Tag Archives: American Legacy Theatre

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Bridge City is an original full-length musical focused around community, family, loyalty to self, and normalizing the Black experience in pursuit of joy, dreams and aspirations. Developed by American Legacy Theatre since July 2024 through our “Playwright’s for Change” program, this piece is written and composed by Kennen Butler who is an NYC-based theatre artist that is non-binary and Black.

After two public-facing workshops performed for the community to receive direct feedback in shaping the continued development of the piece, Bridge City is now being produced as a full-scale world-premiere production.

** Rehearsals will be five days per week from March 9th- April 9th, including weekends. Evenings during the week and varying times when on weekends. March 23-27 will be off for Spring Break.
Tech rehearsals will begin April 4 and/or 5, depending on space availability.
*** Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

EXPECTATION
The Stage Manager will structure, manage and execute the steps required to implement a high quality stage management process that serves the integrity of the production, bonds the other artists, aligns artistic scheduling, heightens audience engagement with the piece, and leads by example. They will work closely with the Director, Music Director and Production team to organize rehearsals, performances, and all other elements of the production. Attendance at production meetings and keen understanding of direction and staging is a given.

During rehearsals, the stage manager’s responsibilities include, but are not limited to: keeping rehearsals on track, logging rehearsal reports, sending out daily calls for actors, and noting blocking and other notes for the director and music director.

During performances, the stage manager’s responsibilities include, but are not limited to: running/calling the lights and sound, supervising the assistant stage manager and cast of the production.

ALT staff will be available to assist with critical components along the way.

COMPENSATION
Stage Manager will be paid a rate of $155/week throughout the rehearsal and performance process.

TIMELINE & SUBMISSIONS
Please send resume, headshot, cover letter, any potential conflicts, and 3 references to: info@americanlegacytheatre.org with the subject line of “Bridge City – Stage Manager (Last Name)”.

Submit by December 15th, 2025 for first consideration. Applications are still accepted afterwards if the position is not filled.

** Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break. Tech rehearsals will begin April 4 and/or 5, depending on space availability.
*** Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees)

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Bridge City is an original full-length musical focused around community, family, loyalty to self, and normalizing the Black experience in pursuit of joy, dreams and aspirations. Developed by American Legacy Theatre since July 2024 through our “Playwright’s for Change” program, this piece is written and composed by Kennen Butler who is an NYC-based theatre artist that is non-binary and Black.

After two public-facing workshops performed for the community to receive direct feedback in shaping the continued development of the piece, Bridge City is now being produced as a full-scale world-premiere production.

** Rehearsals will be five days per week from March 9th- April 9th, including weekends. Evenings during the week and varying times when on weekends. March 23-27 will be off for Spring Break. Tech rehearsals will begin April 4 and/or 5, depending on space availability.
*** Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

EXPECTATION
The Music Director (MD) will be in charge of leading all music in rehearsals- playing piano, teaching and refining the vocalists and the band of the show. Backgrounds in the following genres are encouraged and appreciated: R&B, Rap, Soul, Musical Theatre.

The Music Director will be responsible for finding musicians to play in the 5-piece band during performances; two keys, drums, bass, guitar. The Music Director must play the piano, as they will also play during performances while conducting.

ALT staff will be available to assist with critical components along the way.

COMPENSATION
The Music Director will be paid a one time rate of $1,500. This stipend will be lower if the MD cannot play the piano.

TIMELINE & SUBMISSIONS
Please send resume, headshot, cover letter, any potential conflicts, and 3 references to: info@americanlegacytheatre.org with the subject line of “Bridge City – Music Director (Last
Name)”.

Submit by December 10th, 2025 for first consideration. Applications are still accepted afterwards if the position is not filled.

In your cover letter please address how you are well positioned to lead the music efforts that celebrate the Black experience. Because of the complexity of the music in Bridge City, music director candidates under consideration will be asked to do a piano audition of some of the show’s music.

** Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break. Tech rehearsals will begin April 4 and/or 5, depending on space availability.
*** Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees)

BRIDGE CITY: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Bridge City is an original full-length musical focused around community, family, loyalty to self, and normalizing the Black experience in pursuit of joy, dreams and aspirations. Developed with ALT since July 2024, this piece is written and composed by Kennen Butler who is an NYC-based theatre artist that is non-binary and Black.

After two public-facing workshops performed for the community to receive direct feedback in shaping the continued development of the piece, Bridge City is now being produced as a full-scale world-premiere production.

TIMELINE
Video Auditions: NOW. Submit by November 3rd, 2025 for first consideration. Auditions accepted after as well.

• Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break.
• Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. Attendance at all called rehearsals and performances is a given. Mastery of content required.

COMPENSATION
Performers will be paid a rate of $125/week.

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES

• Lynn: mid 50’s-60s early’s. Female. Alto. Black/African American. Host of our dinner. Plays various characters throughout the piece from Jerica’s grandmother Lynn, Jerica’s Mother LaShay, Senator Maxine Moore, Professor Smith.
• Jerica Williams: Mid 20’s-mid 30’s. Female. Alto/mezzo-soprano. Black/African American. Distinctly her in all that she does. Adaptive.
• Jerome “Bookie” Robinson: Mid 20’s-mid 30’s, Male. Baritone/Bari-tenor. Black/African-American. Jerica’s childhood friend. Loves a good joke and a laugh. Especially if he knows it will help.
• Mindi Kaleko: Mid 20’s-mid 30’s. Female. Mezzo-soprano/soprano. Self described as the “yenta of marketing” at Seven Hills. Moves to the beat of her own drum.
• Deja “D” Brown: Mid 20s-Early 30s. Female. Alto. Jerica’s Childhood friend. Protective. Introvert.
• Valerie Hawks: Late 20’s-Early 40s. Female. Alto. White. Jerica’s boss at Seven Hills. Type A.
• Michael: Works at 7 hills. Resident hater. Wanted to be PR but was passed over for Jerica.
• Israel “Iggy” Contreras: Latinx. Industry contact and newsperson for Bridge City’s Channel 4. James’ partner. Queer.
• Dad: Jerica’s Father
• James Anderson: Aid to Senator Moore and Iggy’s partner. Queer.
• CEO (Christopher Eric Osgard): White. CEO of Seven Hills Group
• Remy: Non Binary. They are an HR person for Seven Hills Group.
• Hutchins: Mid 20s-mid 40s. Female. Union leader for Esterline Manufacturing.
• John: A Lead at Seven Hills
• Scott: Employee at Seven Hills
• The Roots: The entire cast (aside from Lynn). They are Lynn’s family and guests to the dinner. As the story is told, they split into our principals, supporting cast, and ensemble

SUBMISSION
Video Auditions: NOW. Submit by November 3rd, 2025 for first consideration. Auditions accepted after as well.

• Rehearsals will be five days per week from March 9th- April 9th, including weekends. March 23-27 will be off for Spring Break.
• Performances will be April 10-12, 17-19, 24-26. (Friday and Saturday evenings, Sunday matinees).

To submit a video audition:

• Prepare 16-32 bars of a pop, R&B, soul, OR contemporary musical theatre song that shows range and expression. Show us a little bit of you!
• Perform 10 to 20 seconds of a rap verse of your choosing OR TLC’s “Waterfalls” (video:
  3:50-4:11) in a way that showcases you the best. We are looking for rhythm, clarity, flow, and story. This part of the audition does not have to be off-book.

I seen a rainbow yesterday
But too many storms have come and joined
Leavin’ a trace of not one God-given ray
Is it because my life is ten shades of gray
I pray, all ten fade away, seldom praise Him for the sunny days (Minimum stop point)
And like His promise is true, only my faith can undo
The many chances I blew to bring my life to anew
Clear and blue and unconditional
Skies have dried the tears from my eyes, no more lonely cries

Send video, headshot, and resume to info@americanlegacytheatre.org with the subject line of “Bridge City – (Character(s) Auditioning For) – (Last Name).

STAGE MANAGER

MISSION

American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT

See Me, Hear Me: Cyberbullying is an original one-act play focused around family miscommunication, youth trauma stemming from isolation and mixed media bullying, and career pathways in behavioral health all to reduce stigma around youth mental health services. Developed with ALT, in consultation with Ohio’s Dept of Mental Health and Addiction Services, this piece was written by Executive Artistic Director & CEO, Matthew David Gellin. 

See Me, Hear Me: Cyberbullying is to be performed in a state-wide non-union tour to Ohio high schools.  This will be a 6-person company – 4 actors, 1 stage manager, 1 company manager, 2 vans.

** Rehearsals and performances will be predominantly during the day time Monday through Friday. Weekends and evenings may be used for alternative performance times. Performances will be up to 5 days a week.**

TIMELINE

• Resumes and Cover Letters: NOW. Submit by August 22, 2025  for first consideration. Applications are still accepted afterwards if not filled.
• This contract lasts up to 9 weeks.
• Rehearsals begin: No earlier than September 17, 2025 and no later than September 22, 2025; 9:00am
• First Bookable Performance Date: October 1, 2025
• Current Ending Contract Date: November 16, 2025
• Up to 10 performances a week of this 45-minute piece.
• Please send resume, cover letter, and 3 references to: colin.waters@americanlegacytheatre.org  with the subject line of “SMHM Company Manager – (Last Name)”.

EXPECTATIONS

The Stage Manager will structure, manage and execute the steps required to implement a high quality stage management process that serves the integrity of the play, bonds the other artists, aligns artistic scheduling, heightens audience engagement with the piece, and leads by example. Attendance at production meetings and keen understanding of direction and staging is a given. 

Additional expectations: The Stage Manager must have a valid driver’s license and insurance as they will be responsible for driving one of the two vans. ALT does provide insurance for drivers but needs to ensure they are insurable. Additionally they will be the captain overseeing install and strike at each school location. During performance they will run the lights and sound. Stage Manager is also responsible for appropriate laundering of costumes and ensuring continued readiness of other production elements. While not the technical director, they will be the technical expert on the road. Schools have an option to do a facilitated talk-back after each performance for up to 45 minutes that Stage Manager will participate in.

ALT staff will be available to assist with critical components along the way. 

COMPENSATION

Compensation is $800/week for the duration of the contract (dates specified above). This contract lasts up to 9 weeks. There will be another leg of the tour in Spring 2026 that actors may be offered depending on ability to meet expectations and availability.

Candidates from outside of Cincinnati will be considered and accommodations provided. Stage Manager will be provided one round-trip ticket between their city of residence and Cincinnati. Stage Manager should presume overnight accommodations will be shared with others. 

Successful background check will be required for this position.

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

TRAVEL

On the road, the two vehicles will be driven by the Stage Manager and Company Manager who will coordinate the logistics of when travel times between locations will take place. 

Sleeping locations are set and determined by American Legacy Theatre, and carried out by the Company Manager. Specific room arrangements are determined by the touring company.

SUBMISSIONS

• Resumes and Cover Letters: NOW. Submit by August 22, 2025  for first consideration. Applications are still accepted afterwards if not filled.
• Rehearsals begin: No earlier than September 17, 2025 and no later than September 22, 2025; 9:00am
• First Bookable Performance Date: October 1, 2025
• Current Ending Contract Date: November 12, 2025
• Up to 10 performances a week of this 45-minute piece.
• Please send resume, cover letter, and 3 references to:colin.waters@americanlegacytheatre.org  with the subject line of “SMHM Company Manager – (Last Name)”.