Tag Archives: Cincinnati Playhouse in the Park

BIRTHDAY CANDLES Runs April 19-May 18

PIP_Birthday CandlesBIRTHDAY CANDLES 
Cincinnati Playhouse in the Park
April 19-May 18
Shelterhouse Theatre [Eden Park]

Directed by Joanie Schultz

Cast: Will Allan as Billy/John, Barbara Chisholm as Ernestine, Amira Danan as Alice/Madeline/Ernie, Mierka Girten as Joan/Alex/Beth, Adam Poss as Matt/William & Bill Timoney as Kenneth

The ingredients for the cake are simple: eggs, butter, sugar, salt. Look closer, though, and you’ll see the essence of life itself. Every year, Ernestine bakes a cake and celebrates with her family on her birthday — a delicious ritual that unfolds onstage across 90 years of birthdays. We meet Ernestine and the people who sweeten her life every year on this day as she grows from 17 to 107 years old. Through glimpses of Ernestine’s life as the years go by, Birthday Candles tenderly explores motherhood, family, love, loss and finding your place in the universe. This charming new play, recently performed on Broadway, will warm the soul. Note: Birthday Candles is recommended for older teenage and adult audiences. Using a bit of strong adult language, the play celebrates life and the pain and beauty that comes with it – from serious illness, loss and grief to love, sex, family and birthday cake.

  • In preview, Sat, April 19 at 7:30pm
  • In preview, Tue-Wed, April 22-23 at 7:30pm
  • Thu-Fri, April 24-25 at 7:30pm
  • Sat, April 26 at 2pm & 7:30pm
  • Sun, April 27 at 2pm
  • Tue-Fri, April 29-May 2 at 7:30pm
  • Sat, May 3 at 2pm & 7:30pm
  • Sun, May 4 at 2pm
  • Tue, May 6 at 7:30pm
  • Wed, May 7 at 1pm & 7:30pm
  • Thu-Fri, May 8-9 at 7:30pm
  • Sat, May 10 at 2pm & 7:30pm
  • Sun, May 11 at 2pm
  • Tue-Fri, May 13-16 at 7:30pm
  • Sat, May 17 at 2pm & 7:30pm
  • Sun, May 18 at 2pm

Official page | Facebook event |

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THE BOOK CLUB PLAY, A Play About Books and the People Who Love Them, Begins March 22 in the Rouse Theatre

CINCINNATI – A hit play by Playhouse favorite Karen Zacarías returns March 22 through April 20 to Moe and Jack’s Place – The Rouse Theatre. Presented by the Leading Ladies with Executive Producer Fifth Third Bank, THE BOOK CLUB PLAY is a comedy about books and the people who love them. It returns after a previous sold-out run at the Playhouse in 2013 and selling out theatres across the country.

The inspiration for THE BOOK CLUB PLAY derives from Zacarías’s own experiences. She explains, “I’ve been in a fabulous co-ed book club for 25 years. It’s a sanctuary to talk, laugh and connect to deeper themes with friends. It also can manifest some drama and intense group dynamics.”

In the story, the members of a devoted book club become the subjects of a documentary filmmaker, and their intimate discussions of life and literature take on new meaning with the camera rolling. A provocative new member who arrives unexpectedly leads to the inclusion of questionable book titles. Hilarity ensues.

“It’s one of those scripts that makes me laugh out loud — and that’s always a good sign. I think that now, more than ever, we need to laugh at ourselves a bit. So, it seems like the right moment to create a new production in Moe and Jack’s Place – The Rouse Theatre to bring the laughs to a widespread audience,” says Blake Robison, Osborn Family Producing Artistic Director and director of THE BOOK CLUB PLAY.

The 20-year creative collaboration of Blake Robison and Karen Zacarías includes the world premiere of THE BOOK CLUB PLAY at Round House Theatre, where Robison previously served as artistic director. Robison then staged a new production of THE BOOK CLUB PLAY during his inaugural season at the Playhouse in 2013. Since then, he has since commissioned Zacarías to write Native Gardens and Shane, both world premieres that he directed at the Playhouse. Robison also produced Zacarías’s play Destiny of Desire.

Along with the laughs, Robison hopes audiences will take away this message, “Take it easy, lighten up, don’t be so critical. The play reminds you that it’s people who are dearest to you — not what they do, what they say or what they read.”

CAST

  • Annalisa D’Aguilar – Lily Louise Jackson/Mrs. Simpson
  • Adam Langdon* – Alex/Carl
  • Eli Mayer* –  Robert Novum Smith Jr./Sam
  • Matthew McGloin* – William Lee Nothnagel/Frank
  • Marina Shay* – Ana Smith
  • Kim Wuan* – Jennifer McClintock/Elsa

PRODUCTION

  • Playwright – Karen Zacarías
  • Director – Blake Robison
  • Set Designer – Jo Winiarski
  • Costume Designer – Lauren T. Roark
  • Lighting Designer – Jorge Arroyo
  • Sound Designer/Composer – Matthew M. Nielsen
  • Projection Designer – Amoirie Perteet
  • Casting Director – Stephanie Klapper, CSA
  • Stage Manager – Andrea L. Shell*
  • Assistant Stage Manager – Carolyn Fast*

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TICKETS
Tickets begin at $35.00. Prices vary depending on performance. Preview performances take place at 7:30 p.m. on March 22, 25 and 26. Regular performances will take place on Tuesday-Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 2 p.m. A weekday matinee will take place April 9 at 1 p.m. An audio-described performance is offered on April 12 at 2 p.m. and a signed ASL performance will take place April 13 at 2 p.m. To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit www.cincyplay.com. Patrons who are deaf, hard-of-hearing, deaf-blind or speech disabled: dial 711 to connect to the Box Office via Ohio Relay Services.

EVENTS
Preview Performances
Be among the first to see the show before opening night and save! Preview performance tickets are discounted.

  • Sat., March 22 at 7:30 p.m.
  • Tue., March 25 at 7:30 p.m.
  • Wed., March 26 at 7:30 p.m.

Opening Night
Share the excitement of Thursday opening nights!

  • Thu., March 27 at 7:30 p.m.

Art Talks
(Formerly Meet the Artists), stay after select performances for a behind-the-scenes discussion with members of the artistic team.

  • Sun., March 30 at 2 p.m.
  • Thu., April 3 at 7:30 p.m.
  • Wed., April 16 at 7:30 p.m.

Read Between the Wines Book Club
Join us in reading and discussing the same books that spark spirited debate in the play at our pre-show Read Between the Wines Book Club events. Each one includes wine, hors d’oeuvres and a fun book discussion facilitated by a member of the Playhouse staff. Doors open at 6 p.m., and the discussion runs 6:15 to 7 p.m. in the Kaplan Lobby. Cost is $25 per person, per event, which includes the hors d’oeuvres, two glasses of wine and doesn’t include tickets to the play (sold separately).

  • Moby Dick by Herman Melville: Wed., April 2
  • The Age of Innocence by Edith Wharton: Tue., April 8
  • Twilight by Stephenie Meyer: Fri., April 11
  • The Da Vinci Code by Dan Brown: Thu., April 17

To purchase a Book Club event as an add on only (without a ticket to the show) click here.

To purchase both tickets to the play and a Book Club event, choose your date below. The Book Club will be offered as an add-on after you choose your tickets to the play.

PAY-WHAT-YOU-CAN-PERFORMANCES
Pay-What-You-Can performances are an additional way we try to make live theatre accessible to those who otherwise might not be able to attend our shows. Tickets can be purchased by phone at 513-421-3888 or in person beginning at noon, day of the performance only. Tickets are subject to availability.

  • Wed., April 2 at 7:30 p.m.
    Wed., April 9, at 1 p.m. (Tickets available for purchase at 11 a.m.)

ADVISORY
THE BOOK CLUB PLAY is recommended for older teenager and adult audiences. Using only mild adult language, some (very funny) book discussions reference identity, sex and maybe … sparkly vampires?

SPONSORS
THE BOOK CLUB PLAY is presented by the Leading Ladies. Executive Producer is Fifth Third Bank. Production Sponsors are Johnson Investment Counsel and Clark Schaefer Hackett. Design Sponsor is Skidmore Sales & Distributing. Artist Sponsors are Amelia and Tom Crutcher, Karen and Bill Neyer, Eat Well Celebrations and Feasts, and Leon and Barb Meyer. The 2024-2025 season is presented by the Schueler Group. Season Design Sponsor is Kerry Automotive.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

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THE HELPERS Staged Reading at Playhouse on March 17

THE HELPERS Staged Reading
Cincinnati Playhouse in the Park
March 17
[Eden Park]

Written by Maggie Lou Rader

The Helpers is a new perspective from the other side of the most famous bookshelf in history. Miep Gies, an immigrant and secretary for Otto Frank’s famous Opekta company, leads a group of helpers to preserve the residents of the Secret Annex and the spirit of goodness and survival during World War II. The Helpers is a tale of joy, hope, friendship and resistance during one of history’s darkest moments.

  • Mon, March 17 at 7pm

Tickets required |

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THE BLACKFACE PROJECT Staged Reading at Playhouse on March 10

THE BLACKFACE PROJECT Staged Reading
Cincinnati Playhouse in the Park
March 10
[Eden Park]

Written by Isaiah Reaves

A complete revision of the critically acclaimed Fringe production, Isaiah Reaves’ new Blackface Project takes another look at the Bert Williams story through fresh eyes, genre and hope. Bert Williams, the first Black man on Broadway, is at the center of this new, satirical piece.

  • Mon, March 10 at 7pm

Free with on registration required |

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ENGLISH Review

By Katrina “Kat” Reynold

ENGLISH presented by Cincinnati Playhouse in the Park through March 30th. I attended the Opening Night performance. 

Neagheen Homaifar as Marjan, Leyla Modirzadeh as Roya, Fady Demian as Omid, Aryana Asefirad as Goli & Sanam Laila Hashemi as Elham. Photo by Mikki Schaffner.

This March, Cincinnati Playhouse in the Park is bringing audiences another Pulitzer Prize for Drama winner (2023): English by Sanaz Toossi. Staged in the Rosenthal Shelterhouse Theatre, English is set in a classroom in 2008 Iran where four adult students gather to prepare for the TOEFL (Test of English as a Foreign Language). What happens is an evocative glimpse into the unifying human desire to feel like they belong.

Director Kimberly Senior tries hard to keep the pace going on a script which has frequent “scene changes”; while they are more indications of passages of time, they do tend to break up the momentum quite a bit. I feel it would be better not to go “lights down” on each and every transition in the interest of keeping the audience’s attention. Set Designer Afsaneh Aayani offers a comprehensive classroom setting with a lot of options for natural movement and Ms. Senior’s blocking works well with it.

One of the major stars of the production would have to be Dialect Coach Sade Namei. With a show about students who are learning English as a foreign language, I was curious as to how the characters’ speaking in their native tongue would be handled. Without spoiling too much, dialects are key in how this plays out on stage. Ms. Namei’s work with the performing artists is to be commended and is a shining fifth character.

I have often sung the praises of Casting Director Stephanie Klapper and they are well-deserved sentiments. The chemistry between this group of five performing artists is cohesive and palpable. It is nearly impossible to cite any individual’s talents without mentioning each of them. Neagheen Homaifar as Marjan (the teacher) excels at dancing the fine line between conveying her genuine interest in imparting knowledge with her character’s own struggles as an Iranian. Aryana Asefirad breathes life into Goli: a sweet, genuine young woman who is clearly in love with the English language and sees it as a way to gain confidence in her proverbial voice. Fady Demian (Omid) glides effortlessly through the motions – both in physicality and sensibility – and you wonder what turmoil must inevitably lie beneath. Sanam Laila Hashemi (Elham) gives a masterclass in believability. Ms. Hashemi’s portrayal breeds empathy on a rich level and her quick navigation of both “languages” is enviable. Leyla Modirzadeh (Roya) is not only beautiful as far as aesthetics, but in her execution of a mother and grandmother who longs to be an important person in the lives of her progeny. (Semi-spoiler: I was not a fan of the way Roya’s story ended as it seemed dismissive.)

While many of us who will witness this exceptional production have an inherent privilege which bars us from empathizing with every aspect of the characters’ struggles, there are more than enough common bonds to which we can utterly relate. English is an ideal combination of the specific and more common struggles human beings share in this life. It addresses themes of being made to feel insignificant (or outright stupid) if we do not do things like “everyone else” along with complicated family dynamics and goals for the future. Whether you speak Farsi, English, or any other tongue, this is a well-written and well-told piece of art which will leave you feeling hopeful as you exit the theatre.

Special Note: The program contains an insert encouraging support of Persian-Owned Businesses. Please visit https://cincypacs.org/ to see how you can patronize such establishments.  

Click here for more information about the production.

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