Tag Archives: UC College-Conservatory of Music

CORAM BOY Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

CORAM BOY was presented by UC College Oct. 26-30. You can read the show description here.

CCM Drama opens the Main Stage season with a well-done, visually-imaginative, Grimm-esque fairy tale.

Director Richard Hess handles the large ensemble extremely well. The inventive staging creates striking stage pictures but still maintains the focus on the characters.

Will Kiley, Hanna Halvorson as The Angel & Joe Markesbery. Photo by Richard Hess.

It did feel like the pacing dragged a bit in the first half of the first act, due in part to the amount of exposition. However once things “hit the fan,” the act raced downhill to one of the most shocking, in-your-face act finales I have seen. I also enjoyed that I was at a loss as to how the story would continue after intermission. I found the second act to be tight throughout and very involving. And nothing adds tension to a climatic scene like a gun on stage with too many potential victims.

Claron Hayden as Otis Gardiner. Photo by Richard Hess.

Even though the set was predominately black, there was ample texture within the set [designed by Tom Umfrid and Tamara L. Honesty] and excellent lighting [designed by CCM student Tim Schmall] to give the set character. The use of the turn table to change settings and angles added to the nightmarish quality of the show. One complaint, perhaps a little fog would have helped hide the holes for the too-clean, groping hands.

John Garrett Walters as Aaron and William Brown as Meshak Gardiner. Photo by Richard Hess.

For the most part, a strong ensemble. Performances that stood out for me were William Brown as Meshak Gardiner, Claron Hayden as both aspects of Otis Gardiner, Bennett Bradley as Mrs. Lynch, Hope Shangle as Lady Ashbrook, Molly Massa as Mrs. Milcote, John Garrett Walters as Aaron and Shaun S. Sutton as Toby.

Bottom line, a well-staged, well-acted dark, drama perfect for the weekend before Halloween. Definitely on my list of favorite shows for the season.

Click here for information on for CORAM BOY.

I would love to hear what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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OKLAHOMA! runs Nov. 17-20

OKLAHOMA!
Presented by UC College-Conservatory of Music
Nov. 17-20
University Heights

Reviews: Enquirer |

The first “mature” American musical, OKLAHOMA! is the most beloved show by the legendary Broadway team of Richard Rodgers and Oscar Hammerstein II. Described by the New York Post as “Always new and gleaming… a hymn to the magic of the land, the humor and humanity of people and the simple potency of love,” this award-winning musical integrates story, song and dance into a beguiling tale of the pioneering men and women who forged the state of Oklahoma at the turn of the 20th century.

  • Thu-Fri, Nov. 17-18 at 8pm
  • Sat, Nov. 19 at 2pm & 8pm
  • Sun, Nov. 20 at 2pm

FaceBook event

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MAKE ME A SONG Review

Swings Julian Decker & Cassie Levine, Blaine Krauss, Victoria Cook, Max Chernin, Alysha Deslorieux and Collin Kessler as William Finn.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

MAKE ME A SONG was presented by UC College Oct. 20-22. You can read the show description here.

When it comes to composers, many theater fans have those they like and those they are not particularly fond of. Say the name William Finn to me and you’ll have to remind which shows are his. For whatever reason, his music never sticks in my memory. The revue MAKE ME A SONG only reinforces my ambivalence for Finn.

The show seems to be put together for fans of the composer. Eighty-five intermission-less minutes with a total of thirty-three songs with no book to speak of. Eleven of them are organized into The Falsettoland Suite which contains songs from The Marvin Trilogy. If you are unfamiliar with those shows, you are on your own for context. The final songs are subtitled, Finn’s ‘Cycle of Life,’ and “comprises four songs encompassing all of human experience.” To me, these seem like a desperate attempt to force the audience into some kind of emotional response to Finn’s music before they walk out the door.

At the 2pm matinee there did appear to be some issues with sound. The piano, expertly played by Steve Goers, overpowered the volume of the singers during several of the songs. Also, the balance of the mics seemed off in several of the group numbers.

Director Aubrey Berg has stacked the show with some big voices. Favorite moments include the Max Chernin/Alysha Desloriex duet “Id Rather Be Sailing/Set Those Sails.” Victoria Cook’s “Only One” and Blaine Krauss’ “Hitchhiking Across America.” But it is Collin Kessler who steals the spotlight in several solos as William Finn.

Bottom line, as musical revues go, this one is in desperate need of structure, and an update to include songs from Finn’s most recent works. The songs, no matter how well sung, does not work as theater.

Click here for information on for MAKE ME A SONG.

I would love to hear what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Love, Sex and Electricity Titillate in Regional Premiere of Pulitzer Finalist at the Carnegie

COVINGTON, KY- With five Cincinnati premieres in five years and hundreds of productions of her plays nationwide, Sarah Ruhl is perhaps the country’s hottest contemporary playwright. Now her most acclaimed piece, which earned Ruhl’s Broadway debut and Tony and Pulitzer nominations, receives its local premiere at The Carnegie with the exceptional talent of CCM.

The Carnegie Visual and Performing Arts Center (The Carnegie) and the University of Cincinnati College-Conservatory of Music Department of Drama (CCM Drama) proudly present the regional premiere of the comedy/drama IN THE NEXT ROOM, OR THE VIBRATOR PLAY, playing weekends November 4 – 20, 2011, in the historic Otto M. Budig Theatre. Staged by award-winning director Ed Cohen, IN THE NEXT ROOM is the second production of The Carnegie’s 2011-12 Theatre Series and the first of CCM Drama’s Studio Series. Tickets are $16 – $21 and are available at The Carnegie Box Office, 859.957.1940, or www.thecarnegie.com.

Opening weekend of IN THE NEXT ROOM (November 4 and 6) includes the “In The Next Room Expo” in the Carnegie Galleries, featuring the area’s best purveyors of passion and intimacy including Pure Romance by Tisa, Erotic Time Parties, and Votre Vu with Julena Bingaman. Sponsored by CincyChic.

The Carnegie’s 2011-12 Theatre Series is presented in honor of Otto M. Budig, Jr., whose leadership instilled the beauty, elegance and life that The Carnegie’s Theatre now enjoys during its fifth anniversary year.

Hysteria and Paroxysm- The Plot of IN THE NEXT ROOM
The age of electricity has dawned, and in a seemingly perfect Victorian home, proper gentleman and scientist Dr. Givings has invented an extraordinary new device for treating “hysteria” in women: the vibrator. As his young wife struggles with their newborn daughter, a conflicted couple, a passionate artist and a grieving wet nurse enter their lives, shocking mannered society with unexpected amperes of love, attraction and the need for connection.

A Splendid Electrical Instrument- The Co-Production
For the second time in as many years, The Carnegie and CCM Drama partner to produce an unfamiliar but captivating theatrical work for Greater Cincinnati and Northern Kentucky audiences. Their collaborative 2010 staging of BURY THE DEAD garnered critical praise and two Acclaim Awards, and paved the way for future productions such as IN THE NEXT ROOM to allow gifted collegiate actors an opportunity to work in a professional theatre environment.

“IN THE NEXT ROOM will be a treat for Carnegie audiences and a perfect showcase for the talents of CCM Drama students,” predicts Richard E. Hess, A.B., Dolly, Ralph and Julia Cohen chair of Dramatic Performance at CCM. “CCM Drama students benefit from working in the professional setting in an extended run, and gain valuable experience in bringing characters to life over an extended run.”

The offstage talent for IN THE NEXT ROOM will be just as critical to the success of the show as the performers on the boards. Top graduate students from CCM’s Theatre Design and Production program are working with their professional faculty advisors to create the prosperous (and sometimes magical) late 19th century world of the Givings’ home and medical practice, while venerated and award-winning theatre artist Deb Girdler undertakes the Victorian era costuming.

All of the production aesthetics are being crafted under the steady hand of director Ed Cohen. No stranger to either organization, Cohen recently helmed productions of RECENT TRAGIC EVENTS and FALSETTOS at CCM and a well-received BIG RIVER at The Carnegie, the latter two co-directed with Cohen’s wife, Dee Anne Bryll. IN THE NEXT ROOM, however, offers a level of excitement and promise for Cohen that gives this production a sense of anticipation he doesn’t often experience.

“It’s rare when a play can balance jaw-dropping humor with a delicate metaphor on the nature of love,” says Cohen of IN THE NEXT ROOM. “I consider this the best work to date from one of America’s most important playwrights, and I’m thrilled to help bring it to our area’s audiences for the first time.”

The Gifted Physicians of IN THE NEXT ROOM
CCM Drama culls its talented students from across the country, a dynamic reflected in the cast of IN THE NEXT ROOM. Leading the young group is senior Kristopher Dean (playing Dr. Givings), who was last seen at The Carnegie in BURY THE DEAD and whose myriad credits include summer intensives with New York’s renowned SITI Company and in Kenya with the Dadaab Theatre Project. Fellow senior Jared Wilson (Mr. Daldry) joined Dean in BURY THE DEAD, and shares with Clare Ward (Annie) the distinction of being the show’s only Kentucky natives. Another BURY THE DEAD actor, Mariel Tompkins, plays the role of grieving wet nurse, Elizabeth, and the love interest of Parker Searfoss’ Leo Irving. Senior and New Orleans native Caroline Shannon takes on the mantle of Dr. Givings’ yearning wife, Catherine Givings, and the show’s only underclassman, Mary Malloy, is Dr. Givings’ fragile patient, Sabrina Daldry.

Premiering One of the Country’s Top Playwrights
While former MacArthur Fellow Sarah Ruhl has seen her plays produced at major companies nationwide, her work is perhaps more familiar to Cincinnati theatre audiences than anywhere else. THE CLEAN HOUSE (Cincinnati Playhouse in the Park), EURYDICE (Know Theatre), DEAD MAN’S CELL PHONE, MELANCHOLY PLAY (Ensemble Theatre of Cincinnati), and her adaptation of Chekov’s THREE SISTERS (Cincinnati Playhouse in the Park) have all received local premieres within the past five years, though none of those pieces received the same accolades as IN THE NEXT ROOM.

Transferring to New York’s Lyceum Theatre from the Berkeley Repertory Theatre, IN THE NEXT ROOM (and Sarah Ruhl) received its Broadway debut in 2009 under the auspices of Lincoln Center Theatre. In 2010, the play was nominated for the Tony Award for Best Play and was a Pulitzer Prize Finalist.

What’s Actually Happening “In The Next Room”
During the two opening weekend performances of IN THE NEXT ROOM (November 4 and 6), patrons are invited to check out a special vendor expo in The Carnegie Galleries, featuring the area’s best retailers in passion and personality. The “In The Next Room Expo” is sponsored by CincyChic.

Ticketing
IN THE NEXT ROOM, OR THE VIBRATOR PLAY will feature eight performances:

  • Friday, November 4, 7:30pm †
  • Sunday, November 6, 3:00pm
  • Friday, November 11, 7:30pm †
  • Saturday, November 12, 7:30pm
  • Sunday, November 13, 3:00pm
  • Friday, November 18, 7:30pm
  • Saturday, November 19, 7:30pm
  • Sunday, November 20, 3:00pm
    † Denotes ASL-interpreted and closed-captioned performance

Pricing:
$21 Adults
$19 Carnegie Members, Enjoy The Arts Members, WVXU Perks Card Members
$19 Groups of 10 or more
$16 Students

Tickets may be purchased through The Carnegie Box Office at 859.957.1940 (open Tuesday through Friday, noon to 5:00pm) or online at http://www.thecarnegie.com.

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CCM Celebrates the Songs of William Finn

The Musical Theatre Program pays tribute to the legendary composer with
MAKE ME A SONG: The Music of William Finn

The Cast of MAKE ME A SONG.

CINCINNATI, OH — The University of Cincinnati College-Conservatory of Music (CCM) opens its 2011-12 Studio Series later on this month with MAKE ME A SONG. A tribute to the music of composer William Finn, MAKE ME A SONG runs Oct. 20 – 22 in the Cohen Family Studio Theater.

Conceived by Rob Ruggiero, the program promises to be a sparkling revue presenting over 20 songs from the exceptional and renowned composer. Effortlessly woven together, these tunes trace Finn’s career from the acclaimed Falsettos series to his smash hit The 25th Annual Putnam County Spelling Bee. The program will feature diverse selections from Finn’s songbook, filled with personal, haunting and often hilarious tales. CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre Aubrey Berg directs with musical direction by Steve Goers.

CCM has a long history of producing musicals by Finn. In Trousers, March of the Falsettos, A New Brain, Elegies and Falsettoland have all been seen on CCM’s stages. CCM Musical Theatre graduate Lisa Howard has recently released a CD of William Finn’s songs entitles Songs of Innocence and Experience.

Performance Dates:
Thursday, Oct. 20, 8 p.m.
Friday, Oct. 21, 8 p.m.
Saturday, Oct. 22, 2 & 8 p.m.

Location:
Cohen Family Studio Theater, College-Conservatory of Music
University of Cincinnati

Tickets & Parking Information
Tickets to MAKE ME A SONG are free, but reservations are required. Tickets become available Monday, October 17 at 12 p.m. Please contact the CCM Box Office at 513-556-4183 to reserve. Limit two tickets per order. Parking is available in the CCM Garage (at the base of Corry Boulevard off of Jefferson Avenue) and additional garages throughout the UC campus. For complete ticket and parking information, visit ccm.uc.edu or call the CCM Box Office at 513-556-4183.

MAKE ME A SONG Cast List
Collin Kessler as “Billy” (Sophomore from Overland Park, Kansas)
Max Chernin as “Man 1” (Senior from Shaker Heights, Ohio)
Alysha Deslorieux as “Woman 1” (Senior from Plano, Texas)
Blain Krauss as “Man 2” (Sophomore from St. Petersburg, Florida)
Victoria Cook as “Woman 2” (Senior from Atlanta, Georgia)
Cassie Levine: Swing for “Woman 1” and “Woman 2” (Junior from Vestal, New York)
Julian Decker: Swing for “Man 1,” “Man 2” and “Billy” (Sophomore from Erie, Pennsylvania)

CCM Season Presenting Sponsor and Musical Theater Program Sponsor: The Otto M. Budig Family Foundation

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