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Know Theatre’s Adaptation Season Continues With THE HANDMAID’S TALE

KNOW THEATRE’S ADAPTATION SEASON CONTINUES WITH
THE HANDMAID’S TALE

By Margaret Atwood
Adapted for the stage by Joe Stollenwerk

Directed by Brian Isaac Phillips
Nolite te bastardes carborundorum

Corinne Mohlenhoff in 2011 THE HANDMAID'S TALE. Photo by Rich Sofranko.

Corinne Mohlenhoff in 2011 production fof THE HANDMAID’S TALE. Photo by Rich Sofranko.

In the near future, what’s left of the United States has become a theocracy known as the Republic of Gilead. As with many women in Gilead, Offred has had her name and family taken from her and been forced to become a Handmaid, a vessel for population growth, valued only for her viable ovaries. Amidst the oppressive new regime, and armed with memories of life before the revolution, Offred struggles to maintain her individuality, personhood, and hope for a better possible future.

Know Theatre presents THE HANDMAID’S TALE, Margaret Atwood’s dystopian masterpiece of speculative fiction, adapted for the stage by Cincinnati native, Joe Stollenwerk, January 23-February 21, 2015.

TTHE HANDMAID’S TALE is directed by CSC’s Brian Isaac Phillips and stars Corinne Mohlenhoff as Offred. Creating the world for the show is Know Theatre’s resident design team: scenic and lighting designer Andrew Hungerford, Costume Designer Noelle Wedig, and Sound Designer Doug Borntrager.

“I first read THE HANDMAID’S TALE in a course on feminism and utopia/dystopia in literature in 2002. This was in the wake of 9/11 and it seemed that our country might all too easily be teetering on the brink of something reminiscent of Gilead from this novel. I immediately began thinking about turning it into a play,” says adapter Joe Stollenwerk. The first draft of the script, completed in 2006, was well over six hours long. “I cut, and cut, and cut, always trying to be mindful that I wanted to preserve the plot and characters but also the social/political commentary as well as the marvelous language Atwood employs.”

The resulting script was originally workshopped at Cincinnati Shakespeare Company with a reading in 2009, and produced at CSC as a dark night production in 2011.

Know Artistic Director Andrew Hungerford says, “When I designed the lighting for THE HANDMAID’S TALE at CSC in 2011, I was incredibly moved by what we were able to create using limited equipment and the set from another show. I’m thrilled to have the opportunity to have Brian and Corinne join our team at the Know to bring this story to a wider audience in a fully realized, dedicated production. It’s also a great fit for Know’s commitment to second productions of plays and our development of local works.”

Cast: Offred – Corinne Mohlenhoff*

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, appearing under a Special Appearance Contract.

Production Team

  • Director – Brian Isaac Phillips
  • Scenic & Lighting Design – Andrew Hungerford
  • Costume Design – Noelle Wedig
  • Sound Design – Doug Borntrager
  • Design and Production Associate – Sarah Beth Hall
  • Technical Director – Nick Koehlke

Calendar Listing

Production:   THE HANDMAID’S TALE by Margaret Atwood, adapted for the stage by Joe Stollenwerk

When:             8:00pm January 23, 24, 28, 29, 30, 31; February 4, 5, 6, 7, 11, 12, 13, 14, 18, 19, 20, 21

3:00pm January 25; February 1, 8, 15

Where:            Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202. In historic Over-the-Rhine.

Tickets:          $20 in advance

$10 Rush tickets at the door 10 minutes prior to curtain (when available)

FREE performances on Wednesdays, as part of Know’s Welcome Experiment initiative. Subject to availability. Please note that pre-reserved Welcome Experiment tickets must be claimed 15 minutes before the performance or be subject to redistribution.

Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669 (KNOW).

One-year sustaining memberships are available for $20/month or $240.

Since 1997, Know Theatre has been dedicated to creating explosive and evocative live entertainment. We value a playful artistic community where artists can collaborate and grow. 

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving. 

Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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Know Theatre Annouces TBA Production

Corinne Mohlenhoff in 2011 THE HANDMAID'S TALE. Photo by Rich Sofranko.

Corinne Mohlenhoff in 2011 production of THE HANDMAID’S TALE. Photo by Rich Sofranko.

At tonight’s opening performance of BUREAU OF MISSING PERSONS, Artistic Driector Andrew Hungerford announced the next show of their season.

It is THE HANDMAID’S TALE by Margaret Atwood, adapted for the stage by Joe Stollenwerk. The world premiere of this production was presented by Cincinnati Shakespeare Company in April 2011 as a season extra for nine performances only. That run of the one-woman show was directed by Brian Isaac Phillips and starred Corrine Mohlenhoff. Both are returning for the fully-staged production at Know Theatre of Cincinnati.

I was lucky enough to attend a performance and it was an extremely well-done. Well-written, directed and acted. I look forward to seeing it again. Below I have pulled some information about Stollenwerk and that production from the original press release.

The author, Joe Stollenwerk is originally from Cincinnati where he spent nearly ten years as the Artistic Director of Ovation Theatre Company. A vibrant member of the local theater community, Mr. Stollenwerk has also directed and/or acted with Cincinnati Music Theatre, Covedale Theatre, Cincinnati Playwright Initiative and Madisonville Arts Center. It was during this time in Cincinnati, that Mr. Stollenwerk and Ms. Mohlenhoff first met and began working with each other actually inspiring Mr. Stollenwerk to create this piece with Corinne in mind during the process.

“I first read The Handmaid’s Tale in a course on feminism and utopia/dystopia in literature in 2002. This was in the wake of 9/11 and it seemed that our country might all too easily be teetering on the brink of something reminiscent of Gilead from this novel. I immediately began thinking about turning it into a play, despite the fact that this seemed an insurmountable task. Then I remembered that one of my favorite genres of plays is the one-woman show, and that was that.” Mr. Stollenwerk began with a draft in 2006 which was well over six hours long. “I cut, and cut, and cut, always trying to be mindful that I wanted to preserve the plot and characters but also the social/political commentary as well as the marvelous language Atwood employs.”

The artistic process continued and Mr. Stollenwerk invited close friends over for informal readings of the script in his living room throughout 2007. “Finally, I felt ready to give Corinne a draft of the script, and in May of 2009 we did a staged reading here at Cincinnati Shakespeare Company. I’m so pleased that I was finally able to secure the rights to have a production staged and to present the world premiere right here in Cincinnati, OH.”

I will post more details on the upcoming production when they become available.

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CSC’s THE COMEDY OF ERRORS Awarded 4 Star LCT Recommendation

 Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

LCT announces Cincinnati Shakespeare Company’s THE COMEDY OF ERRORS is a 4-Star show.

“Cincinnati Shakespeare has mounted another fast-paced, thoroughly entertaining production of a classic Shakespearean comedy. The carnival concept worked perfectly, and the sight gags were hilarious” states one panelist.

Billed as one of Shakespeare’s silliest and earliest comedies, it features not just one but two sets of twins and all the hijinks that follow due to the mistaken identities. Jeremy Dubin and Paul Riopelle delight as “the Dromios” with “their fantastic comedic timing and facial expressions.”

THE COMEDY OF ERRORS runs through December 12 and tickets can be purchased at www.cincyshakes.com.

Nominations for LCT awards will be determined and announced at the end of the season and winners awarded at the annual LCT party in the summer.The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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THE COMEDY OF ERRORS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Justin McCombs as Antipholus & Jeremy Dubin as Dromio (of Syracuse). Photo by By Mikki Schaffner Photography.

Justin McCombs as Antipholus & Jeremy Dubin as Dromio (of Syracuse). Photo by Mikki Schaffner Photography.

THE COMEDY OF ERRORS presented by Cincinnati Shakespeare Company through Dec. 13. Click here for more information on the production. I attended the final preview performance.

CSC offers a fun and quirky production of the Bard’s THE COMEDY OF ERRORS. The setting for the show, the town of Ephesus, is re-imagined as a 1930s carnival.  Here the commoners are the performers, the wealthy the patrons, and the government is management.

I am continually impressed with the talent level of the entire CSC ensemble. The show features strong performances by Jeremy Dubin as Dromio of Syracuse, Justin McCombs as Antipholus of Syracuse, Miranda McGee as Adrianna, Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus & Courtney Lucien as the 2nd Merchant. Very fun to watch were the characters of Nell [actress not credited in the program] and The Abbess played by Abby Rowold. Considering how hideous Nell is supposed to be, I think you missed an opportunity to make her the bearded lady. As the Dromio twins, Dubin and Riopelle look enough alike that I didn’t immediately realize that the first switch had occurred.

Brent Vimtrup as Solinus & Frank Delaney as Egeon. Photo by By Mikki Schaffner Photography.

Brent Vimtrup as Solinus & Frank Delaney as Egeon. Photo by Mikki Schaffner Photography.

Guest Director Patrick Flick aims for the funny bone, giving the humor a broad and slapstick bent which succeeds for the most part. I enjoyed the use of the silhouettes to help tell Egeon’s (Frank Delany) story of the loss of his family. The asides to the audience worked really well with McCombs stepping out of his “wife’s” embrace a personal favorite. At times, the energy wasn’t there to maintain the slapstick tone and some of the bits seemed more rehearsed than spontaneous. Also, the blocking for the final scene of the show felt a bit stagnant with most of the cast lined up along either side of the stage.

Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus $ Miranda McGee as Adrrianna. Photo by Mikki Schaffner Photography.

Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus $ Miranda McGee as Adrrianna. Photo by Mikki Schaffner Photography.

Noelle Wedig makes her CSC debut as Guest Costumer Designer. Very good work for the most part, but there were a few costumes that weren’t as successful. The cut of Luciana’s pants did not flair out enough to be baggy trousers of the period, making them look a bit too modern. Adriana’s dress was a bit too common-looking for a woman of her means and next to her husband, they did not look like a couple. The dress also read a bit too matronly, making her look more like Adriana’s mother than sister. I also didn’t understand the purple cape worn by Angelo (Billy Chance), the goldsmith.

 Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

Andrew Hungerford’s scenic and lighting designed worked well, with the use of banners helping to quickly change locations. I really enjoyed the ferris wheel in the distance, but I would have liked to have seen something upstage right to continue the eye-line a bit.

Overall a fun and satisfying production of high-energy hi jinks and mistaken identities.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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EVERY CHRISTMAS STORY TOLD (AND THEN SOME!) Runs Dec. 17-28

(Clockwise from left) Justin McCombs, Miranda McGee, Billy Chace and Sara Clark in CSC’s annual production. Photo by Rich Sofranko.

(Clockwise from left) Justin McCombs, Miranda McGee, Billy Chace and Sara Clark in CSC’s annual production. Photo by Rich Sofranko.

EVERY CHRISTMAS STORY TOLD (AND THEN SOME!)
Presented by Cincinnati Shakespeare Company
Dec. 17-28
Downtown

Directed by Jeremy Dubin

Cast: Justin McCombs, Sara Clark, Billy Chace & Miranda McGee

What starts as an annual performance of “A Christmas Carol” quickly descends into a playful skewering of everyone’s favorite “Beloved Holiday Classics.”  Using just three actors and a little help from the audience, EVERY CHRISTMAS STORY TOLD (AND THEN SOME!) crams an entire season’s worth of stories, carols, and television specials into ninety minutes of non-stop laughs.

  • Wed-Thu, Dec. 17-18 at 7:30pm
  • Fri, Dec. 19 at 7:30pm & 11pm
  • Sat, Dec. 20 at 2pm & 7:30pm
  • Sun, Dec. 21 at 2pm
  • Mon-Tue, Dec. 22-23 at 7:30pm
  • Fri, Dec. 26 at 7:30pm
  • Sat, Dec. 27 at 2pm & 7:30pm
  • Sun, Dec. 28 at 2pm

Official page |

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