Category Archives: Press Releases

Walnut Hills High School’s Theatre Department Presents Anton Chekhov’s THE CHERRY ORCHARD 

“The Cherry Orchard finds all of its characters in a time of momentous change in between two events of historical significance.” -Michael Sherman, Director

“‘The Cherry Orchard’ has so many great roles that it could easily become anyone’s play…” -Andrew Alexander, Theatre Producer

“Underneath the dillydallying in the final scene — the hunt for lost galoshes, the worry over train times — are the terror and giddy excitement that accompany change and the knowledge of how powerless we are to prevent it.” -The New York Times

WHHS_logoTHE CHERRY ORCHARD is Chekhov’s last full length play. It is an intimate look at an impoverished landowning family who is unable to face the fact that their estate is about to be auctioned off. Lopakhin, a local merchant, presents numerous options to save it, including cutting down their prized cherry orchard. But the family is stricken with denial. THE CHERRY ORCHARD charts the precipitous descent of a wealthy family and in the process creates a bold meditation on social change and materialism.

The show will run for three evenings:

  • April 14th 7:00pm
  • April 15th 7:00pm
  • April 16th 7:00pm

Run time 2 hours and 15 minutes (including intermission).

Tickets $10
Tickets can be purchased at the door or on-line (includes a service fee) http://www.walnuthillseagles.com/fine-arts/theatre/box-office.aspx
Just click Theatre Box Office (On-line tickets cannot be purchase the “Day Of” the show.)

WHHS Black Box Theatre
3250 Victory Parkway
Cincinnati, OH 45207

Leave a comment

Filed under Events, Press Releases

NKU Offers an INTO THE WOODS That Promises to Surprise

NKU_Into the Woods logoHIGHLAND HEIGHTS, KY – Northern Kentucky University | School of the Arts | Program of Theatre and Dance presents INTO THE WOODS April 21 – May 1, 2016. Performances will take place in the Corbett Theatre in the Fine Arts Center.

INTO THE WOODS
By Stephen Sondheim and James Lapine
April 21 – May 1, 2016 | NKU Corbett Theatre

In this timeless musical, your favorite fairytales are flipped upside down and given a hefty dose of reality to boot. You might think you know the real stories of Little Red, Cinderella, Jack, and Rapunzel, but when a Baker and his wife learn of the curse placed upon their house by the witch next door, their quest to break the spell will cause fairytales to collide. As expected, wishes are granted and dreams come true, but in this modern classic, ‘happily ever after’ is not always what it seems: wishes have consequences, princes have flaws, and giants seek revenge.

We sat down with director and theatre faculty member Jamey Strawn to get the inside scoop on INTO THE WOODS. Read on to learn more about Strawn’s unique approach to the show.

How is your telling of the story unique? What led you to your approach to the show?

Jamey Strawn: INTO THE WOODS has been around for over 30 years. It seems everyone is familiar with it in some way or another, whether through viewing the production live or online, participating in a production, or viewing the movie. After much discussion with the design team, we decided to set the show in a Library. From the very first “Once Upon a Time,” the library will come to life with the stories interwoven. As the characters discover and attain their wants and needs, the library will begin to show the burden of consequence and ultimately become deconstructed when there is no more story left to follow. Setting the show in an alternate location provides us the freedom to explore relationships in a new way.

You certainly know your way around the works of Stephen Sondheim. Do you have an affinity for his work? What makes his musicals so enduring?

JS: There is no question that Sondheim is the greatest living musical theatre composer. I enjoy working on his shows because of the depth of meaning in the storytelling, along with the character development in both the text and the orchestration. I was fortunate to help develop a two-piano version of Sweeney Todd recently, and that really inspired me to think outside the box with INTO THE WOODS. I find that too often we look at a work and see what has been done in the past, rather than take the work at face value and try to tell the story as if it were new.

Is there anything that has surprised you in the process of directing INTO THE WOODS?

JS: Guest Artist, Charlie Klesa will play the Narrator as if he is the Baker’s son, reliving the stories his father told him. It has been a joy to incorporate the narrator’s point of view into the story and tinker with the possibilities that have surfaced.

What role does movement/choreography play in your production of INTO THE WOODS?

JS: In discussing the show with the choreographer, Tracey Bonner, I stressed that I wanted all movement to be character driven and individually motivated. There will be times when the company “dances,” but it will be a result of individual intention. It is my hope that dance elements will give the audience a deeper insight into  the character’s point of view in the same way that the orchestration supports a character’s mood or intention.

With the release of the film version of INTO THE WOODS and countless stage productions around the world, why should audiences come see this production?

JS: Our production of INTO THE WOODS will be unique. Arguably Sondheim’s most commercial work, it is both entertaining and intellectually stimulating. The concept of choice and consequence is universal and this show continues to stimulate conversation about society.  Audiences will notice a nod to the original work, be entranced by fairytale characters, and be intrigued by the ingenuity of this concept production. It is my hope that each audience member will identify with one of the characters, share in their story and root for their success.

For more information call the NKU School of the Arts Box Office at 859.572.5464 or visit theatre.nku.edu.

Leave a comment

Filed under Press Releases

Johnny Mathis: 60th Anniversary Concert Tour | Fri., October 14 | Aronoff Center

Aronoff Center – Procter & Gamble Hall
Friday, October 14, 2016 – 8:00 PM
Tickets on sale now! 

CAA_Jonny Mathis logoCINCINNATI, OH – “Chances Are” this extraordinary night will be one you will remember for a lifetime!  Make it “A Night to Remember” as JOHNNY MATHIS takes the Aronoff Center stage for one night only this fall on Friday, October 14 at 8:00 PM.

Tickets are on sale now at CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office. Ticket prices range between $52.50 – $132.50, plus applicable service fees (ticket prices/fees subject to change).

Prepare for over five decades of beautiful music to fill the room as Johnny’s brilliant favorites come alive, along with some new tunes that will get audiences’ feet tapping.  Enjoy an evening with one of the most famous recording artists of all time, who has sold 350 million records worldwide. Johnny’s “Greatest Hits” is one of the most popular albums of all time and spent an unprecedented 490 continuous weeks – almost ten years – on the Billboard Top Albums chart.

Celebrating his 60th year in the music industry, Johnny is Columbia Records longest-running artist. A sublime vocalist whose approach to pop music eclipses passing fads and trends, Mathis has performed songs in an incredible variety of styles and categories — from music composed for stage and film to golden era jazz standards, contemporary pop hits, and holiday music, all of which has assured his reputation as one of the most enduring vocalists in music history.

Best-known for his supremely popular hits like ‘Chances Are’, ‘It’s Not For Me To Say’, and ‘Misty’, Mathis has recorded more than eighty albums, six Christmas albums, and has sold millions of records worldwide. During his extensive career he has had three songs inducted into the Grammy Hall of Fame, achieved fifty Hits on Billboard’s Adult Contemporary Chart, and ranks as the all-time #6 album artist in the history of Billboard’s pop album charts.  He has received five Grammy Nominations, and in 2003, he was given the Lifetime Achievement Award from the Academy of Recording Arts and Sciences.

Leave a comment

Filed under Events, Press Releases

Theresa Rebeck’s BAD DATES Chronicles the Hilarious Pitfalls of Courtship at the Cincinnati Playhouse in the Park, April 30-June 12

PIP_Bad Dates logo(CINCINNATI) – The Internet may have altered the dating scene a lot since Haley Walker first graced a Playhouse stage in the 2005 production of BAD DATES, but one thing hasn’t changed: Dating can be torture, so you might as well laugh about it. One of the most popular shows in Playhouse history, Theresa Rebeck’s irresistible comedy returns April 30 through June 12 to the intimacy of the Thompson Shelterhouse Theatre to prove that a good date can be just as elusive as a bargain-priced pair of Chanel pumps.

Haley ditches her deadbeat husband in Texas and moves with her daughter Vera to New York City to start anew. Working as a waitress in a restaurant, she settles into an unassuming new life. That is, until the police arrest the restaurant’s owner (who’s also a Romanian mob boss) for money laundering, and Haley is put in charge. She discovers that she’s actually a restaurant savant, and within weeks she hires a new chef, changes the menu, updates the flatware and voilà! The restaurant gets reviewed in The New York Times. Suddenly business is booming.

So what’s a charming, savvy, resilient single mom to do after she finds success and a semblance of stability? Blind date? Matchmaker? Haley opts for all of the above, but soon discovers that she’ll have to kiss a lot of frogs in search of her prince. And that’s where we meet her: prepping for dates from the privacy of her bedroom — which she shares with a colossal, 600-pair shoe collection. She knows from the get-go that bad dates will be part of the equation, but she figures that at some point, statistically, there have to be at least a few good dates, right? Haley opens up to us as she recounts her various dating failures with every male archetype imaginable. It’s no surprise that she starts to question if the only man a woman can truly rely on is Jimmy Choo.

“Haley is going to tell you about her life, the dates she goes on, the place where she works and the people who work with her,” explains Associate Artist Michael Evan Haney. He directed the original Playhouse production of BAD DATES and is delighted to return for its 10th anniversary. “She will come to trust you with her most private thoughts. She can do this because she is safe in her own apartment and she has her own things around her. Because she can just be herself there — and with you — she will discover the courage to start connecting with the wonders, and the people, of New York.”

Haney also notes that Cincinnati-native Theresa Rebeck’s hilarious dialogue provides something for everyone. “We’ve all experienced bad dates before, so for males watching, it’s a great opportunity to find out what a bad date is like from the opposing point of view, to learn some of the pitfalls and the traps to avoid,” he says. “Male or female, audiences are going to find Haley such a vital, fun character. Her life might be — hopefully is — a little more dramatic than the average audience member’s, but she’s so interesting that it’s easy to get caught up in the way she confronts the challenges that Theresa has given her in the play.”

The one-woman show features Vivia Font as Haley in her Cincinnati Playhouse debut.  The creative team for BAD DATES, in addition to Haney, includes set designer Bill Clarke, costume designer Anne Kennedy, lighting designer Phil Monat and sound designer Megan B. Henninger. Andrea L. Shell is the stage manager.

BAD DATES is sponsored by Pure Romance.

Ticket prices for BAD DATES start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adult and older teenage audiences.

Continuing this season is the popular Sunday College Night, with tickets to all 7 p.m. Sunday performances priced at just $10 with a valid student ID. Student tickets are just $15 on the day of the show for all other performances. Discounted ticket prices for teens and students are available in advance for $30.

The Playhouse’s Tasting Series will enhance the theatre experience with Martini Parties before Wednesday performances of BAD DATES. The Martini Parties will feature an exclusive selection of four martini options, along with food from Funky’s Catering, for $22 per person. Reservations may be made by calling the Box Office at 513-421-3888.

Previews for BAD DATES are at 8 p.m. Saturday, April 30; 7 p.m. Sunday, May 1; 7:30 p.m. Tuesday, May 3; and 7:30 p.m. Wednesday, May 4. The official opening night is Thursday, May 5, at 7:30 p.m.

Performances take place at 7:30 p.m. Tuesdays, Wednesdays and Thursdays, 8 p.m. Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

Free Meet the Artists programs that allow audiences to interact with the cast and others associated with the production will be held after the following performances: 2 p.m. Sunday, May 8; 2 p.m. Sunday, May 15; 7:30 p.m. Wednesday, May 18; and 7:30 p.m. Thursday, May 26.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to BAD DATES are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2015-16 Thompson Shelterhouse Theatre Series is presented by Heidelberg Distributing Company, and the Thompson Shelterhouse season design sponsor is the Allan Berliant and Jennie Rosenthal Berliant Family Fund. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of the community contributors to the ArtsWave campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

Leave a comment

Filed under Press Releases

Cincinnati Shakespeare Company Concludes the Season by Pairing Shakespeare’s Epic Roman Plays, JULIUS CAESAR and ANTHONY AND CLEOPATRA

JULIUS CAESAR, playing April 8- May 7, is paired with ANTHONY AND CLEOPATRA, playing May 13- June 4, with the CSC Resident Ensemble and design teams connecting the two productions!

CSC_Julius Caesar promo

Jim Hopkins as Julius Caesar. Photo by Mikki Schaffner Photography.

Julius Caesar is brilliant general, a cunning politician, and the most beloved leader Rome has ever known; but when his ambition threatens to topple the Republic, a small conspiracy of Roman patriots take matters into their own hands. When they assassinate the beloved Caesar on the senate floor, their actions plunge the Republic into a civil war that will test friendships, try loyalties, and determine the fate of an empire. Presented in full Roman regalia and flair, Shakespeare’s breathless political thriller “Julius Caesar” returns to the CSC stage as the first installment of a special two part theatrical event with “Antony and Cleopatra”.

Part two of CSC’s special theatrical event, “Antony and Cleopatra” is the rarely-staged epic sequel to “Julius Caesar”. The victors of Rome’s civil war have divided the Empire amongst themselves, and Marc Antony has traveled to exotic Egypt to take up rule over his corner of the globe. There he encounters Egypt’s mysterious monarch, the irresistibly entrancing Cleopatra. Their impassioned love affair ultimately pits their two countries against each other and will change the face of the ancient world forever.

CSC_Anthony and Cleopatra promo

Nick Rose as Marc Antony with his Cleopatra who will be played by Chantal Jean-Pierre. Photo by Mikki Schaffner Photography.

This is a rare opportunity for Cincinnati audiences to experience these 2 productions. Although Shakespeare wrote his Roman history plays roughly eight years apart (“Julius Caesar” in 1599-1600 and “Antony and Cleopatra” in 1606-1607), they represent a record of continuous history, with many of the same characters appearing in both. The Cincinnati Shakespeare Company Resident Ensemble makes it possible to present these plays using the same ensemble members in both productions! Rick Pender of CityBeat says “because Cincy Shakes employs a resident ensemble of actors who live and work in Greater Cincinnati, it can feature the same performers in both productions, providing a kind of connective tissue that will add greater depth for audiences that get to see the two closely juxtaposed shows.”

Both of Cincinnati Shakespeare Company’s productions of “Julius Caesar” and “Antony and Cleopatra” were selected to be a part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. Cincinnati Shakespeare Company is one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States. This is the thirteen year of this national program, the largest tour of Shakespeare in American history.  This additional funding has allowed Cincinnati Shakespeare Company to welcome 100s more students at no or low cost to experience these productions during the school day or at evening performances alongside of extra educational activities made available by CSC.

“Antony and Cleopatra” welcomes the Cincinnati debut of Chantal Jean-Pierre in the title role of Cleopatra. She previously appeared as Cleopatra in Orlando Shakespeare Theater’s production of “Antony and Cleopatra” to which the Orlando Sentential called her a “magnificent, mercurial Cleopatra of actress Chantal Jean-Pierre […] makes a grand entrance… she’s as all-encompassing as her desert empire – a girl at heart, with emotions that change on a dime, and also a woman so strong and serene that she embraces death with a smile.  It’s a charismatic performance.”  She has also performed with Folger Shakespeare (Goneril in “King Lear”), Shakespeare Theatre of New Jersey (Hostess/Alice in “Henry V”) , American Globe Theater (Gertrude in “Hamlet”), New York Classical Theatre (Olivia in “Twelfth Night”), Wertheim Performing Arts Center (Paulina in “The Winter’s Tale”) and many more.  Her TV credits include “We Are New York”, “One Life to Live”, and “All My Children.”  Learn more at www.chantaljean-pierre.com.

Performances of “Julius Caesar” are scheduled from April 8- May 7, 2016 on Thursday, Friday & Saturday evenings at 7:30pm and Sundays at 2pm as well as on Saturday May 7 at 2pm. There is no performance on Sunday April 10.  Preview performances are on Wednesday April 6 and Thursday April 7 at 7:30pm and tickets are $25.

Performances of “Antony and Cleopatra” are scheduled from May 13- June 4, 2016 on Thursday, Friday & Saturday evenings at 7:30pm and Sundays at 2pm as well as on Saturday June 4 at 2pm. There is no performance on Sunday May 15.  Preview performances are on Wednesday May 11 and Thursday May 12 at 7:30pm and tickets are $25.

Discounts are available to patrons purchasing both shows. By using code “EPIC”, patrons will receive $10 off per pair of tickets when they purchase a ticket to “Julius Caesar” and “Antony and Cleopatra” at the same time.

The theater is located at 719 Race Street, downtown Cincinnati, two blocks west of the Aronoff Center.  Single ticket prices range from $22-$35 on Thursdays and Sundays and from $26-$39 on Fridays and Saturdays.  Previews are $25.  If available, $14 student rush tickets may be purchased 30 minutes before a show with a valid student ID.  This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted.  Ticketing fees may apply.  Discounts are available for students, seniors and groups as well as AAA members.  To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online atwww.cincyshakes.com.

###

About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  Located in the heart of downtown Cincinnati, CSC produces a dozen mainstage productions each season.  The repertoire is made up of the works of William Shakespeare, literary adaptations and contemporary classics. CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Cincinnati Shakespeare Company’s Education and Outreach Programs reached nearly 34,000 young people and underserved community members last season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions at its home on Race Street.  In 2014, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About the 2015-2016 Season:
This season is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave.  The season design sponsor is Mark & Sue Ann Painter.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at http://www.cincyshakes.com.

Leave a comment

Filed under Press Releases