggling to cope with bipolar disorder and the effect the illness has on her family. Portraying Diana’s husband Dan is Geoff Moss, who perfectly embodies the balance of Dan’s love for his wife and his frustration at the condition of his family.

Diana’s children, Gabe and Natalie, will be brought to the stage by Desmond Thomas and Abby Land, respectively. Thomas and Land capture the essence of Gabe and Natalie’s individual struggles, both as a result of their mother’s illness and their own personal struggles.

Filling out the cast are Brandon Ramos, who takes on the role of Natalie’s boyfriend, Henry, and K.L. Storer, playing dual roles as Doctors Fine and Madden.

This contemporary musical is an emotional powerhouse that addresses such issues as grieving a loss, ethics in modern psychiatry, and suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family’s world intact.

The show, directed by Matthew Owens, is an Edge of the Creek productions, meaning it is intended for mature audiences only.

The show includes music direction from David McKibben, lighting and sound design from John Falkenbach and choreography from Sandra Hyde. Emily Phillips will act as stage manager for the production.

Tickets are $15 for adults and $12 for seniors, BCT Members, and students.

Tickets can be reserved by calling 937­429­4737 and leaving a message or by e­mailing boxoffice@bctheatre.org.

For more information, visit the theater’s website at www.bctheatre.org where tickets can also be purchased online.

Beavercreek Community Theatre is located within the Lofino Adult Enrichment and Cultural Arts Center at 3868 Dayton­Xenia Road in Beavercreek.

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Auditions Announced for A TRIBUTE TO MOTOWN at Cincinnati Black Theatre Company

CBTC_logoAUDITIONS

Cincinnati Black Theatre Company (CBTC) 2014-2015
A TRIBUTE TO MOTOWN

Saturday March 28, 2015 1-4pm The Buzz Book Fair Cintas Center

Auditions will be held at

Xavier University Cintas Center
Schiff Conference & Banquet Center
1624 Herald Avenue
Cincinnati, OH 45207

Contact 513-241-6060 or cincyblacktheatre@gmail.com

We need singers, dancers, modern, jazz, musicians, actors, actress, technical crew and production assistants.

Ages 16 and up. All under 18 years of age must be accompanied by a parent or adult.

Materials

  • Prepare 1 minute monologue
  • Prepare 1 minute song preferably from the  Motown era
  • Prepare a short dance piece
  • Bring current photo/headshot
  • Bring current performance resume

Please be prepared, expect a wait, dress comfortably for movement.

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