Category Archives: Reviews

SLEUTH Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob

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Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

SLEUTH presented by The Carnegie through Nov. 22. Click here for more information on the production. I attended the opening night performance.

Mystery-writer Andrew Wyke invites Milo Tindle, his wife’s lover, to his stately home to present to him a larcenous proposition. So begins a clever game of cat-and-mouse between the two in a story that can only end in murder.

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Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

Director Greg Procaccino is a strong director who elicits believable and motivated performances from his cast. He also creates visually interesting stage pictures. Procaccino keeps the dialogue-heavy thriller moving along at a strong pace, and takes full advance of the large, two-story set, smartly designed by Ryan Howell.

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Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

Brent Alan Burington gives Wyke a deliberate manner with a less-than subtle arrogance that serves the character well. As Milo Tindle, Rory Sheridan’s Tindle has a naivety that endears him to the audience as a bit of an underdog. The two work well together and give the dialogue a spontaneity that keeps you engaged.

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Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

The first act builds to an intense and satisfying climax that sends us into intermission. The arrival of the inquisitive Inspector Doppler in act two does rattle Wyke, but I would have liked to have seen the ongoing questioning upset Wyke a bit more. Inspector Doppler’s look was mostly successful, though I did feel that a bit of padding in the arms and perhaps a better wig would have sold the character better.

Overall a solid and entertaining thriller with twists that keep the audience guessing to the end.

My rating: 4.25 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE MYSTERY PLAYS Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nicole Jeannine Smith, Simon Powell, Adam Jones, Jared Earland & Becca Howell.

Nicole Jeannine Smith, Simon Powell, Adam Jones, Jared Earland & Becca Howell.

THE MYSTERY PLAYS presented by Falcon Theatre through Nov. 21. Click here for more information on the production. I attended the opening night performance.

The title, THE MYSTERY PLAYS, may be a bit misleading. For me, the tone of the slightly-related one-acts hearkens back to such anthology series as The Twilight Zone or Amazing Stories.

Director Lindsey Augusta Mercer gives the production a great, stylized look that I enjoyed very much. The somber color pallet of the costumes, accented at times with hoods and jackets were visually intriguing. Great work by costumer designer Tara Williams and seamstress Lisa Dirkes. Ted J. Weil’s lighting design also adds strongly to the mood.

The show boasts a strong fully-committed ensemble.

In the first act, The Filmmaker’s Mystery, Adam Jones takes the lead as horror movie-maker Joe Manning. Jones gives Manning a self-absorbed but likable personality. As potential love interest Nathan West, Simon Powell gives an honest, believable performance, which makes the truth of the character that much more surprising.

Falcon Theatre presents THE MYSTERY PLAYS, Friday-Nov. 21.

The cast.

Playwright Roberto Aquirre-Sacasa’s script is very dense, packing much information in this short story. The first act seemed to drag in places underneath that weight. There were times when the delivery of the exposition worked against the information being imparted. Nicole Jeannine Smith has a fun characterization in Joe Manning’s agent, but when the character imports crucial information near the end of the act, the delivery isn’t engaging.

For act two’s Ghost Children, Becca Howell is Abby Gilly, a lawyer returning to her hometown sixteen years after a family tragedy. I found this act to be a bit emotionally flat. In the final moments of her story, when Abby speaks her truth aloud for the first time it should be a dark revelation for the character and an emotional gut-punch to the audience. Without the memories that Abby re-lives building emotionally to this moment, the reveal lacks any true power, making the ending feel a bit anti-climatic going into the epilogue.

Overall a strong, intriguing and visually-strong production.

My rating: 4.25 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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ANDY’S HOUSE OF [BLANK] Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Paul Strickland. Photo by Daniel R. Winters Photography.

Paul Strickland. Photo by Daniel R. Winters Photography.

ANDY’S HOUSE OF [BLANK] presented by Know Theatre of Cincinnati through Nov. 14. Click here for more information on the production. I attended the opening night performance.

“Weird is extraordinary.” –Andy

Paul Strickland and Trey Tatum take their very enjoyable, diamond in the rough musical from SERIALS! 2: THUNDERDOME and polish it to a brilliant shine into this full-length, fully-staged production.

First and foremost, the show is funny. Throw-your-head-back and laugh-out-loud funny. Those familiar with Strickland’s fringe entries know he is quite the homespun-wisdom wordsmith. Partnering with musician and drinking-buddy Trey Tatum, the two have a created a quirky, genuine and touching musical with a sci-fi conceit.

Trey Tatum. Photo by Daniel R. Winters Photography.

Trey Tatum. Photo by Daniel R. Winters Photography.

Tatum and Strickland serve as narrators and portray teen-aged versions of themselves in the play. They also provide the musical accompaniment for the show, playing piano and guitar, respectively. The two have an easy chemistry and great rapport with each other and the audience.

Rounding out the cast are Erika Kate MacDonald & Christopher Michael Richardson, returning to the roles they originated.

MacDonald gives Sadie an emotionally-guarded quality that I feel works well for the character. I wouldn’t mind seeing Richardson a bit “bigger” on stage.

Richardson is fun as Andy, the “werido” owner of his ever-changing roadside attraction. He has a rich, powerful voice that easily fills the space. There were a couple of times I thought he might bust loose with his belt. He didn’t at the performance I attended, but I say if the spirit of the show moves you, go for it.

Christopher Michael Richardson as Andy & Erika Kate MacDonald as Sadie. Photo by Daniel R. Winters Photography.

Christopher Michael Richardson as Andy & Erika Kate MacDonald as Sadie. Photo by Daniel R. Winters Photography.

Director Bridget Leak keeps the show moving at a nice pace and makes good use of the small play area. Understanding her cast’s limitations, there is no choreography. The musical numbers are performed concert style and Trey’s solo work is limited. 🙂

For the Serials performances, the props were constructed out of cardboard. Scenic designer and charge Sarah Beth Hall has taken that concept to the nth degree, cluttering Andy’s shop with an amazing array of two- and three-dimensional objects.

For this production, technical director Nick Koehike has rebuilt the Underground stage, giving future performances a more versatile play space and smartly improving the sight lines at the same time. I also enjoyed how he incorporated cardboard into the set pieces.

Erika Kate MacDonald as Sadie, Christopher Michael Richardson as Andy & Paul Strickland. Photo by Daniel R. Winters Photography.

Erika Kate MacDonald as Sadie, Christopher Michael Richardson as Andy & Paul Strickland. Photo by Daniel R. Winters Photography.

The well-done lighting and sound design by Andrew Hungerford and Doug Borntrager added depth to the production.

Another great element for the show was Know partnering with local artists to creatively provide missives for the “Unmailed Love Letters” section of Andy’s shop. You can check them out near the windows before and after the show, and at intermission.

To recap: A throw-your-head-back, laugh-out-loud funny, quirky, genuine and touching little musical. Even if you caught ANDY’s original incarnation, the fully-realized production is definitely worth re-visiting.

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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THE NORWEGIANS Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

CP_The Norwegians logoTHE NORWEGIANS presented by Clifton Players through Nov. 1. Click here for more information on the production. I attended the opening Thursday performance.

On paper, THE NORWEGIANS looks like a winner. A goofy premise with a solid cast of four. Unfortunately for me, it was paper in the form of the script that derailed the show.

I found the script to be uneven at best. Digging around on the internet, I discovered that this 90-minute show began its life as a ten-minute play and the stretch marks show. It seemed to rely heavily on gimmicks as opposed to strong story telling.

A problem for me was the pacing. While I understand the deliberate, measured speech of Tor (Sean Dillon), his delivery was so consistently slow that it offset any momentum built by the other actors. The simple scene changes between flashback and present day seemed a bit over-thought and slow.

The interactions between the characters seemed flat. For example, the barbs being traded between Tor and his half-Norwegian muscle (Michael Bath) didn’t seem to have much of an impact on their relationship. In the bar scenes with Betty (Carol Brammer) and Olive (Miranda McGee), they never became “funny to watch drunk.” With the final scene essentially being on a countdown, it failed to build to any sort of climax, there was no sense of urgency to it.

Overall a very uneven show that for me, struggled to be both dark and a comedy.

My rating 3.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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BUYER AND CELLAR Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

BUYER AND CELLAR presented by Ensemble Theatre Cincinnati through Nov. 1. Click here for more information on the production. I attended the opening night performance.

In 2010, Barbara Streisand released “My Passion for Design,” a book that showcases her “taste and style that have inspired her beautiful homes and collections.” Instead of just storing things in her basement, Streisand built an underground street of shops to display items she has collected over her long career. Using this fact as a jumping-off point, playwright Jonathan Tolins’ one-man show explores what life could be like for the wayward soul hired to man the basement mall.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley is Alex More, the out-of-work actor “lucky” enough to land that job. He also portrays several other characters, including the “Funny Girl” herself. Cearley is a wonderful storyteller and he easily establishes a strong rapport with the audience. Completely comfortable on stage, the charismatic actor handles the demands of the multiple characters easily.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

Nick Cearley as Alex More. Photo by Ryan Kurtz.

The script is clever, well-written and very funny. Even though it takes tongue-in-cheek liberties with “Babes” personality and personal life, there is still a sense of believe-ability to story. The show also takes swipes at celebrity, Hollywood excess and the eccentricities of the uber-rich.

A nightgown once owned by Barbara Streisand is on display in the ETC lobby.

A nightgown once owned by Barbara Streisand is on display in the ETC lobby.

The three-walled set, designed by Brian c. Mehring, is clean and simple, with only a few pieces of furniture. At times, a portion of the upstage wall is used for video projection to help establish the various settings.

Overall, a laugh-out-loud, entertaining show that is sure to please Streisand fans and non-fans alike.

My rating: 4.5 out of 5.

On display in the lobby is a nightgown once owned by Barbara Streisand. Complete with certificate of authenticity, it is being raffled off as a fundraiser for ETC.

ETC_The Skivvies promoNick Cearley also performs as half of the cover band, The Skivvies. He and his partner-in-undies, Lauren Molina, have scheduled three shows on Oct. 22-24. For more information on these performances, including special guests, click here.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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