Tag Archives: Know Theatre of Cincinnati

Casting Call for Know’s Touring CALCULUS: THE MUSICAL

KTC_logoCALCULUS: THE MUSICAL
Each year Know Theatre chooses an intrepid duo of performers to tour the country spreading love and advanced mathematics to students from coast to coast in our national tour of Matheatre’s CALCULUS: THE MUSICAL, and for the first time ever we’re holding an open call to local Cincinnati artists!

Do you play guitar and/or piano and have Calculus in your heart? If so, this may be the perfect gig for you. Calculus: The Musical! is a comic “review” of the concepts and history of calculus, blending sketch comedy and classroom lecture with musical parodies that span genres from light opera to hip-hop. The show has become an integral part of Calculus curricula in high schools across the country and with a revamped score and libretto, we’re excited to send out the freshest version of the show in years. In the past, several casts have toured this show for multiple contracts because of the fun working environment, and unique opportunities this tour affords.

Roles Available
Isaac Newton: (Lead) Males and Females, 18-35. All Ethnicities.
Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.

Other Roles: (Supporting) Males and Females, 18-35, All Ethnicities.
Actors must play piano and/or guitar at an intermediate level, as they accompany themselves. An interest in teaching or mathematics is preferred but not required.

Pay
The tour pays $300/wk. plus per diem and housing provided. Contract runs for 20-24 weeks (January-April/May) with exact dates to be determined as we finalize bookings.

Auditions
Please prepare a one-minute, family-friendly comedic monologue and up to 32 bars of a self-accompanied song on piano or guitar. (If both instruments can be played, please be prepared to demonstrate this.) A piano and guitar will be available for use. Please be prepared to move and do math.

All auditions are by appointment only. To schedule an audition, please e-mail a headshot and resume to Kristen Ruthemeyer with the subject line “Calculus Audition Request” to kristenr@knowtheatre.com.

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BUREAU OF MISSING PERSONS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

BUREAU OF MISSING PERSONS presented by Know Theatre of Cincinnati through Dec. 20. Click here for more information on the production. I attended the opening night performance.

How far would you go to save the one you lost?

I very much enjoyed Tamara Winters directorial debut with SATURDAY THE 14TH as part of this summer’s SERIALS! Taking on her first Mainstage production, Winters doesn’t disappoint with solid work on the BUREAU OF MISSING PERSONS.

Richard (Rico Reid)  just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Richard (Rico Reid) just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Kate Glasheen returns to the Know stage as Angela, a former teacher struggling to recover from a nervous breakdown, unable to forgive herself for a loss that she feels responsible for. Glasheen expertly depicts Angela’s emotional struggle and her desperate attempt to redeem herself.

Playing Angela’s fiance is Rico Reid as Richard. He convincing portrays Richard’s struggle to stay supportive of Angela after 18 months of putting their life together on hold. His classroom lecture early in the show emphases the theme of the play and is well-performed. I would like to have seen him shift his gaze a bit more to the “class” during dialogue breaks instead of taking his eyes to the floor.

Simon (Sam Ray) in his element: his classroom

Simon (Sam Ray) in his element: his classroom

Simon, a kindergarten teacher suffering a loss of his own, is played by Sam Ray. Ray brings an earnest vulnerability to the role. Simon’s coping mechanism of being stuck in simple “teacher-speak” as he loses himself in his work is fun and a little sad. This habit brings many laughs when Richard serves as his foil.

The performance that didn’t quite mesh for me was Adrianne Underhill as Vivian. Vocally I found her to be flat, and she didn’t offer any kind of emotional connection to Angela. It didn’t have to be displayed to Angela, but the audience should have been given some hint of it. Vivian’s role as instigator of the events in the play indicate she was emotionally invested in Angela’s recovery but I didn’t feel it. I also found Vivian’s costume to be confusing. The baby doll silhouette wasn’t appropriate for the character’s age. If you were going for a cougar look the styling and accessories were off.

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Burgess Byrd is solid as usual in the role of Patrice. I think there is more humor to be found for the character in the script and a little quirkiness could add an uniqueness to the character.

As scenic designer, Andrew Hungerford again creates a unique look for the show and the choice of material for the back wall doors and the stage floor is very smart. The numerous and varied objects that filled the upstage shelves were well-chosen and well-displayed, courtesy of Sarah Beth Hall. It was fun to explore them as I waited for the show to begin. Solid tech across the board.

Interesting, humorous and thoughtful, BUREAU OF MISSING PERSONS is a satisfying tale.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Know Theatre’s BUREAU OF MISSING PERSONS Earns 4 Star LCT Rating

Kate Glasheen as Angela, Burgess Byrd as Patrice &  Sam Ray as Simon. Photo by Daniel R. Winters.

Kate Glasheen as Angela, Burgess Byrd as Patrice & Sam Ray as Simon. Photo by Daniel R. Winters.

Panelists found the play “an unusual, fanciful story…captivating and filled with charm, quirks and surprises…a must-see production.”

In BUREAU OF MISSING PERSONS, a blue scarf, a piece of chalk, and a pocketful of leaves are clues that lead Angela on a quest from her New York apartment to a cave in Moscow in search of someone missing. Inspired by the magical realism of Jorge Luis Borges, BUREAU OF MISSING PERSONS explores what it takes to come back to life when you’ve been smothered by grief.

BUREAU OF MISSING PERSONS continues December 20th. Tickets can be purchased at http://www.knowtheatre.com/

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT party in the summer.The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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Know Theatre’s Adaptation Season Continues With THE HANDMAID’S TALE

KNOW THEATRE’S ADAPTATION SEASON CONTINUES WITH
THE HANDMAID’S TALE

By Margaret Atwood
Adapted for the stage by Joe Stollenwerk

Directed by Brian Isaac Phillips
Nolite te bastardes carborundorum

Corinne Mohlenhoff in 2011 THE HANDMAID'S TALE. Photo by Rich Sofranko.

Corinne Mohlenhoff in 2011 production fof THE HANDMAID’S TALE. Photo by Rich Sofranko.

In the near future, what’s left of the United States has become a theocracy known as the Republic of Gilead. As with many women in Gilead, Offred has had her name and family taken from her and been forced to become a Handmaid, a vessel for population growth, valued only for her viable ovaries. Amidst the oppressive new regime, and armed with memories of life before the revolution, Offred struggles to maintain her individuality, personhood, and hope for a better possible future.

Know Theatre presents THE HANDMAID’S TALE, Margaret Atwood’s dystopian masterpiece of speculative fiction, adapted for the stage by Cincinnati native, Joe Stollenwerk, January 23-February 21, 2015.

TTHE HANDMAID’S TALE is directed by CSC’s Brian Isaac Phillips and stars Corinne Mohlenhoff as Offred. Creating the world for the show is Know Theatre’s resident design team: scenic and lighting designer Andrew Hungerford, Costume Designer Noelle Wedig, and Sound Designer Doug Borntrager.

“I first read THE HANDMAID’S TALE in a course on feminism and utopia/dystopia in literature in 2002. This was in the wake of 9/11 and it seemed that our country might all too easily be teetering on the brink of something reminiscent of Gilead from this novel. I immediately began thinking about turning it into a play,” says adapter Joe Stollenwerk. The first draft of the script, completed in 2006, was well over six hours long. “I cut, and cut, and cut, always trying to be mindful that I wanted to preserve the plot and characters but also the social/political commentary as well as the marvelous language Atwood employs.”

The resulting script was originally workshopped at Cincinnati Shakespeare Company with a reading in 2009, and produced at CSC as a dark night production in 2011.

Know Artistic Director Andrew Hungerford says, “When I designed the lighting for THE HANDMAID’S TALE at CSC in 2011, I was incredibly moved by what we were able to create using limited equipment and the set from another show. I’m thrilled to have the opportunity to have Brian and Corinne join our team at the Know to bring this story to a wider audience in a fully realized, dedicated production. It’s also a great fit for Know’s commitment to second productions of plays and our development of local works.”

Cast: Offred – Corinne Mohlenhoff*

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, appearing under a Special Appearance Contract.

Production Team

  • Director – Brian Isaac Phillips
  • Scenic & Lighting Design – Andrew Hungerford
  • Costume Design – Noelle Wedig
  • Sound Design – Doug Borntrager
  • Design and Production Associate – Sarah Beth Hall
  • Technical Director – Nick Koehlke

Calendar Listing

Production:   THE HANDMAID’S TALE by Margaret Atwood, adapted for the stage by Joe Stollenwerk

When:             8:00pm January 23, 24, 28, 29, 30, 31; February 4, 5, 6, 7, 11, 12, 13, 14, 18, 19, 20, 21

3:00pm January 25; February 1, 8, 15

Where:            Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202. In historic Over-the-Rhine.

Tickets:          $20 in advance

$10 Rush tickets at the door 10 minutes prior to curtain (when available)

FREE performances on Wednesdays, as part of Know’s Welcome Experiment initiative. Subject to availability. Please note that pre-reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.

Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669 (KNOW).

One-year sustaining memberships are available for $20/month or $240.

Since 1997, Know Theatre has been dedicated to creating explosive and evocative live entertainment. We value a playful artistic community where artists can collaborate and grow. 

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving. 

Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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THE NAUGHTY LIST Runs Dec. 14-30

KTC_The Naughty ListTHE NAUGHTY LIST
Presented by Know Theatre of Cincinnati
Dec. 14-30
Over-the-Rhine

You’re on the list.
This December, join Know Theatre of Cincinnati at Arnold’s Bar and Grill for our annual holiday show that’s mostly naughty and slightly nice.

Using suggestions from the audience, OTRimprov will help you relive your favorite holiday memories as they recreate classic holiday stories and show you what your life could have been if you had received that ONE gift that got away.

It’s a different show every night so bring your holiday cheer or your humbug: You decide.

December 14-30, 2014.
Sun-Tue at 8pm.

Please arrive between 6-6:30pm to be seated and place your dinner orders The performance is at 8pm and is around 90 minutes long.

If you have multiple ticket orders and would like to ensure seating together, please call to let us know at 513.300.5669.

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