Category Archives: Reviews

BUREAU OF MISSING PERSONS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

Nothing is as it seems. Kate Glasheen as Angela & Rico Reid as Richard.

BUREAU OF MISSING PERSONS presented by Know Theatre of Cincinnati through Dec. 20. Click here for more information on the production. I attended the opening night performance.

How far would you go to save the one you lost?

I very much enjoyed Tamara Winters directorial debut with SATURDAY THE 14TH as part of this summer’s SERIALS! Taking on her first Mainstage production, Winters doesn’t disappoint with solid work on the BUREAU OF MISSING PERSONS.

Richard (Rico Reid)  just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Richard (Rico Reid) just wants Angela (Kate Glasheen) to give him a sign. Something. Anything.

Kate Glasheen returns to the Know stage as Angela, a former teacher struggling to recover from a nervous breakdown, unable to forgive herself for a loss that she feels responsible for. Glasheen expertly depicts Angela’s emotional struggle and her desperate attempt to redeem herself.

Playing Angela’s fiance is Rico Reid as Richard. He convincing portrays Richard’s struggle to stay supportive of Angela after 18 months of putting their life together on hold. His classroom lecture early in the show emphases the theme of the play and is well-performed. I would like to have seen him shift his gaze a bit more to the “class” during dialogue breaks instead of taking his eyes to the floor.

Simon (Sam Ray) in his element: his classroom

Simon (Sam Ray) in his element: his classroom

Simon, a kindergarten teacher suffering a loss of his own, is played by Sam Ray. Ray brings an earnest vulnerability to the role. Simon’s coping mechanism of being stuck in simple “teacher-speak” as he loses himself in his work is fun and a little sad. This habit brings many laughs when Richard serves as his foil.

The performance that didn’t quite mesh for me was Adrianne Underhill as Vivian. Vocally I found her to be flat, and she didn’t offer any kind of emotional connection to Angela. It didn’t have to be displayed to Angela, but the audience should have been given some hint of it. Vivian’s role as instigator of the events in the play indicate she was emotionally invested in Angela’s recovery but I didn’t feel it. I also found Vivian’s costume to be confusing. The baby doll silhouette wasn’t appropriate for the character’s age. If you were going for a cougar look the styling and accessories were off.

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Patrice (Burgess Byrd) strikes a deal with Vivian (Adrianne Underhill).

Burgess Byrd is solid as usual in the role of Patrice. I think there is more humor to be found for the character in the script and a little quirkiness could add an uniqueness to the character.

As scenic designer, Andrew Hungerford again creates a unique look for the show and the choice of material for the back wall doors and the stage floor is very smart. The numerous and varied objects that filled the upstage shelves were well-chosen and well-displayed, courtesy of Sarah Beth Hall. It was fun to explore them as I waited for the show to begin. Solid tech across the board.

Interesting, humorous and thoughtful, BUREAU OF MISSING PERSONS is a satisfying tale.

My rating: 4.25 out of 5

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A CHRISTMAS CAROL Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Ebenezer Scrooge (Bruce Cromer) celebrates his renewed holiday spirit . Photo by Sandy Underwood.

Ebenezer Scrooge (Bruce Cromer) celebrates his renewed holiday spirit . Photo by Sandy Underwood.

A CHRISTMAS CAROL presented by Cincinnati Playhouse in the Park through Dec. 28. Click here for more information on the production. I attended the opening night performance.

Now in it’s 24th season, Playhouse’s A CHRISTMAS CAROL continues to entertain audiences of all ages (well ages 6 and up 🙂.)

: The Ghost of Christmas Past (Dale Hodges, left) and Ebenezer Scrooge (Bruce Cromer, right) look on as Boy Scrooge (Ethan Verderber) is summoned home by his sister Fan (Kinley Brooke Shoemaker). Photo by Sandy Underwood.

The Ghost of Christmas Past (Dale Hodges, left) and Ebenezer Scrooge (Bruce Cromer, right) look on as Boy Scrooge (Ethan Verderber) is summoned home by his sister Fan (Kinley Brooke Shoemaker). Photo by Sandy Underwood.

The great sets and costumes, broad humor and a healthy dose of theatre magic are only responsible for part of the success. Each holiday season, director Michael Evan Haney brings together a talented 29-person cast of new faces, local children and a who’s who of our city’s favorite actors, many of whom have become traditions themselves.

The ghost of Jacob Marley (Gregory Procaccino) appears to a terrified yet skeptical Ebenezer Scrooge (Bruce Cromer) . Photo by Sandy Underwood.

The ghost of Jacob Marley (Gregory Procaccino) appears to a terrified yet skeptical Ebenezer Scrooge (Bruce Cromer) . Photo by Sandy Underwood.

Bruce Cromer leads the cast as the miserly Ebenezer Scrooge. This is his tenth year in that role, and previous to that, he played Bob Cratchit for eight. Cromer is excellent in the role and his gradual, touching and comedic transformation throughout the show is a joy to watch.

Gregory Procaccino has the distinction of performing in all 24 performances of CAROL. This year, Procaccino continues to terrorize Scrooge as the ghost of Jacob Marley.

Having performed in 22 of the 24 productions of A CHRISTMAS CAROL, Dale Hodges returns as the sprite-ly Ghost of Christmas Past.

Making his ninth appearance, Stephen Skiles is first seen as Mr. Sosser.

Young Scrooge (Jared Joplin, right) courts Belle (Joy Farmer-Clary, left) as Ebenezer Scrooge (Bruce Cromer, second from left) and other cast members witness this scene from Ebenezer’s past. Photo by Sandy Underwood.

Young Scrooge (Jared Joplin, right) courts Belle (Joy Farmer-Clary, left) as Ebenezer Scrooge (Bruce Cromer, second from left) and other cast members witness this scene from Ebenezer’s past. Photo by Sandy Underwood.

Nick Rose returns for a fifth time,beginning as Mr. Cupp.

Jared Joplin returns for a second time in the role of Young and Mature Ebenezer Scrooge. When both Scrooges stand side by side on stage it’s easy to believe they are the same person at different ages. Joplin’s first performance in this role was in 2004, where he played opposite his real-life father, Joneal Joplin, in the elder’s final year as Ebenezer Scrooge.

The cast of A CHRISTMAS CAROL gathers for holiday revels with Mr. and Mrs. Fezziwig. Photo by Sandy Underwood.

The cast of A CHRISTMAS CAROL gathers for holiday revels with Mr. and Mrs. Fezziwig. Photo by Sandy Underwood.

Cincinnati-native Ryan Wesley Gilreath returns, for his second year, to the production that inspired him, 21 years ago, to pursue acting. This year he performs as Bob Cratchit.

Kelly Menglekoch, an 11-year resident ensemble member at Cincinnati Shakespeare Company, returns this year as Mrs. Cratchit.

Annie Fitzpatrick makes her CAROL debut this year with a great comic turn as Mrs. Fezziwig.

Ebenezer Scrooge (Bruce Cromer, center) and Tiny Tim (Ty Joseph Shelton) lead the 29-member cast in the finale. Photo by Sandy Underwood.

Ebenezer Scrooge (Bruce Cromer, center) and Tiny Tim (Ty Joseph Shelton) lead the 29-member cast in the finale. Photo by Sandy Underwood.

Be sure to pay attention, as most of the actors appear as several different characters.

It would take a true Scrooge indeed not to enjoy this fabulous production and annual Christmas present from the Playhouse.

God bless us, every one! indeed.

My rating: 4.50 out of 5

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FAILURE: A LOVE STORY Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Victoria Hawley as Gertrude, Gretchen Priddy, as Nelly & Melissa Cathcart as  Jenny June. Photo by Philip Krinsky Productions.

Victoria Hawley as Gertrude, Gretchen Priddy, as Nelly & Melissa Cathcart as Jenny June. Photo by Philip Krinsky Productions.

FAILURE: A LOVE STORY presented by Northern Kentucky University through Dec. 7. Click here for more information on the production. I attended the opening Sunday performance.

NKU offers up a quirky, little tale of love lost, lost and lost as their final production of 2014.

The Graces. Photo by Philip Krinsky Productions.

The Graces. Photo by Philip Krinsky Productions.

I really enjoyed the overall tone of the show. In some ways it reminded me of the “Fractured Fairy Tales” from the “Rocky and Bullwinkle” cartoon. The show is well-cast with a strong ensemble, under the direction of Corrie Danieley. Narration was provided by a greek chorus, The Graces, performed by Sophia Dewald, Megan Urz and Molly Watson.  They do well, but I did have some problems understanding the words when they spoke in unison. Also I would have liked to have seen them play a bit more to the whole audience, not just out at eye level.

Music was performed by a talented onstage quartet, The Gramophone, consisting of Rhys Boatwright, Julie Gallaugher, Adam Razavi and music director Jacob Priddy. There was an ongoing issue that any dialogue spoken while they played tended to be overpowered by the music.

Andy Simpson as John N. Fail & Hunter Henrickson as Mortimer Mortimer. Photo by Philip Krinsky

Andy Simpson as John N. Fail & Hunter Henrickson as Mortimer Mortimer. Photo by Philip Krinsky Productions.

The three Fail sisters (Gretchen Priddy as Nelly, Melissa Cathcart as Jenny June and Victoria Hawley as Gertrude)  had believable, well-defined characters and a great chemistry between them. Hunter Henrickson does solid work as Mortimer Mortimer, the suitor to the Fail family and has a nice singing voice for his solo. Andy Simpson, as animal-loving, adopted-brother John is deadpan funny and a nice contrast to his sisters. In his first entrance, Simpson carries in another actor to represent John as a child, the same ensemble member who plays the snake later in the show, already dressed in his “snake” costume. This made their first scene together, as adult Jake and the snake, confusing. You may want to have the actor not wear his snake jacket and hat for that first scene.

Photo by by Philip Krinsky Productions.

Photo by Philip Krinsky Productions.

Visually the show looks fantastic. I really enjoyed the scenic design by Ronald. A Shaw. The use of the clock motif throughout was great and the multiple levels of play space worked really well. Terry Powell’s lighting design was also well-done. The back-lit panels on the sides of the stage, and the upstage clock face were bold elements. The river lighting effect was a nice to see, and clever attention to detail. Excellent costume design by Darlene Rawlins and properties design by Bryce Liebert. The store clocks that incorporated actors were personal favorites. The actress who inhabited the cuckoo clock [not listed in the program] did a very funny interpretation without drawing focus. Congratulations to Kuy Parker who served as technical director.

Overall this production is fun, quirky, cleverly staged and delightfully irreverent. Well done.

My rating: 4.25 out of 5

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TENDERLY: THE ROSEMARY CLOONEY MUSICAL Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Susan Haefner, as Rosemary Clooney, sings one of Rosemary’s signature songs. Photo by Gordon DeVinney.

Susan Haefner, as Rosemary Clooney, sings one of Rosemary’s signature songs. Photo by Gordon DeVinney.

TENDERLY: THE ROSEMARY CLOONEY MUSICAL presented by Cincinnati Playhouse in the Park through Jan. 4. Click here for more information on the production. I attended the opening Friday performance.

Before seeing this show, my knowledge about the late Rosemary Clooney was limited to the fact that she: got her start locally; was in the movie musical, “White Christmas;” is the sister of former, local news-anchor Nick, and aunt of actor George; appeared on the TV show, “E.R.,” and was mother of actor Miguel Ferrer.

The show uses her psychoanalysis therapy sessions, following a nervous breakdown in 1968, to chronicle her life in flashback and song.

Rosemary Clooney (Susan Haefner) recounts a passionate moment in her life to The Doctor (Michael Marotta). Photo by Sandy Underwood.

Rosemary Clooney (Susan Haefner) recounts a passionate moment in her life to The Doctor (Michael Marotta). Photo by Sandy Underwood.

Susan Haefner does an excellent job in the title role, giving Clooney a brassy honesty that rings true. Vocally strong, she does an excellent job of recreating Clooney’s musical performances.

Actor Michael Marotta, who Playhouse audiences may recognize as Herr Schultz in last season’s “Cabaret,” is credited in the program as The Doctor. Marotta also does excellent work. His character’s eight-year relationship with Clooney, as her therapist, grows naturally throughout the show. He also shows great versatility in taking on the roles of family and friends in the flashbacks.

Susan Haefner as Rosemary Clooney & Michael Marotta as The Doctor. Photo by Sandy Underwood.

Susan Haefner as Rosemary Clooney & Michael Marotta as The Doctor. Photo by Sandy Underwood.

Together, favorites moments include their duets with Moratta portraying sister Betty and long-time friend Bing Crosby. Their final scene together, as former-therapist and ex-patient, is a great emotional ending for the characters.

As jukebox musicals go, this one by Janet Yates Vogt and Cincinnati-native Mark Friedman, is definitely on the more successful side, in integrating the artist’s musical catalog, with an interesting book. Since my knowledge of The Kennedys begins with Jack and Bobby, I was a little lost with the reference to  “Ethel” when Bobby’s assassination was discussed.  I was also unclear if there were consequences of Clooney violating her “morality clause” when she began her affair with Ferrer.

Rosemary Clooney (Susan Haefner) and The Doctor (Michael Marotta) dance together. Photo by Sandy Underwood.

Rosemary Clooney (Susan Haefner) and The Doctor (Michael Marotta) dance together. Photo by Sandy Underwood.

Director Blake Robison does an excellent job of blocking the show in the intimate, thrust space. The show is well-paced and he brings solid performances out of his actors. Also excellent is music director Scot Woolley insetting the tone for the vocal performances. He is very fun to watch as the leads the on stage trio, giving some of the musical numbers a night club feel. (I’m assuming it was a trio, from my seat I could only see Scot and the musicians are not credited in the program.) Dee Anne Bryll’s choreography is fun to watch and does a great job of capturing the era.

On the technical side, the excellent work by Set Designer Bill Clarke, Costume Designer Bill Black, Lighting Designer Phil Monat and Sound Designer Jeremy J. Lee, bring the whole show together.

TENDERLY is extremely well-done and a great trip down memory-lane for Rosemary Clooney fans, and for me an interesting and entertaining look into an icon’s career.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE COMEDY OF ERRORS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Justin McCombs as Antipholus & Jeremy Dubin as Dromio (of Syracuse). Photo by By Mikki Schaffner Photography.

Justin McCombs as Antipholus & Jeremy Dubin as Dromio (of Syracuse). Photo by Mikki Schaffner Photography.

THE COMEDY OF ERRORS presented by Cincinnati Shakespeare Company through Dec. 13. Click here for more information on the production. I attended the final preview performance.

CSC offers a fun and quirky production of the Bard’s THE COMEDY OF ERRORS. The setting for the show, the town of Ephesus, is re-imagined as a 1930s carnival.  Here the commoners are the performers, the wealthy the patrons, and the government is management.

I am continually impressed with the talent level of the entire CSC ensemble. The show features strong performances by Jeremy Dubin as Dromio of Syracuse, Justin McCombs as Antipholus of Syracuse, Miranda McGee as Adrianna, Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus & Courtney Lucien as the 2nd Merchant. Very fun to watch were the characters of Nell [actress not credited in the program] and The Abbess played by Abby Rowold. Considering how hideous Nell is supposed to be, I think you missed an opportunity to make her the bearded lady. As the Dromio twins, Dubin and Riopelle look enough alike that I didn’t immediately realize that the first switch had occurred.

Brent Vimtrup as Solinus & Frank Delaney as Egeon. Photo by By Mikki Schaffner Photography.

Brent Vimtrup as Solinus & Frank Delaney as Egeon. Photo by Mikki Schaffner Photography.

Guest Director Patrick Flick aims for the funny bone, giving the humor a broad and slapstick bent which succeeds for the most part. I enjoyed the use of the silhouettes to help tell Egeon’s (Frank Delany) story of the loss of his family. The asides to the audience worked really well with McCombs stepping out of his “wife’s” embrace a personal favorite. At times, the energy wasn’t there to maintain the slapstick tone and some of the bits seemed more rehearsed than spontaneous. Also, the blocking for the final scene of the show felt a bit stagnant with most of the cast lined up along either side of the stage.

Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus $ Miranda McGee as Adrrianna. Photo by Mikki Schaffner Photography.

Maggie Lou Rader as Lucianna, Paul Riopelle as Dromio of Ephesus $ Miranda McGee as Adrrianna. Photo by Mikki Schaffner Photography.

Noelle Wedig makes her CSC debut as Guest Costumer Designer. Very good work for the most part, but there were a few costumes that weren’t as successful. The cut of Luciana’s pants did not flair out enough to be baggy trousers of the period, making them look a bit too modern. Adriana’s dress was a bit too common-looking for a woman of her means and next to her husband, they did not look like a couple. The dress also read a bit too matronly, making her look more like Adriana’s mother than sister. I also didn’t understand the purple cape worn by Angelo (Billy Chance), the goldsmith.

 Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

Jeremy Dubin as Dromio of Syracuse & Paul Riopelle as Dromio of Ephesus. Photo by Mikki Schaffner Photography.

Andrew Hungerford’s scenic and lighting designed worked well, with the use of banners helping to quickly change locations. I really enjoyed the ferris wheel in the distance, but I would have liked to have seen something upstage right to continue the eye-line a bit.

Overall a fun and satisfying production of high-energy hi jinks and mistaken identities.

My rating: 4.25 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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