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The 17th Annual Cincinnati Fringe Festival Comes to Over-the-Rhine and to Your Screen

CFF_Orange logo text onlyPresenting the 2020 Fringe Festival Primary Lineup 

Every June, weirdness descends on Over-the-Rhine as the small-but-dauntless team at Know Theatre manages its yearly labor of love, the Cincinnati Fringe Festival: our region’s largest, longest, most peculiar performing arts festival. This year, as it became inadvisable to bring the usual throngs of artists and audiences to Fringe HQ, we knew we couldn’t let the spirit of Fringe lie dormant for all of 2020.

In the joyful and inventive spirit of Fringe, we are delighted to bring you the details and the lineup for the 17th annual Cincinnati Fringe Festival in its freshly-adapted-for-2020, all-digital version. Fringe may be coming at you through a screen this year, but it remains, as ever, Kinda Weird – Like You.

Cincy Fringe will run, as originally scheduled, from May 29 to June 13, 2020. All content will be streamed online. With the exception of some livestreamed special events, performances will be available to watch on-demand. However, for those who, like us, are craving the Fringe spirit – that warm little community that springs up around the festival every year – we’ll be hosting scheduled group-watch parties for the shows in the lineup to bring that spirit straight into people’s homes.

We’re shaking up the format, but our values remain firmly rooted: as such, we are maintaining our practice of sharing all profits in a 50/50 split with the artists who bring their work to our festival. Tickets for single shows are available beginning at $11; there is also a “Love Your Artists” ticket option for $16, for patrons who have the means and the desire to contribute a little extra to the festival and its artists.

The coveted Fringe All-Access Pass will be available again for 2020; it can be purchased for $200 and provides access to all Fringe programming, including the Primary Lineup performances as well as the Special Events.

Ardent Fringe-hounds may notice that some of the titles in this year’s primary lineup sound a little familiar. This year, amongst the usual crop of brand-new works, we’re offering Fringe Flashbacks, a curated selection of favorite productions from seasons past. Frequent-Fringers can revisit these cherished favorites – or, perhaps, finally catch that one show they regret missing.

Other beloved fixtures of Cincy Fringe will also continue in digital format! Digital Special Events abound: CUSS with Travis McElroy, a return of Peter Michael Marino’s wildly popular Desperately Seeking the Exit, True Theatre’s 10th Annual True Fringe, and a performance from OTRimprov. Audiences will be able to take in virtual art galleries for Visual Fringe as well as livestreamed Bar Series events, featuring our regular updates from Channel Fringe Hard-Hitting Action News.

For more information on individual shows, or to purchase passes or tickets, visit our website at cincyfringe.com.

The Primary Lineup

CFF20_The Bassoonist logoThe Bassoonist, by Autumn Kaleidoscope out of Cincinnati, Ohio. A Man, A Bassoon, and a Dream. Johann Geyersbach has one dream, to become the most famed bassoonist in all of Europe. However, his teacher doesn’t believe in him. His teacher: Johann Sebastian Bach. Based on one of the most famous fights of Baroque music, The Bassoonist is written and performed by Sean P. Mette. | Facebook event

CFF20_COLONY-IMAGE 3Colony, by PSOPHONIA Dance Company out of Houston, Texas. An exploration of our symbiotic relationship with honeybees. A year in the making, COLONY began with an interest in creating a project that would involve the music of Stacy Garrop, who was to be in residence at the University of Houston in Spring 2019. Stacy’s work Postcards from Wyoming captured Torres’s imagination, conjuring up images of bees actively moving and shifting within a hive. Building on this concept, the ensembles designed this multidisciplinary program that draws audiences into the imperiled world of honeybees. | Press release

CFF20_DreamDream&, from The Queer Feminists Next Door out of Cincinnati, Ohio. Queer, quirky, alternate-reality musical journey through social isolation and community. When Iz gets assigned to Emma’s case in the mission to save the multiverse, she takes them on an unforgettable interdimensional journey through wonder, heartache, temptation, and self-discovery. |Facebook event

Dreary, Dearie, from Caitlyn Waltermire out of Lexington, Kentucky. A one-woman show – interrupted.

CFF20_Forbidden City logoForbidden City!, from Martin Dockery out of Brooklyn, New York. A dazzling, alternative comedy/storytelling mash-up. Totally unique. Recorded at the end of 2019 in front of an actual living, breathing, laughing, sighing, gasping, physically present audience, “Forbidden City!” is an utterly original storytelling experience. What starts as a funny & true story about a tour of China’s Forbidden City goes completely off the rails, becoming a vexing, enraged, vital, absurd, heartfelt, & uplifting story about life itself. | Facebook event

CFF20_Hive MindHive Mind, from Performance Gallery and Solasta Theatre Lab out of Cincinnati, Ohio. Bees and puppets save the world. As usual. | Facebook event

CFF20_Paul and Erika's House showPaul and Erika’s HOUSE SHOW, by Theatre Immobile out of Cincinnati, Ohio. A house show too fun to stay in one house! A brand new 35-minute virtual house show for adults full of strange stories, original music, digital puppetry and more. A highly entertaining love letter to live audiences everywhere. This entire show was conceived, developed, and produced between April 15th and May 15th, 2020, in Paul and Erika’s Covington, Kentucky, apartment. | Press release | Facebook event |

CFF20_Killjoy OH logoKILLJOY, OH by Queen City Flash out of Cincinnati, Ohio. The new play from Pick of the Fringe winners Queen City Flash. From the creative force behind 2019’s SOLD-OUT show Zoinks! comes a sleek what-dunnit about small towns, Bermuda triangles and the lengths people will go to recover lost things. PICK-OF-THE-FRINGE winners Bridget Leak, Jordan Trovillion and Trey Tatum return with a new story of the bizarre in an entirely new format. | Press Release

CFF20_Love and Other LuresLove and Other Lures, from Dr. Dour and Peach out of Cheverly, Maryland. The horror-comedy clown duo sings songs about love and monsters. In the songs of LOVE and OTHER LURES, Dr. Dour (vocals, 10-string touch-guitar) and Peach (cello, banjo, cute) employ a range of musical styles from southern rock to Tin Pan Alley. The audience is transported on an oddball odyssey of ill-fated love stories. “Love is dangerous and unpredictable, like creatures with too many legs,” says Dr. Dour. “Love is a beautiful journey! Even if you fall down an interdimensional time tunnel at the end of it,” says Peach. | Press release | Facebook event |

CFF20-m-o-u-s-e logom-o-u-s-e, from Ink Blot Inc out of Cincinnati, Ohio. A future archaeologist discovers the autobiography of Walt’s pet mouse. Trapped in a long-abandoned vault, an archaeologist in the distant future uncovers the autobiography of the real-life mouse that inspired culture’s most omnipresent corporate mascot. With life support systems dwindling, the archaeologist is tasked with relaying the mouse’s remarkable ninety-five year life story to his virtual AI assistant. | Facebook event

CFF20_The Opinons of Men logoThe Opinions of Men: A Stupid History of the Protestant Reformation, from That Crying Mask and That Laughing Mask Productions out of Cincinnati, Ohio. The 26% true story of revolution in 16th-century Europe. The world-changing Protestant Reformation unfolds in front of your eyes, as totally legitimate historians and cutting-edge animation bring the conflicts of 16th-century Europe to life in painstaking detail. This is what happens when two religions, picked to share a continent, stop being polite and start getting real. | Facebook event

CFF20_ProximityProximity, from Pones out of Cincinnati, Ohio. How do we negotiate the space that exists between us? How do we negotiate the space that exists between us? A first-person experience of what is lost and what can be found in our city. Based upon crowd-sourced suggestions, Pones will create a dance video that utilizes site-specificity to uncover the duet of beauty and grief we are collectively experiencing. | Facebook event 

CFF20_Quit While Youre Ahead logoQuit While You’re Ahead, by A to Z Productions out of Cincinnati, Ohio. I have a chart for that… You all remember the thrill of high school graduation! The bonfires, the parties, the suicide charts…what, your high school didn’t make those? Janie and Jason did. Hang out with them and their bewildered friend Chad in their hilarious and heartfelt attempt to find something to live for now that the graduation gowns are off. | Facebook event 

Rewind-a-Buddy, by Paper Soul out of Minneapolis, Minnesota. Buddy wants to be YOUR FRIEND, on home video!

FRINGE FLASHBACKS

Butcher Holler Here We Come by Ad Hoc Economy out of Brooklyn, NY. 1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unravelling sense of passing time, and, even more threatening, their own competing natures. Brutally weaving through family histories, complicated friendships, crooked politics, childhood visions, audacious hopes, eerie dreams, criminal addictions, and fervent spirituality in this run-ofthe-mill Appalachian community, 

Knifeslingin’, by Paper Soul out of Minneapolis, Minnesota. Critter returns in a recording of last year’s Fringe favorite!

Lady Macbeth and Her Pal, Megan, by Heliotrope out of Iowa City, Iowa. Cornfed comedian is no Lady Macbeth. Or is she?

OCCUPY This! Tales of an Accidental Activist, by Tommy “Rev. Nuge” Nugent out of Detroit, Michigan. A funny thing happened on the way to the Revolution.

Petunia and Chicken, by Animal Engine out of New York, New York. Award-winning prairie love story, now with live folk music.

CFF20_Stow Your Baggage logoStow Your Baggage, by A to Z Productions out of Cincinnati, Ohio. Put your seatbacks in the all-right-let’s-talk position! A Flight Attendant School Dropout Comedy by Alexx Rouse (Busted Bumpers, Bad Poetry Night.) Dramaturgy by Paul Strickland. Directed by Erika Kate MacDonald. | Facebook event

CFF20_The Unrepentant NecrophileThe Unrepentant Necrophile, by the Coldharts out of Brooklyn, New York. A punk musical about a mortician and her body. A mortician falls in love with a man as she prepares his corpse for burial. She has three days until the funeral… but three days just isn’t enough. | Facebook event

Click here for a complete list of
Special Events, Live Conversations, Family-Friendly Programming,
Bar Series Events, and More

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.       

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.           

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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The Cincinnati Fringe Festival Undergoes A Temporary Makeover For 2020

CFF_Orange logo text onlyThe Cincinnati Fringe Festival introduces its all-online format for 2020

Forget Christmas. Usually, this is the most wonderful time of the year at the Know Theatre of Cincinnati: when the whole staff pulls together to work round-the-clock to bring Cincinnati its favorite arts and community event, the Cincinnati Fringe Festival. The annual two-week-long celebration of theatre, music, dance, and art is chock-a-block with artistic works you won’t find anywhere else and a deep sense of community, and it’s one of the highlights of the Know’s year.

May and June (or, as we call it, “the Fringemas season”) is shaping up to be a sub-optimal time to bring huge groups of people all together, but the spirit of Fringe is too beloved and too special to keep on the shelf for all of 2020. So the Know Team got together and did what we do best: we got creative, resourceful, and just a little off-the-wall.

When the smoke cleared and the fire alarms were reset, we were left with this: an all-digital, totally online, 100% at-a-safe-distance, for-2020-only Cincinnati Fringe Festival. Audiences will be able to enjoy the kinds of joyful, out-of-the-box, deeply personal, and sometimes just plain weird content they’ve come to expect from Cincy Fringe, all from the comfort and safety of their own homes. This year’s Fringe will be crammed to the brim with streaming performances, online art galleries, and digital meet-ups, and audiences will be able to access all content from their own home computer, tablet, or smartphone.

Is this a weird way to run a Fringe festival? You bet. But that’s Cincy Fringe: Kinda Weird. Like You. And let’s be real – this is a weird time, with weird needs. Fortunately, the Know Team is full of the scrappiest, most inventive, weirdest people you’ll ever meet, so let’s get weird.

The scheduled opening night for the Cincinnati Fringe Festival is May 29, which is still two whole months away. The Know Team is monitoring all recommendations about distancing and health, and working collaboratively with the Fringe artistic community to devise content that is high-quality and as safe for artists to create as it will be for audiences to enjoy.

Because one of the best parts of Fringe is the sense of community that arises between audiences, staff, and artists, the Know Team is creating ways for people to connect at a distance. Audiences will still be able to vote for Pick of the Fringe awards, via online polls instead of paper ballots, and Fringe-hosted digital hangouts and streaming segments will replace the nightly Bar Series events.

Cincy Fringe had scheduled its lineup announcement party for April 27. While a physical gathering is no longer possible, stay tuned for a lineup announcement, information on ticketing packages and pricing, and further details on 2020’s all-online Fringe Festival to come in the final week of April.

Keep up with all of our news at our website, cincyfringe.com.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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LASSO OF TRUTH Postponed at The Know Theatre

ktc_logoThe deep dive into the history of Wonder Woman will be rescheduled to an upcoming season.

It is with great disappointment that the Know Theatre of Cincinnati announces the indefinite postponement of their production of Carson Kreitzer’s LASSO OF TRUTH.

The production, which was slated to open April 17, was to be directed by the Know’s Associate Artistic Director, Tamara Winters, and told two interweaving stories about the pop-culture phenomenon that is Wonder Woman: one recounted the lives of her original inventor and the two women he loved, both of whom served as inspiration for the character, and the other followed a modern-day fan struggling to reconcile her progressive sensibilities against her lifelong love for Wonder Woman, even as she discovers how the character was shaped by a culture of shame and secrecy.

“This is a play that’s been on our radar for a few years, and we were all extremely excited to produce it,” said Producing Artistic Director Andrew J. Hungerford. “Our goal is to make space for it as we schedule our upcoming seasons.”

The Know previously had to bring an early close to its Rolling World Premiere of ALABASTER, by Audrey Cefaly, which it transferred to a limited-run, highly successful video-on-demand. As a part of the Know’s Know-to-Go brand, the Know is in the process of rolling out ways to experience its signature theatrical storytelling at a distance, through streaming filmed productions, audio plays, and performance-based livestreams of tabletop role-playing games.

Audiences can always keep up with the Know’s programming by visiting knowtheatre.com or visiting the theatre on Facebook, Twitter, or Instagram.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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The Know Theatre Presents Know-To-Go

KTC_Lets Play logoBold theatrical programming at an epidemiologically prudent distance

What do you do when your mission is to bring people together to experience new theatrical works – and you’re not allowed to be “together” anymore?

You do what Know Theatre of Cincinnati has been doing for 22 seasons – you adapt, you innovate, and you figure out how you can connect your community, no matter what the challenge.

The Know Theatre Team recognizes we are all in uncharted waters as we figure out how to keep the essence of the live theatre experience truly alive during a pandemic event.

We affirm that this is the time to stick to the principles we hold most dear, and for us, that is that our purpose is to create works of art that are both cutting-edge and accessible. The current public health crisis has given us an opportunity to combine those qualities, and we seek to be on the furthest edge of making art accessible to people in quarantine and isolation as well as those practicing social distancing.

Inspired by our origins as a nomadic band of artists that brought experimental live theatre directly into communities, we’re turning to the digital space to bring the intimate experience of Know shows directly to your homes.

Building on the model of our Know-to-Go educational programming, which creates theatre for young audiences and visits schools, libraries, and community centers across the Tri-State Area, we’re now utilizing technology to bring works to audiences from a safe and healthy distance.

Today, we roll out our brand-new extension of Know-to-Go, a collection of inspired theatrical programming for trying times, designed to showcase new and unexpected voices and full of the Know’s signature theatricality – all via the power of streaming video.

Part 1: The Stream Team
The Know has been experimenting with livestreaming episodes of our Monday night competitive theatre party Serials! on Facebook Live for the last six seasons. Now, with Know-to-Go: The Stream Team, we’re stepping up that game in a big way.

From the MainStage: ALABASTER

We were deeply saddened to have to cut short our National New Play Network Rolling World Premiere of the Pulitzer-nominated darkly comic Southern drama, Alabaster, by Audrey Cefaly, due to concerns over the public health crisis.

But thanks to the round-the-clock efforts of Producing Artistic Director Andrew J. Hungerford to secure appropriate rights and permissions, we are able to bring the production back digitally for one more week! Alabaster will be available to stream to audiences for a limited time, thanks to a partnership with Actors’ Equity Association.

People who already held tickets for cancelled performances of ALABASTER will receive access to the video once it’s available. As per our agreement with Actors’ Equity, the remaining tickets to each cancelled performance will be made available as access to the digital recording for $15 each.

Because paying a living wage is a priority at the Know, viewers will also be able to choose the living wage ticket price of $25, to help us keep artists paid.  And since the flip side of the monetary coin is economic accessibility for audiences, we’ll be making 50 streaming passes available for $5 as part of our Welcome Experiment.

The streaming video will be available at the end of this week, and will be viewable through April 4.

From the Archives
We’ll be offering several shows from Know Theatre’s archive for rental through video on demand at $10 each!

We’ll be rolling out titles beginning this week, starting with 2015’s ANDY’S HOUSE OF [BLANK] by Paul Strickland & Trey Tatum, and 2016’s DARKEST NIGHT AT GNARLY STUMP by Lauren Hynek & Elizabeth Martin with songs by Paul Strickland. It feels fitting to begin our streaming library with these two titles that came to life thanks to the Know’s ethos of experimentation.

The quirky and endearing time-traveling musical ANDY’S HOUSE OF [BLANK] began life in our episodic-competitive theatre event SERIALS! THUNDERDOME. A collaboration between artists Paul Strickland, Erika Kate MacDonald, Trey Tatum, and Bridget Leak, ANDY’S HOUSE OF [BLANK] was such an amazing, audacious creation from its very genesis that the Know worked with its creators to develop into a MainStage production that had its premiere in 2015.

DARKEST NIGHT AT GNARLY STUMP was an original Appalachian ghost-story folk musical, commissioned by the Know and premiered in 2016. Its book was written by Elizabeth Martin and Lauren Hynek (who also co-wrote the live-action film Mulan (2020)) with original songs by Paul Strickland.

More shows from the Know’s archive will be coming to our streaming platform pending the finalizing of rights agreements. Stay tuned for more announcements as they roll out!

Part 2: Audio Theatre
We’re working with local playwrights to create brand-new audio works available for audiences everywhere. They’ll be available for purchase through our website. As so many local artists found themselves abruptly out of planned work when performing arts events through the city shut down in mid-March, this provides work for these out-of-work performers while creating exciting, brand-new content for the audiences who are missing their usual arts experiences. Further details on the upcoming audio dramas will be released soon.

We’ll be kicking the series off with a release of an Audio Version of Producing Artistic Director Andrew J.  Hungerford’s play, OF PEOPLE NOT THINGSs, seen at the Cincinnati and Edinburgh Fringes in 2010. (“A new and thrilling piece of Fringe theatre” – **** British Theatre Guide. “This piece of theater will stick with you because it’s so human” – Rick Pender, CityBeat.) This never-before-released audio recording was made in 2011, just after the show’s run at the Hollywood Fringe Festival.

Part 3: Roll Models
The Know will be using video streaming to roll out (oh yes, that pun was fully intended) its designed-for-performance tabletop role-playing-game experience! The brainchild of Know’s Managing Director Jackson Short, Roll Models will feature stories crafted by local playwrights, featuring characters performed by local actors, in role-playing experiences led by experienced game masters. Our intrepid tabletop adventurers will tell their stories in livestreamed installments while audiences are encouraged to support the action through a virtual “tip jar,” which again supports the participating freelance artists who unexpectedly found themselves facing cancelled jobs.

All revenue created by Know-to-Go digital programs will be split 50/50 between the theatre and the artists, so that our staff and artistic community can all weather this storm together.

While the staff of the Know is currently busy like a hive of socially-distanced bees to make this theatrical-magic-from-afar happen, we have even more ideas developing and announcements forthcoming. Join us as we journey into uncharted theatrical waters, and keep your ears open for what’s coming up next!

By The Numbers

ALABASTER by Audry Cefaly, $15 tickets available now through March 21. Streaming March 18 – April 4.

ANDY’S HOUSE OF [BLANK] by Paul Strickland and Trey Tatum, $10 on-demand rental. Streaming beginning March 20.

DARKEST NIGHT AT GNARLY STUMP book by Elizabeth Martin and Lauren Hynek, songs by Paul Strickland, $10 on-demand rental. Streaming coming soon.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.       

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.                   

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple,powerful,and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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Current Productions Suspended at Know Theatre

KTC_Lets Play logoIn light of the rapidly developing circumstances regarding COVID-19, we’ve decided the best way to serve the community is to suspend current productions for the time being.

We are working on ways we can continue to deliver the work of our community of artists to our audiences in a remote fashion – stay tuned as those developments roll out.

But until then, if you already have tickets for an upcoming performance, you have a couple options:

  • We can convert your ticket to an account credit for a future Know show
  • We can convert your ticket to a tax-deductible donation

You can give us a call at 513-300-5669 or email info@knowtheatre.com with any questions you may have. We’re here to help!

Thank you for being part of the Know family. We wouldn’t be here without you – stay safe and take care of each other.

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