Tag Archives: Showbiz Players

SBP Announces Auditions for THE ADDAMS FAMILY

SBPSHOWBIZ PLAYERS ARE HAPPY TO ANNOUNCE AUDITIONS FOR THE ADDAMS FAMILY!

Dates:
Sunday, December 7th, 2:00-5:00pm
Monday, December 8th, 7:00-10:00pm
Callbacks Wednesday, December 10th @ 7:00pm

Appointments are recommended and can be made by contacting Bunny Arszman at barszman@gmail.com or 513-325-7842. Walk-ups will also be accepted for the first available time slot.

Location:
Oakley Community Center
3882 Paxton Rd.
Cincinnati, Ohio 45209
(Located in Hyde Park Plaza – back in the far corner to the left of Rempke market by the ball fields. Your GPS will take you to the wrong place)

Showdates:
May 29 – June 7th, 2015
at the Carnegie in Covington, Ky.
Rehearsals will begin in mid-March.

REQUIREMENTS
Bring sheet music in the correct key for 2 contrasting song styles – approximately 16 -32 bars. Accompanist will be provided. Bring proper dance shoes (if you have them) for a dance audition that will include a tango.

ABOUT THE SHOW
Morticia and Gomez Addams want to continue living amongst death, pain and suffering, the way they always have. But then there is a change in plans. Their eldest child, Wednesday, has fallen in love with a strange boy, Lucas Beineke. To the Addams, strange is normal. Happy is Sad. The Addams believe life revolves around death. To Morticia and Gomez’s own complexity, they invite Wednesday’s new boyfriend’s family to their home. Many strange things happen the night that the Beinekes come to visit.

CHARACTER BREAKDOWN

  • Gomez (Male, Baritone, 45-55, lead) – A passionate Latin lover who is still madly in love with his wife, Morticia, after many years of marriage. He has Spanish blood and speaks with an accent. He is torn between never keeping a secret from his wife and honoring his word to his daughter to keep her engagement under wraps.
  • Morticia (Female, Alto, 35-45, lead) – A fairly tall, fairly thin woman with a pasty white complexion (or could be with make-up). She is the true leader of the household. She is mysterious which is how she controls Gomez. She has an even disposition, muted and witty.
  • Wednesday (Female, Soprano, early 20’s, lead) – The daughter. Very much like her mother. She has a mature personality, with a deadpan wit and a morbid fascination in trying to do physical harm to her brother and others.
  • Lucas (Male, Baritone, 20’s) – Wednesday’s boyfriend. A somewhat strange boy who would probably fit right in with the Addams.
  • Uncle Fester (Male, Tenor, 30’s-50’s) – Gomez’s brother. Barrel-shaped and “bald”. Very white skin and sunken dark eyes (with make-up). Very outgoing personality, with a devilish grin.
  • Pugsley (Male, Tenor, 8-14) – Wednesday’s little brother. Upset because he is going to lose his big sister when she gets married.
  • Alice (Female, Soprano, 40’s-50’s) – Lucas’s mother. A woman with many hidden passions. She loves to rhyme and longs for her husband to be the way he was.
  • Mal (Male, Tenor, 40’s-50’s) – Lucas’s father. A successful straight-laced Ohio business man who has forgotten how to have fun.
  • Grandma (Female, Belt, 50’s-60’s) – Short, thin woman who is a witch that deals with lots of potions, hexes and spells.
  • Lurch (Male, Bass-Baritone, 20’s-30’s) – Tall, thin man who speaks in unintelligible groaning. The butler.
  • The Ancestors – 3-5 Men & Women of various ages who portray ghosts on the Addams estate. They play an essential part in this musical and appear throughout. Must be able to sing, dance and act.

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REEFER MADNESS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

REEFER MADNESS presented by Showbiz Players through Sept. 28. Click here for more information on the production.

Michelle Grove Shaffer as Mae, Kevin Rutkowski as Jimmy, Sean Mize as Ralph & Jen Drake as Sally. Photo by Mikki Schaffner,

Michelle Grove Shaffer as Mae, Kevin Rutkowski as Jimmy, Sean Mize as Ralph & Jen Drake as Sally. Photo by Mikki Schaffner,

This productions of REEFER MADNESS needs more energy and some spit and polish to raise the quality of the show above mids. This is a broad musical comedy that the director and cast should have alot of fun with, but it never quite reached that level for me.

The leads as a whole need to be broader and have more fun. The best characterizations were Julie Wacksman as Mary Lane & Jen Drake as Sally. On the other extremes, I found Greg Shaffer flat as Jack. There was no snap or swagger to the character. Also a mostly-black costume in front of a black-walled set tends to make him disappear. On the other extreme you have Sean Mize as Ralph, a decent characterization expect he only had two levels, loud and obnoxiously loud. The repeated high-pitch screaming into his mic during “Murder” was just too much. Jered Ryan as the Lecturer needs to replace his real glasses with a pair that won’t reflect the stage lights and block his eyes. Also, his facial hair was not appropriate to the period.

Greg Shaffer as Jack & Michelle Grove Shaffer as Mae. Photo by Mikki Schaffner.

Greg Shaffer as Jack & Michelle Grove Shaffer as Mae. Photo by Mikki Schaffner.

Unfortunately for most of the solos, it seems more akin to belt night at a karaoke bar than musical theater. Actors tended to stand near center stage, eyes shut as they reach the high notes of their solo. That’s not creating a character and selling a number.

Across the leads, the actors had a habit of upstaging themselves. Turning their backs to the audiences during solos, being more concerned with acting and singing to the person next to them instead of cheating out to the audience so we can see their faces. Even the “car crash” was staged straight out so the “victim” blocked the faces of the actors in the car.  Several songs, including “Jimmy on the Lam” could really have used a spotlight.

Kevin Rutkowski as Jimmy & Julie Wacksman as Mary Lane. Photo by Mikki Schaffner.

Kevin Rutkowski as Jimmy & Julie Wacksman as Mary Lane. Photo by Mikki Schaffner.

An ongoing gag for the show is that the hand-held props are supposed to be two-dimensional. In the very first scene, the coffee mug and Shakespeare book should be flat to let the audience in on the joke, except both items (as is the gun used in the show) are three dimensional objects. When the props are 2D, they all are white with black outlines. The lack of color gives the impression that they are unfinished. Even the baby prop for the song “Lullaby” seems unfinished since it was missing hands and feet/booties.

SBP_Reefer Madness5First-time choreographer Jullian Schwab does a decent job for her first time. For me, numbers were a bit too repetitive, with either the same moves being overly-used in individual numbers and/or being repeated across songs. Given the time frame of the show, I was seeing moves not of the period. On the execution side opening night, there were still performers confused about the steps. You gotta sell it like you know it. I’m less likely to notice a mistake in the choreography than when a mistake shows on an actor’s face. Several times the ensemble didn’t seem to know the focus in musical numbers. Does the number end with the ensemble looking at the soloist or face out to the audience. Either is fine, but I’m seeing both.

One of the dance highlights is Jen Drake’s strong tap solo that gets lost in the rest of the number. It couldn’t hurt to turn that into a brief dance solo (just drop the band and vocals) to showcase it.

The upstaging problems, energy level and choreography execution issues are easy fixes and will make a noticeable improvement in the show. HAVE FUN!

My rating: 2.75 out of 5

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SBP Seeks Directors for 2015-2016 Season

Are You Interested In Directing For Showbiz?
We Are Now Accepting Submissions To Direct During The 2015-2016 Season!

SBP_logoIf you are interested in directing for Showbiz Players during the 2015-2016 season, please take a moment to fill out a “Director Submission Form.” We would love to hear from anyone and everyone who is interested, so please don’t hesitate!

For more information, please follow this link for the “Application Instructions.”

Thank you so much for your consideration, and we look forward to hearing your wonderful ideas!

Deadline for Submissions is October 15, 2014.

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REEFER MADNESS Runs Sept. 19-28

SBP_Reefer Madness1REEFER MADNESS
Presented by Showbiz Players
Sept. 19-28
Covington

Directed by Adam Drake
Music direction by Alan Masters
Vocal direction by Gregory Shaffer
Choreography by Jillian Schwab
Produced by Jennifer Ryan, Cathy Bennett & Bunny Arszman

Cast: Kevin Rutkowski as Jimmy, Jered Ryan as Lecturer, Julie Wacksman as Mary Lane, Gregory Shaffer as Jack, Michelle Grove Shaffer as Mae, Sean Mize as Ralph, Jen Drake as Sally, Emily Rowekamp as Placard Girl
Ensemble: Liz Koch, Kati Bakes, Jill Blessing, Caitlin Brown, Jenni Sheets, Robert Fields, Mike Davis, Colin Shimrock & Stephen Cox

Inspired by the original 1936 film of the same name, this raucous musical comedy takes a tongue-in-cheek look at the hysteria caused when clean-cut kids fall prey to marijuana, leading them on a hysterical downward spiral filled with evil jazz music, sex and violence. You won’t be able to resist the spoofy fun of REEFER MADNESS. The addictive and clever musical numbers range from big Broadway-style showstoppers to swing tunes like ‘Down at the Ol’ Five and Dime’ and the Vegas-style ‘Listen to Jesus, Jimmy,’ featuring J.C. Himself leading a chorus of showgirl angels. This dynamic show will go straight to your head! REEFER MADNESS is a highly stylized and satirical political commentary. It contains adult humor, religious parody, and drug use, as well as suggested violence and sexual explicitness. It therefore may be inappropriate for younger performers and audiences.

  • Fri-Sat, Sept. 19-20 at 8pm
  • Sun, Sept. 21 at 7pm
  • Wed-Sat, Sept. 24-27 at 8pm
  • Sun, Sept. 28 at 3pm

Official page |

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SBP 2013-2014 Orchid Awards

SBPCARRIE

  • Excellence in Direction – Michael Shawn Starks
  • Excellence in Light Design – Missi Malone
  • Excellence in Light Execution – Missi Malone
  • Excellence in Musical Theatre Performance – Melissa Campbell as Carrie White
  • Excellence in Musical Theatre Performance – Lesley Hitch as Margaret White
  • Excellence in Musical Theatre Performance – Brooke Steele as Chris Hargensen
  • Excellence in Musical Theatre Performance – Deb Schubert as Miss Gardner
  • Excellence in Producing – Missi Malone, Bill Geraghty & Bunny Arszman
  • Excellence in Program Art – Sean Mize & Jesse Fox
  • Excellence in Set Design – Helen Raymond-Goers
  • Excellence in Special Effects – Greg Bredestege, Sir Pat-Trick, Jeffrey Surber
  • Excellence in Vocal Direction – Missy Whitis

SPAMALOT

  • Excellence in Costumes – Linda Ross & Bunny Arszman
  • Excellence in Lighting Design – Missi Malone
  • Excellence in Musical Direction – Sherry McCamley
  • Excellence in Producing – Bunny Arszman
  • Excellence in Musical Theatre Performance – Rick Kramer as King Arthur
  • Excellence in Musical Theatre Performance – Jeff Richardson at Patsy & Mayor of Finland
  • Excellence in Musical Theatre Performance – Nate Moster as Sir Lancelot & Many Characters
  • Excellence in Orchestra – Sherry McCamley
  • Excellence in Overall Performance Quality – Spamalot Cast & Crew
  • Excellence in Set Design – Melissa Bennett-Murphy
  • Excellence in Stage Management – Cathy Bennett
  • Excellence in Vocal Direction – Sherry McCamley

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