Tag Archives: Know Theatre of Cincinnati

THE HANDMAID’S TALE Runs Jan. 23-Feb. 21

Corinne Mohlenhoff stars in Know Theatre of Cincinnati's THE HANDMAID'S TALE. Photo by Daniel Winters.

Corinne Mohlenhoff . Photo by Daniel Winters.

THE HANDMAID’S TALE
Presented by Know Theatre of Cincinnati
Jan. 23-Feb. 21
Over-the-Rhine

Adapted for the stage by Joe Stollenwerk

Directed by Brian Isaac Phillips

Starring Corrine Mohlenhoff

In the near future, what’s left of the United States has become a theocracy known as the Republic of Gilead. As with many women in Gilead, Offred has had her name and family taken from her, forced to become a Handmaid, a vessel for population growth, valued only for her viable ovaries. In the midst of the oppressive new regime, and armed with memories of life before the revolution, Offred struggles to maintain her individuality, personhood, and hope for a better possible future.

  • Fri-Sat, Jan. 23-24 at 8pm
  • Sun, Jan. 25 at 3pm
  • Thu-Sat, Jan. 29-31 at 8pm
  • Sun, Feb. 1 at 3pm
  • Thu-Sat, Feb. 5-7 at 8pm
  • Sun, Feb. 8 at 3pm
  • Thu-Sat, Feb. 12-14 at 8pm
  • Sun, Feb. 15 at 3pm
  • Thu-Sat, Feb. 19-21 at 8pm

Official page |

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SOMETHING SOMETHING NEW VAGINA Runs Jan. 9-10

KTC_Something Something New VaginaSOMETHING SOMETHING NEW VAGINA
Presented by Cincinnati Fringe Festival
Jan. 9-10
Over-the-Rhine 

A 2014 Cincy Fringe Encore. SOMETHING SOMETHING NEW VAGINA is a solo performance about loving one’s self and one’s body. It’s also about a vagina: Rebecca Kling’s fancy new vagina. Kling was previously seen at CincyFringe in 2012 with Storms Beneath Her Skin; now she’s back (she was never one to call it clits) and is ready to tackle issues of identity without ovary-acting. Climaxing with a Strip Q&A, you’d be doing yourself a dis-cervix if you miss it.

Rebecca Kling is a transgender artist and educator who explores gender and identity through solo pieces and educational workshops. Her multidisciplinary performances incorporate conversational storytelling, personal narrative, humor, movement, and more. Kling takes the position that sharing accessible queer narrative with a wide audience is a form of activism, and that understanding combats bigotry. She regularly tours to colleges, universities, and theatre festivals across the country, and has received praise from media outlets coast to coast.

  • Fri-Sat, Jan. 9-10 at 8pm

Official page | My Cincy Fringe ’14 review |

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Cincy Fringe Encore of SOMETHING SOMETHING NEW VAGINA from Rebecca King

KNOW THEATRE and the CINCINNATI FRINGE FESTIVAL present
A Cincy Fringe Encore of SOMETHING SOMETHING NEW VAGINA from Rebecca Kling!

A solo performance about laughter, surgery, activism, and a brand new vagina.

CFF_Something Something New VaginaThe Cincinnati Fringe Festival and Know Theatre of Cincinnati are proud to announce the return of Rebecca Kling’s hit 2014 Fringe show, Something Something New Vagina. This Cincy Fringe Encore will take place January 9 & 10 at 8PM in The Underground at Know Theatre.

Something Something New Vagina is a solo performance about loving one’s self and one’s body. It’s also about a vagina: Rebecca Kling’s fancy new vagina. Prior to her performance of this show at the 2014 Cincy Fringe, Kling was seen in Cincinnati at the 2012 Fringe with Storms Beneath Her Skin. She’s delighted to be back (she was never one to call it clits) and is ready to tackle issues of identity without ovary-acting. Climaxing with a Strip Q&A, you’d be doing yourself a dis-cervix if you miss it.

Something Something New Vagina was a 2014 Cincinnati CityBeat Critic’s Pick.

About the Artist: Rebecca Kling is a transgender artist and educator who explores gender and identity through solo pieces and educational workshops. Her multidisciplinary performances incorporate conversational storytelling, personal narrative, humor, movement, and more. Kling takes the position that sharing accessible queer narrative with a wide audience is a form of activism, and that understanding combats bigotry. She regularly tours to colleges, universities, and theatre festivals across the country, and has received praise from media outlets coast to coast. In 2013, Kling was named as part of the inaugural Trans 100, a list celebrating excellence in the transgender community. In 2014, she was named as the as one of 25 Writers to Watch by the Guild Literary Complex.

Tickets for this Cincy Fringe Encore are just $15! Call our box office at 513-300-5669 or visit https://know.tixato.com/buy for tickets.

Since 1997, Know Theatre has been dedicated to creating explosive and evocative live entertainment. We value a playful artistic community where artists can collaborate and grow.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

 Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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Casting Call for Know’s Touring CALCULUS: THE MUSICAL

KTC_logoCALCULUS: THE MUSICAL
Each year Know Theatre chooses an intrepid duo of performers to tour the country spreading love and advanced mathematics to students from coast to coast in our national tour of Matheatre’s CALCULUS: THE MUSICAL, and for the first time ever we’re holding an open call to local Cincinnati artists!

Do you play guitar and/or piano and have Calculus in your heart? If so, this may be the perfect gig for you. Calculus: The Musical! is a comic “review” of the concepts and history of calculus, blending sketch comedy and classroom lecture with musical parodies that span genres from light opera to hip-hop. The show has become an integral part of Calculus curricula in high schools across the country and with a revamped score and libretto, we’re excited to send out the freshest version of the show in years. In the past, several casts have toured this show for multiple contracts because of the fun working environment, and unique opportunities this tour affords.

Roles Available
Isaac Newton: (Lead) Males and Females, 18-35. All Ethnicities.
Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.

Other Roles: (Supporting) Males and Females, 18-35, All Ethnicities.
Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.

Pay
The tour pays $300/wk. plus per diem and housing provided. Contract runs for 20-24 weeks (January-April/May) with exact dates to be determined as we finalize bookings.

Auditions
Please prepare a one-minute, family-friendly comedic monologue and up to 32 bars of a self-accompanied song on piano or guitar. (If both instruments can be played, please be prepared to demonstrate this.) A piano and guitar will be available for use. Please be prepared to move and do math.

All auditions are by appointment only. To schedule an audition, please e-mail a headshot and resume to Kristen Ruthemeyer with the subject line “Calculus Audition Request” to kristenr@knowtheatre.com.

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BUREAU OF MISSING PERSONS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

BUREAU OF MISSING PERSONS presented by Know Theatre of Cincinnati through Dec. 20. Click here for more information on the production. I attended the opening night performance.

How far would you go to save the one you lost?

I very much enjoyed Tamara Winters directorial debut with SATURDAY THE 14TH as part of this summer’s SERIALS! Taking on her first Mainstage production, Winters doesn’t disappoint with solid work on the BUREAU OF MISSING PERSONS.

Richard (Rico Reid)  just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Richard (Rico Reid) just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Kate Glasheen returns to the Know stage as Angela, a former teacher struggling to recover from a nervous breakdown, unable to forgive herself for a loss that she feels responsible for. Glasheen expertly depicts Angela’s emotional struggle and her desperate attempt to redeem herself.

Playing Angela’s fiance is Rico Reid as Richard. He convincing portrays Richard’s struggle to stay supportive of Angela after 18 months of putting their life together on hold. His classroom lecture early in the show emphases the theme of the play and is well-performed. I would like to have seen him shift his gaze a bit more to the “class” during dialogue breaks instead of taking his eyes to the floor.

Simon (Sam Ray) in his element: his classroom

Simon (Sam Ray) in his element: his classroom

Simon, a kindergarten teacher suffering a loss of his own, is played by Sam Ray. Ray brings an earnest vulnerability to the role. Simon’s coping mechanism of being stuck in simple “teacher-speak” as he loses himself in his work is fun and a little sad. This habit brings many laughs when Richard serves as his foil.

The performance that didn’t quite mesh for me was Adrianne Underhill as Vivian. Vocally I found her to be flat, and she didn’t offer any kind of emotional connection to Angela. It didn’t have to be displayed to Angela, but the audience should have been given some hint of it. Vivian’s role as instigator of the events in the play indicate she was emotionally invested in Angela’s recovery but I didn’t feel it. I also found Vivian’s costume to be confusing. The baby doll silhouette wasn’t appropriate for the character’s age. If you were going for a cougar look the styling and accessories were off.

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Burgess Byrd is solid as usual in the role of Patrice. I think there is more humor to be found for the character in the script and a little quirkiness could add an uniqueness to the character.

As scenic designer, Andrew Hungerford again creates a unique look for the show and the choice of material for the back wall doors and the stage floor is very smart. The numerous and varied objects that filled the upstage shelves were well-chosen and well-displayed, courtesy of Sarah Beth Hall. It was fun to explore them as I waited for the show to begin. Solid tech across the board.

Interesting, humorous and thoughtful, BUREAU OF MISSING PERSONS is a satisfying tale.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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