Tag Archives: UC College-Conservatory of Music

SPRING AWAKENING runs Feb. 2-4

SPRING AWAKENING
Presented by UC College-Conservatory of Music
Feb. 2-4
University Heights

Reviews: Talkin’ Broadway |

It’s Germany, 1891. A world where the grown-ups hold all the cards. The beautiful young Wendla explores the mysteries of her body, and wonders aloud where babies come from, till Mama tells her to shut it, and put on a proper dress. Elsewhere, the brilliant and fearless young Melchior interrupts a mind-numbing Latin drill to defend his buddy Moritz – a boy so traumatized by puberty he can’t concentrate on anything. Not that the Headmaster cares. He strikes them both and tells them to turn in their lesson. One afternoon – in a private place in the woods – Melchior and Wendla meet by accident, and soon find within themselves a desire unlike anything they’ve ever felt. As they fumble their way into one another’s arms, Moritz flounders and soon fails out of school. When even his one adult friend, Melchior’s mother, ignores his plea for help, he is left so distraught he can’t hear the promise of life offered by his outcast friend Ilse. Naturally, the Headmasters waste no time in pinning the “crime” of Moritz’s suicide on Melchior and expel him. And soon Mama learns her little Wendla is pregnant. Now the young lovers must struggle against all odds to build a world together for their child. -StageAgent.com

Directed by Steven Goldstein
Music direction by Roger Grodsky
Choreographed by Diane Lala

  • Thu-Fri, Feb. 2-3 at 8pm
  • Sat, Feb. 4 at 2pm & 8pm

Admission is free. Reservations are required. Tickets available Monday, January 30 at noon – please contact the CCM Box Office at 513-556-4183 to reserve. Limit two tickets per order.

Official page | FaceBook event |

Leave a comment

Filed under On Stage

CCM’s Fall Dance Concert Spotlights New Choreography

Through a National Endowment for the Arts grant, the College-Conservatory of Music Dance Division presents Twyla Tharp’s ballet
THE STORY TELLER

Rehearsal photography courtesy of Rene Micheo.

CINCINNATI, OH – The University of Cincinnati College-Conservatory of Music (CCM) Ballet Ensemble is excited to present its Fall Dance Concert December 2-4. The concert features new and innovative programming, including Twyla Tharp’s THE STORY TELLER, which recently made its North American premier, along with a newly premiered dance choreographed by CCM’s Shellie Cash and other works.

Through a grant from the National Endowment for the Arts, CCM’s Dance Division presents THE STORY TELLER staged by guest artist Benjamin Bowman with music by Kiyoung Kim. THE STORY TELLER originally premiered in 1997 with The Australian Ballet and had its North American premier earlier this year with the Nashville Ballet. The ballet chronicles the life of one character through movements of four dancers and this cutting-edge performance promises to impress with its seamless expression and athleticism.

The program will also include “Siete Canciones Populares Españolas” (“Seven Spanish Folksongs”) choreographed by Dance Division Head Shellie Cash to music composed by Manuel de Falla for tenor and piano. The work had its world-premier in October of this year at CCM’s Sueños de España (Dreams of Spain) concert.

Additionally the concert will showcase Paquita (Act II) with music by Ludwig Minkus, restaged by CCM Professor Jiang Qi. Jiang will also restage Danish choreographer August Bournonville’s Flower Festival in Genzano pas de deux to music originally by Matthias Strebinger and adapted by Holger Simon Pauli.

Students and audiences alike will have the opportunity on Tuesday, Nov. 29, to meet the guest artist, Benjamin Bowman, at 9:30 a.m. in CCM’s Baur Room. This event is free and open to the public.

About Benjamin Bowman
Benjamin G. Bowman began his studies in dance after serendipitously being offered a chance to study ballet at the North Carolina School of the Arts as part of a pilot outreach program in the Winston-Salem public schools. After moving to Kansas City, Missouri, Bowman was fortunate in studying with world-class instructors such as Todd Bolender, Una Kai, Jonathan Watts, Diana Adams and Eckhard Heidrich. He undertook further studies as a summer scholarship student at both the School of American Ballet and the San Francisco Ballet School, and both institutions eventually awarded him scholarships as a full-time student.

Bowman’s professional career began with the Kansas City Ballet where he performed works by such choreographers as Bolender, Balanchine, Christiansen, William Dollar and Alvin Ailey. He then spent five years with the Fort Worth Ballet as a principal dancer before joining New York City Ballet (NYCB) in 1993. During his tenure with NYCB he performed in a diverse repertoire of existing works by Balanchine, Martens and Robbins as well as being involved in the creation of new works by Robbins, Martens and other notables. In 2000 Bowman was invited to join Twyla Tharp Dance and toured extensively for the next two years. With Twyla Tharp Dance he was privileged to originate the role of James in the hit Broadway show Movin’ Out. Bowman has worked on-stage as both a dancer and actor, performing works by Kathy Posin, Nilas Martens and John Selya and in the re-imagined “Garden of Earthly Delights” by Martha Clarke.

As a director and choreographer, he has most recently set Twyla Tharp’s Surfer at the River Styx with Company C Contemporary Ballet in Walnut Creek, California, Tharp’s The Storyteller with the Nashville Ballet, and co-choreographed the critically acclaimed Indoor Fireworks set to the music of Elvis Costello with Company C founder Charles Anderson.

Bowman currently resides in New York City.

Tickets & Parking Information
Tickets to the Fall Dance Concert are $15 general admission, $10 non-UC students, and free for UC students. Parking is available in the CCM Garage (at the base of Corry Boulevard off of Jefferson Avenue) and additional garages throughout the UC campus. For complete ticket and parking information, visit ccm.uc.edu or call the CCM Box Office at 513-556-4183.

 

University of Cincinnati College-Conservatory of Music
CCM DANCE SERIES

Fall Dance Concert
Jiang Qi, director

Performance Dates:
Friday, Dec. 2, 8 p.m.
Saturday, Dec. 3, 2 p.m.
Saturday, Dec. 3, 8 p.m.
Sunday, Dec. 4, 3 p.m.

Location:
Patricia Corbett Theater, College-Conservatory of Music
University of Cincinnati

Tickets:
$15 general admission
$10 non-UC students
UC students FREE

This project has been made possible by the National Endowment for the Arts as part of American Masterpieces: Three Centuries of Artistic Genius.

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation.

The Dance Division gratefully acknowledges the support of The Corbett Endowment at CCM.

All event dates and programs are subject to change. For a calendar of events or to view CCM’s 2011-2012 Mainstage Performance brochure visit our website at ccm.uc.edu.

Be embraced. Be mesmerized. Be delighted. Be a part of CCM!

Leave a comment

Filed under Press Releases

IN THE NEXT ROOM OR THE VIBRATOR PLAY Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

IN THE NEXT ROOM OR THE VIBRATOR PLAY presented by The Carnegie Visual and Performing Arts Center & the University of Cincinnati College-Conservatory of Music Department of Drama through Nov. 20. You can read the show description here.

The set. Photo by Mikki Schaffner.

Congratulations to members of the technical team, led by technical director Nick Koehlke*, who were responsible for creating such an impressive environment for this play. This includes a set design by Jennifer M. Rhodus*, lighting design by Gustavo E. Valdes*, and the work of properties artisan Stacey Szczepanik* Also excellent was the wig and makeup design by Suseon Bok* (* indicates CCM student.)

Jared Wilson as Mr. Dalby, Clare Ward as Annie, Mary Malloy as Sabrina Daldry and Kristopher Dean as Dr. Givings. Photo by Mikki Schaffner.

Production values aside, the play itself was…fine. This was the fifth Sarah Ruhl play I’ve attended, and of those, it’s probably my favorite script to date. In this interpretation, it seemed to be staged more as a period drama instead of a comedy/drama that explores contemporary themes by setting the play in “the dawn of the age of electricity; and after the Civil War; circa 1880s.” I found the production to be slowly paced (with a running time approaching three hours), emotionally flat and static in its blocking.

Jared Wilson as Mr. Dalby and Kristopher Dean as Dr. Givings. Photo by Mikki Schaffner.

In a Ruhl play, the voice of the playwright is usually heard strongest in the female lead. Generalized, the lead is likable, intelligent, a bit quirky, stuck in an unhappy situation but determined to pursue opportunities to change it. The audience sympathizes with her and gains satisfaction when those goals are achieved.

Catherine Givings (played by Caroline Shannon) comes off more as a somewhat whiny victim of her unhappiness, drawn to the happiness of others, as opposed to someone who sees the happiness in others as a means to gain knowledge and find her own happiness. Where we should be sympathetic that Dr. Givings abandons his wife every evening to discuss the merits of electricity at the club, part of me thinks, “who would want to sit home and listen to that every night.”

Mary Malloy as Sabrina Daldry and Caroline Shannon as Catherine Givings. Photo by Mikki Schaffner.

Regarding the play being emotionally flat, while I understand the notion of polite society, in this play it should serve as a contrast to what goes on behind closed doors and also to the characterizations of the patients after their “treatments.” Considering that Sabrina Daldry (Mary Malloy) and Leo Irving (Parker Searfoss) are suffering from “hysteria,” I found their pre-treatment personas to talk about their conditions but not actually show outward signs of their conditions. For example, Mr. Daldry (Jared Wilson) is not bringing his wife in for this radical treatment out of concern for her well-being, but instead out of concern for how he is perceived because his wife is unable to mask her condition in polite society (hence having her face covered in public). I want to see the cracks in the facade come through the acting.

Parker Searfoss as Leo Irving and Kristopher Dean as Dr. Givings. Photo by Mikki Schaffner.

Patient Leo Irving is a self-professed painter who has been unable to paint for nine months. Yet in his first meeting with Dr. Givings he is impeccably dressed, not a hair out of place and discusses his condition as if it belonged to someone else. I’m not seeing the burden of his “hysteria.” I did think that after his treatment, Searfoss was successful in his characterization and that Irving’s energy and emotional level was exactly where it needed to be.

Mariel Tompkins as Elizabeth and Parker Searfoss as Leo Irving. Photo by Mikki Schaffner.

I also enjoyed Mariel Tompkins as Elizabeth. She seemed to have a strong sense of the core of her character and maintained that character through the various situations and strange conversations she was a part of.

I honestly wish I could speak more to some of the smaller roles. Unfortunately I found my attention to the second act repeatedly distracted by some of the most ill-mannered theater patrons I have ever had the misfortune of experiencing. These scenes included the kiss between Mrs. Daldry and Annie (Clare Ward), the painting scene with Irving, Elizabeth and Catherine, the unwanted advances of Mr. Daldry to Catherine and the “sensation” discussion of Catherine, Sabrina and Elizabeth.

Caroline Shannon as Catherine Givings and Parker Searfoss as Leo Irving. Photo by Mikki Schaffner.

The final scene with Leo and Catherine is a good example of the static blocking I referred to. These stoic conversations do not make for dynamic theater. Neither does repeatedly watching people slowly dress and undress.

Caroline Shannon as Catherine Givings and Kristopher Dean as Dr. Givings. Photo by Mikki Schaffner.

The final scene, while visually stunning, again falls in the trap of being slow, deliberate and unemotional. Catherine and her husband FINALLY having this emotionally-satisfying love-making in the snow and it’s rather dull.

Overall I wanted more energy and emotion from the actors. The cast has capable performers but the seven individuals didn’t coalesce into a strong ensemble.

Click here for a complete list of show times, articles and other reviews for IN THE NEXT ROOM OR THE VIBRATOR PLAY.

I would enjoy hearing your opinions about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion.You can post your comments below.

4 Comments

Filed under Reviews

CCM Continues A Must-See Mainstage Season with OKLAHOMA!

Renowned alumna Pamela Myers returns to CCM
for this Rodgers and Hammerstein classic, running Nov. 17 -20.

John Riddle as Curly McLain, Julia Johanos as Laurey Williams and distinguished alumna Pamela Myers as Aunt Eller. Photography by Mark Lyons.

CINCINNATI, OH — The University of Cincinnati College-Conservatory of Music (CCM) presents an All-American classic as it continues its Mainstage Series with the production of Rodgers and Hammerstein’s Oklahoma!. Presented Nov. 17 through Nov. 20 at Corbett Auditorium, the musical features celebrated guest artist Pamela Myers, an original alumna of CCM’s Musical Theatre program.

Based on the play Green Grow the Lilacs by Lynn Riggs, Oklahoma! was the first collaboration between composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II, and the musical first premiered on Broadway in 1943. Set in Oklahoma Territory in 1906, it tells the story of the romance between cowboy Curly McLain and farm girl Laurey Williams, as both Curly and the sinister Jud Fry vie for her heart.

Director and Choreographer Diane Lala is thrilled to take on this timeless classic, and she feels it will serve as an invaluable learning experience for all of the students involved. One of the most popular musicals of all time, Lala asserts that, “the reason Oklahoma! gets done so many times is because it’s just so good.” Her choreography stays basically true to that of the original by Agnes De Mille, but with a distinctly CCM flair. Lala’s goal is to highlight the revolutionary choreography that made Oklahoma! so unique, stating that “the dancing came out of the characters – the dances weren’t just numbers that interrupted the show, they actually let you know more about the characters and the dream ballet really advanced the plot.”

CCM is excited to welcome Tony Award-nominated alumna Pamela Myers back to CCM for this production. Myers will be playing the role of Aunt Eller in all five performances. For senior Julia Johanos, who is playing the role of Laurey Williams, the opportunity to collaborate with an accomplished professional has been both fulfilling and fun-filled. “It’s been really inspirational for all of us,” says Johanos. “She’s never afraid to just jump into something.”

For senior John Riddle, this production’s Curly McLain, the learning experience has had additional significance due to the fact that Myers was the first graduate of CCM’s acclaimed Musical Theatre program. “It’s been really special to have that person with us who paved the way for what the program has become,” says Riddle.

Johanos is also very appreciative of the opportunity to perform a classic musical as well-known as Oklahoma!, which she feels has something to offer all generations. “Oklahoma! is a classic, but Diane has taken it in a really exciting direction.”

“In the first 20 minutes you’ve got big hit songs and it’s so wonderful to hear them in their context. There’s a lot of history that goes with it,” says Lala. CCM’s production of Oklahoma! promises to delight audiences with its classic tunes and show-stopping dance numbers.

About Pamela Myers*
Myers was the first graduate of the CCM Musical Theatre Program developed by her voice teacher Helen Laird and Dean Jack Watson. After graduating she went to New York and was cast in Company, the Stephen Sondheim musical, for which he wrote her a song. She was then nominated for a Tony award for her performance in that production.

Myers has starred in regional theaters around the country in such shows as Harold and Maude, Gypsy, Sweeney Todd, Sunday In The Park With George, I Do I Do, Annie Get Your Gun, Steel Magnolias and back to Broadway for the revival of Into The Woods. She additionally had the pleasure of working with Charles Schulz creating the role of Peppermint Patty in Snoopy. She appeared with Marvin Hamlisch and Jerry Herman on In Performance At The White House on PBS and guest starred on numerous TV shows such as Happy Days, Alice, Starsky and Hutch, Major Dad and Sha Na Na. Myers has also guest starred with the Boston Pops, the Cincinnati Pops, and the Carnegie Hall Tribute to Judy Garland.

Myers appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Tickets & Parking Information
General admission tickets range from $27-$29, and $17-$19 for students. $11 student rush tickets will be available for the Saturday matinee beginning at 1 p.m. on Nov. 19; limit two rush tickets per student ID. Parking is available in the CCM Garage (at the base of Corry Boulevard off of Jefferson Avenue) and additional garages throughout the UC campus. For complete ticket and parking information, visit ccm.uc.edu or call the CCM Box Office at 513-556-4183.

Oklahoma! Principal Cast List:
Aunt Eller Pamela Myers* (guest artist)
Curly McLain John Riddle (senior from Vermilion, Ohio)
Laurey Williams Julia Johanos (senior from Louisville, Colorado)
Ike Skidmore Patrick Shelton (senior from Seattle, Washington)
Slim Matthew Amira (junior from New York, New York)
Will Parker Eric Huffman (senior from Lenexa, Kansas)
Jud Fry Chris Blem (senior from Tampa, Florida)
Ado Annie Carnes Michelle Rombola (senior from Buffalo, New York)
Ali Hakim Nick Laughlin (senior from Fairfield, Ohio)
Fred Connor Deane (sophomore from Orange, Connecticut)
Gertie Cummings Katie Johannigman (senior from Cincinnati, Ohio)
Andrew Carnes Pierce Cassedy (senior from Tallahassee, Florida)
Cord Elam Matthew Hill (sophomore from Los Gatos, California)

*The Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

CCM Season Presenting Sponsor and Musical Theater Program Sponsor: The Otto M. Budig Family Foundation 

Mainstage Season Production Sponsor: Macy’s 

Production Sponsor: Leo Munick, MD & Alice Fegelman

 

University of Cincinnati College-Conservatory of Music
MAINSTAGE MUSICAL THEATRE SERIES

Oklahoma!
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Diane Lala, director and choreographer
Roger Grodsky, musical director
*Lisa Slama, stage manager
*Brittany McManus, costume designer
Mark Williams, lighting designer
*Marcia Willard, wig & make-up designer
*Douglas P. Wilken, sound designer 

*CCM student

Performance Dates:
Thursday, Nov. 17, 8 p.m.
Friday, Nov. 18, 8 p.m.
Saturday, Nov. 19, 2 & 8 p.m.
Sunday, Nov. 20, 2 p.m.

Location:
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Tickets:
$27-$29, $17-$19 students, $11 student rush tickets available for Saturday matinee beginning at 1 p.m. on Nov. 19; limit two rush tickets per student ID.

All event dates and programs are subject to change. For a calendar of events or
to view CCM’s 2011-2012 Mainstage Performance brochure visit our website at ccm.uc.edu.

Be embraced. Be mesmerized. Be delighted. Be a part of CCM!

Leave a comment

Filed under Press Releases

CCM Spotlights Spanish Arts With Sueños de España (DREAMS OF SPAIN)

The College-Conservatory of Music presents a magical voyage to Spain through poetry, dance, guitar and song Nov. 5 and 6. 

CINCINNATI, OH – The University of Cincinnati College-Conservatory of Music (CCM) presents a lush and lyrical journey to Spain on Saturday, Nov. 5, and Sunday, Nov. 6. Sueños de España (Dreams of Spain) promises to deliver a romantic program of Spanish poetry, dance and song for two magical performances only.

Sueños de España includes intimate performances by the CCM Philharmonia Chamber Orchestra and Dance Ensemble, along with featured soloists. The program’s seamless presentation promises to have audience members totally and continuously immersed in Spanish arts.

Conceived by music director and conductor Mark Gibson, Sueños de España includes intimate performances by the CCM Philharmonia Chamber Orchestra and Dance Ensemble, along with featured soloists. The program’s seamless presentation promises to have audience members totally and continuously immersed in Spanish arts.

Along with performances by members of CCM’s Classical Guitar Ensemble and poetry readings by CCM Drama students, the program will include “Siete Canciones Populares Españolas” (“Seven Spanish Folksongs”), a world-premiere choreographed by Dance Division Head Shellie Cash to music composed by Manuel de Falla for tenor and piano. Falla’s “El Amor Brujo” (“Love the Magician”) will close out the concert, with the Philharmonia Chamber Orchestra accompanying the Dance Ensemble in another world-premiere.

On Saturday, Nov. 5, guests can make their cultural experience complete with a tapas and Spanish wines reception preceding the performance in UC’s newly renovated Mick & Mack’s Contemporary Café beginning at 6 p.m. Menu details available at ccm.uc.edu.

Enjoy a look at Sueños de España dance rehearsals at http://ccmpr.wordpress.com/2011/10/28/a-video-preview-of-ccms-suenos-de-espana

Performance Times:
8 p.m. Saturday, Nov. 5
2 p.m. Sunday, Nov. 6

Location:
Patricia Corbett Theater, College-Conservatory of Music
University of Cincinnati

Ticket Information
Tickets to the performance-only portion of Sueños de España are $15 general admission, $5 non-UC students and free for UC students.

Tickets to the Saturday performance and pre-concert reception are $40 per person, which includes dinner and concert admission. Reception attendees must be 21 or older and present valid ID to buy and consume alcohol. Please contact the CCM Box Office at 513-556-4183 to reserve.

CCM Season Presenting Sponsor and Musical Theater Program Sponsor: The Otto M. Budig Family Foundation

University of Cincinnati College-Conservatory of Music
STUDIO MUSICAL THEATER SERIES

Sueños de España (Dreams of Spain)
CCM Philharmonia Chamber Orchestra and CCM Dance Ensemble
Mark Gibson, music director and conductor
Shellie Cash, choreographer

Performance Dates:
Saturday, Nov. 5, 8 p.m.
Sunday, Nov. 6, 2 p.m.

Location:
Patricia Corbett Theater, College-Conservatory of Music
University of Cincinnati

Tickets:
$15 general admission
$5 non-UC students
FREE for UC students

Tickets to the Saturday performance and pre-concert reception are $40 per person, which includes dinner and concert admission. Reception attendees must be 21 or older and present valid ID to buy and consume alcohol. Please contact the CCM Box Office at 513-556-4183 to reserve.

CCM Season Presenting Sponsor and Musical Theater Program Sponsor: The Otto M. Budig Family Foundation

All event dates and programs are subject to change. For a calendar of events or to view CCM’s 2011-2012 Mainstage Performance brochure visit our website at ccm.uc.edu.

Be embraced. Be mesmerized. Be delighted. Be a part of CCM!

Leave a comment

Filed under Press Releases