Tag Archives: Cincinnati Playhouse in the Park

AEA Auditions for Cincinnati Playhouse in the Park

Cincinnati Playhouse in the Park will be holding Equity and Equity-Eligible (EMC) Principal auditions on Monday, May 7, 2012 from 9 a.m. to 4 p.m. for the 2012-13 Season. Auditionees should prepare one or two contrasting monologues, not to exceed 3 minutes.

For a musical audition, one monologue and one song (not to exceed 3 minutes) should be prepared. Musical auditions will only be seen from 2:30 p.m. – 4:00 p.m. An accompanist will be provided. Clearly marked music will be required for the accompanist. No pre-recorded music will be permitted.

Blake Robison, incoming Artistic Director, and Michael Evan Haney, Associate Artistic Director, will be attending these auditions. They will take place at the Cincinnati Playhouse in the Park.

Visit our website at www.cincyplay.com for information about the 2012-13 Season. Only Equity and Equity-Eligible will be seen at this time.

To reserve an audition time, please call 513/345-2242.

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PIP Presents Mystical and Magical THUNDER KNOCKING ON THE DOOR, April 21-May 20

(CINCINNATI) – The Cincinnati Playhouse in the Park’s biggest musical hit of the last 20 years is back! Free your soul with the mystical and magical journey of Keith Glover’s THUNDER KNOCKING ON THE DOOR in the Robert. S Marx Theatre April 21 through May 20.

Set in Bessemer, Alabama, in 1966, THUNDER KNOCKING ON THE DOOR is a musical fairy tale steeped in folklore and the mystique of the Deep South. Marvell Thunder, a blues-playing stranger and supernatural shape-shifter, pays a visit to the Dupree family. Years before he’d lost a cutting contest to Jaguar Dupree, and now, after the man’s death, he has returned to challenge the children of the only musician who ever “out-licked him” and claim the pair of charmed guitars their father bequeathed to their care. He’s convinced that winning them will set his life right again, and stop him from turning to stone. Having already beaten the son, Jaguar Dupree, Jr., he’s set to challenge the daughter, the beautiful and blind Glory Dupree. With Delta blues guitars, they come together “where the two roads meet” for a musical face-off that will decide everyone’s fate.

Producing Artistic Director Ed Stern said, “THUNDER KNOCKING ON THE DOOR is a remarkable, intoxicating musical fable filled with humor, heart and extraordinary music. I am delighted to welcome Keith Glover back to the Playhouse. He is a visionary, a craftsman with a fabulous soul.”

THUNDER KNOCKING ON THE DOOR was commissioned by the Alabama Shakespeare Festival, which first produced it in 1996. It won the 1997 Osborn Award for Best Play from the American Theatre Critics Association. After that, the production received many revisions in eight cities, before coming to the Arena Stage in Washington, D.C. and the Playhouse in 1999.

Playwright Keith Glover said, “THUNDER KNOCKING ON THE DOOR is about the love of music, love of family, love of tradition, love between a man and woman, father and son, mother and daughter. We don’t have to see African-Americans hating each other all the time. We don’t always need to see ‘real life’ up there. Also, for some African-Americans, this is their real life. There are black people who are leading great lives. I have a great deal to be thankful for. African-American life, like the blues, is not only about sadness. There is room in the kaleidoscope for all of our experiences.”

Terry Burrell returns to the Playhouse to play Good Sister Dupree. She appeared in the same role in the 1999 production. Jennie Harney (Beehive) will play Glory Dupree. Making their Playhouse debuts are David St. Louis as Marvell Thunder, Trent Armand Kendall as Jaguar Dupree, Sr./Dregster Dupree and Timothy Ware as Jaguar Dupree, Jr. Supporting them will be a five-man blues band.

Joining Glover on the production team are Choreographer Kenneth L. Roberson, Music Director Michael Leroy Peed, Set Designer David Gallo, Costume Designer Paul Tazewell, Lighting Designer Thomas C. Hase, Sound Designer David B. Smith, Illusion Designer James Steinmeyer and Costume Coordinator Kara Harmon. The Production Stage Manager is Jenifer Morrow.

Prices for THUNDER KNOCKING ON THE DOOR range from $25 – $71, depending on day and seat location, and are subject to change. Tickets are just $25 for the preview performances at 8 p.m. Saturday, April 21; 2 p.m. Sunday, April 22; 7:30 p.m. Tuesday, April 24; and 7:30 p.m. Wednesday, April 25. Some restrictions apply. The official opening night is Thursday, April 26 at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 and 8 p.m. Saturdays and 2 p.m. and 7 p.m. Sundays.

Tickets to THUNDER KNOCKING ON THE DOOR are on sale now. For more information, call the Playhouse box office at 513/421-3888 (toll-free in Ohio, Kentucky and Indiana at 800/582-3208) or visit http://www.cincyplay.com. Call 513/345-2248 for TDD accessibility.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Special Performances

Meet the Artists
These free programs allow audiences to interact with cast members and others associated with the production following the show.

  • 2 p.m. Sunday, April 29
  • 7:30 p.m. Wednesday, May 2
  • 2 p.m. Sunday, May 13
  • 8 p.m. Thursday, May 17

Audio Described Performance
4 p.m. Saturday, May 12

Signed Performance
2 p.m. Sunday, May 13

Playhouse Perspective
A free, pre-show lecture series featuring theatre artists and experts. Funding provided by Roderick and Barbara Barr. The featured speaker will be creator and director Keith Glover. Time: Sunday, May 6 at 6 p.m.

Dining Options
Karlo’s Bistro at the Playhouse offers full-service dining prior to most evening performances. Dinners include salad, entrée and dessert. Reservations are required by noon on the day of the show. The price is $27. Karlo’s Casual Fare offers busy theatre patrons an alternative light, quick bite prior to the show. Options include salads, sandwiches, soups, pasta and desserts. No reservations are required. Credit cards are now accepted.

Sponsors
Production Sponsor: Fifth Third Bank and this production honors the brave men and women in our armed forces

Artist Sponsor: Schiff, Kreidler-Shell, Inc.

Honorary Producer: Lee Meyer

The 2011-2012 Marx Theatre Series is presented by The Otto M. Budig Family Foundation.

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THE SECOND CITY 2: LESS PRIDE MORE PORK runs April 29-July 1

THE SECOND CITY 2: LESS PRIDE MORE PORK
Presented by Cincinnati Playhouse in the Park
April 29-July 1
Eden Park

Reviews: Enquirer |

ALL NEW SHOW! The world’s premier comedy company will again set its razor-sharp sights on Cincinnati. What’s left to skewer? The Second City was in town long enough to know they haven’t come close to exhausting the material. Not to mention, between now and opening night, entire sports seasons will come and go, politicians will star on reality shows and streetcars may (or may not) be on track. The future holds nothing but promise for comedy at our expense. If the recent sold-out, record-breaking run was any indication, you gotta goetta your tickets now!

THE SECOND CITY 2: LESS PRIDE MORE PORK is suitable for adults and older teenagers. It contains adult language and content. Please be aware that portions of the show are improvisation and will change nightly so a specific content advisory will not be possible.

Directed by Mick Napier
Music directed by Matthew Loren Cohen

Cast: Cody Dove, Sayjal Joshi, Amy Roeder, John Sabine, Tim Stoltenberg & Travis Turner

  • In preview Sun, April 29 at 2pm & Tue-Wed, May 1-2 at 7:30pm. $25 seats available
  • Thu-Fri, May 3-4 at 8pm
  • Sat, May 5 at 4pm & 8pm
  • Sun, May 6 at 2pm & 7pm
  • Tue-Wed, May 8-9 at 7:30pm
  • Thu-Fri, May 10-11 at 8pm
  • Sat, May 12 at 4pm & 8pm
  • Sun, May 13 at 2pm & 7pm
  • Tue-Wed, May 15-16 at 7:30pm
  • Thu-Fri, May 17-18 at 8pm
  • Sat, May 19 at 4pm & 8pm
  • Sun, May 20 at 2pm & 7pm
  • Tue, May 22 at 7:30pm
  • Wed, May 23 at 1pm & 7:30pm
  • Thu-Fri, May 24-25 at 8pm
  • Sat, May 26 at 4pm & 8pm
  • Sun, May 27 at 2pm
  • Tue-Wed, May 29-30 at 7:30pm
  • Thu-Fri, May 31-June 1 at 8pm
  • Sat, June 2 at 4pm & 8pm
  • Sun, June 3 at 2pm & 7pm
  • Tue-Wed, June 5-6 at 7:30pm
  • Thu-Fri, June 7-8 at 8pm
  • Sat, June 9 at 4pm & 8pm
  • Sun, June 10 at 2pm & 7pm
  • Tue-Wed, June 12-13 at 7:30pm
  • Thu-Fri, June 14-15 at 8pm
  • Sat, June 16 at 4pm & 8pm
  • Sun, June 17 at 2pm & 7pm
  • Tue-Wed, June 19-20 at 7:30pm
  • Thu, June 21 at 8pm
  • Fri, June 22 at 8pm & 11pm
  • Sat, June 23 at 4pm & 8pm
  • Sun, June 24 at 2pm
  • Tue-Wed, June 26-27 at 7:30pm
  • Thu, June 28 at 8pm
  • Fri, June 29 at 8pm & 11pm
  • Sat, June 30 at 4pm & 8pm
  • Sun, July 1 at 2pm

Official page with online ticketing | Goldstar discount |

Local media coverage: Cincinnati Examiner article | Cincinnati Magazine article | Enquirer article |

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TIGERS BE STILL Earns LCT Award for Sound Design

Vincent Olivieri Earns League of Cincinnati Theatres Award for Sound Design in Cincinnati Playhouse in the Park’s TIGERS BE STILL

Lindsey Kyler as Sherry and Eric Nelsen as Zack. Photo by Sandy Underwood.

(CINCINNATI, MARCH 27, 2012)– Vincent Olivieri, sound designer for the Cincinnati Playhouse in the Park’s production of TIGERS BE STILL, has earned a League of Cincinnati Theatres (LCT) Award for his work. According to LCT panelists, “Olivieri set the tone, mood and memory through a deft and specific soundscape.”

Written by Kim Rosenstock, TIGERS BE STILL is billed by the Playhouse as a darkly funny and moving new comedy about a young woman juggling the excitement of her first job with even bigger challenges at home: a depressed mother who won’t get out of bed and a sister who won’t get off the couch.

Panelists described Olivieri’s sound design as key to the show’s success. “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!,” said one LCT panelist. “The sound effects were so believable that I was in that school gym with the scratchy microphone, in that store with the scanner, watching the movie with the characters — and I knew there were dogs behind that basement door. Bravo.”

Olivieri also created the sound design for TIGERS BE STILL director Rob Ruggiero’s previous productions of HIGH and LAST TRAIN TO NIBROC at the Playhouse. Locally, he’s additionally worked frequently at Ensemble Theatre of Cincinnati.

TIGERS BE STILL continues through April 15. Ticket information is available at www.cincyplay.com.

The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. More information about the League can be found at www.leagueofcincytheatres.info.

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TIGERS BE STILL Review

Lindsey Kyler as Sherry and Eric Nelsen as Zack. Photo by Sandy Underwood.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

TIGERS BE STILL presented by Cincinnati Playhouse in the Park through April 15. You can read the show description here.

I do want to say up front, that using laughter as an indicator, the audience as a whole, enjoyed the production much more than I did.

Some of you may remember those television commercials that would intone, “Four out of five doctors recommend” such and such a product? Apparently when it comes to theater, I’m that one dissenting voice more often then I care to be.

When I go to see a show, I’m prepared to go along for the ride, but my willing suspension of disbelief does have its limits. The more mine is taxed, the less likely I can hold on to it for the entire show. When the main conceit of the show forces you, against all logic, to accept that there are no other “locations” for the therapy sessions to take place, the play is starting out on extremely shaky ground for me. Adding more conceits, on top of this over the course of the play, strained it even further.

Joanne Tucker as Grace, Eric Nelsen as Zack and Lindsey Kyler as Sherry. Photo by Sandy Underwood.

Also problematic was the large number of scenes. There is no breakdown in the program but it seemed to be more than 12 but less than 20. It felt like every time the play started to gain some momentum, we would be handed a tidbit of information that abruptly ended the scene. These bits of information would have had more value if there was some emotional depth in the performances added to the thin script. I don’t find fault with the acting, as I felt the four-person ensemble (Lindsey Kyler as Sherry, Darrin Baker as Joseph, Eric Nelsen as Zack & Joanne Tucker as Grace) were giving exactly what they were directed to do, I just found most of the performances to be emotionally forced at the beginning. It felt like the director (Rob Ruggiero) was more interested in the audience laughing at the extreme antics of the characters than the absurdity of the situations. Laughing at them as caricatures instead of with them as people, if you will.

Darrin Baker as Joseph & Eric Nelsen as Zack. Photo by Sandy Underwood.

An example of a missed opportunity was the scene with Joseph and Zack where Joseph was trying to cancel his wife’s magazine subscription. If we would wonderful to have seen more of Zack’s emotional struggle in recognizing his father’s pain but feeling unable to offer any comfort. This would have given his “big reveal” more impact.

Given the space limitations of the theater, the multi-level set was very impressive. I really enjoyed the pre-show music choices, but I did find some of the sound cues during the performance itself a bit on the too loud side.

Overall, I did like where most of the characters ended up, but I didn’t find the journey getting there to be worth the one hour and forty-minute intermission-less wait.

Click here for a complete list of show times, articles and other reviews for TIGERS BE STILL.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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