Category Archives: Reviews

BUS STOP Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

BUS STOP presented by New Edgecliff Theatre through Sept. 28. You can read the show description here.

Christine Dye as Grace Hoyland. Photo by Mikki Schaffner.

Christine Dye as Grace Hoyland. Photo by Mikki Schaffner.

For a play written in 1955, the script of BUS STOP by William Inge still holds up very well today. Director Jared Doren has cast many of the strongest local actors available for this character-driven show. Presented in three acts with two ten-minute intermission, Doren keeps the pacing tight, bringing this solid show in at two-hours and fifteen minutes.

Tyler Alessi & Mindy Heithaus. Photo by Mikki Schaffner.

Tyler Alessi & Mindy Heithaus. Photo by Mikki Schaffner.

Tyler Alessi does a nice job as Bo. What could easily be a one-note character is played with enough charm to keep Bo in the audience’s good graces. Mindy Heithaus also does a good job as Cherie. I wouldn’t mind her letting the audience see a bit more vulnerability after some of the confrontations. Their characters dove-tail nicely into their “moment of truth” near the end of the show which is moving and extremely satisfying.

Tess Talbot as Elma & Robert Allen as Dr. Gerald Lyman. Photo by Mikki Schaffner.

Tess Talbot as Elma & Robert Allen as Dr. Gerald Lyman. Photo by Mikki Schaffner.

Robert Allen’s portrayal of Dr. Gerald Lyman is a highlight of the show. There is much depth in his performance as a man struggling with his personal demons in the presence of naive Elma (played by Tess Talbot). She does well as the teenage waitress and object of Lyman’s attention. A bit more nervous energy would help differentiate her from the adults in the show.

Christine Dye as Grace Hoyland & David Levy as Carl. Photo by Mikki Schaffner.

Christine Dye as Grace Hoyland & David Levy as Carl. Photo by Mikki Schaffner.

Christine Dye is another highlight as no-nonsense diner owner Grace Hoyland. Paired with (a beardless) David Levy as Carl, the two of them have a cute chemistry and it is fun to watch how the smitten couple’s relationship progresses over the course of the show. In the final moments of the show, I did wish Grace had some kind of token to find as she closed up shop.

David Roth as Virgil Blessing, Tyler Alessi as Bo Decker & Donald Volpenhein as Will Masters. Photo by Mikki Schaffner.

David Roth as Virgil Blessing, Tyler Alessi as Bo Decker & Donald Volpenhein as Will Masters. Photo by Mikki Schaffner.

David Roth is solid as the combination surrogate-father/Jiminy Cricket to hot-headed Bo. Also solid is Donald Volpenhein as stern lawman Will Masters. It was great to see Will and Bo so close in size physically and totally believable that Will could take Bo in a fight. I did lose a bit of Will’s dialogue in the quiet scene with Bo stage right.

It was nice to see the ensemble engaged in the action throughout. Also, there were some nice background moments (such as Cherei’s gift to Elma) that worked well without stealing focus.

Mindy Heithaus as Cherie. Photo by Mikki Schaffner.

Mindy Heithaus as Cherie. Photo by Mikki Schaffner.

The costumes by Jim Stump were well-done. The only one that didn’t work for me was Cherie’s main costume (and her styling was also an issue). She didn’t look like “..an aspiring nightclub singer but has never worked in any establishment above the level of ‘cheap dive.'” In a way, it looked like Mindy had just arrived at the theater and didn’t have time to change before going on stage. 🙂 Her hair and wardrobe just seemed a bit too va-va-voom for the character. Cherie’s “costume” costume was spot on and seemed more in line with the character.

Waitress Elma Duckworth’s styling was a little off for me as well. Maybe it was the combination of the bangs-less pony tail, the eyeglasses and the sweater buttoned over her shoulders, but it read older than a high school-er.

Opening night there were several delayed line pickups between scenes. There were also a few with light cues that seemed as if the actors were waiting on a lighting change. The cross-fades seemed executed in too long a count.

Photo by Mikki Schaffner.

The set. Photo by Mikki Schaffner.

The set (design by Melissa Bennett Murphy) was nicely done. I understand the decision to make the set so long, but I felt it needed a few items (perhaps a couple small tables) to help fill all that empty space. The tables, chairs, stools and counter could have used some wear and tear.

Overall an excellent production and a great start to the season as NET returns to the Aronoff.

Slightly off topic, in researching BUS STOP, I discovered there was also a musical version called CHERRY. Has anyone ever seen it?

Click here for a complete list of show times for BUS STOP.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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FLY Review

The cast of FLY. Photo by Sandy Underwood.

The cast of FLY. Photo by Sandy Underwood.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

FLY presented by Cincinnati Playhouse in the Park through Oct. 6. You can read the show description here.

Terrell Donnell Sledge as J. Allen (foreground) on a training flight with Greg Brostrom as Capt. O’Hurley. Photo by Sandy Underwood.

Terrell Donnell Sledge as J. Allen (foreground) on a training flight with Greg Brostrom as Capt. O’Hurley. Photo by Sandy Underwood.

At the core of the show is a strong four-man ensemble playing the recruits. Each actor made smart character choices that allowed these distinct personalities to come together as a unit.

The scene that takes place the night before the bombing played out extremely well with heart and humor and was a personal favorite of the show.

It is the combination of the set design (by Beowulf Boritt), the lighting design (by Rui Rita and Jake DeGroot) and the projection design (by Clint Allen) that creates the dramatic visual impact of the production. Excellent sound effects (by John Gromada) during the battle scenes really amps up the tension well.

For the most part, I found the tap dancer to be an interesting addition to the show. Whether mimicking a fighter engine or the cadence of soldiers marching, Omar Edwards was captivating to watch.

Eddie R. Brown III as W.W., Timothy Sekk as Bomber Co-Pilot Shaw, Cary Donaldson as Bomber Pilot Reynolds and David Pegram as Chet fly a bombing mission over Germany. Photo by Sandy Underwood.

Eddie R. Brown III as W.W., Timothy Sekk as Bomber Co-Pilot Shaw, Cary Donaldson as Bomber Pilot Reynolds and David Pegram as Chet fly a bombing mission over Germany. Photo by Sandy Underwood.

I did have trouble understanding the dialogue at times, mostly due to the actors yelling over the sound effects during the battle scenes.

A problem I did have with the production is that the script assumes a level of knowledge about the Tuskegee Airmen that many audience members may not have. Clocking in at 95 minutes, the intermission-less performance could use a bit more exposition about the airmen, their accomplishments, and their place in history.

The cast of FLY arrives for flight training. Photo by Sandy Underwood.

The cast of FLY arrives for flight training. Photo by Sandy Underwood.

Expected themes such as racism and bigotry are discussed in familiar terms, but not explored in new ways. The transition back into present day at the end of the show was a bit abrupt. Not discussed is that due the success of the Tuskegee Airmen, the military began the de-segregation of the armed forces in 1948. Another part of their legacy that wasn’t explored was the generations of Americans who owe their existence to the valor and sacrifice (66 airmen lost their lives during the war) of these brave men.

Overall a fine tribute to these amazing and inspiring war heroes.

Click here for a complete list of show times for FLY.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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OLIVER TWIST Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

OLIVER TWIST presented by Cincinnati Shakespeare Company through Sept. 29. You can read the show description here.

Sara Clark as the Artful Dodger, Ethan Verderber as Oliver Twist and Matt Lytle as Charley Bates. Photo by Rich Sofranko.

Sara Clark as the Artful Dodger, Ethan Verderber as Oliver Twist and Matt Lytle as Charley Bates. Photo by Rich Sofranko.

Ah, Oliver Twist, the required reading in school that sent many of my generation running in a panic to the Cliff Notes section of the store. (This was back in the dark ages before the interweb, mind you.)

Thankfully, CSC succeeds, again, in bringing a classic literary work to impressive life on stage. Director Michael Evan Haney smartly leads a strong, focused ensemble through this dark story.

Jeremy Dubin as Fagin speaks to Ethan Verderber as Oliver Twist. Photo by Rich Sofranko.

Jeremy Dubin as Fagin speaks to Ethan Verderber as Oliver Twist. Photo by Rich Sofranko.

Sara Clark is mesmerizing to watch, doing double duty as the Narrator and The Artful Dodger. The transitions between the two is nicely handled. Excellent work by Kelly Mengelkoch as Nancy. I really enjoyed her believable portrayal of the personal conflict Nancy faced due to Oliver.

Nothing can make or break a show like a good villain. Thankfully, this show has four. On the dark side are Fagin portrayed by Jeremy Dubin and Bill Sikes played by Jim Hopkins. The dynamic between these bad guys was fun to watch as was Fagin’s “attitude adjustment” in Sikes’ presence. On the comic side, great work by Billy Chance as Mr. Bumble and Miranda McGee as Mrs. Corney at the workhouse. Also fun was Brent Vimtrup in several comedic moments. And again, excellent work by the entire ensemble.

Billy Chace as Mr. Bumble and Miranda McGee as Mrs. Corney look on to Ethan Verderber as Oliver Twist asking for “some more.” Photo by Rich Sofranko.

Billy Chace as Mr. Bumble and Miranda McGee as Mrs. Corney look on to Ethan Verderber as Oliver Twist asking for “some more.” Photo by Rich Sofranko.

The costumes, designed by Heidi Jo Schiemer plus the set and lighting design by Andrew J. Hungerford, give the show a strong visual style. All aspects of the show really came together nicely.

If the goal was to offer a crisp, clean and entertaining production for ages 10 and up, then mission accomplished. A perfect family outing at the theater.

Click here for a complete list of show times for OLIVER TWIST.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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OTHER DESERT CITIES Review

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

Ryan Wesley Gilreath as Trip Wyeth & Sara Mackie as Brooke Wyeth. Photo by Ryan Kurtz.

Ryan Wesley Gilreath as Trip Wyeth & Sara Mackie as Brooke Wyeth. Photo by Ryan Kurtz.

OTHER DESERT CITIES presented by Ensemble Theatre Cincinnati through Sept. 22. You can read the show description here.

ETC begins their new season with a good production of the strangely compelling OTHER DESERT CITIES. Director D. Lynn Myers leads of quintet cast of ETC favorites through this one-room family drama.

While there were some solid moments throughout the show, on opening night it felt like the cast had yet to jell into a believable family unit. There was this “deliberateness” to the performances that seemed to be more dictated by the script than by the characters. Of the performers, Dale Hodges as Silda had the most defined performance.

Dennis Parlato as Lyman Wyeth & Amy Warner as Polly Wyeth. Photo by Ryan Kurtz.

Dennis Parlato as Lyman Wyeth & Amy Warner as Polly Wyeth. Photo by Ryan Kurtz.

Even when the characters interacted in pairs or trios the emotional connection and history seemed lacking. Simply put with an example: I’d expect the dynamic between Brooke and her aunt Silda to be different in front of mother/sister Polly then when the two of them are alone. But everything seemed to be played at the same level. The pacing also dragged a bit throughout, hindered by too many pregnant pauses and sometimes drawn out reactions.

In the second act, when Brooke is told to sit down so she can hear the “truth” of the family tragedy, there is a noticeable shift in the audience. We are ready for the emotional payoff, but the scene doesn’t build any momentum and flounders. However, I do believe that most of these issues will resolve themselves during the early performances of the run.

Amy Warner as Polly Wyeth, Sara Mackie as Brooke Wyeth & Dale Hodges as Silda Grauman. Photo by Ryan Kurtz.

Amy Warner as Polly Wyeth, Sara Mackie as Brooke Wyeth & Dale Hodges as Silda Grauman. Photo by Ryan Kurtz.

Brian c. Mehring provides another beautiful set. I enjoyed how he brought in the colors and textures of the desert into the room. But for me, the furnishing and decor skewed the room more 1970s than 2004.

The decision to place the couch center stage facing to the audience seemed to cause some blocking issues. When all cast members were on stage, several actors were pushed to the edges of the room, making for some awkward positioning at the fireplace, mini bar and against the stage left wall. When seated at the opposing chairs downstage and to the side of the couch, actors had a tendency to upstage themselves. Brooke’s reaction to the “truth” is lost to the audience as she is facing her father upstage for extended peiords.

Overall this is a good production of an interesting script. It just needs to be a bit more spontaneous and dynamic to reach the emotional notes it’s not quite hitting.

Click here for a complete list of show times for OTHER DESERT CITIES.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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TOIL AND TROUBLE Review

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Chris Wesselman as Adam, Breona Conrad as Beth & Joshua Murphy as Matt. Photo by Deogracias Lerma.

Links to all reviews can be found on the BTC REVIEWS page. Blog postings, links and more are available on my FaceBook fan page. You can receive updates on Twitter from @BTCincyRob.

TOIL AND TROUBLE presented by Know Theatre of Cincinnati through Aug. 24. You can read the show description here.

Know Theatre of Cincinnati brings another quirky gem to the stage with the MACBETH homage, TOIL AND TROUBLE. Non-Shakespeare fans can relax though. Aside from some parallel plot points, and several lines quoted directly from the bard’s work, this is a contemporary play.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Breona Conrad as Beth, Joshua Murphy as Matt & Chris Wesselman as Adam. Photo by Deogracias Lerma.

Initially we meet roommates Matt (Joshua Murphy) and Adam (Chris Wesselman). Both are unemployed “victims” of the current economy. Adam, the idea man, has come up with a multi-million dollar scheme to “take over a small island nation off the coast of Chile populated by miniature vicuña.” Murphy and Wesselman have an easy chemistry on stage and both give solid performances.

Rounding out the cast is Breona Conrad as Beth. Conrad brings great energy and characterization to the role. Beth, who is obviously wearing the pants in this trio, quickly makes a grab for power using her wits and wiles against both Matt and Adam.

The script is fun, with some great world-commentary from Matt. Director Eric Vossmeier makes smart use of the stage, keeping the action moving without seeming hurried. Opening night the show seemed to dip in energy near the beginning of the second act, but managed to get back on track fairly quickly.

Overall a fun, quirky comedy – the perfect ending to a summer evening in Over-the-Rhine.

Click here for a complete list of show times for TOIL AND TROUBLE.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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