Tag Archives: Human Race Theatre Company

CROWNS Raises the Human Race Theatre’s Roof with “Hattitude” in a Celebration of Song and Spirit

Regina Taylor’s gospel musical rounds out The Race’s 2015-2016 Season,
June 11 – 28, 2015 at The Loft Theatre.

Debra Walton, Joy Lynn Jacobs, Jasmine Easler, Monette McKay, David Jennings, Joliet F. Harris & Torie Wiggins. Photo by Scott J. Kimmins.

Debra Walton, Joy Lynn Jacobs, Jasmine Easler, Monette McKay, David Jennings, Joliet F. Harris & Torie Wiggins. Photo by Scott J. Kimmins.

(Dayton, OH) — The Human Race completes its 28th season of producing professional theatre for the Miami Valley with actress/playwright Regina Taylor’s hit CROWNS. Based on Michael Cunningham and Craig Marberry’s book by same name, the play begins as troubled Brooklyn teenager Yolanda is sent to live with her church-going grandmother down South after the death of her brother. There she finds healing in the personal stories of the ladies of the congregation and the hats that adorn their heads. Through time and space, their intimate histories create a soulful, joyous triumph of song, dance, culture and glorious “hattitude” in this powerhouse gospel musical like no other. The Human Race Theatre Company’s production runs June 11 – 28, 2015 at The Loft Theatre. It is co-directed by Dayton Contemporary Dance Company Artistic Director Debbie Blunden-Diggs, who also serves as choreographer, and Human Race Theatre Founding Resident Artist Scott Stoney. Resident Artist Scot Woolley is the musical director.

CROWNS features performances by an ensemble of seven versatile actors, including Wright State University senior Jasmine Easler (Hot Mikado, Fences) as “Velma”, Joliet F. Harris (Because of Winn Dixie, Ella the Musical, Ain’t Misbehavin’, HBO’s The Wire) as “Mother Shaw”, Joy Lynn Jacobs (Marie Christine and The Music Man on Broadway, Gotham and Nurse Jackie on television) as “Wanda”, David Jennings (After Midnight, Hands on a Hardbody, Brooklyn the Musical on Broadway, Grammy nomination for 30th Anniversary recording of Dreamgirls) as “The Man”, Monette McKay (Mamma Mia!, Memphis, Spider-Man: Turn Off the Dark on Broadway) as “Yolanda”, former Dayton Contemporary Dance Company member Debra Walton (Children of Eden, Little Shop of Horrors for Human Race; Pajama Game and Street Corner Symphony on Broadway) returns to The Human Race after many years as “Jeanette” and Cincinnati actress Torie Wiggins (Mame, Vanya and Sonia and Masha and Spike for Human Race; The Mountain Top and Black Pearl Sings! for Ensemble Theatre of Cincinnati) makes a third appearance with The Human Race this season as “Mabel”.

Scenic designer Tamara L. Honesty (Other Desert Cities, Lombardi) and costume designer David M. Covach (August: Osage County, Moonlight and Magnolias) found inspiration for their designs in the Yoruba culture of Nigeria. Covach costumed each of the play’s female characters in a different color, based on a number of Yoruba deities. CROWNS marks Covach’s thirtieth design for The Human Race. Honesty combined the earthy, wooden textures and colors of Yoruba craftwork with the modesty found in many Southern Pentecostal churches. The result is an open set space framed by screens upon which Resident Lighting Designer John Rensel will use projections to create a variety of times and locations. Scot Woolley and percussionist Kevin Anderson accompany the cast, performing the musical’s score—a mix of gospel, hymns, spirituals, chants—live offstage on a variety of instruments. Sound Designer Jay Brunner completes the environment by incorporating traditional and popular Yoruba/Nigerian music throughout the action.

Since its development for the stage in 2002, CROWNS has become one of the most popular and widely-produced African-American plays in the country. “I think one of reasons for its popularity—certainly the reason why we wanted to produce it—is because it helps tell the story of who we are as a people,” says Producing Artist Director Kevin Moore. “It’s a beautiful, fascinating look at the history of African-Americans, and a celebration of culture and its roots inspired by the hats these ladies wear to church.” The fact that CROWNS has much to teach its audiences (and its company) is not lost on Co-director Scott Stoney. “Working on this production with Debbie and this wonderful group of actors is amazing,” he says. “We all learn so much from each other. There’s more to it than just one person can know. And when it all comes together—the dance, the music and songs, the costumes, the stories—you can’t help but come away with a greater appreciation for this culture.”

Kevin Moore was delighted to be able to pair long-time friends Debbie Blunden-Diggs and Scott Stoney together to co-direct CROWNS. Each brings a unique viewpoint and set of skills to the production. Blunden-Diggs, with a life-time of dance under her belt, refines the play’s narrative with her choreography while lending it her personal perspective as an African-American woman. Stoney is a highly-accomplished director skilled with telling intimate stories and over twenty years experience with the intricacies of The Loft Theatre. “With this leadership combination,” says Moore, “I’m confident that our production is in great hands. The result will be phenomenal theatre.”

The Human Race Theatre Company’s production of CROWNS is sponsored by The Roberts Foundation; the media sponsor is Dayton Daily News.

PERFORMANCE AND SPECIAL EVENT INFORMATION

Tickets for the preview performance of CROWNS on June 11 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances June 12 – 28, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, June 14 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for CROWNS are 8:00 p.m. on Wednesday through

Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on CROWNS are available at http://www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation Fund for the Development of New Works, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2014–2015 season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Jim and Enid Goubeaux, the Sam Levin Foundation, Premier Health and Morris Home Furnishings.

Leave a comment

Filed under Press Releases

CROWNS Runs June 11-28

HRTC_Crowns logoCROWNS
Presented by Human Race Theatre Company
June 11-28
Dayton

Co-Directed and choreographed by Debbie Blunden-Diggs
Co-directed by Scott Stoney
Music directed by Scot Woolley

Cast: Jasmine Easler as Velma, Joilet F. Harris as Mother Shaw, Joy Lynn Jacobs as Wanda, David Jennings as Man, Monette McKay as Yolanda, Debra Walton as Jeanette & Torie Wiggins as Mabel)

When troubled Brooklyn teenager Yolanda is sent to live with her church-going grandmother down South after the death of her brother, she finds healing in the personal stories of the ladies of the congregation and the hats that adorn their heads. Through time and space, their intimate histories create a soulful, joyous triumph of song, dance, culture and glorious “hattitude” in this powerhouse gospel musical like no other.

  • Pay-what-you-can open rehearsal on Wed, June 10 at 8pm
  • In preview, Thu, June 11 at 8pm
  • Fri-Sat, June 12-13 at 8pm
  • Sun, June 14 ta 2pm & 7pm
  • Tue, June 16 at 7pm
  • Wed-Sat, June 16-20 at 8pm
  • Sun, June 21 at 2pm
  • Tue, June 23 at 7pm
  • Thu-Sat, June 24-27 at 8pm
  • Sun, June 28 at 2pm

Official page |

Leave a comment

Filed under On Stage

Auditions Announced for 2015-2016 Season at Human Race Theatre Company

HRTC_black logoGeneral Auditions – Adults (Ages 18+)

Dayton, Ohio — Plays and Musicals
Saturday, May 30 (10:00 am – 6:00 pm) – Musicals or Musicals and Plays (Accompanist provided)
Sunday, May 31 (10:00 am – 6:00 pm) – Plays only
Appointment calls accepted starting Wednesday, May 20. (Monday – Friday, 10:00 am – 4:30 pm EST)
Phone: Preston McCarthy, Company Manager at 937-461-3823 x3116 (No emails please.)
AEA and Non-Equity actors are welcome.

Unable to attend our Dayton general auditions?
If you cannot attend our Dayton or Chicago General Auditions and wish to be considered, submit your updated resume and headshot to preston@humanracetheatre.org with a letter explaining the show(s) and role(s) of interest to you (please be specific).

Adults will be auditioning for:

  • The Full Monty: The Broadway Musical book by Terrence McNally, music and lyrics David Yazbek (Note: This production contains full male nudity.)
  • Steel Magnolias by Robert Harling
  • The Glass Menagerie by Tennessee Williams
  • The Santaland Diaries by David Sedaris
  • One Slight Hitch by Lewis Black
  • Master Class by Terrence McNally
  • Poetry in Motion In-School Touring production in the fall (Non-Equity only. Daytime commitment.)

Click here to read the short descriptions about the plays.

Click here for the character breakdowns.

The Human Race Theatre Company is a professional theatre that works under a Small Professional Theatre Contract (SPT 6) and performs in The Loft Theatre, a 212-seat thrust stage.

Rehearsals are primarily Monday – Friday evenings, and daytime on weekends.

Auditions are open to Non-Equity and Equity actors (unless otherwise noted), with Non-Equity actors having the opportunity to join the Equity Membership Candidacy Program.

Procedures for Dayton adult auditions:
Plays only: Come prepared with 2 one-minute contrasting monologues in the style of the show(s) or from the show(s) you are interested in OR 1 two-minute monologue tailored toward the specific show you are interested in.

Musicals only: Come prepared with 1 song of up to 32 bars of music in the style of the show(s) or from the show you are interested in. Be prepared with a 2nd song in the event the producer asks to see more. Bring your sheet music. An accompanist will be provided. No a cappella singing or recorded music.

Both: Come prepared with 1 one-minute monologue and 1 song (up to 32 bars) in the style of the show(s) or from the show you are interested in. Bring your sheet music. An accompanist will be provided. No a cappella singing or recorded music.

Actors will be auditioning for Kevin Moore, Producing Artistic Director, and Tara Lail, Managing Director.

2015-2016 Season Dates
The Full Monty: The Broadway Musical (M)
1st rehearsal: Aug. 14, 2015
Production: Sep. 10 – Oct. 4, 2015

In-School Tour: Poetry in Motion
Non-Equity only
1st rehearsal: Sep. 21, 2015
Production: Oct. 5 – 30, 2015

Steel Magnolias
1st rehearsal: Oct. 12, 2015
Production: Nov. 5 – 29, 2015

The Santaland Diaries
(This production has been cast.)
1st rehearsal: Nov. 30, 2015
Production: Dec. 10 – 19, 2015

The Glass Menagerie
1st rehearsal: Jan. 11, 2016
Production: Feb. 4 – 21, 2016

One Slight Hitch
1st rehearsal: Mar. 14, 2016
Production: Apr. 7 – 24, 2016

Master Class
1st rehearsal: May 16, 2016
Production: Jun. 9 – 26, 2016

For the latest information visit http://humanracetheatre.org/auditions.php

Leave a comment

Filed under Auditions

The Human Race Theatre Company Announces Its 2015-2016 Eichelberger Loft Season

Well-known Titles and Playwrights Highlight 29th Season Lineup

HRTC_black logo(Dayton, OH) — Dayton’s premier professional regional theatre company, The Human Race Theatre Company, announces the lineup of productions and add-ons for its 29th season, filled with titles and authors that are familiar to theatre lovers and general audiences alike. The season begins in September 2015.

The 2015–2016 Eichelberger Loft season opens with Terrence McNally and David Yazbek’s lively musical adaptation of the hit film The Full Monty: The Broadway Musical (September 10 – October 4, 2015); followed by the long-awaited return of Robert Harling’s Southern treasure, Steel Magnolias (November 5 – 29, 2015); The Race’s first Tennessee Williams play, his classic The Glass Menagerie (February 4 – 21, 2016); comedian Lewis Black’s hilarious wedding day farce One Slight Hitch (April 7 – 24, 2016); and wraps up with another McNally play, the Tony Award-winning exposé of opera legend Maria Callas, Master Class (June 9 – 26, 2016).

“I can’t begin to describe how excited we are for our 29th season,” says Human Race Producing Artistic Director Kevin Moore. “It’s an amazing combination of warmth and passion, humor and heart, with titles and authors that are known to just about everyone.Though the titles are familiar, it’s rare to see professional productions of Steel Magnolias and The Glass Menagerie. I was blown away by the original Broadway production of The Full Monty, (which should have won numerous Tony Awards – especially for an exceptional musical score by David Yazbek!) and have been wanting to bring it to The Loft for some time. And I look forward to ending the season as we begin, with amazing words by Terrence McNally and the larger-than-life personality of opera diva Maria Calla in Master Class.” Moore lauds the lineup’s appeal, “This season has something for everyone!”

The five plays perform in The Loft Theatre, The Human Race’s intimate 212-seat downtown performance space, located in the Metropolitan Arts Center at 126 North Main Street. Throughout the productions’ scheduled three- and four-week runs are a number of associated special events: a Thursday night preview performance, preceded by the “Inside Track” discussion with the director; Friday Opening Night with a free post-show party with the cast in The Loft Lobby; Lite Fare at The Loft, a Tuesday night pre-show dining in The Loft Lobby, with food items provided by Citilites Restaurant; a “While We’re on the Subject” talkback following a Sunday matinee; and a Saturday night signed and audio-described performance opportunity.

In addition to the five shows on the theatre’s subscription series, The Human Race is producing a pair of special events in the first half of the season – Lewis Black in Concert: A Benefit to The Human Race (Theatre Company) at the Victoria Theatre (October 11, 2015) and a limited-engagement run of David Sedaris’ wildly popular The Santaland Diaries starring Resident Artist Tim Lile in The Loft Theatre (December 10 – 19, 2015). The company is also pleased to offer its subscribers discounted tickets to two additional productions at the Schuster Center on which it is partnering with fellow Dayton area performing arts organizations – American Mosaic, a celebration of the 50th anniversary of the Miriam Rosenthal Foundation for the Arts (September 19 and 20, 2015), and the Dayton Philharmonic Orchestra’s Best of Broadway II (May 13 and 14, 2016).

“Last fall,” recounts Moore, “I had the great fortune to meet Lewis Black at our production of Miracle on South Division Street. He introduced me to his recent play One Slight Hitch…and I was sold at ‘hello.’ Presenting him in concert is icing on the cake.” Regarding the return collaboration with the Philharmonic, Moore praises the partnership, “Our first Best of Broadway with the DPO in 2014 was so much fun, it’s a thrill to be back with Neal Gittleman and this amazing group of musicians for what we like to unofficially call ‘Son of Broadway.’” He considers the casting for The Santaland Diaries as an obvious choice. “I also love that every now and then we can tap the individual talents of our Resident Artists – and the idea of Tim Lile as one of Santa’s elves is just too funny to believe.” Moore is incredibly proud to have The Human Race serve as a partner in American Mosaic. “Any event that pulls seven of Dayton’s arts organizations together like this is a once in a lifetime event. We can’t think of a better way to thank the Miriam Rosenthal Foundation for the Arts for 50 years of outstanding support.”

THE 2015-2016 EICHELBERGER LOFT SERIES SEASON LINEUP

The Full Monty: The Broadway Musical
book by Terrence McNally
music and lyrics by David Yazbek
based on the motion picture released by Fox Searchlight Pictures and written by Simon Beaufoy, produced by Uberto Pasolini and directed by Peter Cattaneo
September 10 – October 4, 2015

In need of quick cash and low on prospects, six unemployed Buffalo steelworkers come up with the outrageous idea to put on a strip act after seeing the local women’s wild enthusiasm for touring Chippendales dancers. Short on time and with little talent or physical appeal, the gang promises their show will be better because they’ll go “the full monty” and bare it all! As they prepare for the big night, they learn to let go of their doubts and insecurities—and their clothes—in this hilarious adaptation of the hit film.

The sassy hit of our 1988–1989 season makes its long-awaited return!
Steel Magnolias
by Robert Harling
November 5 – 29, 2015

Many things beside hair get done at Truvy’s hair salon, and that’s why it is the place to go in Chinquapin Parish, Louisiana. Gossip, revelations and witty Southern banter flow like refreshing sweet tea on a hot summer day. The opinionated Truvy and her new assistant, Annelle, play host to unlikely friends Ouiser and Clairee, the respectable and sociable M’Lynn and her beautiful daughter, Shelby. As the women come face to face with difficult times, they are brought together through strength and love.

The Glass Menagerie
by Tennessee Williams
February 4 – 21, 2016

Memories as fragile as glass are tossed into the air in Tennessee Williams’ first great masterpiece. Dreams meet reality and love becomes desperate in a shimmering drama of a family on the edge. Tom struggles in a modern day world while his mother holds tight to a fantasy of Southern gentility and his sister hides amongst the glistening crystalline creatures she collects. With an edge as sharp as broken glass, it’s a story that cuts deep into the longing of human hearts.

One Slight Hitch
by Lewis Black
April 7 – 24, 2016

Life in suburban Cincinnati is good for Doc and Delia Coleman on the morning they’re about to throw their eldest daughter the perfect wedding they never had, that is until her vagabond ex-boyfriend arrives on their doorstep and wreaks havoc on all of their best laid plans. The result is a zany, door-slamming comedy about stressed-out parents, less-than-helpful siblings and interruptions galore from the mind of comedian Lewis Black. Will their daughter make it down the aisle or will the day end up a perfect disaster?

Master Class
by Terrence McNally
June 9 – 26, 2016

One of the opera world’s greatest legends takes center stage as Maria Callas gives three aspiring singers a rough welcome into the world of performing. During a series of master classes, this controversial personality now in the twilight of her career remains fearless as she looks back upon her life—the triumphs and heartbreaks, the egos and ambitions, the glories and the scandals. This Tony Award-winning drama gives a revealing look at a commanding diva and the sacrifice for art.

ADD-ON PRODUCTIONS
2015-2016 Loft Series subscribers can purchase tickets to these additional offerings at discounted prices and before they go on sale to the general public.

American Mosaic
Celebrating the 50th Anniversary of the Miriam Rosenthal Foundation for the Arts
September 19 and 20, 2015 at the Schuster Center

Celebrate the riches of America’s genius and the breadth of Dayton’s talent in a spectacular mosaic of American music and performance featuring works by Dayton’s leading performing arts organizations. Experience the magic of Dayton Ballet, Dayton Opera, Dayton Philharmonic

Orchestra, Bach Society of Dayton, The Human Race Theatre Company, Muse Machine and Dayton Contemporary Dance Company all under one star-studded ceiling.

Lewis Black in Concert
A Benefit to The Human Race (Theatre Company)
October 11, 2015 at the Victoria Theatre

Comedian Lewis Black, the “King of Rant” himself, takes the Victoria Theatre stage in this one-night-only stand up concert benefiting The Human Race Theatre Company. You’ll laugh until you cry as one of the most popular comics of our time skewers the absurdities of life in his trademark finger-wagging finest.

A Special Holiday Extra
The Santaland Diaries
by David Sedaris
adapted by Joe Mantello
starring Tim Lile as “Crumpet”
December 10 – 19, 2015

Meet the quintessential elf gone bad as he relives a series of less-than-merry misadventures in David Sedaris’ hysterical antidote for holiday havoc. Spend some time with the irreverent Crumpet—one of Santa’s little helpers during the Macy’s Christmas shopping rush—as he handles the hordes of insufferable shoppers and their kiddies with whacked out, wicked wit.

Best of Broadway II
Part of the Dayton Philharmonic Orchestra’s Kettering Health Network SuperPops Series
May 13 and 14, 2016 at the Schuster Center

It’s the exciting sequel to the 2014 fan favorite Best of Broadway as The Human Race artists return to join Neal Gittleman and the Dayton Philharmonic Orchestra onstage for a lively night of more of your favorite show tunes.

SUBSCRIPTIONS AND TICKETS
Subscriptions are available in 3-, 4- and 5-show packages, as well as in Flex Pass plans. Package prices range from $102 – $190, and discounted subscriptions are available for students. Current 2014-2015 season subscribers can guarantee their seats by renewing before May 3, and reservations for new subscriptions can be made now to be seated starting May 26. Both renewing and new subscribers may place their orders with Ticket Center Stage by calling (937) 228-3630 or by visiting the Schuster Center Box Office. Subscribers can purchase tickets to American Mosaic, Lewis Black in Concert, The Santaland Diaries and Best of Broadway II in advance when renewing or ordering a new subscription. Productions, performance dates and ticket prices are subject to change. Single tickets to The Full Monty, Lewis Black in Concert and Steel Magnolias go on sale August 4, with tickets to future productions on sale later in the season.

More ticketing and performance information on The Human Race Theatre Company’s 2015-2016 and 2014-2015 Loft seasons are available online at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation Fund for the Development of New Works, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2014-2015 season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Jim and Enid Goubeaux, the Sam Levin Foundation, Premier Health and Morris Home Furnishings.

Leave a comment

Filed under Press Releases, Season Announcements

Human Race Gives A Lesson in Self-Discovery with Midwest Premiere of TAKING SHAKESPEARE

THE HUMAN RACE THEATRE COMPANY GIVES A LESSON IN SELF-DISCOVERY WITH MIDWEST PREMIERE OF TAKING SHAKESPEARE

Shakespeare’s Othello bridges the generational divide in John Murrell’s drama, April 16 – May 3, 2015 at The Loft Theatre

Jon Kovach as Murph and Johanna Leiste as Prof. Photo by Scott J. Kimmins.

Jon Kovach as Murph and Johanna Leiste as Prof. Photo by Scott J. Kimmins.

(Dayton, OH) — The Human Race continues its 28th season as Dayton’s leading professional theatre with the Midwest premiere of Canadian playwright John Murrell’s lesson in self-discovery, TAKING SHAKESPEARE. When a longtime, disillusioned college professor is asked to tutor her dean’s son through his freshman Shakespeare class, she finds it to be as much a test for her as it is for him. Although they seem to have nothing in common, as they explore the Bard’s Othello together, they learn more about each other—and themselves—than either is ready to admit. While they draw strength from the play, they come to understand what it means to live up to expectations. The production runs April 16 – May 3, 2015 at The Loft Theatre. It is directed by frequent Human Race actor/director Aaron Vega, who helmed The Race’s Twelfth Night in 2011.

TAKING SHAKESPEARE’s placement on the 2015–2016 season sprang from a challenge The Race has faced for years – cast sizes. “Aaron and I  had been talking about doing another Shakespeare production, specifically a modern-day Othello. But they tend to be such large casts. The Bard never wrote a ‘two-hander,’” says Producing Artistic Director Kevin Moore. Then a surprising alternative appeared. “A member of our artistic committee, local attorney and musician David Greer, saw a production of TAKING SHAKESPEARE at Canada’s Stratford Festival in 2013 and raved to me about it. I started following up right away. Since the play’s two characters use Othello as a life-learning experience, the intersection of Othello ideas—ours and the script’s—seemed to come together perfectly.”

Last fall, The Human Race commissioned Vega to develop and direct a TAKING SHAKESPEARE companion piece for its Muse Machine In-School Tour. The result was #othello, a 40-minute contemporary adaptation of  Shakespeare’s original, focusing on cyber-bullying and its negative effects, presented to student audiences in the Miami Valley area middle and high schools. “Now,” says Moore, “Aaron’s directing a piece that uses the same Shakespeare play as a platform for two solitary individuals to connect and grow. Sometimes, magic just happens!”

TAKING SHAKESPEARE features New York-based actress Johanna Leister as “Prof” and Cincinnati actor Jon Kovach as “Murph.” Leister is a long-time New York actress has appeared on Broadway in Whose Life Is It Anyway? with Mary Tyler Moore and Tartuffe, Dracula and Whodunnit, as well as at a number of regional theatres. For four years, she starred on The Edge of Night as “Phoebe Smith.” She currently serves on the faculty of the Herbert Berghof Studio in New York where she participates in readings and performances of new plays. A West Chester, Ohio, native, Kovach last appeared on The Loft Stage in The Human Race’s 2012 production of Band Geeks! Since graduating from Miami University, he founded Cincinnati’s Unity Productions, helped build Untethered Theatre Company and became an associate artist at The Know Theatre.

The Human Race Theatre Company’s production of TAKING SHAKESPEARE is sponsored by Rob and Leesa Comparin; Emerson Climate Technologies, Inc.; IUE-CWA; Jack and Maryann Bernstein and Muse Machine; with additional support from Jon and Diana Sebaly and Dave and Dulie Greer.

PERFORMANCE AND SPECIAL EVENT INFORMATION
Tickets for the preview performance of TAKING SHAKESPEARE on April 16 start at $30 for adults, $27 for seniors and $15 for students. For all performances April 17  – May 3, single ticket prices start at $35 for adults, $32 for seniors and $17.50 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, April 19 7:00 p.m. performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Taking Shakespeare are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 p.m. and at 2:00 p.m. on Sunday matinees.

Tickets and performance information on TAKING SHAKESPEARE are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

# # #

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation Fund for the Development of New Works, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2014–2015 season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Jim and Enid Goubeaux,  the Sam Levin Foundation, Premier Health and Morris Home Furnishings.

CALENDAR EDITORS, PLEASE NOTE:

The Eichelberger Loft Season of The Human Race Theatre Company presents
TAKING SHAKESPEARE
by John Murrell
featuring Johanna Leister and Jon Kovach
directed by Aaron Vega

April 16 – May 3, 2015

Performed at The Loft Theatre
Metropolitan Arts Center
126 North Main Street (between First and Second streets)
Dayton, Ohio 45402

When a longtime, disillusioned college professor is asked to tutor her dean’s son through his freshman Shakespeare class, she finds it to be as much a test for her as it is for him. Although they seem to have nothing in common, as they explore the Bard’s Othellotogether, they learn more about each other—and themselves—than either is ready to admit. While they draw strength from the play, they come to understand what it means to live up to expectations.

For tickets:

  • Ticket Center Stage box office phone: (937) 228-3630
  • Box office hours: Monday – Friday, 10:00 a.m. – 6:00 p.m.; and two hours prior to each performance
  • Online: www.humanracetheatre.org or www.ticketcenterstage.com
  • Ticket prices start at: $45 – $30 for adults, $41 – $27 for seniors and $22.50  – $15.00 for students. Prices vary depending on performance date.
  • Discounts: Select side-area seats available for $25 at all performances; “Sawbuck Sunday” April 19 at 7:00 p.m. – $10 seats available for walk up sales only
  • Group sales: contact Betty Gould at (937) 461-8295 or Betty.Gould@victoriatheatre.com

TAKING SHAKESPEARE performance dates:

  • Wednesday, April 15 8:00 p.m.  Pay-What-You-CAN open rehearsal
  • Thursday, April 16 8:00 p.m.  “Inside Track” pre-show discussion/Preview performance
  • Friday, April 17 8:00 p.m.  Opening night with post-show lobby party
  • Saturday, April 18 8:00 p.m.
  • Sunday, April 19 2:00 p.m.
  • Sunday, April 19 7:00 p.m.  “Sawbuck Sunday” – $10 tickets at the door
  • Tuesday, April 21 7:00 p.m.  Lite Fare at The Loft pre-show lobby dinning
  • Wednesday, April 22 8:00 p.m.
  • Thursday, April 23 8:00 p.m.
  • Friday, April 24 8:00 p.m.
  • Saturday, April 25 8:00 p.m.  Audio Described/Sign Interpreted performance (reserve by April 10)
  • Sunday, April 26 2:00 p.m.  “While We’re on the Subject” post-show talk-back
  • Tuesday, April 28 7:00 p.m.
  • Wednesday, April 29 8:00 p.m.
  • Thursday, April 30 8:00 p.m.
  • Friday, May 1 8:00 p.m.
  • Saturday, May 2 8:00 p.m.
  • Sunday, May 3 2:00 p.m.  Closing performance

Leave a comment

Filed under Press Releases