Tag Archives: The Carnegie

GREASE Runs Aug. 15-24

GREASE
The Carnegie
Aug. 15-24
[Covington]

GREASE is the word! After a sizzling summer fling, Danny and Sandy find themselves navigating love, friendship, and the trials and tribulations of high school. With legendary hits like “Summer Nights,” “Greased Lightnin’,” and “You’re the One That I Want,” this electrifying new production is bursting with grit, glam and youthful exuberance. Rediscover the magic of this timeless classic that’s been winning hearts for generations.

  • Fri, Aug. 15 at 7:30pm
  • Sat, Aug. 16 at 2pm & 7:30pm
  • Sun, Aug. 17 at 3pm
  • Thu-Fri, Aug. 21-22 at 7:30pm
  • Sat, Aug. 23 at 2pm & 730pm
  • Sun, Aug. 24 at 3pm

Official page | Facebook event |

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ALWAYS… PATSY CLINE Bring the Country Music Legend to the Stage in Covington

On Stage July 25 – August 3, 2025

(Covington, KY, July 14, 2025) — Get lost in Patsy Cline’s music all over again in ALWAYS… PATSY CLINE. On stage July 25 – August 3, the musical celebrates the legendary country music icon and the unbreakable bond between two women. Based on the true story of Cline’s friendship with her biggest fan, this touching and humorous musical scrapbook blends classic hits like “Crazy,” “I Fall to Pieces,” and “Walking After Midnight” with a story of loyalty, laughter, and love. Audiences are sure to be humming along and cherishing the enduring spirit of Patsy Cline!

A proud Kentuckian, Charlotte Campbell brings her critically acclaimed portrayal of country music legend Patsy Cline to the bluegrass state for the first time this summer. On Stage Colorado notes “Campbell expertly belts out all the hits and some of Cline’s lesser-known songs… I could’ve closed my eyes and believed I was listening to the great musician herself.”

After taking audiences on a whirlwind adventure in The Carnegie’s 2024 production of HELLO, DOLLY!, Sara Mackie brings her humor, heart, and dynamic stage presence to Louise Seeger, the devoted fan-turned-friend of Patsy Cline.

Jenny Herndon, who appeared as Cynthia Weil in last summer’s BEAUITUFL: THE CAROLE KING MUSICAL, is the standby for both Louise and Patsy. Herndon will play Patsy at the 2:00 PM performance on Saturday, August 2. The production is directed by Corrie Danieley with music direction by Steve Goers. A live band features prominently on stage.

Producing Director of Theatre Tyler Gabbard says, “Always… Patsy Cline is not only a tribute to Cline’s music and legacy; it’s a touching portrait of the friendship between two women who forged their own way. I’m excited to introduce local audiences to Charlotte Campbell, whose talent I first saw on stage a dozen years ago, and to welcome back Sara Mackie—one of Cincinnati’s favorite actors, and certainly one of mine.”

The design team includes Scenic Designer Tyler Gabbard (The Carnegie: THE ROCKY HORROR SHOW, HELLO, DOLLY!; The Children’s Theatre: THE WIZARD OF OZ, BEAUTY AND THE BEAST), Costume Designer Charlotte Campbell (The Carnegie: SEUSSICAL), Lighting Designer Julie Cowger (The Carnegie: THE COLOR PURPLE, THE ROCKY HORROR SHOW, SEUSSICAL), Sound Designer Danielle Lobello (The Carnegie: THE COLOR PURPLE, SEUSSICAL, The Children’s Theatre: FROZEN, BEAUTY AND THE BEAST), and Wig Designer Maria Barnes.

Ticket and Performance Information:
When: July 25 – August 3, 2025
Where: The Carnegie, 1028 Scott Blvd, Covington, KY 41011
Run Time: 2 hours, including an intermission

Price: $18-$45
Purchase: Tickets may be purchased online at thecarnegie.com, by calling 859-957-1940, or in person from the Box Office.

Additional Information:
ALWAYS… PATSY CLINE is sponsored by Johnson Investment Counsel.

For licensing information on Always…Patsy Cline and all Ted Swindley shows, visit www.alwayspatsycline.com or contact Joan Kovats, (203) 978-0102.

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at http://www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, and Cincinnati International Wine  Festival.

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ALWAYS…PATSY CLINE Runs July 25-Aug. 3

ALWAYS…PATSY CLINE
The Carnegie
July 25-Aug. 3
[Covington]

Cast: Charlotte Campbell as Patsy Cline & Sara Mackie as Louise Seeger

Get lost in Patsy Cline’s music all over again. ALWAYS… PATSY CLINE celebrates the legendary country music icon and the unbreakable bond between two women. Based on the true story of Cline’s friendship with her biggest fan, this touching and humorous musical scrapbook blends classic hits like “Crazy,” “I Fall to Pieces,” and “Walking After Midnight” with a story of loyalty, laughter, and love. Don’t miss this uplifting musical that will have you humming along and cherishing the enduring spirit of Patsy Cline!

  • Fri-Sat, July 25-26 at 7:30pm
  • Sun, July 27 at 3pm
  • Fri, Aug. 1 at 7:30pm
  • Sat, Aug. 2 at 2pm & 7:30pm
  • Sun, Aug. 3 at 3pm

Official page | Facebook event |

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2026 Summer Season Announced at The Carnegie

The Carnegie is excited to reveal the sensational lineup of hit musicals coming to our stage next summer

Kicking off the season is the first regional production of the recent Broadway phenomenon DEAR EVAN HANSEN — a deeply moving story about the power of connection in an increasingly digital world.

MURDER FOR TWO is a zany musical whodunit featuring two actors, one piano, and more than a dozen outrageous characters. It’s a clever, madcap homage to classic murder mysteries.

Glamor takes center stage in LA CAGE AUX FOLLES, the groundbreaking musical comedy bursting with heart, high heels, and show-stopping song and dance. Set in a dazzling drag nightclub, it’s a story of love, family, and fierce acceptance.

Tickets for our 2026 summer series go on sale this August — don’t miss your chance to be part of the magic!

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THE COLOR PURPLE Review

By Katrina “Kat” Reynold

THE COLOR PURPLE presented by The Carnegie through July 6. I attended the Opening Night performance. 

The cast of THE COLOR PURPLE. Photo by Mikki Schaffner Photography.

I do not usually enjoy when a story is turned into a musical during its stage adaptation process. When the beloved and incredible book by Alice Walker became one of those to “fall” to this trend, I rolled my eyes and called it a day. However, this reviewer will gladly eat her words and shout from the rooftops about the glory that is the musical The Color Purple. With book by Marsha Norman and Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray, this heart-breaking and triumphant tale is given a beautiful “new” life.

Hot off the success of Jaja’s African Hair Braiding with Ensemble Theatre Cincinnati, Director Torie Wiggins gives us yet another impeccably directed production. With casting prowess beyond measure and her skillful way of knowing exactly how to tell a story with movement and organic scene changes, Ms. Wiggins is a queen our city can not lose anytime soon. In addition, Music Direction by Jason Alexander Holmes is worthy of a standing ovation. With strong harmonies and dissonant chords, Mr. Holmes adds the other important part of telling a story: the soundtrack.

Not to be overlooked, praise should also be given to Scenic Designer Tyler Gabbard, Costume Designer Maria F. Ortiz Lopez, and Wig & Hair Designer Tiara M. Jones whose talents enhanced the aesthetics of the stunningly executed piece.

And now: the cast. Truth be told, I was half-tempted to scan the program and simply say “They are all incredible – do not miss it.” The words “strong ensemble” do not do this band of performing artists justice. While there are certainly key players who should be mentioned, there is not one weak link in this cast. Bravx to each of them!

In the role of Mister, Kenneth Early brings a difficult yet important player to life with the exceptional professionalism we have come to know and love in him. One can only imagine the challenge of portraying such a flawed character, but Mr. Early is able to do it wholly with strong vocals and an energy which keeps you wanting more of him.

Elana (Elle) Elmore plays the infamous Shug Avery and she has zero trouble portraying the women with whom everyone seems to fall in love. Ms. Elmore slinks effortlessly across the stage, just oozing confidence and appeal, and delivers both belty tunes ad heartfelt ballads like it’s just another day at the office. What a role and what an artist!

In their professional debut (yes, you read that correctly) audiences are graced by the star power of Jordyn Jones as Celie. Mx. Jones possesses a wisdom beyond their years which they use to their advantage as Celie grows up before our very eyes. Their ability to make themself so small as Celie (physically, emotionally, and verbally) juxtaposed with the big emotions and equally big vocals is worth the price of admission alone. Mx. Jones is going places and we would all be lucky to be along for the ride.

Quick shout-outs to Brittany Hayes as Sofia (she’s a show stopper!) and to the trio of “church ladies”: Edin Kebede, Roniece Hutchins, and Fiona Capri (harmonies that will make your body tingle).

The time for stories for and about people of colour is always; however, it seems particularly significant now. The journeys depicted are not always pretty and sure aren’t always fair, but we are left with an uplifting sense of promise. Whether you are familiar with the characters of The Color Purple and their histories or you are a newbie to Alice Walker’s gorgeous saga, this show gets the infrequently given but always deserved “must-see” stamp of approval from me. You do not want to miss the caliber of acting, singing, and energy of this cast and creative team (plus a cathartic sob-fest never hurt anyone). I will encourage all who attend to forgo the eye makeup – it isn’t worth the effort.

Click here for more information about the production.

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