Tag Archives: Cincinnati Shakespeare Company

CBC Preview: OTHELLO and RED VELVET, a Pairing Three Years in the Making

A version of this article was originally published online Feb. 27, 2018

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By Rob Bucher

During the month of March, Cincinnati audiences will be offered the unique opportunity to see both William Shakespeare’s tragedy “Othello” set in modern times and the contemporary script of “Red Velvet” set in 1800s London. Performances will take place blocks apart at Cincinnati Shakespeare Company and Ensemble Theatre Cincinnati, respectively.

Shares ETC Artistic Director D. Lynn Meyers: “I wanted to do Red Velvet for the last couple years. When the Shakespeare Company talked about doing Othello, I waited so that we could present it in the same year that they moved to our neighborhood.”

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Nicholas Rose as Iago & William Oliver Watkins as Othello. Photo by Mikki Schaffner.

In “Othello,” the titular character, played by guest artist William Oliver Watkins, is a Moorish General of the Venetian army who elopes with Desdemona (Courtney Lucien), the daughter of a wealthy senator. His unfaithful ensign Iago (Nicholas Rose), bitterly jealous of his superior’s success, sets out to ruin Desdemona’s reputation and drive Othello to wild fits of jealousy.

Returning guest director Christopher V. Edwards (“A Raisin in the Sun” 2017) describes the setting of this production as “A Venice that is technologically and digitally capable, where war is the norm and not the exception. It is a nation with the responsibility of a superpower, where political and economic interests often outweigh ethical or moral concerns.”

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William Oliver Watkins as Othello & Courtney Lucien as Desdemona. Photo by Mikki Schaffner.

The race of the title role is often seen as Shakespeare’s way of isolating the character, culturally as well as visually. During the 19th century, the role was frequently performed as an Arab Moor. Othello was first played by an African American actor in 1833 – and it is his story that is explored in “Red Velvet.”

Actor Ira Aldridge has enjoyed great success in the capitals of Europe. When Edmund Kean, regarded as the greatest actor of his generation, collapses while playing Othello, it is Aldridge who steps into the role and into the history books of the English stage. As the public riots in the streets over the abolition of slavery, how will audiences react to the revolution taking place in the theatre?

D. Lynn Meyers adds, “It’s a bold thing for a theater dedicated to new works to be presenting something that goes back 100 years, but we can’t move forward if we don’t confront our past.”

“Red Velvet” is directed by Cincinnati Shakespeare Company’s Artistic Director, Brian Isaac Phillips. In a way, Phillips’ return to ETC is a bit of a homecoming. It was a director internship with the company that originally brought Phillips to Cincinnati for 1998-99 season.

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Ken Early as Ira Aldridge. Photo by Mikki Schaffner.

The cast is comprised of faces familiar to both Cincy Shakes and Ensemble audiences, with CSC Resident Ensemble Member Jeremy Dubin making his ETC debut. Leading the ensemble is Ken Early in the role of Ira Aldridge.

Adds Meyers: “Ken got his Equity card because of Ensemble. When I look at this [local] cast for Red Velvet and I look at the fact that [our last production] The Humans just broke all box office records and all but one actor was a local [performer]; this is a great thing…to celebrate the talent that is here and to have the opportunity on these stages for people to stay and work here.”

It is easy to argue that the true winners of this collaboration are the theater audiences.

“Othello” presented by Cincinnati Shakespeare Company runs March 2-24 with performances on Thursdays, Fridays, and Saturdays at 7:30 p.m. and Sundays at 2 p.m., as well as Saturday March 24 at 2 p.m.. Preview performances are February 28 and March 1 at 7:30 p.m. More information is available at www.cincyshakes.com.

“Red Velvet” presented by Ensemble Theatre Cincinnati. Performances run March 6-31. Tuesday-Thursday at 7:30 p.m.; Friday and Saturday at 8 p.m.; Saturday and Sunday at 2 p.m.; and Sunday at 7 p.m. More information is available online at www.ensemblecincinnati.org.

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CBC: Cincinnati Shakes’ Sophomore Season in Their New Home is a Season of Firsts

A version of this article was originally published Feb. 21, 2018

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By Rob Bucher

In discussing the success of the first season in their new Over-the-Rhine home, Artistic Director Brian Isaac Phillips speaks with a combination of pride, amazement, and gratitude. “One of the things that’s really important to me, one of the reasons I wanted to work in Cincinnati and stay in Cincinnati, was I didn’t want to go somewhere where everything was already done, and built, and you just become a cog in a machine. I saw the potential for what this company could be and so to see this company grow, and this city grow, and so not to just be a fly over city anymore, but now getting this recognition on a national level…that this is a place to visit for the arts, for food, for everything is really exciting. I think a lot of people in this city have done a lot of hard work to make that happen and it’s nice to be a part of it.”

“Business overall is up 60%. We had a subscription goal and a single ticket goal for every single show. We blew past that subscription goal by so much that it started to eat into available capacity that we could actually sell for single tickets. For us to make our single ticket goals based on how many subscribers we had, we had to operate at 85-95% capacity on every production, which is sort of where we were on Race Street, but now we have all the extra seats. We are hitting those single ticket goals and exceeding them as well, so we are running at a very high capacity.” Phillips is eager to carry that momentum into their 25th season.

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Matthew Lewis Johnson as Pseudolus. Photo by Mikki Schaffner Photography.

Cincinnati Shakespeare Company opens their 25th season with their first musical production, A Funny Thing Happened on the Way to the Forum. “I’ve been waiting to do [a musical] for a while, but we could never figure out how to make it work at Race Street. [For the new theater,] there was a whole bunch of work that we did in designing, planning and building, specifically so we could start producing musicals as well,” explains Phillips.

“Forum” is a Tony-award winning farce with music and lyrics by Stephen Sondheim. Set in ancient Rome, it follows Pseudolus (Matthew Lewis Johnson), a slave who schemes to win his freedom by helping his young master woo the girl next door. Broadway veteran Patrick Ryan Sullivan makes his Cincy Shakes debut playing Roman army captain Miles Gloriosus. On the production side, director Phillips has CCM’s Vince DeGeorge providing choreography and Cincinnati native, Erin McCamley comes home to music direct.

In another first, CSC is honored to have The Royal Shakespeare Company’s associate artist Christopher Luscombe stage “The Winter’s Tale” in March 2019. Luscombe’s currently running production of Twelfth Night closes Feb. 24 at Stratford-Upon-Avon in London and is being filmed for a world-wide release.

Last presented by CSC twelve years ago, “The Winter’s Tale” is one of The Bard’s most beautiful romances.  Leontes (Bruce Cromer) the King of Sicilia becomes convinced, groundlessly, that his heavily pregnant wife Queen Hermione (Kelly Mengelkoch) has been having an affair with his childhood friend Polixenes, the King of Bohemia.

Performances begin in July with the summer extra, “The Complete Works of William Shakespeare (Abridged).” Three actors perform The Bard’s entire canon in with wild comedic abandon at breakneck speed.

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Sara Clark as Julia. Photo by Mikki Schaffner Photography.

Early in 2017, George Orwell’s novel “1984” experienced newfound popularity, even landing for a time on Amazon’s bestseller list. In October, Robert Icke and Duncan Macmillan’s acclaimed play makes its regional debut on the CSC stage. The political thriller follows Winston Smith as he discovers a secret resistance to the authoritarian government known only as Big Brother.

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Caitlin McWethy as Viola. Photo by Mikki Schaffner Photography.

Viola (Caitlin McWethy) loves Count Orsino. Count Orsino loves Countess Olivia. Countess Olivia loves Cesario. The problem, Cesario is Viola disguised as a man. Learn how Viola gets into, and out of, this dilemma in Shakespeare’s most lively, lovely and lyrical comedy “Twelfth Night” opening in November.

CSC’s holiday tradition, “Every Christmas Story Ever Told (And Then Some!),” returns in mid-December. This 90-minute comedy extravaganza offers an irreverent look at your favorite holiday stories.

In January, Cincy Shakes is proud to produce their first August Wilson script, “Fences.” Accolades include the 1987 Pulitzer Prize for Drama and Tony Awards for Best Play (1987) and Best Revival of a Play (2010). Set in 1950s Pittsburgh, the story focuses on Troy Maxson, a former Negro baseball league player, who at 53 years old, struggles to provide for his family as a garbage man. When his son Cory wants to play ball, will Troy’s bitterness and resentment destroy their relationship?

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Kelly Mengelkoch as Lady Macbeth. Pby Mikki Schaffner Photography.

CSC Resident Ensemble Member Miranda McGee makes her directorial debut with William Shakespeare’s “Macbeth.” Audience favorite Giles Davies stars as the Scottish general who, after hearing the prophecy of three witches, murders King Duncan to take the throne. Ambition leads to madness as he and his co-conspirator Lady Macbeth (Kelly Mengelkoch) face the consequences of their treachery. Expecting a high ticket demand, an extra week has been added to the run.

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Sara Clark as Lucienne and Kelly Mengelkoch as Raymonde.

The season concludes with a hilarious new translation of the turn-of-the-century farce “A Flea in Her Ear” by David Ives (“All in the Timing”). Raymonde, suspecting her husband of infidelity, hatches a plot with her friend to test her husband’s heart. An invitation to a rendezvous from an anonymous admirer sets off an unexpected chain of events. Confusion reigns as a colorful cast of characters run amok in the notorious Paris hotel, The Frisky Puss.

2018-2019 Cincinnati Shakespeare Company schedule

  • “The Complete Works of William Shakespeare (Abridged),” July 20-Aug. 11*
  • “A Funny Thing Happened on the Way to the Forum,” Sept. 7-29
  • “1984,” Oct. 12-Nov. 3
  • “Twelfth Night,” Nov. 16-Dec. 8
  • “Every Christmas Story Ever Told (And Then Some!),” Dec. 14-30*
  • “Fences,” Jan. 25-Feb. 16
  • “The Winter’s Tale,” March 1-17
  • “Macbeth,” April 5-May 4
  • “A Flea in Her Ear,” May 17-June 3

*Season extras

For more information visit www.cincyshakes.com.

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Cincinnati Shakespeare Company Announces the 25th Anniversary Season at The Otto M. Budig Theater

The nation’s fastest growing Shakespeare company turns 25!

 CINCINNATI (February 21, 2018 @ 8pm) – Cincinnati Shakespeare Company (CSC) announced the titles for its 25th Anniversary at The Otto M. Budig Theater in an event on February 21.  CSC’s 2018-2019 Season is generously sponsored by The Otto M. Budig Family Foundation and all productions will feature Cincinnati Shakespeare Company’s Resident Company of Actors.

“It is almost hard to believe that it has only been 25 years since Cincinnati Shakespeare Company became Cincinnati’s stage for the classics!  This organization has accomplished so much in a relatively short span of time as it continues to look towards the future. The season ahead is a fantastic example of that!” said Producing Artistic Director, Brian Isaac Phillips who is celebrating his 16th Anniversary as leader of Cincinnati Shakespeare Company.

“Next season, we are thrilled to offer three powerful plays by our house playwright William Shakespeare, which celebrate the best of the Bard! One of his most beloved comedies (Twelfth Night), his most moving romance (The Winter’s Tale), and his most exciting tragedy (Macbeth) are all sure to delight and move new and long-time lovers of Shakespeare,” says Mr. Phillips.  In addition to these classics of the canon, CSC is also exploring new territory by producing works by artists new to Cincinnati Shakespeare Company’s stage. For the first time the geniuses of August Wilson (Fences), Stephen Sondheim (A Funny Thing Happened on the Way to the Forum), and Georges Feydeau (A Flea in Her Ear) will be on the stage, as well as George Orwell (1984) in a regional premiere of the recent West End and Broadway hit.

“Presenting the company’s first musical has been a long time dream of mine and has been requested by our patrons for many years” says Mr. Phillips. “Now that we have the new theater and added space we can fully realize this vision.” CSC welcomes Choreographer Vince DeGeorge to the creative team to design the dance elements for “A Funny Thing Happened on the Way to the Forum”. Mr. DeGeorge is Assistant Professor and Joseph Weinberger Chair of Acting for the Lyric Stage at University of Cincinnati College Conservatory of Music (CCM) teaching both directing and choreographing.  Since 2013, while at CCM, Vince has directed and choreographed 12 productions to rave reviews and accolades.  CSC also welcomes Music Director Erin McCamley who will direct and lead the live music used in the production.  Ms. McCamley is a Cincinnati native that is now New York based and has music directed for The Carnegie, CCM, Know Theatre Cincinnati, Showbiz Players, and more.  She is also a co-founder of the Queen City Queer Theatre Collective (QCQCTC).  “Besides,” Mr. Phillips adds, “what better way to celebrate our 25th Anniversary than by having a Toga Party?!”

CSC is also thrilled to welcome new and distinguished collaborators to the Director’s Chair next season! New to CSC will be Christopher Luscombe, Associate Artist of the Royal Shakespeare Company (RSC) directing “The Winter’s Tale”.  While at the RSC, Mr. Luscombe directed “Shakespeare Revue”, which transferred to the Vaudeville Theatre in London. Mostly recently at the RSC, Mr. Luscombe directed the hit production of “Twelfth Night” which closed Feb. 24, 2018 and was played live in cinemas in February 2018.  Subsequent productions at Stratford include “Love’s Labour’s Lost” and “Much Ado About Nothing”, both of which transferred to the Theatre Royal, Haymarket in the West End. In addition to the Royal Shakespeare Company and Stratford, he now adds Cincinnati Shakespeare Company to his list of directing credits that also includes such institutions as Shakespeare’s Globe, Menier Chocolate Factory, Lyric Theatre, Apollo Theatre, Birmingham Rep, Oxford Stage Company, and more.

The director of “Twelfth Night” will be Austin Tichenor, co-managing partner of the Reduced Shakespeare Company. “CSC has been a long-time fan and producer of Austin’s works such as ‘The Complete History of America (abridged)’ and ‘The Complete History of America (abridged)’. We connected with him during our work with the Shakespeare Theatre Association and we are thrilled he has decided to join us next season and bring his comedic eye to our holiday time Shakespeare, ‘Twelfth Night’”!  Austin recently performed at Cincinnati Playhouse in “The Complete History of Comedy (abridged)” as a co-writer, co-director, and actor.

CSC also welcomes back Christopher V. Edwards to direct CSC’s first ever August Wilson work, “Fences”.  Christopher directed last season’s powerful hit “A Raisin in the Sun” and is currently directing “Othello” opening March 2, 2018 at Cincinnati Shakespeare Company.  Mr. Edwards was recently named the Artistic Director of Actors Shakespeare Project (ASP) in Boston, MA.  Prior to ASP, he was the Artistic Director of Nevada Conservatory Theatre (NCT) in Las Vegas.  In addition to Cincinnati Shakespeare Company, Mr. Edwards has worked in London’s West End, Off-Broadway, Chicago Shakespeare Theater, Cleveland Playhouse, Utah Shakespeare Festival, SOHO Rep, and the Guthrie Theatre to name a few.

Directing the other productions in the season will be members of CSC artistic team.  Associate Artistic Director Sara Clark will be directing “The Complete Works of William Shakespeare (abridged); Associate Artist Miranda McGee will be directing “Macbeth” in her mainstage debut after directing CSC’S FREE Shakespeare in the Park tour; Director of Creative Education, Jeremy Dubin will be directing “A Flea in Her Ear” and “Every Christmas Story Ever Told (and Then Some!)”; and Producing Artistic Director Brian Isaac Phillips will open the season by directing “A Funny Thing Happened on the Way to the Forum” and “1984”.

Cincinnati Shakespeare Company continues to offer audiences great value with affordable, flexible subscriptions that include flexible tickets that can be used in any combination for any performance. Adult Subscriptions in packages of 7 tickets are $324, Senior Subscriptions are $290, and Student Subscriptions are $179.  Budget-conscious patrons can also subscribe to the company’s preview series.  A Preview Subscription is just $200 and includes seven tickets that can be used for any preview performance, typically Wednesday and Thursday evenings before Opening Night.  All subscriptions are currently on sale now and may be purchased through the Cincinnati Shakespeare Company website http://www.cincyshakes.com or box office by calling 513-381-BARD (2273) ext. 1.  Single tickets for all shows will go on sale Monday April 2, 2018 but the recommended way to get the best price and first access to seats is by becoming a subscriber!  There are also discounts available for students, seniors, local residents, and community partners.

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The 2018-2019 25th Anniversary Season at The Otto M. Budig Theater is as follows:

September 7- 29, 2018
A Funny Thing Happened on the Way to the Forum
Book by Burt Shevelove and Larry Gelbart
Music and Lyrics by Stephen Sondheim
Originally Produced on Broadway by Harold S. Prince

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Matthew Lewis Johnson as Pseudolus. Photo by Mikki Schaffner Photography.

It’s Cincinnati Shakespeare Company’s 25th anniversary season! How are going to celebrate? Two words: Toga Party. Come see the CSC ensemble as you’ve never seen them before- in their first full blown MUSICAL! Shenanigans, hijinks and tomfoolery abound as a lowly slave by the name of Pseudolus endeavors to scheme his way to freedom in Stephen Sondheim’s antic romp through Ancient Rome.

October 12- November 3, 2018
1984 by George Orwell
a new play by Robert Icke and Duncan Macmillan

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Sara Clark as Julia in 1984. Photo by Mikki Schaffner Photography.

In a dystopian future where persecution masquerades as patriotism and surveillance as security, the shadowy government entity known only as Big Brother watches your every move. When Winston Smith stumbles upon a secret resistance movement, he soon finds himself in dire straits, tumbling down a rabbit hole and grappling with everything he thought that he believed. Fresh off a smash run on London’s West End and a special limited engagement on Broadway, the regional premiere of this taut political and psychological thriller is not to be missed.

November 16- December 8, 2018
William Shakespeare’s Twelfth Night

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Caitlin McWethy as Viola. Photo by Mikki Schaffner Photography.

What do you get when you combine a shipwreck, a cross-dressed Lady, a lovelorn Lord, a fickle Countess, a drunken uncle, a flamboyant fop, an uptight servant, a mischievous clown, a protective pirate and an identical twin? You get the kind of delightfully and deliciously twisted knot that only Shakespeare can untie. CSC invites you to celebrate the holiday season with one of the Bard’s most lively, lovely and lyrical comedies Twelfth Night.

 January 25- February 16, 2019
August Wilson’s Fences

Set against the backdrop of 1950’s Pittsburgh, August Wilson’s Pulitzer Prize winning drama tells the story of Troy Maxson, a one-time star of the Negro baseball leagues who now works as a garbage man, holding court and expounding on life from the chair in his backyard. Due to his race, Troy was denied his shot at the big league, so when his son Cory wants his own chance to play ball, Troy’s bitterness and resentment threaten to tear their relationship apart.

March 1- 17, 2019
William Shakespeare’s The Winter’s Tale

An irrational and unfounded jealousy has consumed Leontes, the king of Sicilia. Convinced his wife Hermione has been carrying on an affair, he unleashes his rage upon her and their newborn child, whom he banishes to the wilderness. The consequences of his actions unfold over many years, in ways no one, most of all Leontes could have anticipated. Shakespeare’s magical tale of wrath and redemption, of loves lost and then found is a sure way to warm the heart on a cold winter’s night.

April 5- May 4, 2019
William Shakespeare’s Macbeth

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Kelly Mengelkoch as Lady Macbeth. All photos by Mikki Schaffner Photography.

When the noble Scottish Lord Macbeth sees a path to power open up before him, he is determined to trod that path to its bloody end, consequences (and maybe himself) be damned. With his ruthless wife at his side, the two plot a Machiavellian course to put and to keep Macbeth on the Scottish throne. Shakespeare’s heart-pounding thrill ride of a play is a harrowing exploration of ambition, morality, tyranny and corruption.

May 17- June 3, 2019
A Flea in Her Ear
A new version of Georges Feydeau’s farce by David Ives

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Sara Clark as Lucienne and Kelly Mengelkoch as Raymonde.

Come spend a hilarious evening in Paris’s most notorious hotel, The Frisky Puss, where the bourgeoist of the bourgeoisie let their peccadilloes out to play. Propriety takes a vacation, and ribaldry rules the roost, as a colorful cast of characters runs amok through the corridors, leaving chaos and occasionally clothing in their wake. David Ives fresh translation of Georges Feydeau’s classic turn-of-the-century French sex farce will have you rolling in the aisles, so make yourself a reservation and allons-y!

Special Events*

July 20- August 11, 2018
The Complete Works of William Shakespeare (abridged)
by Adam Long, Daniel Singer, & Jess Winfield

What better way to celebrate the start of the 25th Anniversary Season than by doing all of Shakespeare’s canon – in one evening! The Complete Works of William Shakespeare (Abridged) features three actors on a mission: to bring the entirety of Shakespeare’s works to life on the stage in one fell swoop. Gallop along with us as we careen wildly through all the comedies, histories and tragedies using a trunkful of props, wigs, and outrageous costumes – it’s a joyous Shakespeare jambalaya you definitely don’t want to miss.

December 14-30, 2018
Every Christmas Story Ever Told (And Then Some!)*
by Michael Carleton, James FitzGerald and John K. Alvarez

CSC’s holiday smash hit Every Christmas Story Ever Told (And Then Some!) is back! What begins as another annual production of A Christmas Carol, soon devolves into a slightly irreverent look at all of our favorite “Beloved Holiday Classics” including It’s a Wonderful Life, Frosty, Rudolph, Charlie Brown and more! Three actors (with the help of Santa) send up everything from Dickens to Dr. Seuss in 90 minutes of high octane jollity and frivolity.
*Not part of the subscription package
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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2018-2019 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

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OTHELLO, Shakespeare’s Infamous Tale of Obsession, Jealousy, and Betrayal, Comes to Cincinnati Shakespeare

OTHELLO marks the first of Shakespeare’s tragedies to be performed on Cincinnati Shakespeare Company’s new stage at The Otto M. Budig Theater

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Nicholas Rose as Iago & William Oliver Watkins as Othello.

CINCINNATI, Feb. 8, 2018 – Cincinnati Shakespeare Company continues the Debut Season at The Otto M. Budig Theater with William Shakespeare’s Othello. The production will be directed by Christopher V. Williams, who also directed last season’s highly-praised A Raisin in the Sun at CSC, and will feature founding company member Nicholas Rose at Iago, as well as newcomer to CSC William Oliver Watkins as Othello, and CSC Resident Ensemble Member Courtney Lucien as Desdemona.  Othello is generously sponsored by Matson Money and Pete Strange Family.

Othello (William Oliver Watkins), a Moor, has won fame and glory for his many victories leading the Venetian army, but tensions spark when he elopes with the wealthy Desdemona (Courtney Lucien). Othello’s scheming underling, Iago (Nicholas Rose) is bitterly jealous of Othello’s successes and launches a series of plots and snares to bring ruin to Othello and Desdemona. Through whispers, innuendoes, and a deception involving a purloined handkerchief, Iago sets out to ruin Desdemona’s reputation and drive Othello to wild fits of jealousy.

“This is a play that speaks to a national conversation that we’re having right now about inequality and bias,” says Producing Artistic Director Brian Isaac Phillips. “Othello is a classic work that deals with these very timely issues, and also explores the universal themes of insecurity, trust, and betrayal.” Director Christopher V. Edwards said of the staging of this production: “Though quite old, the play has a contemporary soul. Our Othello is set in a contemporary world – a Venice that is technologically and digitally capable, where war is the norm and not the exception. It is a nation with the responsibility of a superpower, where political and economic interests often outweigh ethical or moral concerns.”

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William Oliver Watkins as Othello & Courtney Lucien as Desdemona.

The production is part of an exciting collaboration between Cincinnati Shakespeare Company and Ensemble Theatre Cincinnati.  These neighboring local theaters are collaborating to present William Shakespeare’s “Othello” and Lola Chakrabarti’s “Red Velvet” simultaneously only blocks apart in OTR! Cincinnati audiences will have a rare opportunity to experience both Shakespeare’s searing tragedy of deception and betrayal and see Chakrabarti’s telling of the little-known but true story of Ira Aldridge, the first African-American actor to play Othello. Cincinnati Shakespeare Company’s Producing Artistic Director, Brian Isaac Phillips will be directing “Red Velvet” and the cast will feature actors from Cincinnati Shakespeare Company’s Resident Ensemble. This is a once in a lifetime opportunity to see literature and history collide in this unique way on two of Cincinnati’s greatest stages in March!

Othello runs March 2-24 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday March 24 at 2:00 PM.  Preview performances are February 28 and March 1 at 7:30 PM.  Red Velvet runs March 6- 31 at Ensemble Theatre Cincinnati.

On Sundays March 11 and 18, bring your younger kids (4+) for artist-led childcare DURING the performance! The “Playdate” program is only $15 and free for subscribers. The option to add this program will be available as you are buying tickets for either of these show dates. Activities will range from Shakespeare Storytime to theatre games and crafts. Share the great benefits of CSC’s programming with your children: Playdate will style activities to correspond with each production, so even your youngest can join in the discussion on the ride home!

The theater is now located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park. Single ticket prices range from $14-$52.  Student/Children and Preview tickets are only $28. If available that day, $14 student rush tickets may be purchased thirty minutes before a show with a valid student ID. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees may apply.  Discounts are available for students, seniors and groups as well as AAA members. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com.

Valet Parking is now available for every performance! Make reservations for $10 in advance when purchasing tickets. Purchasing in advance guarantees a spot at the discounted rate of $10 (vs. $15-20+ at the curb).  Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Cars can be picked up for up to one hour following a performance. (After one hour, you will need to arrange pick up with the valet service directly.) The valet will have your name on the list after you purchase- it’s that easy!

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2017-2018 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare

Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Cincinnati Shakespeare Company was one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States.

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Cincinnati Shakespeare Company to Receive $15,000 Grant from the National Endowment for the Arts

Cincinnati Shakespeare Company joins Cincinnati Ballet, Cincinnati Art Museum, Cincinnati Opera, Cincinnati Playhouse in the Park, Cincinnati Symphony Orchestra, and Educational Theatre Association as local organizations receiving funding totaling $186,000

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A scene from Cincinnati Shakespeare Company’s PROJECT38 Educational Initiative.

CINCINNATI, Feb. 7, 2018 – National Endowment for the Arts Chairman Jane Chu has approved more than $25 million in grants as part of the NEA’s first major funding announcement for fiscal year 2018.  Included in this announcement is an Art Works grant of $15,000 to Cincinnati Shakespeare Company for PROJECT38, Cincinnati Shakespeare’s groundbreaking educational initiative. The Art Works category is the NEA’s largest funding category and supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and/or the strengthening of communities through the arts.

“It is energizing to see the impact that the arts are making throughout the United States. These NEA-supported projects, such as this one to Cincinnati Shakespeare Company, are good examples of how the arts build stronger and more vibrant communities, improve well-being, prepare our children to succeed, and increase the quality of our lives,” said NEA Chairman Jane Chu. “At the National Endowment for the Arts, we believe that all people should have access to the joy, opportunities and connections the arts bring.”

 This grant will go to support the arts education and community initiative PROJECT38. Through this arts education and community initiative, students directly engage with Shakespeare’s text. Over the course of the year, students from 38 schools in the community work with the Cincinnati Shakespeare Company Resident Ensemble of teaching artists to co-create 38 interpretations (dramatic, musical, visual, and dance) of all of Shakespeare’s 38 plays. The project culminates in a weekend festival in which all of the students will come together to share what they have created with their families, friends, and the community at-large.  The dates of the festival are April 12-15, 2018.

 To learn more about the $25 million in National Endowment for the Arts grants supporting art projects nationwide announced today, visit the following page:

https://www.arts.gov/news/2018/25-million-grants-support-art-projects-nationwide

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2017-2018 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com. The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Cincinnati Shakespeare Company is one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States.

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