Tag Archives: Dayton Theatre Guild

2026-2027 Season Announced by Dayton Theatre Guild & Call for Directors

Dayton Theatre Guild is pleased to announce our 2026/2027 season. We are also accepting applications for directors.

The directors’ submission deadline is Jan 11, 2026. See application and contact info at the end, below.

The Dayton Theatre Guild is dedicated to assembling a diverse, experienced, committed group of directors so we can continue to bring quality theater to our audiences.

Here are the shows in our 2026/2027 season with performance dates and approximate audition dates:


BIRTHDAY CANDLES by Noah Haidle

Performance dates: Aug 21-Sep 6, 2026

Auditions: Jul 6 & 7, 2026

(3 women, 3 men)
This is an Ensemble piece that follows one woman’s life from age 17 to 101. The other five actors play her children, her grandchildren, and other important people during the highs and lows of her life. One cake is baked to celebrate her birthdays over a century. It’s a warm, well-told story about one woman’s life, where the audience travels with her through her journey.


THE THIN PLACE by Lucas Hnath

Performance Dates: Oct 9-25, 2026

Auditions: Aug 24 & 25, 2026

(3 women, 1 man)
A young woman, Hilda, is grieving the loss of her grandmother and the mysterious disappearance of her mother. She seeks out a professional medium, Linda, to help her connect with her lost loved ones. They become entangled in a seance that blurs the lines between the supernatural and the psychological. This play explores themes of belief, manipulation, and the power of the mind, questioning whether Linda’s abilities are real or if Hilda’s grief has created a psychological break, leaving the audience to wonder what is real.


*SEASON EXTRA*

HOW IT FEELS TO FALL FROM THE SKY by Dominic Finocchiaro

Performance dates: Dec 4-13, 2026 *(two weekends)

Auditions: Oct 12 & 13, 2026

(3 women, 2 men)
After witnessing a woman plummet from the sky, five strangers in New York form a support group to process what they have seen. They decide to meet once, and then see if they need to meet further. Some of the people form a stronger bond than others, and some form relationships outside the group. This is a dramedy about loneliness, loss, and the unending possibility of salvation inside human connection.


BUG by Tracy Letts

Performance dates: Jan 29_Feb 14, 2027

Auditions: Dec 7 & 8, 2026

(2 women, 3 men)
The play takes place in a seedy Oklahoma City motel room, and centers on Agnes, a divorced waitress with a fondness for cocaine and isolation, and Peter, a soft-spoken drifter with PTSD and a psychological disorder. Agnes stays at the motel to avoid her abusive ex-husband, Jerry, who was just released from prison. Jerry eventually shows up, and there is also a bug infestation in the motel room. Themes touch on paranoia, and psychological motives.


SKELETON CREW by Dominique Morisseau

Performance dates: Mar 26-Apr 11, 2027

Auditions: Feb 1 & 2, 2027

(2 women, 2 men — all four African-American roles)
This play is part of the Detroit Project, a Trilogy of plays that takes place in the break room of a Detroit auto stamping plant in 2008. The characters form a makeshift family as their auto plant faces closure amid the Great Recession. The four characters navigate loyalty, desperation, and the struggle to survive, as fear about rumors of the plant’s closure grows. Added to that is the repeated thefts from the factory. As the chips fall, the same questions surface for each of them: when push comes to shove, do I save my own skin? What am I worth beyond my income? And who is to blame when my job disappears?


MOLL by John B. Keane

Performance dates: May 21-Jun 6, 2027

Auditions: Mar 29 & 30, 2027

(2 women, 5 men)
In this comedy, three priests of a rural Irish presbytery lose their housekeeper, and interview and hire Moll Kettle, a sharp-witted woman, to replace her. Moll takes over the running of the presbytery, manipulating the three priests and the parish to her own advantage. She favors the elderly canon, and feeds him well, while nearly starving the younger curates. She organizes bingo to raise money for a new school, secures a pension for herself, and effectively becomes a powerful, almost tyrannical figure within the parish.


If you are interested in directing one of these please fill out the Director Submission form at: https://docs.google.com/…/1FAIpQLSdLftw8VumylE…/viewform

Make inquiries to Jared Mola at jared.mola@daytontheatreguild.org.

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Auditions Announced for MARY JANE at Dayton Theatre Guild

Open audition notice for MARY JANE by Amy Herzog

Auditions will be held Mon & Tue, Dec 8 & 9, 2025, starting at 7:00 pm both nights.
We may hold callbacks on Wed, Dec 10
Production dates: Jan 30‐Feb 15, 2026

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — www.daytontheatreguild.org

Directed by Melissa Kerr Ertsgaard
Produced by Rhea Smith

Mary Jane navigates both the mundane and the unfathomable realities of caring for Alex, her chronically ill young son. She finds herself building a community of women from many walks of life, and dealing with all of life’s realities. Mary Jane is Pulitzer Prize finalist Amy Herzog’s remarkably powerful and compassionate portrait of a contemporary American woman striving for grace. It ran on Broadway at the Manhattan Theatre Club during the 2023/2024 season.

Casting Requirements:

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts between between Dec 10, 2025 & Feb 15, 2026.
  • Note: We may hold callbacks on Wednesday, Dec 10.

*WE WILL BE OFF DEC 24-JAN 2 FOR THE HOLIDAYS*

The directing team is looking for actors who can embrace the joy of this play and see it as a love letter to motherhood. For the four actors playing dual roles, we’d like to see a physical and vocal differentiation between the two roles you’d play. Most of all, we are looking for connection between the characters with actors listening and responding to each other. This is an ensemble piece.

  • Mary Jane: late 20s to early 40s
    Mary Jane, a single mother, is the central figure. She is resilient, optimistic, and finds true joy in her son, Alex, despite the constant challenges of caregiving. She tries to maintain a sunny disposition, but the play explores the reality of her situation.
  • Ruthie / Tenkei: 60s-80s
    Ruthie is the superintendent of Mary Jane’s apartment building. She is a straight shooter.
    Tenkei is a Buddhist Nun that supports hospice care for families in the hospital. She has come to Buddhism late, after a lifetime as a Catholic. She is warm, flexible, and strong spiritually.
  • Sherry / Dr. Toros
    Sherry is the night nurse that takes care of Alex. She is Mary Jane’s and Alex’s friend and genuinely loves them. Sherry has a knowledgeable command of her job and the system that allows her to ground her role as a caregiver in the humanity of Mary Jane and Alex. She doesn’t see them as a charity case.
    Dr. Toros is good at her job: she is smart, experienced and self-aware. She understands when to turn down the “clinician” and when to tap into and share her own role as a mom.
  • Brianne / Chaya: 35-early 40s
    These two are the opposite sides of mothering a special needs child.
    Brianne the new mother of a special needs child who, through friends, connected with Mary Jane on Facebook to learn the ins and outs of caring for her child.
    On the other side, Chaya is a Hasidic woman who is the mother of seven children including seven-month-old twins at home. She has the life experience to share tough truths and to commiserate with Mary Jane.
  • Amelia / Kat: 18-22
    Amelia is a college student in town to visit her Aunt, Sherry, who is the night nurse for Alex.
    Kat is the music therapist at the hospital. Both are very compassionate women but they approach the world very differently.
    Where Amelia has a young spirit, she is somewhat closed off and a little skeptical while Kat is open, bright and dynamic. Both are full of love.

For more information please contact Director Melissa Kerr Ertsgaard at melistima@gmail.com

Dayton Theatre Guild is a community theatre that values community representation, and we are committed to diversity, equity, and inclusion on and off stage. People of all ethnicities, gender identities, and abilities are welcome and encouraged to participate and will be given full consideration in casting and all volunteer opportunities. Unless explicitly specified by the playwright in the text of the play, all roles will be open to all performers.

The show runs weekends Jan 30‐Feb 15, 2026

First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

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LIGHT SENSITIVE Runs Dec. 5-14

LIGHT SENSITIVE
Dayton Theatre Guild
Dec. 5-14
[Dayton]

Directed by Rick Flynn
Produced by Deirdre Root

Cast: Frank Maranje as Tom Hanratty, Jim Hagan as Lou D’Marco & Kerry Simpson as Edna Miles

Navigating loneliness and isolation, two souls find hope—and each other—just when they need it most. Over one extraordinary week, connection flickers, hearts brighten, and something unexpected begins to develop, bringing a little more light to lives that had nearly gone dark.

  • Fri-Sat, Dec. 5-6 at 8pm
  • Sun, Dec. 7 at 3pm
  • Fri, Dec. 12 at 8pm
  • Sat, Dec. 13 at 5pm
  • Sun, Dec. 14 at 3pm

Official page | Facebook event |

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Cast Announced for LIGHT SENSITIVE by Dayton Theatre Guild

DTG is pleased to announce the cast of LIGHT SENSITIVE by Jim Geoghan

  • Frank Maranje as Tom Hanratty
  • Jim Hagan as Lou D’Marco
  • Kerry Simpson as Edna Miles

CONGRATULATIONS TO ALL!

Thomas Hanratty, lifelong resident of Hell’s Kitchen and once the most dangerous white cab driver in New York, was blinded eight years ago in a drunken accident and is fading into a routine of self pity and alcohol. His bartender and only friend is moving to Vermont with his girlfriend, but finds it difficult to abandon Tom. He recruits a slightly handicapped volunteer reader who battles her way through Tom’s shell. By the second act, they are falling in love. His buddy returns with tales of his “Christmas from hell” in Vermont, and doubt arises as to who will hold the number one position in Tom’s life.

Directed by Rick Flynn
Produced by Deirdre Root

The show runs weekends Dec 5-15, 2025
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

Individual tickets on sale now
Adult: $25
Senior (60 or older): $23
Student: $18

To purchase:

*All individual tickets purchased in advance via our on-line ticket system or by telephone will also include a $1 convenience fee.

**Special pricing for groups of 10 or more, call the Box Office at 937-278-5993 for pricing

Children under 7 will not be admitted

For more information, including future auditions, see http://www.daytontheatreguild.org

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DIAL “M” FOR MURDER Runs Oct. 10-26

DIAL “M” FOR MURDER
Dayton Theatre Guild
Oct. 10-26
[Dayton]

Directed by David Shough

A cunning husband. A flawless plan. One fatal call. In this razor-sharp, midcentury mind game of deadly charm, calculated lies, and impetuous greed, the plot to commit the perfect murder begins to unravel. What follows is a taut and twisted Hitchcockian thriller—where life and death hang on the line.

  • Fri-Sat, Oct. 10-11 at 8pm
  • Sun, Oct. 12 at 3pm
  • Fri, Oct. 17 at 8pm
  • Sat, Oct. 18 at 5pm
  • Sun, Oct. 19 at 3pm
  • Fri, Oct. 24 at 8pm
  • Sat, Oct. 25 at 5pm
  • Sun, Oct. 26 at 3pm

Official page | Facebook event |

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