Monthly Archives: January 2015

Auditions Announced for NET’s RACE

NETNew Edgecliff Theatre announces auditions for their production of RACE by David Mamet. The production will be directed by Daryl Harris. Auditions will be held Sunday January 25, 1-4pm with call-backs on Monday January 26 at 7pm at 1622 Blue Rock Rd.

Multiple Award-winning playwright/director David Mamet tackles America’s most controversial topic in a provocative new tale of sex, guilt and bold accusations. Two lawyers find themselves defending a wealthy white executive charged with raping a black woman. When a new legal assistant gets involved in the case, the opinions that boil beneath explode to the surface. When David Mamet turns the spotlight on what we think but can’t say, dangerous truths are revealed, and no punches are spared.

We are casting the following roles:

  • Jack Lawson – a white attorney in his forties or fifties
  • Charles Strickland – a white business man in his forties or fifties
  • Susan – a black woman in her twenties

The role of Henry Brown has been cast.

Rehearsals begin March 15. The performances run April 9 through 25.

To schedule an appointment, send an email to auditions@newedgecliff.com. Walk ups will be seen if time allows.

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WEST SIDE STORY Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

WEST SIDE STORY presented by The Carnegie through Jan. 18. Click here for more information on the production. I attended the opening night performance.

Mambo. Photo by Mikki Schaffner.

Mambo. Photo by Mikki Schaffner.

One of the greatest strengths of this production if the high-energy and physically-challenging choreography by Jay Goodlett. Even better is a cast young and talented enough to pull it off. “The Prologue” and “Mambo” are well-done and very enjoyable to watch. Also very strong was the orchestra, with music direction by William White.

Layan Elwazani as Anita & Tina deAlderete as Rosalia. Photo by Mikki Schaffner.

Layan Elwazani as Anita & Tina deAlderete as Rosalia. Photo by Mikki Schaffner.

From a performance standpoint, Layan Elwazani does excellent work as Anita. Elwazani has a beautiful voice and creates a believable, vulnerable and strong-willed character. With Layan leading one trio and Tina deAlderete the other, “America” was extremely well-done and my favorite musical theater number in the show. The number also showcases the great costume work by Joy Galbraith.

The Sharks and the Jets. Photo by Mikki Schaffner.

The Sharks and the Jets. Photo by Mikki Schaffner.

Also turning in strong performances are Brian Bailey as Jet leader Riff and Darnell Benjamin (He sings? He sings!) as Bernardo. Both were believable in their leadership roles, and I liked how they played off each other in front of their gangs.  Also, great character decision-making by Jeremy Long in the small but mighty role of Glad Hand. Very funny and great way to play-off the prop coming apart in your hands, without missing a beat.

Brandon Huber as Baby John, Drew Simendinger as A-Rab, Brian Bailey as Riff, Tyler Kuhlman as Action & Keaton Eckhoff as Snowboy. Photo by Mikki Schaffner.

Brandon Huber as Baby John, Drew Simendinger as A-Rab, Brian Bailey as Riff, Tyler Kuhlman as Action & Keaton Eckhoff as Snowboy. Photo by Mikki Schaffner.

I would have liked to have seen the supporting gang members, especially the Jets, to have stronger characterizations. For me, they didn’t stand out as individuals with differing personalities. This would have helped the energy and fun of “Officer Krumpke” if it was a bit more character-driven. As the only comedic-break in the dark second act, I would also have liked this number to be moved more downstage and played out.

For audience members in the first several rows, the staging of the ensemble version of “Tonight” was difficult to fully appreciate. With the gang members so close, they tended to overwhelm the other vocals, so we weren’t getting much of a vocal blend.

Marcus Shields as Tony & Abigail Paschke as Maria. Photo by Mikki Schaffner.

Marcus Shields as Tony & Abigail Paschke as Maria. Photo by Mikki Schaffner.

Marcus Shields and Abigail Paschke both have beautiful voices as leads Tony and Maria. In his acting, I did find Shields to be emotionally flat. The chemistry between the two came close a couple of times, but during their duets their focus seemed to be the vocals and not the characters.

Overall, a strong and entertaining production. The performances have been selling strongly, so ticket availability may be limited. Student rush tickets have also been announced, where students and faculty can purchase tickets for $10.

My rating: 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Four-Week Improv Classes Begin Feb. 7

MISC_ImprovImprov Classes

Course Description:
Improvisation (improv for short) is a form of theater in which the actors perform spontaneously. Improvisers often use audience suggestions to create a full performance containing dialogue, plot and setting. Businesses use improvisation workshops to learn how to develop, build and understand relationships.

Improv can teach you how to read an audience, tell a story and use body language to best effect. Improv skills can help you sustain grace under pressure, improve effective communication, take intelligent risks and problem solve in the moment. Improv teaches negotiating with respect, making positive flexible choices and listening in proactive ways.

Session and Class Structure:
Classes will meet once a week for a 4-week session to build upon improvisational skills.

Minimum: 8 students  Maximum: 30 students

About the Instructor:
Cincinnati area native Missy Whitis has taught public and private school music and drama for more than 15 years. She holds a BME from Eastern Kentucky University and has taught in schools from the coal mining hills of eastern Kentucky to Kissimmee, Fla., where she served as music supervisor for the International Baccalaureate program. Whitis is a four-time honoree in Who’s Who Among American High School Teachers, and has been recognized in Who’s Who Among American Professional Women.Whitis has directed, choreographed, and produced numerous shows for schools, community, and professional theatres. Many of her former students are studying acting and musical theatre in some of the nation’s top university programs, with one currently in the Broadway cast of Rent..   Whitis recently was awarded several top Ohio Community Theater Association honors as the vocal director of the regional premiere of Rent, as well as the regional premiere of The Light In The Piazza. She has directed and written musical arrangements for vocal groups that have opened for Michael Buble and Jessica Simpson, and is a much sought after vocal and audition coach.

Whitis, however, is best known as an Improvisation instructor, coach and innovator. Her schedule is filled with invitations to speak at schools, churches, civic organizations, conferences, and on television and the radio. She is a two-time cancer survivor and Fast Company magazine has ranked her in the top two percent of influential people on the Web.

For more information and to register visit http://www.theartsconnect.us/159/1809/Improv-Classes.

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Cincinnati Ballet Presents ALICE (in wonderland) on Feb. 13-15

CINCINNATI BALLET PRESENTS ALICE (in wonderland)
Celebrate Valentine’s Day in a dazzling world of wonder

CB_Alice in WonderlandCINCINNATI, OH. Cincinnati Ballet presents the return of the wildly popular ALICE (in wonderland) this Valentine’s Day weekend, February 13-15 at the Aronoff Center for the Arts. Audiences have five opportunities to see this bold, spectacular take on Lewis Carroll’s classic stories with live instrumentation by the Cincinnati Symphony Orchestra.

From the revolutionary vision of The Washington Ballet’s Septime Webre, ALICE (in wonderland) is refreshingly original, having premiered regionally in 2012, and showcases modern production elements such as elaborate, eye-popping scenery and characters who take flight. The production features gorgeous costumes by Liz Vandal and a commissioned score by Matthew Pierce. Cincinnati audiences may be familiar with Webre as the choreographer of Cincinnati Ballet’s praised production of Peter Pan, performed earlier this season. Liz Vandal is a celebrated costume designer whose unique, elaborate designs have graced the stage of Cirque du Soleil.

The original score was created for an ensemble orchestra, but Cincinnati audiences will experience a version that is expanded to utilize the breadth of the magnificent Cincinnati Symphony Orchestra. Webre worked closely with composer, Pierce, throughout the creative process to give each character its own unique musical sound effects, bringing each of the favorite characters to life on stage. The vibrant cast is comprised of a combination of Cincinnati Ballet dancers, children from the Otto M. Budig Academy and even some larger than life puppets. When paired with Pierce’s unique score, they are sure to pull the audience right down the rabbit hole with Alice.

“‘Alice’ is a treat. A triumph. A blockbuster, too,” writes Cincinnati Enquirer Contributor, David Lyman. “…Smart, wildly entertaining, occasionally dark, this is the sort of production that reassures you that what some think of as an archaic art form has a lively, intriguing future.”

STORY
Webre, with his typical flair for storytelling, draws inspiration from Lewis Carroll’s classic tales Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There. A polite and well-mannered child, Alice finds herself in a fantastical but irreverent world where the rules of social etiquette don’t matter and time is irrelevant. She learns how to adapt to this new world and eventually becomes the heroine that brings down the Queen of Hearts and her house of cards.

Webre’s unique take results in an unusual twist. As Alice chases the White Rabbit into Wonderland, the wacky characters she discovers are oddly familiar. Although she can’t quite make the connection, the audience discovers that Alice’s overbearing mother has become the Queen of Hearts, her sisters have become Tweedle Dee and Tweedle Dum, and Lewis Carroll has become the Mad Hatter.

Visually stunning and filled with wonder, Webre’s vibrant new take on Lewis Carroll’s masterpiece is an experience not to be missed!

MEET THE ARTISTS
Cincinnati Ballet is pleased to offer Meet the Artists, a pre-performance discussion series where audiences will have the opportunity to meet choreographers, dancers and members of the creative team. This event is free to anyone with an ALICE (in wonderland) ticket, and will take place February 13 at 7 pm in Procter & Gamble Hall at the Aronoff Center. Attendees must present ALICE (in wonderland) ticket for admission.

PERFORMANCE DATES AND INFORMATION

WHO: Cincinnati Ballet

Music: Matthew Pierce, performed by the Cincinnati Symphony Orchestra, conducted by Carmon DeLeone • Costumes: Liz Vandal • Scenery: James Kronzer • Puppets: Erik Van Wyk • Lighting: Clifton Taylor • Costumes and Scenery: Courtesy of The Washington Ballet

WHAT: ALICE (in wonderland)

WHEN:

  • Friday, February 13 – 8:00 pm
  • Saturday, February 14 – 2:00 pm
  • Saturday, February 14 – 8:00 pm
  • Sunday, February 15 – 1:00 pm
  • Sunday, February 15 – 5:30 pm

WHERE: Aronoff Center for the Arts, 650 Walnut Street, Cincinnati, Ohio 45202

HOW: Call 513.621.5282, visit cballet.org or visit the Cincinnati Ballet Box Office at 1555 Central Parkway, Cincinnati, OH 45214

Tickets start at $32

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ALICE (in wonderland) Sponsors: Dinsmore & Shohl, The H.B., E.W., & F.R. Luther Charitable Foundation, Fifth Third Bank and Narley L. Haley, Co-trustees, Moe & Jack Rouse, Ernst & Young, Trish & Rick Bryan, Rosemary & Mark Schlachter, Thompson Hine

Cincinnati Ballet 2014-2015 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, The Louise Dieterle Nippert Musical Arts Fund, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, Ohio Arts Council, National Endowment for the Arts, Frisch’s, Cincinnati Enquirer

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of

dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

http://www.facebook.com/CincinnatiBallet

http://twitter.com/cincyballet

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SHE’S CRAZY (AND OTHER MENTAL HEALTH MYTHS) Runs Jan. 22-25

CP_Shes Crazy artSHE’S CRAZY (AND OTHER MENTAL HEALTH  MYTHS)
Presented by Feisty Broads Productions
Jan. 22-25
Clifton

Written by and featuring Cathy Springfield & Sherry McCamley

SHE’S CRAZY is a cabaret format that uses original songs and personal stories with the goal of reducing the stigma of Mental Health. The subtitle, “Mental Health and Other Myths” speaks to the idea that we all have some sort of mental health issue throughout our lifetime. One in four people in the U.S. (62 million people) has a diagnosable mental illness and the other three know someone, either a family member, a co worker, or friend, that has a mental illness; we’re all in it together! Mental Health is a combination of support and treatment. Feisty Broads Productions aims to support open discussion and decrease the fear of talking about mental illness.

Tickets are FREE, $10 recommended donation

  • Thu-Sat, Jan. 22-24 at 7:30pm
  • Sun, Jan. 25 at 2pm

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