Monthly Archives: January 2012

TENDERLY: THE ROSEMARY CLOONEY MUSICAL runs Feb. 21-March 4

TENDERLY: The Rosemary Clooney Musical
Presented by Victoria Theatre Association & The Human Race Theatre Company
Feb. 21-March 4
Dayton

Reviews: Dayton Examiner | Dayton Most Metro |

A new two-character musical about the life and career of actress and singer Rosemary Clooney.

It is 1968 and Rosemary is a guest at Robert Kennedy’s reception and speech after a victory in the California Presidential Primary. In a few tragic moments her dear friend RFK is assassinated and Rosemary soon finds herself in the midst of a nervous breakdown.

Hospitalized in Los Angeles, Rosie and her therapist explore her life, career, and relationships as he takes on the character of all the other persons in Rosie’s life: her mother, father, husband Jose Ferrer, Frank Sinatra, her sister Betty, Bing Crosby, and others.

We learn about her past, her triumphs, her challenges, and how she manages to rise above them all. TENDERLY is a tribute to a musical legend. Ages 13 and up.

Directed by Kevin Moore
Music directed by Scot Woolley
Produced by Tara Lail

Cast: Tory Ross & Scott Stoney

  • Tue-Fri, Feb. 21-24 at 8pm
  • Sat, Feb. 25 at 2pm & 8pm
  • Sun, Feb. 26 at 2pm & 7:30pm
  • Tue-Fri, Feb. 28-March 2 at 8pm
  • Sat, March 3 at 2pm & 8pm
  • Sun, March 4 at 2pm & 7:30pm

Official page | Online ticketing | FaceBook event |

Local media coverage: Dayton Daily News article | Enquirer article | Dayton Daily News article | Dayton Daily News article 2/23 |

Leave a comment

Filed under On Stage

Ten Most Viewed Blog Entries, Jan. 16-22

  1. Kylend Hetherington as Billy in BILLY ELLIOT THE MUSICAL. Photo by Kyle Froman.

    BILLY ELLIOT THE MUSICAL Review

  2. BILLY ELLIOT runs Jan. 17-29
  3. The Human Race Theatre Announces Its 2012-2013 Season
  4. RENT runs Jan. 19-29
  5. Beavercreek Community Theatre Present DEARLY BELOVED Jan. 20-29
  6. XANADU: THE MUSICAL runs Feb. 2-5
  7. SPRING AWAKENING runs Feb. 2-4
  8. THE SOUND OF MUSIC runs Jan. 19-28
  9. DEAD ACCOUNTS runs Jan. 14-Feb. 11
  10. THE KING AND I runs Jan. 20-29
    Theresa Rebeck’s Funny and Exciting DEAD ACCOUNTS Receives Its World Premiere at Cincinnati Playhouse in the Park, January 14 – February 11

Top Ten Search Terms Leading to BTC

  • billy elliot cincinnati reviews
  • glenmore bowl
  • billy elliot review cincinnati
  • eben franckewitz
  • cincinnati christian community theatre
  • antiope and zeus
  • jonathan gaietto
  • http://www.bctheatre.org
  • king and i cincinnati
  • the king and i cincinnati

Leave a comment

Filed under In Other News

Help CSC Win $20K in New Lights

Cincinnati Shakespeare Company has been chosen as a Top 5 Finalist in the country to win $20,000 in new LED Lights for our theatre! Now, we need YOUR help!

Click below to watch the video about why we need these new lights and to VOTE for CSC via facebook.

You can only vote one time, so make it count for CSC. On the facebook page, click the large green VOTE button next to our video “CSC Lighting Contest Entry”. Then click “allow” to approve the application. And that’s it!

THE CONTEST ENDS SATURDAY JAN. 28- VOTE NOW!!

Watch the video: http://www.youtube.com/user/CincyShakes?blend=21&ob=video-mustangbase#p/a/u/2/TYHrW1rWZCQ

If you have any questions or issues voting, please call us at 513.381.2273 x. 3202 and we will be happy to help.

Leave a comment

Filed under Press Releases

BILLY ELLIOT THE MUSICAL Review

Kylend Hetherington as Billy in BILLY ELLIOT THE MUSICAL. Photo by Kyle Froman.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

BILLY ELLIOT THE MUSICAL presented by Broadway in Cincinnati through Jan. 29. You can read the show description here.

If you are on the fence about whether or not to see BILLY ELLIOT during its two-week visit to Cincinnati, I’d recommend you take the plunge. If not, you may be missing one of the best productions of the season.

This was my first time seeing BILLY ELLIOT, and it was a bit overwhelming trying to take it all in. It is one of those productions where the whole is greater than the sum of its parts and most of its parts are very good.

The Script
Based on the 2000 movie, from what I remember the book for the musical hits most of the major plot points. There are many themes running throughout the show: following your dreams; the importance of friendship, family and community; the heart of the working class, the importance of teachers and the arts; and a parents wish for a better life for their children to name a few. These themes did not feel forced or bog down the show.

Kylend Hetherington as Billy & Maximilien A. Baud as Older Billy. Photo by Kyle Froman.

The Staging/Choreography
I really enjoyed the unique staging in this production. Visually my favorite numbers include  “We’d Go Dancing, ” Billy’s “Angry Dance” and “Once We Were Kings.” For choreography, my favorites were “Solidarity” and Billy’s “dream ballet.” Both the director and the choreographer enjoyed playing with the idea of hard vs. soft throughout the production.

A couple of the scene changes did came off a bit “clunky,” but I attribute that to it being a demanding show to tour, on top of it being their first night in a new venue.

The Company. Photo by Kyle Froman.

The Cast
BILLY ELLIOT features a strong ensemble and great character work.

Opening night, Billy was played by Kylend Hetherington.  This is a hugely demanding role for any performer and young Kylend carried it well. The audience response to his solo performance of “Electricity” briefly halted the show.

I also enjoyed the emotionally strong performances of both Leah Hocking as dance teacher Mrs. Wilkinson and Kat Hennessey as Billy’s Mum.

Leah Hocking as Mrs. Wilkinson with The Ballet Girls. Photo by Kyle Froman.

Ben Cook does an outstanding job as Billy’s friend Michael. Both boys showcased their tapping skills (with a bit of help from the ensemble) in “Expressing Yourself.” Also a treat to watch was the comic antics of Morgan Martin as ballet girl Susan Parks (pictured at right in purple.)

My biggest complaint is that it was hard to understand some of the dialogue due to the heavy accents. In musical numbers, where groups of performers were singing different lyrics, it was difficult to make out what was being sung.

Kylend Hetherington as Billy & Rich Herbert as Dad. Photo by Kyle Froman.

The final number/curtain call, “Company Celebration,” is a very fun farewell from the entire cast.

For me, BILLY ELLIOT was a very enjoyable evening and definitely a show I would want to see again.

BTW here is the content advisory from the Broadway in Cincinnati website: A few mildly violent riot scenes and a 2+ hour running time may make the show unsuitable for your own youngsters, but the show’s message, content and story and content are a definite don’t-miss for ‘tweens and above.

Click here for a complete list of show times, articles and other reviews for BILLY ELLIOT THE MUSICAL

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

5 Comments

Filed under Reviews

The Human Race Theatre Announces Its 2012-2013 Season

The Beginning of A Second Quarter Century of Great Theatre

The Human Race, Dayton’s own professional theatre company, will begin its second 25 years with a season with something for everyone, and whole lot for theatre fans.

The subscription series includes a beloved musical, a notorious musical with beloved puppets, the latest from one of America’s foremost contemporary playwrights, a merry (and horny) widow, and even a little football.

And for those who think the mix needs a serial killer, there’s a Loft Season Extra.

The five shows of the 2012-2013 Eichelberger Loft Season of The Human Race are (more information on each and the dates of each run at the end of the release):

MANAGING MAXINE – a new comedy of septuagenarian sexiness and matronly merriment, as a widow hits the dating scene

OLIVER – consider yourself in for fun, glorious fun as the classic musical gets sized just right for The Loft

LOMBARDI – a winning drama about the legendary Packers coach isn’t everything, it’s the only thing

RACE – when David Mamet fights the law, the law doesn’t necessarily win

AVENUE Q – Mama never told you a puppet musical would be like this

Each of the regular season shows is scheduled to run three weeks, with the same special events in each run at The Loft Theatre, downtown: a Thursday night preview, preceded by the Inside Track discussion with the director in the Loft lobby; Friday Opening Night followed by a party with the cast; a Tuesday night Lite Fare at The Loft; a While We’re on the Subject talkback after a Sunday matinee; and a Saturday signed and audio-described performance opportunity.

Subscriptions are available in 3-, 4-, and 5-show packages as well as in Flex plans. Both renewing and new subscribers may place their order at https://www.ticketcenterstage.com/hrtc/subs , or by calling Ticket Center Stage at (937) 228-3630 or visiting the Schuster Center Box Office. New subscribers will not get seats assigned until after the April 23 deadline for renewing subscribers to have their seats guaranteed.

The Loft Season Extra, part of The Human Race’s effort in development of new plays begun under its 25th Anniversary project, unveils the dark side of noted children’s playwright and author Michael Slade.

FURTHER INFORMATION ON THE 2012-2013 LOFT SHOWS

MANAGING MAXINE
By Janice Shaffer
September 6-23, 2012
Actually, nobody has the slightest chance of managing Maxine. She’s a 71-year old widow, hot on the dating trail for the first time in 45 years and ready for love, or at least lust. The former teacher and writer finds a retired judge to her liking, and they find fireworks with offspring and friends that their coupling ignites. The Human Race production is the Midwest Premiere of this southern belle who is managing just fine, thank you.

OLIVER
By Lionel Bart
November 29 – December 16, 2012

The musical version of Charles Dickens’ Oliver Twist has been a major hit around the world since it took the London stage in 1960 and captured Broadway in 1963, garnering 10 Tony nominations. The tale of the orphan being led down the pickpocketing path has been redesigned with a Twist that makes it perfect for the intimacy of The Loft, but rest assured the music, from the rollicking “Food, Glorious Food” to the soulful “As Long As He Needs Me,” is as stirring as ever, and a terrific holiday treat.

LOMBARDI
By Eric Simonson
February 7 – 24, 2013
There aren’t many coaches in any sport who gain such fame they’re instantly recognizable by last name alone, and Vince Lombardi is definitely a member of that select group. The legendary leader of the dominating Packers of the 1960s bullies and cajoles a cub reporter through weeks of interviews, and on the way the audience comes to grips with Lombardi’s struggles, his passion for winning, his home life, and his relationship with players like Paul Hornung, Jim Taylor and Dave Robinson. Oh, and a little football, too.

RACE
By David Mamet
April 4 – 21, 2013

David Mamet skewered American business and businessmen in such earlier masterpieces as Glengarry Glen Ross and American Buffalo. This time he takes off after both the practice of law and race relations, led by a black-and-white lawyer team that puts the sin back in cynical. The two are hired by a wealthy and powerful white man accused of raping a young black woman, and they and their new African-American female associate cross and re-cross all sorts of ethical and racial lines in inimitable Mamet style.

AVENUE Q
By Robert Lopez, Jeff Marx, and Jeff Whitty
June 6 – 23, 2013

Oh, my, did this show ever turn the idea of a puppet musical on its head. AVENUE Q swept the Tony Triple Crown of Best Musical, Best Score and Best Lyrics in 2003, captured Broadway for six years, and is still going strong off-Broadway. With drinking and sex and songs like “It Sucks to Be You” and “Everyone’s A Little Bit Racist,” it’s not for the little ones or the faint of heart, but it’s an incredible night of fun, presented in collaboration with the puppetmasters at Dayton’s Zoot Theatre.

LOFT EXTRA

UNDER A RED MOON
By Michael Slade
October 18 -28, 2011

It’s 1949. John George Haigh, Britain’s infamous Acid Bath Killer, has been arrested after six years of homicide and somewhere from six to nine murders. He has confessed to the killings, but a big question remains – is he sane or insane? One means hanging, the other life in a psychiatric ward. A female psychiatrist comes to examine Haigh and the tension mounts as he twists and turns her thoughts and you begin to wonder just who is examining whom.

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 219-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, Montgomery County Arts and Cultural District, Shubert Foundation, the Erma R. Catterton Trust Fund and the Ohio Arts Council. The Ohio Arts Council helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Human Race’s 25th Anniversary Season is sponsored by the Miriam Rosenthal Memorial Trust Fund.

Leave a comment

Filed under Press Releases, Season Announcements