Category Archives: Casting Call

Development Manager – Grants & Sponsorships (Full-Time) Sought by The Children’s Theatre of Cincinnati

TCTC_new logoOrganizational Overview:
The Children’s Theater of Cincinnati’s (TCT) mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre
  • TCT On Tour
  • TCT Academy

Vision: To awaken a lifelong love of theatre in children and the young at heart.

Core Beliefs:

  • We believe in the power of theatre to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Objective: To find a dynamic individual to join our team who is passionate about the impact TCT has on thousands of children annually, who would enjoy working for a company in a state of transformational growth, and one that makes employee satisfaction and engagement, and DEIA work, a priority.

Position Overview:
The Development Grants and Sponsorships Manager will assist the Development Team and the organization in fulfilling its mission of educating, entertaining and engaging audiences of all ages through professional theatrical productions and arts education programming. Success in this role will lead to expansion of corporate and foundation relationships, increased grant acceptance rates, excellence in the capture and maintenance of relationship and gift details, and advancement of professional guidelines and best practices for Development practice. This position reports directly to the Director of Development.

Responsibilities:
Advancement of relationships within corporations and foundations that result in increased fundraising success. The ongoing practice of timely and accurate updates in Spektrix sharing relationship management, progress, and plans.

Goal Setting/Benchmarking:

  • Assist in preparation of fundraising/development calendar
  • Develop/monitor Corporation & Foundation Giving fundraising plan/calendar
  • Support development plan for annual gifts
  • Compile a list of organizational statistics for each fiscal year that can be referenced in grant writing and other solicitation activities

Grants

  • Identify/cultivate corporate, government, and private foundation involvement for support
  • Directly responsible for writing all grant applications
  • Track and work with appropriate departments to deliver all benefits/recognition for grant awards
  • Maintain calendar with due dates for all new and recurring grants and final reports
  • Directly responsible for the completion of all grant final reports

ArtsWave/OAC/SMU Data Arts

  • Manage all reporting requirements
  • Draft annual application and materials and ongoing reporting requirements
  • Represent TCT at appropriate events and meetings
  • Acknowledge and maintain detailed records

Facility Rentals:

  • Directly responsible for proactively booking facility rentals and achieving budgeted annual goal
  • Research and meet with event planning companies as well as those responsible for booking events within corporations
  • Call on Book of Lists companies to make them aware of rental opportunities for company events and client appreciation events
  • Generate prospect list and reach out with prepared Facility Rental brochure
  • Communicate with renters prior to and following event – scheduling, contracting, collecting payment, and preparing site for guest.
  • Monitor rental during event or schedule another staff member to monitor during rental.

Corporate Sponsors:

  • Directly responsible for identifying/cultivating corporations as potential sponsors
  • Work with Development Director to prepare materials for solicitation Finalize proposals and contract details for sponsorship opportunities
  • Facilitate all benefits for corporate sponsors
  • Utilize Development Committee and Board of Trustees to identify prospects for
  • Sponsorship

In-Kind Donations

  • Work with Finance Director to identify areas of expense that could be reduced through in-kind donations (lumber, trucking, paint)
  • Create a list of current vendors and others in the industry to approach for such donations (Home Depot vs Lowe’s)

Special Events

  • Assist in the solicitation of in-kind gifts for the events
  • Facilitate all benefits given to sponsors/participants for their support
  • Solicitation of sponsorships and table/tickets purchases
  • Solicit items to be auctioned for online auction
  • Solicit raffle/auction items associated with various raffles and auctions

Ideal and Minimum Qualifications:

  • Bachelor’s degree in nonprofit development or related field; or bachelor’s degree and
    equivalent training through practical business experience
  • 3-5 years development experience preferred
  • Proven success in writing grants and a high application success rate a must
  • Demonstrated ability to identify new and manage current corporate and foundation
    relationships, discover and respond to grants opportunities in a timely fashion
  • Project management experience with a successful track record
  • Excellent communication, writing and relationship-building skills
  • Demonstrated ability to collaborate and be a part of a team to further relationships and support efforts of colleagues and volunteers
  • Experience with Microsoft Office
  • Experience with Database Management/CRM application software

Compensation & Benefits:

  • Starting Salary: $47,500.
  • Health, vision and dental benefits available after a waiting period. Health insurance premiums paid by TCT at 100% for employee only high deductible plan.
  • 403(b) retirement plan participation available with eligibility for an employer match after one year of credited service.
  • Generous PTO accrual based on years of service (five weeks paid vacation in first year).
  • Generous paid holiday schedule.
  • Additional paid time off between December Holidays and New Year’s (Winter Break).
  • Flexible schedule and hybrid work opportunities.

The Children’s Theatre of Cincinnati believes the stories on our stages and the work we do behind the scenes must reflect the diverse communities we serve. We believe inclusive work cultures spark wide-ranging, exploratory conversations and learning. Therefore, we strongly welcome and encourage people from all backgrounds, identities, abilities, and ages to apply as we continue our commitment to diversity and build an inclusive environment at TCT.

TO APPLY: Qualified candidates should submit whatever they feel best reflects their qualifications. This can come in the form of a video, cover letter/resume, portfolio, and/or demo reels. Grant writing samples are encouraged. (Files should be less than 3MB in total, links are welcome). No phone calls, please.

Please submit materials and any references by Friday, April 5, 2024, to Director of Development, Anne Venters at anne.venters@tctcincinnati.com. Subject Line: DEVELOPMENT MANAGER – GRANTS AND SPONSORSHIPS 202

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Two Women Sought for BOSTON MARRIAGE at Middletown Lyric Theatre

MLT_logoMiddletown Lyric Theatre’s
BOSTON MARRIAGE by David Mamet
Production: June 21, 22, 28 & 29

We are looking for two women for the following roles

Contact: Charley Shafor at cshafor@middletownlyric.org for an appointment

The role of Anna has been cast

Claire: 30s
a young, unattached lesbian woman living on the fringes of upscale Victorian society; once was Anna’s lover, but that has ended and she is currently pursuing a young uninitiated girl for whom she has fallen head over heels; visits Anna, her ex, to ask her to allow Claire to meet with her prospective lover in Anna’s apartment; less educated and younger than Anna.

Catherine: 20s
Anna’s Scottish maid; has to put up with Anna and Claire’s merciless verbal abuse, but in the end there is much more to her than meets the eye; must have superb comedic timing and the ability to execute a Scottish dialect.

Both roles must have strong comedic timing while being able to deftly navigate Mamet’s quick witted repartee that features modern sensibilities couched in Victorian turns of phrase.

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Company Manager Sought for SEE ME. HEAR ME. Tour with American Legacy Theatre

ALT_logoCOMPANY MANAGER

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
SEE ME. HEAR ME. is an original one-act play focused around family miscommunication, youth trauma stemming from isolation and mixed media bullying, and career pathways in behavioral health all to reduce stigma around youth mental health services. Developed with A.L.T, in consultation with Ohio’s Dept of Mental Health and Addiction Services, this piece was written by Executive Artistic Director & CEO, Matthew David Gellin.

SEE ME. HEAR ME. is to be performed in a state-wide non-union tour to Ohio high schools. This will be a 6-person company – 4 actors, 1 stage manager, 1 company manager, 2 vans.

** Rehearsals and performances will be predominantly during the day time Monday through Friday. Weekends and evenings may be used for alternative performance times. Performances will be up to 5 days a week.**

TIMELINE

Resumes and Cover Letters: NOW. Submit by March 17, 2024 for first consideration.
Applications still accepted afterwards if not filled.
Rehearsals begin: April 17, 2024; 9:00am
First Performance Date: May 1, 2024
Current Ending Contract Date: May 19, 2024
Up to 10 performances a week of this 45-minute piece.

Please send resume and cover letter to: info@americanlegacytheatre.org with the subject line of “SMHM Company Manager – (Last Name).

EXPECTATIONS

The Company Manager is the leader on the road. The Company Manager will structure, manage and execute the steps required to implement a high quality company management process that serves the integrity of the play, bonds the artists, aligns external scheduling, and heightens audience engagement with the piece. Attendance at all rehearsals and performances is a given. Additional expectations: The Company Manager must have a valid driver’s license and insurance as they will be responsible for driving one of the two vans. ALT does provide insurance for drivers but needs to ensure they are insurable. Additionally they will be the primary contact at each school location and Dept. of Mental Health and Addiction Services for tour purposes. During the performance they will run front of house and give a pre-show speech. Company Manager will consolidate reports for ALT reporting, and help the process and production in other ways, as needed; this may include going on with a script in hand if an actor is sick. Schools have an option to do a facilitated talk-back after each performance for up to 45 minutes that the Company Manager will facilitate.

ALT staff will be available to assist with critical components along the way.

COMPENSATION

This is a four and a half-week contract at $1,000/week. Potential extension of tour is in consideration. Candidates from outside of Cincinnati will be considered. Company Manager will be provided one round-trip ticket between their city of residence and Cincinnati. During the rehearsal period Company Manager will be provided accommodations. If accommodations are required, pay will be $600 for the week.

Successful background check will be required for this position.

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

TRAVEL
On the road, the two vehicles will be driven by the Stage Manager and Company Manager who will coordinate the logistics of when travel times between locations will take place.

Sleeping locations are set and determined by American Legacy Theatre, and carried out by the Company Manager. Specific room arrangements are determined by the touring company.

SUBMISSIONS
Resumes and Cover Letters: NOW. Submit by March 17, 2024 for first consideration. Applications are still accepted afterwards if not filled. Rehearsals begin: April 17, 2024; 9:00am
First Performance Date: May 1, 2024
Current Ending Contract Date: May 19, 2024
Up to 10 performances a week of this 45-minute piece.

Please send resume and cover letter to: info@americanlegacytheatre.org with the subject line of “SMHM Company Manager – (Last Name).

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The Ghostlight Stage Company Seeks Paid Stage Manager

glst_logoCompany: The Ghostlight Stage Company – Cincinnati, Ohio

Performance & Rehearsal Venue: Keehner Park Amphitheater (7246 Barret Rd, West
Chester Township, OH 45069)

Seeking: Stage Manager

Contract: Nonunion

Pay Rate: $18/hour (approx. 62 hours of work needed – 46 rehearsal hours and 16 performance hours)

Production: Ken Ludwig’s SHERWOOD: The Adventures of Robin Hood

Director: Aiden Dalton

Synopsis: Ken Ludwig’s SHERWOOD: The Adventures of Robin Hood is an action-packed, side-splitting adaptation of the timeless classic. With thrills, romance, laughter, and immortal characters like Little John, Friar Tuck, and Maid Marian, Sherwood: The Adventures of Robin Hood tells the enduring story of a hero of the people who takes on the ruthless powers that be.

Production Schedule:
1st Rehearsal: on or around May 4, 2024
Opens: May 17, 2024
Closes: May 19, 2024
Rain Dates: May 23-25, 2024

Weekend rehearsals will most likely be in 6 hour blocks during the day. Weeknight rehearsals will be from approx. 6pm-10pm. Additionally, May 14 and May 16 will have rehearsal time during the day (approx. 11am-4pm). Performances will have 6pm call times and start at 7pm for evening shows, and have call times of 1pm with a 2pm start time for matinees.

Submission Instructions: To submit, please use the email heading: “STAGE MANAGER SUBMISSION.” In the body of your email please include where you are currently based, if you have housing available in the Greater Cincinnati area during the time of production and ALL CONFLICTS you may have between May 4-19, and between May 23-15, 2024. Attach a copy of your updated resume of relevant work history and a brief cover letter explaining your interest in the role and why you would make a good fit. Send these submissions to our Theatrical Director, Aiden Dalton at: aiden@theghostlightstageco.com.

The Ghostlight Stage Company is not able to provide housing or travel compensation to any cast or creative team member at this time. Please do not apply if you will require this.

The Ghostlight Stage Company is an equal opportunity employer. It is our policy to provide equal opportunity without regard to the basis of race, color, religion, sex or national origin, and we require affirmative action to ensure equality of opportunity in all aspects of employment. All employees and volunteers (whatever their gender, race, ethnicity, national origin, age, identity, sexual orientation, education, ability, religion, socioeconomic status, physical appearance, or attributes) should always feel valued and respected.

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Paid Gig at Crossroads Church on Easter Weekend

MISC_Crossroads ChurchPaid gig at Crossroads Church for Easter weekend (Saturday, March 30th/Sunday, March 31st).

Mezzo-sopranos, female presenting performers, 20’s -30’s, strong acting and solo vocal skills.

Location would be one of our local sites which vary in size from 500-3,000 per service, all with concert or theatre venue set up.

Please email paula.rakestraw@crossroads.net for submission materials.

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