Monthly Archives: March 2013

TRUE Seeks Mischief Stories

TRUE_logoTrue Theatre is looking for stories on “MISCHIEF” for their next show (Monday, April 8, 2013)

We know you’ve been up to know good! …or have been the victim of someone who was. True Theatre is producing trueMISCHIEF, which will run for one night only on Monday, April 8 at the Know Theatre in downtown Cincinnati. They are now making appointments with people to hear their true, personal, MISCHIEF-related stories for possible inclusion in the show. Appointments will be for Saturday, March 9 or by arrangement. If you have a story you would like True Theatre to consider for this show, reach out to them at truetheatre.com/contact.html or by writing stories@truetheatre.com. They will work with you to set an appointment and provide directions.

On the night of the show, stories will be expected to fit into a 10-15 minute time window and be told without notes. For the initial appointment, it is hoped, but not mandatory, that candidates can come close to these constraints. Unique approaches to the theme are welcome.

Following the consideration period, True Theatre will select five (5) stories for the show which fit the theme, have a good structure, and which balance nicely against the other stories selected.

If your story is selected for the show, you will be expected to work with True Theatre to find time to participate in 1 – 3 rehearsals (as needed) and then participate in the show.

More details about True Theatre’s selection process can be found at http://www.truetheatre.com/auditions.html.

The last show that True Theatre is producing this season (and for which they are looking for storytellers) include:

July 29, 2013, trueCRIME: The crime rate in the summer is higher than at any other time of the year. Duck for cover with True Theatre for these stories of crime and punishment.

[All shows are at 7:30PM]

If you have a story that you think fits one of these themes or just have one that you gotta share, reach out to True Theatre by the methods listed above.

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TDW Presents DOUBT, A PARABLE

TDW_Doubt(Cheviot, Ohio) The Drama Workshop, one of Cincinnati’s oldest and most critically acclaimed community theater companies, is proud to present John Patrick Shanley’s “Doubt, A Parable”. The Pulitzer Prize winning drama opens March 8, and will play 3 consecutive weekends at The Glenmore Playhouse, 3716 Glenmore Avenue, Cheviot, Ohio 45211.

“Doubt” presents a gripping tale set in a Bronx Catholic school in 1964. A young, progressive priest, Father Flynn, is working to modernize the schools’ strict customs, placing him into direct conflict with the authoritarian principal of the school, Sister Aloysius. Aloysius is steadfastly resisting the changes sweeping through the church and the community – including the acceptance of the school’s first black student, Donald Muller. When Sister James, a young teacher at the school, shares with Sister Aloysius her suspicion that Father Flynn has met secretly with Donald, the principal’s suspicious nature leads her to believe the worst. Armed with moral certainty, she begins crusading to remove Flynn from the school, and – if possible – the priesthood. Now, Flynn and Aloysius find themselves locked in an epic battle that threatens to destroy the church and school that they both serve.

This tale reaches beyond the obvious connections to recent issues within the Catholic Church, and expands the story to examine the rationale behind personal motivations and the shades of grey present in the relationship between any two people. In addition to winning the 2005 Pulitzer Prize for Drama, “Doubt” also won the 2005 Tony Award for Best Play, the 2005 Drama Desk Award for Best New Play, and 2005 New York Drama Circle’s Best Play Award.

The Drama Workshop’s production of “Doubt, A Parable” is directed by Michael L. Morehead and produced by Ray Persing. The show features an award-winning cast, including Glenn Schaich as Father Flynn, Christine Dye as Sister Aloysius, Julia Hedges as Sister James, and Burgess Byrd as Mrs. Muller.

Because of the strong nature of the material, TDW does not recommend this show for children.

Tickets may be ordered online through The Drama Workshop’s website at www.thedramaworkshop.org, or through the TDW ticket line at 513-598-8303. Tickets are $15, but discounts are available for groups of 10 or more.

THE DRAMA WORKSHOP was founded in 1954. TDW is a 501(c)3 non-profit organization dedicated to education and promotion of theatrical arts. Based at the newly renovated Glenmore Playhouse in Cheviot, The Drama Workshop is widely recognized as one of greater Cincinnati’s most accomplished community theater organizations, garnering dozens of awards annually from the Association of Community Theaters. TDW productions have been regularly selected to represent the Southwest Ohio region at the Ohio Community Theater Association annual conference, and it was recently chosen to represent the state of Ohio at the American Association of Community Theaters at the 2013 Midwest Theater Festival in April 2013. Prospective members, and individuals or businesses interested in helping to advance TDW’s mission are encouraged to contact the group through our website at www.thedramaworkshop.org or by phone at 513-598-8303.

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KTC Announces COCK

Regional premiere directed by Brian Robertson

KTC_CockKnow Theatre is thrilled to announce the regional premiere of COCK by Mike Bartlett as our next mainstage production. This will be only the second American production following its premiere at the Royal Court Theatre, London. COCK opens April 12, 2013 and runs through May 11, 2013. Brian Robertson, who currently teaches in the Theatre and Dance Department at Northern Kentucky University, will direct this production. Some of his past directing credits include Camelot at the Carnegie Visual and Performing Arts Center and A Flowering Tree at Cincinnati Opera. Casting is currently underway and will be announced shortly.

In this tense comedy about sexual identity, COCK explores one man’s choices about which path of love to pursue. When John takes a break from his longtime boyfriend, the last thing he expects is to fall in love with a woman. Trapped between two lovers, John feels the physical and emotional tug of both, and neither party wants to lose the battle for his heart. John has a choice to make as he navigates his sexuality, selfhood, and the intersection of the two.

Without scenery or props, COCK allows the audience to focus on the relationships between the characters and opens a dialogue about what we’re physically attracted to and why. This feisty and energizing piece is an exercise in emotional carnage with quick-paced dialogue that suggests to-the-death battle of the characters. Each character, with the exception of John, knows what he or she wants and is willing to fight to get it.

“I had the chance to check out this production while visiting New York for the American Theatre Wing award ceremony, and I loved it,” says Eric Vosmeier, Producing Artistic Director. “It’s a kind of pansexual love story that’s told very simply without all of the trappings of a traditional production. A very simple set, no props, minimal lighting and sound all conspire to allow the actors and Mr. Bartlett’s text to truly take center stage and to shine.”

“This is one of the first victories of Know Theatre’s new scheduling model. Rights for this production have only just become available and because we’ve created a schedule that can bend and flex, we’ve been able to schedule a production almost immediately. We’re thrilled to be one of (if not the) first post-New York production of this work.”

COCK made its world premiere at the Royal Court Theatre, London in November 2009. In May 2012, COCK made its US premiere at The Duke, New York.

All tickets are $15 in advance and $18 on the week of the show, beginning Mondays at noon. Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669. Flex-passes are valid for this event.

If you are unable to print the title of the play, we suggest “Cockfight Play.”

Production Team

  • Director – Brian Robertson
  • Scenic & Lighting Design – Andrew Hungerford
  • Costume Design – Noelle Wedig
  • Sound Design – Doug Borntrager 

Production Dates
8pm: April 12, 13, 18, 19, 20, 25, 26, 27, May 2, 3, 4, 9, 10 & 11 3pm: April 28 & May 4

Additional Information
Mike Bartlett (Playwright) – Mike Bartlett is currently Associate Playwright at Paines Plough. In 2011, he was writer-in-residence at The National Theatre, and in 2007 he was Pearson Playwright in Residence at the Royal Court Theatre. His play Love, Love, Love won Best New Play in the 2011 Theatre Awards UK, and his play COCK won an Olivier Award in 2010 for Outstanding Achievement in an Affiliate Theatre; he won the Writer’s Guild Tinniswood and Imison prizes for Not Talking and the Old Vic New Voices Awards for Artefacts. Theatre credits include: Love, Love, Love, 13 (National Theatre), Decade (co-writer), Earthquakes in London, COCK, Contractions, Artefacts, and My Child.. Radio credits include: “The Core,” “Heart,” “Liam,” “The Steps,” “Love Contract,” “Not Talking,” and “The Family Man,” all on BBC. Screen credits include “Earthquakes in London” and “Hometown.” Directing credits include Honest by DC Moore. He is currently under commission from Headlong Theatre, Liverpool Everyman and Playhouse, Hampstead Theatre, and The Royal Court Theatre.

Brian Robertson (Director) – Brian currently teaches in the Theatre and Dance Department at Northern Kentucky University and is the co-founder of Cincinnati’s Performance Gallery. Over the past 25 years, Brian has had an extensive career in film, television, theatre, and opera. From 1998-2002, he was the principal stage director for Cincinnati Opera’s education department, production credits include: La cenerentola, Operacadabra, an original production, which he co-created, and Hans Krasa’s Brundibar. He has been a guest director at Miami University (Oxford), University of Cincinnati College-Conservatory of Music, New Edgecliff Theatre, and Ensemble Theatre of Cincinnati. He worked at the Des Moines Metro Opera, Bayview Music Festival, and Sarasota Opera. Most recently he directed Camelot at the Carnegie Visual and Performing Arts Center and Lucia di Lammermoor for Sarasota Opera. He was also the stage director for a new production of A Flowering Tree at Cincinnati Opera and wrote and directed new adaptations of la boheme and The Magic Flute for the Cincinnati Opera education department.

Know Theatre of Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is supported by the National Theatre Company Grant from The American Theatre Wing, dedicated to supporting the most promising emerging theatre companies from around the country. Know Theatre of Cincinnati also receives support from The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation.

Our mission is to create evocative and explosive live entertainment.
We value a playful artistic community where artists can collaborate and grow.

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PIP Presents THE TRIP TO BOUNTIFUL March 9-April 7

PIP_A Trip to Bountiful(CINCINNATI) – The Cincinnati Playhouse in the Park will continue its Marx Theatre season with Horton Foote’s THE TRIP TO BOUNTIFUL. An African-American cast offers a subtle new perspective on the universal themes of this life-affirming play, which begins previews March 9 and continues through April 7.

Trapped in a cramped Houston apartment with her son and his self-indulgent wife, Carrie Watts fantasizes about realizing her greatest ambition: returning to the Gulf Coast town of Bountiful and seeing her beloved childhood home one last time. Armed with her latest pension check, a wily stubbornness and limitless determination, Carrie embarks on the inspirational journey of a lifetime.

Foote, who died in 2009 at the age of 92, was described as “a writer’s writer” in his New York Times obituary. Texas-born, he always retained his identity as a chronicler of small-town values. Foote’s career, which spanned more than 60 plays and films, began with acting and quickly gravitated to writing. THE TRIP TO BOUNTIFUL was originally produced in 1953 as a NBC-TV teleplay starring Lillian Gish as Carrie Watts. It has since appeared on Broadway, in London and in an off-Broadway revival, as well as the 1985 film version which brought Foote an Academy Award nomination for best screenplay and Geraldine Page an Oscar as Best Actress. Foote’s film career brought him two Academy Awards, for the screenplay adaptation of Harper Lee’s To Kill a Mockingbird, and his original screenplay for Tender Mercies.

According to Artistic Director Blake Robison, “Horton Foote is one of the great American playwrights. His plays display the same complexity as his screenplays for To Kill a Mockingbird and Tender Mercies. He writes characters and situations with great depth and pathos. I believe that all audiences will respond to this moving story – and see it with new perspective because of our casting choices.”

The cast for THE TRIP TO BOUNTIFUL features Lizan Mitchell as Carrie Watts. Mitchell has appeared on Broadway in Electra, Having Our Say and So Long on Lonely Street. Other cast members include Stephen Bradbury as Sheriff/Ensemble, Doug Brown as Roy/Ensemble, Shannon Dorsey as Thelma, Tyrone Mitchell Henderson as Ludie Watts and Rachel Leslie (You Can’t Take It With You) as Jessie Mae Watts.

Timothy Douglas, who was recently appointed as an associate artist for the Playhouse, will direct the THE TRIP TO BOUNTIFUL. The play was originally conceived by Douglas with an African-American cast as a co-production in 2011 for Round House Theatre, where Blake Robison was producing artistic director, and The Cleveland Play House.

According to Douglas, “This production of The Trip to Bountiful was first and foremost inspired as a project for the specific talents of Lizan Mitchell.”

He continues, “However, this Horton Foote classic has universal richness and depth to spare, so that channeling its timeless coming-of-age journey through the black-American experience – along with all the social relevance and challenges that accompany it – such an event teases even deeper layers of nuance out of the play, which adds meaningful impact while still confidently contained within the boundaries of the playwright’s original intent.”

The design team for THE TRIP TO BOUNTIFUL includes Set Designer Tony Cisek, Costume Designer Karen Perry and Lighting Designer Christopher Studley.

Prices for THE TRIP TO BOUNTIFUL range from $30 – $70, depending on day and seat location, and are subject to change. Tickets are just $30 for the preview performances at 8 p.m. Saturday, March 9; 2 p.m. Sunday, March 10; 7:30 p.m. Tuesday, March 12; and 7:30 p.m. Wednesday, March 13. Some restrictions apply. The official opening night is Thursday, March 14 at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays and 2 p.m. and 7 p.m. Sundays.

Tickets to THE TRIP TO BOUNTIFUL are on sale now. For more information, call the Playhouse box office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for TDD accessibility.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Special Performances

Meet the Artists
These free programs allow audiences to interact with cast members and others associated with the production following the show.

  • 2 p.m. Sunday, March 17
  • 7:30 p.m. Wednesday, March 20
  • 8 p.m. Thursday, April 4
  • 2 p.m. Sunday, April 7

Audio Described Performance

  • 4 p.m. Saturday, March 30 

Signed Performance

  • 2 p.m. Sunday, April 7 

Playhouse Perspectives
A free, pre-show lecture series featuring theatre artists and experts. Funding provided by Roderick and Barbara Barr. The featured speaker will be The Trip to Bountiful Director Timothy Douglas. Time: Sunday, March 24 at 6 p.m.

Dining Options

Karlo’s Bistro at the Playhouse offers full-service dining prior to most evening performances. Dinners include salad, entrée and dessert. Reservations are required by noon on the day of the show. The price is $27. Karlo’s Casual Fare offers busy theatre patrons an alternative light, quick bite prior to the show. Options include salads, sandwiches, soups, pasta and desserts. No reservations are required. Credit cards are now accepted.

Sponsors

Production Sponsors: 

  • Bartlett & Co.
  • Moe and Jack Rouse

Artist Sponsor: Mardie O’Connor in memory of Dave O’Connor

The 2012-2013 Marx Theatre Series is presented by The Otto M. Budig Family Foundation

The 2012 -2013 Robert S. Marx Season Design Sponsor is Macy’s.

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CCM Musical Theatre Celebrates the Songs of Kurt Weill with INTO A LAMPLIT ROOM

CCM_logoAs part of CCM’s year-long Kurt Weill Festival, Musical Theatre students explore Weill’s early work in Berlin along with his Broadway successes in America with an original evening of cabaret-style entertainment on March 3 and 10.

CINCINNATI, OH — The University of Cincinnati College-Conservatory of Music (CCM) continues to study and celebrate the work of composer Kurt Weill with Into a Lamplit Room: The Songs of Kurt Weill presented by CCM’s Department of Musical Theatre at 7 p.m. on both Sunday, March 3, and Sunday, March 10.

Devised and directed by CCM Distinguished Chair of Musical Theatre Aubrey Berg with musical direction by Julie Spangler and musical staging by Joey Dippel, this evening of cabaret-style entertainment offers a compilation of Weill songs in the intimate setting of UC’s Cohen Family Studio Theater.

Raised in Dessau, Germany, Weill experienced early success in Berlin, including several notable collaborations with playwright Bertolt Brecht. Weill fled the new Nazi leadership in March 1933 and continued his indefatigable efforts, first in Paris (1933-35), then in the U.S. until his death in 1950. Certain common threads tie together Weill’s career: a concern for social justice, an aggressive pursuit of highly regarded playwrights and lyricists as collaborators, and the ability to adapt to audience tastes no matter where he found himself.

Into a Lamplit Room draws on Weill’s work in both Berlin and the United States. “The best-known revue of Weill music, Berlin to Broadway with Kurt Weill, was performed Off-Broadway at the Theatre de Lys in 1972,” Berg explains. “That work presents Weill’s songs in chronological order to create a biographical portrait of the composer. Into a Lamplit Room arranges the works thematically, freely mixing songs from Weill’s Berlin period with songs from his Broadway successes.”

CCM’s revue begins at Weill’s funeral in 1950, after he suffered a heart attack and died at the age of 50. Senior Greg Kamp plays the role of Weill in this production (Kamp also plays Tiger Brown in CCM’s production of Weill and Brecht’s The Threepenny Opera), which looks back at the composer’s relatively short life and the topics that featured repeatedly in his works. “Into a Lamplit Room mixes well-known songs such as ‘Mack the Knife,’ arranged by Julie Spangler in the style of the Manhattan Transfer, with obscure songs that Weill wrote for revues supporting the American war effort,” says Berg.

This production’s title comes from a quotation etched on Weill’s gravestone at the Mount Repose Cemetery in Haverstraw, N.Y. The text comes from the song “A Bird of Passage” from Weill and playwright Maxwell Anderson’s 1949 musical Lost in the Stars, itself adapted from a quotation from the Venerable Bede:

“This is the life of men on earth:
Out of darkness we come at birth
I
nto a lamplit room, and then –

Go forward into dark again.”

Speaking at Weill’s funeral, Anderson remarked, “I wish, of course, that he had been lucky enough to have had a little more time for his work. I could wish the times in which he lived had been less troubled. But these things were as they were – and Kurt managed to make thousands of beautiful things during the short and troubled time he had … .”

According to Berg, “’Into a Lamplit Room’ gives us a glimpse of those ‘beautiful things.’”

This production runs concurrently with CCM’s Mainstage Series production of Weill and Brecht’s iconic The Threepenny Opera (Feb. 28 – March 10). These two productions share many of the same cast members, and both are made possible by the generous support of the Kurt Weill Foundation for Music, Inc.

Performance Times

  • 7 p.m. Sunday, March 3
  • 7 p.m. Sunday, March 10

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Into a Lamplit Room are $15 for adults, $10 for non-UC students and free for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office or over the telephone at 513-556-4183.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

About the Kurt Weill Foundation for Music
The Kurt Weill Foundation for Music Inc. administers, promotes and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance and study of musical theater in its various manifestations and media. Learn more about the Kurt Weill Foundation for Music by visiting www.kwf.org.

Into a Lamplit Room is a contin­uation of a year-long festival funded in part by the Kurt Weill Foundation for Music. Other upcoming festival events include the CCM Chamber Choir and Brass Choir’s performance of Weill’s Kiddush (Prayer for Sanctification) at 3 p.m. on Sunday, March 10, and the CCM Chorale will perform “Ho Billy, O!” from Weill and Alan Jay Lerner’s 1948 musical Love Life at 8 p.m. on Tuesday, March 12.

Funded in part by the Kurt Weill Foundation for Music, Inc., New York, NY

The Otto M. Budig Family Foundation: Season Presenting Sponsor and Musical Theatre Program Sponsor

ArtsWave: Community Partner

The University of Cincinnati College-Conservatory of Music (CCM) is recognized both nationally and internationally as one of the leading conservatories for the performing and electronic media arts, composition, scholarship and pedagogy. 

CCM is the largest single source of performing arts events in Ohio with an annual calendar of nearly 1,000 performances and presentations, ranging from solo recitals to full-scale opera and musical theatre performances. 

All event dates and programs are subject to change. For a complete calendar of events or to view CCM’s 2012-2013 season brochure visit our website at http://ccm.uc.edu. 

UC’s College-Conservatory of Music – The Sound of Synergy

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