Tag Archives: Dayton Theatre Guild

Auditions Announced for HEDDA GABLER at Dayton Theatre Guild

DTGOpen audition notice for HEDDA GABLER, adapted by Christopher Shinn

Auditions will be held Mon & Tue, Mar 20 & 21, 2023, starting at 7:00 pm both nights.

Production dates: Jun 2-18, 2023

Rehearsals with begin March 23 and will run generally Mondays-Thursdays thereafter, subject to the schedules and conflicts of the cast and staff.

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — http://www.daytontheatreguild.org

Directed by David Shough
Produced by Rick Flynn & Christina Tomazinis

THE PLAY: Hedda Gabler (now Mrs. Tesman), newly married but not wisely, and facing a diminished future, an unwelcome past, and a smothering present, struggles to find the one decisive, beautiful act that will help her feel alive.
This production will be set in the very late 19th century with some anachronistic elements to make clear the story it tells is not time-bound. Actors should use a neutral, non-British, non-regional accent.

Casting Requirements:

  • A Note about Age: The four younger characters ‐‐ Hedda, Thea, Tesman and Løvborg ‐‐ are written as in their late twenties or early thirties, but the complexity of the role of Hedda may mean that a somewhat older actor is best for the role, and I will consider actors well into their forties if they otherwise meet the role’s needs. If that is the case, the ages of the actors for the other “young” characters may need to balance the Hedda actor, so I will consider somewhat older actors for those roles as well.
  • You need only attend one night, but are welcome at both. If you cannot attend either audition date, contact the director at davids@pbstudios.com or 937-626-2674, and we will make time.
  • Audition selections will be available for download beginning mid-February. Familiarity with (but not memorization of) the selections will be a good thing at audition; cold readings demonstrate your ability to read; I would like to see something of your ability to create a character. In the meantime, another translation of the play is available online at gutenberg.org, if you want to start early exploring the story and the characters
  • Please bring a a résumé. A photo is helpful if the director doesn’t know you, but not required. Director’s note: I have cast actors I don’t know in every show I’ve directed; always looking for new folks.
  • Please be prepared to list all conflicts, including weekends, between Mar 22 & Jun 18, 2023.
  • All cast and crew are required to be vaccinated for COVID-19

Hedda Gabler (Heh-dah, Gah-bler):
(plays 29 years old) Beautiful, strong, controlling, demanding, but step by step losing control of her life and future; daughter of a prominent military officer, newly married to an unremarkable academic. Ibsen titled the play with her maiden name to indicate she “as a personality, is to be regarded rather as her father’s daughter than as her husband’s wife.” Indeed, she seems to be at war with everyone and everything around her, for which her favorite possession ‐‐ her father’s set of dueling pistols ‐‐ serves as more than a metaphor. This is one of the most complex and powerful roles for women in the age of modern drama.

Jørgen Tesman (Yur-gen Tess-mahn):
(plays 33 years old, or a few years older than Hedda) Naïve academic; a student of the past excited about his future, and more fascinated with things like his books, his old slippers, and his work, than with his new wife; according to Hedda, he spent most of their six-month honeymoon trip studying dusty manuscripts in old libraries. He has been described as a “ninny” but must not appear as a fool. Therefore, it’s a challenging, nuanced role.

Eilert Løvborg (Eye-lert Louv-borg):
(same age as Tesman): A scholar, like Tesman, but otherwise unlike Tesman in every way: handsome, impulsive, romantic, perhaps alcoholic, on the edge. An ex-flame of Hedda’s, now in something of a relationship with Thea. He has returned to town to attempt to rebuild his reputation after a scandal. The right actor will make him a character the audience cannot stop watching

Thea Elvsted (Tay-eh Elv stehd):
(a couple years younger than Hedda): At first appearance, weak submissive and fearful, but she is stronger than she first appears. A former schoolmate, but not school friend, of Hedda’s, she has come to Tesman and Hedda seeking help regarding Løvborg, whom she likely loves. Many levels for the actor to explore.

Judge Brack (rhymes with clock):
(plays 45, or clearly older than Hedda) Handles Tesman’s business affairs, and seems to be seeking a different kind of affair with Hedda. Lascivious, scheming, but the actor cannot go so far as at make him odious; this is not melodrama.

Juliane Tesman:
(60s or older) Tesman’s maiden aunt; she raised Tesman and now cares for her dying sister. Smart, practical; not above throwing back an insult, though in the nicest way.

Berte (Bear-Teh):
(60s or older). Maid to the young Tesmans; formerly maid to Tesman’s aunts. Competent; afraid of Hedda.

For more information please contact Director David Shough at davids@pbstudios.com or 937-626-2674

The show runs weekends Jun 2-18, 2023
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

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Directors Sought for 2023-2024 Season at Dayton Theatre Guild

DTGWe’re doing things a little differently this year and announcing our shows without directors attached. We want to hear from any potential directors who may be interested in directing for us.

If you’re interested in directing any of these shows, please complete a Google form at
https://forms.gle/yxUiTqrerrrqKsNa6.

If you have any questions, please email us at dtgdirectors@daytontheatreguild.org.
The deadline for submitting your interest is Thursday, February 24 at 5pm.


And Now Here’s Our Exciting Season:

AUGUST WILSON’S RADIO GOLF
by August Wilson
Production dates: Aug 25-Sept 10, 2023
Auditions: June TBD

AUGUST WILSON’S RADIO GOLF follows a black man named Harmond Wilks on his quest to revive his childhood neighborhood and become the first black mayor of Pittsburgh. He finds himself on the verge of the business breakthrough of a lifetime, but the arrival of an unexpected visitor and surprising news leads Harmond to choose between his personal aspirations and his integrity. With humor and courage,ˇthis play challenges the steep price “progress” can exact upon the soul.

WEDNESDAY’S CHILD
by Mark St. Germain
Production dates: Nov 3-Nov 19, 2023
Auditions: August 28 & 29, 2023

WEDNESDAY’S CHILD is a fast-paced thriller, murder mystery, and more. Susan and Martin Merrit are unable to have a child on their own, so they hire Becca Connor to serve as a surrogate. When Becca is found dead, a police investigation explodes the lives of everyone who knew her. As Detectives Valez and Dixon begin to put the pieces together, secrets surface, alibis weaken, and lies are uncovered. This dramatic play explores motherhood, passion, and that thin line between right and wrong.

TRUE WEST
by Sam Shepard
Production dates: Jan 12-28, 2024
Auditions: November 6 & 7, 2023

This Pulitzer Prize finalist and Tony-nominated play examines the relationship between two estranged brothers. It is set in the kitchen of their mother’s home in the desert, 40 miles east of Los Angeles. Austin, a screenwriter and achiever, is working on a script he has sold to producer Sal Kimmer. Lee is a demented petty thief who drops in and pitches his own idea for a movie to the producer. Sal then wants Austin to junk his bleak, modern love story and write Lee’s trashy Western tale.

FLIGHT OF THE LAWNCHAIR MAN
Book by Peter Ullian
Music & Lyrics by Robert Lindsey-Nassif
*Based on a concept by Robert Lindsey-Nassif
Production dates: Mar 22-Apr 7, 2024
Auditions: January 15 & 16, 2024

Jerry Gorman is a regular guy from Passaic, New Jersey, who just got promoted to Snack Bar Manager at Wal-Mart. But what he really wants to do is fly.ˇWhile the neighbors think he’s nuts, and his mother disapproves, his girlfriend Gracie believes in him and encourages him to follow his dream. Jerry soars to 16,000 feet with nothing but a lawnchair and 400 helium balloons. Loosely based on a true story, FLIGHT OF THE LAWNCHAIR MAN is a musical that inspires hope, and reminds us that dreams can come true if you believe in yourself.

SUPERIOR DONUTS
by Tracey Letts
Production dates: June 7-23, 2024
Auditions: March 25 & 26, 2024

Arthur Przybyszewski, a former 1960’s radical, owns a rundown donut shop in Chicago’s Uptown. His only employee, an energetic but troubled young African American assistant, Franco, wants to update the establishment with lively music and healthy menu options. The writing is on the wall that things are going to change — maybe even for the better. SUPERIOR DONUTS explores the challenges of embracing the past, and the redemptive power of friendship.

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2023-2024 Season Announced by Dayton Theatre Guild

DTGTHE DAYTON THEATRE GUILD IS PLEASED TO ANNOUNCE THE 2023-2024 SEASON

*(We’re doing things a little differently this year and announcing our shows without directors attached. We want to hear from any potential directors who may be interested in directing for us. Please see information following this list if you’re interested in directing.)

And Now Here’s Our Exciting Season:

RADIO GOLF
by August Wilson
Production dates: Aug 25-Sept 10, 2023
Auditions: June TBD

August Wilson’s RADIO GOLF follows a black man named Harmond Wilks on his quest to revive his childhood neighborhood and become the first black mayor of Pittsburgh. He finds himself on the verge of the business breakthrough of a lifetime, but the arrival of an unexpected visitor and surprising news leads Harmond to choose between his personal aspirations and his integrity. With humor and courage,ˇthis play challenges the steep price “progress” can exact upon the soul.


WEDNESDAY’S CHILD
by Mark St. Germain
Production dates: Nov 3-Nov 19, 2023
Auditions: August 28 & 29, 2023

WEDNESDAY’S CHILD is a fast-paced thriller, murder mystery, and more. Susan and Martin Merrit are unable to have a child on their own, so they hire Becca Connor to serve as a surrogate. When Becca is found dead, a police investigation explodes the lives of everyone who knew her. As Detectives Valez and Dixon begin to put the pieces together, secrets surface, alibis weaken, and lies are uncovered. This dramatic play explores motherhood, passion, and that thin line between right and wrong.


TRUE WEST
by Sam Shepard
Production dates: Jan 12-28, 2024
Auditions: January 15 & 16, 2024

This Pulitzer Prize finalist and Tony-nominated play examines the relationship between two estranged brothers. It is set in the kitchen of their mother’s home in the desert, 40 miles east of Los Angeles. Austin, a screenwriter and achiever, is working on a script he has sold to producer Sal Kimmer. Lee is a demented petty thief who drops in and pitches his own idea for a movie to the producer. Sal then wants Austin to junk his bleak, modern love story and write Lee’s trashy Western tale.


FLIGHT OF THE LAWNCHAIR MAN
Book by Peter Ullian
Music & Lyrics by Robert Lindsey-Nassif
*Based on a concept by Robert Lindsey-Nassif
Production dates: Mar 22-Apr 7, 2024
Auditions: March 25 & 26, 2024

Jerry Gorman is a regular guy from Passaic, New Jersey, who just got promoted to Snack Bar Manager at Wal-Mart. But what he really wants to do is fly.ˇWhile the neighbors think he’s nuts, and his mother disapproves, his girlfriend Gracie believes in him and encourages him to follow his dream. Jerry soars to 16,000 feet with nothing but a lawnchair and 400 helium balloons. Loosely based on a true story, FLIGHT OF THE LAWNCHAIR MAN is a musical that inspires hope, and reminds us that dreams can come true if you believe in yourself.


SUPERIOR DONUTS
by Tracey Letts
Production dates: June 7-23, 2024
Auditions: March 25 & 26, 2024

Arthur Przybyszewski, a former 1960’s radical, owns a rundown donut shop in Chicago’s Uptown. His only employee, an energetic but troubled young African American assistant, Franco, wants to update the establishment with lively music and healthy menu options. The writing is on the wall that things are going to change — maybe even for the better. SUPERIOR DONUTS explores the challenges of embracing the past, and the redemptive power of friendship.


If you’re interested in directing any of these shows, please complete a Google form at
https://forms.gle/yxUiTqrerrrqKsNa6

If you have any questions, please email us at dtgdirectors@daytontheatreguild.org.
The deadline for submitting your interest is Thursday, February 16 at 5pm.

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Auditions Announced for RELATIVITY at Dayton Theatre Guild

DTGOpen audition notice for RELATIVITY by Mark St. Germain

Auditions will be held Mon & Tue, Jan 16 & 17, 2023, starting at 7:00 pm both nights.

Production dates: Mar 17-Apr 2, 2023

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — www.daytontheatreguild.org

Directed by Debra Kent
Produced by K.L.Storer

In 1902, Albert and Mileva Einstein had a daughter. After 1904, the child was never seen or spoken of again. It is now 1942, and a reporter has come to interview Einstein about his mysterious family history, only to discover far more secrets under the surface. As the reporter questions Einstein about his theory of relativity and personal past, she develops a new, more pressing query: To be a great man, does one first need to be a good man?

Casting Requirements:

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts between Jan 18 & Apr 2, 2023.
  • All cast and crew are required to be vaccinated for COVID-19

Roles available:

  • Albert Einstein : 60s to early 70s
  • Margaret/Lieserl: mid to late 40s
  • Miss Helen Dukas: 50s

*Note on character ages: The director is less concerned with your actual age as she is with whether you can play the ages listed above as near as possible. Do not let concern about your age prevent you from auditioning!

*Note on dialect: Both Albert and Miss Dukas will have a slight German accent. Give it a try at auditions, but do not focus on making sure it is perfect!

For more information please contact Producer K.L.Storer at kl.storer@daytontheatreguild.org

The show runs weekends Mar 17-Apr 2, 2023
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm
*Children under seven will not be admitted
Individual tickets on sale now

For more information, including auditions, see www.daytontheatreguild.org

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The Passing of Fred Blumenthal

From the Dayton Theatre Guild’s Facebook page:

DTG_Fred BlumenthalIt is with great sorrow that we share the heartbreaking news that long-time Dayton Theatre Guild member, and long-time Dayton Theatre Community veteren, Fred Blumenthal passed away Monday, November 21, 2022.

With the exception of his service in the armed forces, Fred has been an active member at the Dayton Theatre Guild starting in 1953 at the age of 18.

An inductee into the Dayton Theatre Hall of Fame, Fred has appeared in or directed hundreds of theatre productions, at the Guild, The Human Race, the Phoenix Theatre in Indianapolis, and many other theatres, community and professional. He also appeared in several films.

Fred is certainly one of Dayton Theatre’s elder statesmen and we will miss him greatly.

More information will follow.

Rest in peace dear Fred.

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