Tag Archives: Falcon Theatre

Auditions Announced for POOR BEHAVIOR at Falcon Theatre

FT_logoFalcon Theatre invites all actors to open auditions for POOR BEHAVIOR by Theresa Rebeck.

Audition Details:

  • Dates: July 10 & 11, 2017
  • Time: 7:00-9:00 pm
  • Location: Falcon Theatre, 636 Monmouth St., Newport
  • Preparation: Please prepare a 1-minute monologue and be prepared to read from the script.  Sides will be provided at auditions.  Bring a headshot and resume if available.
  • No appointments necessary
  • Questions: Contact the director, Lauren Carr at lauren.carr@fuse.net or Falcon Theatre at 513-479-6783
  • Production Dates:  November 17-December 2, 2017

Roles:

  • PETER – self-assured, funny, confident, very likeable; a caretaker. (30-40s)
  • MAUREEN – high-strung, narcissistic, often hysterical; has a ready self-pity.(late 20-40s)
  • ELLA – good-natured, passionate, idealistic, with just enough self-deception at her disposal. (late 20-40s)
  • IAN – Irish; has lived in the states for over ten years; bitter, funny, brilliant; he is angry at himself for all his bad decisions. Angry at the universe, too. Ready to burn the store to get what he wants. Is also wounded and vulnerable; it’s important that his woundedness be seen. (30-40s)

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Auditions Announced for FRANKENSTEIN at Falcon Theatre

FT_logoFalcon Theatre announces auditions for FRANKENSTEIN, the first show of our 2017-2018 season.

Dates:  June 19 & 20, 2017
Time: 7-9pm
Location:  Falcon Theatre, 636 Monmouth Street, Newport

Preparation:

  • Be prepared to read from the script.  Sides will be provided.
  • Bring a headshot and resume if available.

Appointments: None necessary.

Production Dates:  September 29 – October 14, 2017

Director: Paul Morris
Questions: Email Paul Morris at pitchmanpaul@gmail.com or call Falcon Theatre at 513.479.6783.

Casting Requirements:

  • Men ages 18-65
  • Women ages 20-45
  • Boy age 10-15 (one needed)
  • All ethnicities encouraged to audition.

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MASTER HAROLD…AND THE BOYS Runs May 5-20

FT_Master Harold and the Boys logoMASTER HAROLD…AND THE BOYS
Falcon Theatre
May 5-20
Newport

Directed by Ted Weil

Cast: Ken Early as Sam, Rupert Spraul as Hally & Deondra Means as Willie

The story recounts a long and rainy afternoon that a white teenager named Hally spends with Willie and Sam, black servants who work in the tearoom owned by Hally’s mother. Sam has affectionately regarded the teen almost as a nephew since Hally was a child and has tried to shepherd the youth into adulthood. The afternoon’s friendly conversations of pleasant, shared memories and of Hally’s current life are halted by the news that Hally’s absent alcoholic and racist father is coming home from the hospital. Knowing that his father’s tyrannical presence will make his home life unbearable with his drinking, fighting, and need for constant attention, Hally becomes distraught and lashes out at his longtime mentor. The possibly permanent rifts that the teen causes in the relationship become the focus of the story.

  • Fri-Sat, May 5-6 at 8pm
  • Thu-Sat, May 11-13 at 8pm
  • Thu-Sat, May 18-20 at 8pm

Official page |

 

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Falcon Theatre’s Production of MASTER HAROLD…AND THE BOYS to Open May 5

FT_logoNewport, KY — April 5, 2017 — Falcon Theatre closes out its 2016-17 season with Athol Fugard’s intensely powerful MASTER HAROLD…AND THE BOYS. Set in Apartheid South Africa of the 1950s, Master Harold explores racism, hate, and how intertwining relationships affect each other, both for good and for bad.

The story recounts a long and rainy afternoon that a white teenager named Hally spends with Willie and Sam, black servants who work in the tearoom owned by Hally’s mother. Sam has affectionately regarded the teen almost as a nephew since Hally was a child and has tried to shepherd the youth into adulthood. The afternoon’s friendly conversations of pleasant, shared memories and of Hally’s current life are halted by the news that Hally’s absent alcoholic and racist father is coming home from the hospital. Knowing that his father’s tyrannical presence will make his home life unbearable with his drinking, fighting, and need for constant attention, Hally becomes distraught and lashes out at his longtime mentor. The possibly permanent rifts that the teen causes in the relationship become the focus of the story.

The play won the 1982 New York Drama Desk Award and the 1983 London Critics’ Circle Award for Best Play. Zakes Mokae earned a Tony Award for his portrayal of Sam in the original Broadway production.

The production is directed by Ted Weil and features the following cast:

  • Sam: Ken Early*
  • Hally: Rupert Spraul
  • Willie: Deondra Means

Performances will be May 5, 6, 11, 12, 13, 18, 19, and 20 at 8PM. To purchase tickets online please visit www.falcontheater.net or you can call the Box office at 513-479-6783

*appears courtesy of Actor’s Equity Association.

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RABBIT HOLE Review

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Cathy Roesener as Nat, Katie Groneman as Izzy, Tara Williams as Becca & Ted J. Weil as Howie. Photo by Tammy Cassesa.

RABBIT HOLE presented by Falcon Theatre through April 8. Click here for more information on the production. I attended the opening Thursday preview performance.

The impact of a devastating loss drives the story in Falcon’s penultimate production of the season. Director Tracy Schoster deftly leads the five-person ensemble through the emotional minefield of grief, guilt and “what ifs”.

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Cathy Roesener as Nat, Katie Groneman as Izzy & Tara Williams as Becca. Photo by Tammy Cassesa.

Tara Williams is strong in her portrayal of Becca, the mother who has lost her young son. Williams uses Becca’s grief as a barrier between her and the outside world as she struggles to come to terms with her new status quo. Her isolation has her family walking on egg shells and her husband emotionally adrift.

As Becca’s sister Izzy, Katie Groneman finds a good balance as the maturing “wild child” of the family. Her energy was a great balance to the heaviness of the subject matter. In fact, I wouldn’t have minded her taking the character up one more notch performance-wise.

Ted J. Weil does well playing Howie, Becca’s husband who is searching for an emotional connection to process his grief — a connection he can’t make with his wife. Howie comes off as strongly grounded, but I would have liked a bit more vocal variety in the performance to give us more insight into the character.

Cathy Roesener is strong as Nat, Becca and Izzy’s mother, who has the tendency to speak before she thinks. The scene between Becca and Nat in the child’s bedroom was spot on and really allowed the characters to reconnect. Unfortunately, the small performance area made the scene visually static.

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Tara Williams as Becca & Evan Blanton as Jason. Photo by Tammy Cassesa.

Evan Blanton does well as Jason, the young man who plays a role in the tragedy. I would have liked to have seen Jason’s youthful enthusiasm and awkwardness carry him away a bit further, which would help make his more somber moments stand out more.

I think the family dynamic and the relationships between the characters worked really well. It was honest, believable, and emotionally rooted. During some of the confrontation scenes, I wasn’t hearing the grief in the actors’ voices that was fueling the anger. Without that, the scenes lost a bit of their depth.

The pacing was strong, but there were several times where the scene could have used one or two beats to give some of the lines a bit of weight, allowing the words to hit and do damage. The incident with the videotape as well as Becca’s harshness in her scene with Nat were two moments that could have benefited by not being so rushed. The same is true for the “apology” between Becca and Nat later in the show; had they just let it be a moment, the audience could have see and appreciated it.

I’m not sure how it is written in the script, but I think Jason’s entrance may have had more of an impact if the audience didn’t see him prior to his first interaction with the cast. Regardless, during the reading of the letter, my complete focus was on Becca. With the dim lighting directly above the actress, it was difficult to see her face. More body movement from Williams would help the audience understand the impact the letter had on her.

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Tara Williams as Becca & Ted J. Weil as Howie. Photo by Tammy Cassesa.

When Becca does finally reach out to Howie, his lack of reciprocation left me with the impression that there were still problems ahead for the couple. A more positive response would have made me feel more hopeful for the pair.

Overall, the production was emotionally strong and true, especially for anyone who has suffered through a loved one’s sudden and unexpected passing. Tissues recommended.

“At some point, it becomes bearable.” -Nat

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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