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ANYTHING GOES Review

Review by Katrina “Kat” Reynolds

ANYTHING GOES presented by The Carnegie through March 8th. I attended the opening Sunday matinee performance. 

The Cast. Photo by Mikki Schaffner.

I’m going to let you in on a little secret: I am a sucker for tap dance. Had I been allowed to take tap at the same time I was Irish dancing competitively, I don’t think there would have been any stopping me. So when it was announced that The Carnegie would again partner with University of Cincinnati College-Conservatory of Music to produce Cole Porter’s Anything Goes, I knew I was all in. This screwball comedy is rife with mistaken identities, romance, and – of course – dancing!

Director Eric Byrd expertly navigates his talented cast’s paths across a magnificent set designed by Tyler Gabbard. Choreographer Jessica Harris fully understands the highs and lows of movement and knows exactly when to crescendo. Group numbers in particular are beautifully staged and executed. Particular shoutout to Costume Designer Clara Jean Kelly for some of the best period costumes seen on a Cincinnati-area stage. To have found the perfect balance between functional (dancer-wise) and aesthetically pleasing is a tall order and she exceeds expectations. P.S. I want to commission Ms. Kelly to make one of the gorgeous dresses the Angels and Hope wear in both the “De-Lovely” and final scenes. Stun-ning!

This strong ensemble of CCM students boasts nearly immeasurable levels of talent. Josh Devine is rock solid as Billy Crocker, the lovesick would-be Wall Street employee. Monique Churchill is effervescent as Hope Harcourt, the target of Billy’s affections. Dominic Carroll’s handle on maintaining correct and steady dialects is beyond impressive – but as much as I appreciated the subtleties of his characterization of Moonface Martin, this is a show where bigger is better. Joey Baciocco is sensational as Lord Evelyn Oakleigh: flawless accent, wonderful physicality, and vocal chops to boot! Last but certainly not least we have Indya Lincicome as Reno Sweeney. My goodness, Ms. Lincicome is a powerhouse performer with a prowess to deliver beyond her years! Keep your eyes on this one, folx: we shall be seeing her name in lights. 

With something for everyone, Anything Goes is one of those feel-good shows guaranteed to put a smile on your face and a pep in your step. Whether you come for the timeless Cole Porter score, the upbeat dancing, or just for the laughs you will have a good time on the S.S. American.

Click here for more information about the production.

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The Carnegie and University of Cincinnati Partner on Classic Musical Comedy ANYTHING GOES

The Cole Porter hit sails into Covington February 27 – March 8

Indya Lincicome is Reno Sweeney in ANYTHING GOES. Photo by Mikki Schaffner.

(Covington, KY, February 9, 2026) — The Carnegie launches its 2026 season with the sparkle, sophistication, and show-stopping energy of Cole Porter’s Broadway classic ANYTHING GOES. Produced in partnership with the University of Cincinnati College–Conservatory of Music (CCM) and featuring performers from CCM’s nationally recognized Musical Theatre program, this fresh, high-spirited production runs at The Carnegie February 27 through March 8.

Set sail for madcap mayhem in this tuneful, tap-dancing romp where high society and low morals collide. Aboard the S.S. American, con men are celebrated, evangelists become showbiz sensations, and romance runs delightfully amok. Featuring Cole Porter’s sparkling score—including “You’re the Top,” “I Get a Kick Out of You,” and the toe-tapping title number—this screwball spectacle proves that with a little charm (and a catchy tune), you can get away with anything. ANYTHING GOES is your first-class ticket to fun.

Indya Lincicome, a senior at CCM, stars as evangelist-turned-nightclub singer Reno Sweeney. Lincicome recently appeared as Rizzo in The Carnegie’s Summer 2025 production of GREASE. Also returning to the Covington stage are Monique Churchill (Hope Harcourt), Josh Devine (Billy Crocker), Joey Baciocco (Lord Evelyn Oakleight), Dominic Carroll (Moonface Martin), and Jack Haroutunian, Arden Allmon, Grace Baker, Annika Jonker, Carter Minor, and Jameson Zoller in the ensemble.

Making their Carnegie debut are Zach “Zoo” Finkelstein, Benjamin Schultz, Abigayle Kate Gatton Stokes, Annie Dauk, Max Patrick, Andy Bakun, and Griffin Simmons. The productions swings and standbys include Matthew Williamson, Kage Cliburn, Naomi Thuren, Jack Bear Ryan, and JJ Korkin.

Joining the student cast are guest artists and real-life husband and wife Diane Lala (Mrs. Evangeline Harcourt) and Robert Pavlovich (Elisha J. Whitney). Lala, Professor Emerita of Musical Theatre at UC–CCM, returns to the stage after 36 years of teaching, directing, and choreographing. Pavlovich, a longtime UC–CCM Acting & Musical Theatre faculty member, is a veteran stage and screen actor and currently serves as host of All Things Considered for WWNO New Orleans.

The production is directed and co-choreographed by CCM faculty member Eric Byrd. Byrd directed several of The Carnegie’s best-selling productions including GREASE, THE ROCKY HORROR SHOW, RENT, and GUYS AND DOLLS. Choreographer Jessica Harris and Music Director Julie Spangler, both CCM faculty members, return after collaborating on last season’s SEUSSICAL.


ANYTHING GOES
Music and Lyrics by COLE PORTER
Original Book by P.G. WODEHOUSE & GUY BOLTON and HOWARD LINDSAY & RUSSEL CROUSE
New Book by TIMOTHY CROUSE & JOHN WEIDMAN

ANYTHING GOES is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. This version of ANYTHING GOES was adapted from the 1987 Broadway revival, originally produced by Lincoln Center Theater.

Production Sponsor for ANYTHING GOES
Piper’s Ice Cream Bar

Artist Sponsors for ANYTHING GOES
Debbie Bardonaro, Realtor, Sibcy Cline
J. Brett Offenberger, MD and Mr. Douglas E. Duckett
Rosemary and Mark Schlachter

UC–CCM Production Supporters for ANYTHING GOES
Ken and Toni Kanter


Subscriptions & Tickets
Flexible subscriptions and single tickets for the 2026 season are available now at thecarnegie.com or by calling the box office at 859-957-1940. Flexible subscription options allow audiences to choose the shows, dates, and seats that work best for them — with savings up to 15% on ticket prices.

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, Cincinnati International Wine Festival, and Suits That Rock.

For more information on the 2026 season or First Show Free, visit thecarnegie.com.

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ANYTHING GOES Runs Feb. 27-March 8

ANYTHING GOES
The Carnegie and UC College-Conservatory of Music
Feb. 27-March 8
The Carnegie [Covington]

Set sail for madcap mayhem in ANYTHING GOES, the tuneful, tap-dancing musical where high society and low morals collide! Aboard the S.S. American, con men are celebrated, evangelists are made showbiz sensations, and romance runs amok. Featuring Cole Porter’s sparkling score—including “You’re the Top,” “I Get a Kick Out of You,” and the toe-tapping title number—this screwball spectacle proves that with a little charm (and a catchy tune), you can get away with anything. ANYTHING GOES is your first-class ticket to fun! ANYTHING GOES contains discussions around alcohol, mild adult themes and references to sex, prop guns and shooting sound effects.

  • Fri, Feb. 27 at 7:30pm
  • Sat, Feb. 28 at 2pm & 7:30pm
  • Sun, March 1 at 3pm
  • Thu-Fri, March 5-6 at 7:30pm
  • Sat, March 7 at 2pm & 7:30pm
  • Sun, March 8 at 3pm

Official page | Facebook event |

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Auditions Announced for LA CAGE AUX FOLLES at The Carnegie

LA CAGE AUX FOLLES
Rehearse: July 20—August 13
Perform: August 14—23, 2026

Rachel Stevens, Director
Josh Walden, Choreographer
Jacob Priddy, Music Director

These auditions are for non-union actors for select roles in LA CAGE AUX FOLLES. All roles in DEAR EVAN HANSEN and MURDER FOR TWO have been cast.

Actors who auditioned by video or in-person during our Fall 2025 casting process do not need to resubmit to be considered. These actors will be invited to callbacks as needed.

Actors in principal roles will receive $350/week minimum. Actors in ensemble roles will receive $250/week minimum.

VIDEO SUBMISSIONS
Submissions are due by 11:59 PM EST on Monday, February 23, 2026

Prepare one 16-32 bar cut.
Audition videos will only be accepted as links. Files requiring download will not be accepted.
Please ensure that privacy settings are such that we are enabled to view by the link only, with no need for password or additional access request. Please film your material in a horizontal/landscape frame on a solid background or plain wall.  A ¾ shot is preferred.

Please submit your headshot and résumé.
Your headshot must be an image file and your resume must be in PDF format. Both should be labeled with your name (i.e. Gabbard_Tyler.pdf)

An optional dance reel may be included with your submission as a separate video.
Actors called back for select roles will be asked to submit a dance combo in advance of their acting/vocal callback.

CALLBACKS
Callbacks will be a mix of live and digital based on availability of the auditionee and production staff. In-person callbacks will take place on Sunday, March 8 from 6-10 PM at The Carnegie.

QUESTIONS?
Email Tyler Gabbard, Director of Theatre at tgabbard@thecarnegie.com.

AVAILABLE ROLES
The Carnegie is committed to inclusive casting. All races, ethnicities, gender identities, body types, and mobilities are encouraged to apply. Pronouns listed in the character breakdown refer to the genders of the characters only. Actors should submit for any roles they feel comfortable playing.

JEAN-MICHEL: He/Him, 20s, Baritone
Charming; well-mannered, educated; desperately in love with his fiancée, Anne.

JACOB: He/Him, 20s-30s, Baritone
Sometimes the butler, sometimes the maid; brilliant comedian who sings and moves well.

ANNE: She/Her, 20s, Range Flexible
Jean-Michel’s fiancée; spunky, witty, good-natured; a strong dancer.

LES CAGELLES: Ranges Flexible
These are the 6 showgirls at La Cage aux Folles. They are the most accomplished female impersonators in France. They have different talents, distinct personalities, and all must sing and dance in heels. Unique and specialty tricks are welcome. Cagelles will double as other ensemble characters outside of the club.

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IT’S A WONDERFUL LIFE: A Live Radio Play Runs Dec. 9-10

IT’S A WONDERFUL LIFE: A Live Radio Play
The Carnegie 
Dec. 9-10
[Covington]

Presented as a live reading of the beloved story, this one-of-a-kind performance features talented students from University of Cincinnati College-Conservatory of Music – CCM. With scripts in hand, they voice over a dozen characters and craft live sound effects right before your eyes—capturing the timeless spirit, warmth, and wonder of the season.

  • Tue-Wed, Dec. 9-10 at 7:30pm

Official page | Facebook event |

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