Category Archives: Auditions

Cincinnati Opera Announces Chorus Auditions for 2020 Summer Festival

co_logoCINCINNATI—Auditions for Cincinnati Opera’s 2020 Summer Festival Chorus will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, on October 25, 26, and 27, 2019.

The Cincinnati Opera Chorus is a paid, professional chorus under the jurisdiction of AGMA, the American Guild of Musical Artists. Residents from outside of the greater Cincinnati area are welcome and encouraged to audition. However, applicants should be aware that most chorus members tend to be cast locally. Rehearsals and performances for the 2020 Summer Festival will begin in mid-May 2020 and extend through early August 2020 (exact dates to be announced).

Audition Process
Audition requests are now received exclusively through an online application process. Applications must be submitted no later than October 21, 2019. Please email auditions@cincinnatiopera.org with any questions.

Individuals interested in auditioning are asked to follow these steps:

  1. Complete the online application at
    https://www.yaptracker.com/applications/cincinnati-opera-chorus-2020/. Applicants must have an account with YAP Tracker, an online auditions management tool, and may sign up for free at this link: https://www.yaptracker.com/register-applicant. Applicants are required to upload a resume (PDF only, please) detailing performance experience. A headshot or photo is appreciated, but not required.
  2. Singers will be notified by email if an audition has been granted. They will then have the option to schedule their own audition time via YAP Tracker.
  3. Auditions will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, 45202. Singers should prepare two (2) contrasting arias in the original languages. An accompanist will be provided.

Please note that there is a separate application and audition process for those interested in 2020 Young Artist positions. Visit cincinnatiopera.org/jobs for more information.

Cincinnati Opera is an equal opportunity employer and is strongly committed to creating a diverse and inclusive environment where a variety of backgrounds, cultures, orientations, ideas, and talents can flourish. 

2020 Summer Festival
Cincinnati Opera’s 2020 100th Anniversary Summer Festival takes place June 18 through August 1, 2020, and features Gioachino Rossini’s The Barber of Seville, the world premiere of William Menefield and Sheila Williams’s Fierce, Antonín Dvořák’s Rusalka, the world premiere of Gregory Spears and Tracy K. Smith’s Castor and Patience, and Giuseppe Verdi’s Aida. The 2020 season is made possible with support from ArtsWave, Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations.

For additional 2020 season and casting information, please visit cincinnatiopera.org. 

Founded in 1920 and the second oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

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Auditions Announced for ANNIE JR at Encore Performing Arts

EPA_logoOpen Auditions (Ages 6-14)
October 19th, 1pm-3pm

At Encore Performing Arts
3320 Tylersville Rd., Suite R
Fairfield Twp., OH 45011332

  • Please prepare a 30 second cut of a song that best shows your vocal range, personality, and acting skills.
  • Accompaniment not available. Please bring accompinantment (With NO words/voices in the background) on a phone or CD. Singing acapella is acceptable.
  • Auditioners will be asked to learn and perform a short dance combination.
  • Auditioners may be asked to do a cold reading from the script.

PERFORMANCE:
January 24th, 2020

CREATIVE TEAM:

  • Vocal and Administrative Director- Carolyn Sigg
  • Director- Alexandra Williams
  • Choreographer- Kristin McSwain

REHEARSALS:
Rehearsals will start the week of October 20th. They are tentatively scheduled for Tuesday and Thursday evenings, and Saturday mornings from 9-12am. Rehearsals will take place at Encore Performing Arts. Not all actors will be required to attend every rehearsal. A rehearsal schedule will be available at auditions.

QUESTIONS?
Email administrative director Carolyn Sigg at carolynsigg@gmail.com.

SYNOPSIS:
Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, with a beloved book and score by Tony Award winners, Thomas Meehan, Charles Strouse and Martin Charnin, ANNIE JR. features everyone’s favorite little redhead in her very first adventure.

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts, despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.

CHARACTER BREAKDOWN:

  • Annie – Annie is a complex little girl. She is a tough, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly in scene one, independent in scene two, overwhelmed in scenes four and five, needy in scene seven, and hopeful for the future in scenes ten and eleven. The actor who plays Annie must be strong vocally and musically. She must be capable of vocal projection without strain. She also needs a good understanding of subtext so she can act appropriately during the various scenes between Warbucks and Grace, and Miss Hannigan and Grace. Although she is at times aggressive or crafty, the audience should never doubt Annie is a friendly and caring child; she will go to any extent to gain the love of a family to which she can belong.
  • The Orphans – Molly, Tessie, July, Duffy, Kate and Pepper. These girls are gritty, neglected and vulnerable, yet basically honest and potentially lovable. The actors portraying them must be able to have mischievous fun with each other as well as “sibling-style” fights. Each student should be able to create and shape her own character. Children auditioning for these roles need to have vocal strength and be visually expressive.
  • Miss Hannigan – This woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks, every song she sings and every move she makes. She must have an excellent sense of comic timing.
  • Grace Farrell – Grace is mature, calm, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. The student playing Grace can set herself apart from the other characters simply by the sophisticated way she walks. Grace is ready with an answer for just about anything. Each dramatic situation should seem to come “under control” the moment she glides into a scene.
  • Rooster – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Rooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s, as should be the message he sells in “Easy Street.”
  • Lily – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Lily (airhead that she is) is always distracted, although she manages to pick up on any conversation involving money. She never acts as the leader, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).
  • Warbucks – This may be the most challenging role for a student in this age group. He must appear middle-aged, self-assured and confident. At first awkwardly affectionate toward Annie, he soon finds himself completely charmed by her. He begins his transformation when he views “N.Y.C.” through Annie’s eyes and falls in love with the city again…and with her.
  • Sandy – In this production, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.
  • Servants (Drake, Mrs. Greer and Mrs. Pugh) – From the moment these characters enter the acting area, their presence, posture and speech should suggest the most fastidious of domestic help. (Your actors will have fun perfecting the precision steps, nods and curtsies.) Their heads are always held high and they rarely show their emotions.
  • Additional Characters
    The most important qualities to look for in casting the remaining roles are vocal accuracy and the ability to develop a character. Each role is self-explanatory and usually identified by the character’s occupation. Help your students develop these characters in the context of the historical time period. Students that are more comfortable performing in groups (without solo singing) might be cast as servants, pedestrians, Bundles, the chauffeur, Louis Howe, the apple seller and the dogcatcher.

To reserve your audition slot, use our SignUpGenius event.

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Auditions Announced for MIRACLE ON SOUTH DIVISION STREET at Lumos Players

LP_logoSaturday, Oct. 5th (1:00 – 5:00 PM)

Lakeview United Church of Christ (8639 Columbia Rd, Maineville, 45039)

PLEASE PREPARE A SHORT MONOLOGUE FOR YOUR AUDITION.

*Walk-ins are welcome and will be worked in around scheduled auditions.

Performance Dates: DEC. 13th -15th

To sign up for an audition slot email – LumosPlayers@gmail.com

Synopsis: Meet the Nowaks of Buffalo, NY. Clara and her three grown kids have always known they were special, ever since the miraculous night in 1942 when the Blessed Mother appeared to Grandpa in his barbershop! Since then, the neighborhood has looked upon the Nowaks’ 20-foot commemorative shrine as a beacon of hope and faith amidst the urban rubble. And now daughter Ruth unveils her plan to write and star in a one-woman show about the family miracle so the “whole world will know!” However, as her plans for theatrical immortality unfold, the entire family’s faith is shaken to the very core when a deathbed confession causes the family legend to unravel. The results are heartfelt and hilarious.

Character Descriptions:

*All ethnicities welcome and encouraged to audition for any role.

CLARA NOWAK – Late 60’s. The family matriarch; lovably forward and direct; no-nonsense, says what’s on her mind. Born in Poland, came to Buffalo as an infant; still lives in the same urban Buffalo neighborhood where she grew up.

BEVERLY NOWAK – The eldest. (30s – 40). She is loud, outspoken, opinionated; her mother’s daughter; avid bowler; product of her environment; sarcastic, wickedly funny.

RUTH NOWAK – The middle child. (30s); a bit gangly, awkward, but with an appealing energy and spark; very intelligent and a little classier than her siblings; aspiring actress, wants to move to New York City.

JIMMY NOWAK – The baby. (20s-30s) A simple but witty guy who enjoys needling his sisters; loves living in Buffalo; big heart, kind disposition.

*LumosPlayers@gmail.com to set up your audition.

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Auditions Announced for ELFISH at Improv Cincinnati

IC_Elfish logoImprov Cincinnati presents auditions for Elfish, an original scripted musical written by Tatum Hunter and directed by Gauravi Shah!

Auditions will be at Clifton Performance Theatre on Saturday October 5, 1-4pm. Musical callbacks will be Sunday October 6 3-5pm

Description: Charlie is a resourceful elf with an unwavering Christmas spirit, but she lives in a world that has increasingly become lonely and distant. Families are dysfunctional little drones who barely pull themselves away from their screens, Santa is a tech tycoon churning out the next product launch, and the World’s Best Parent is a robot engineered to be perfect. Will Charlie lift our spirits and make us feel loved and connected? Find out this December in Tatum Hunter’s hilarious satirical spin on the Christmas season!

CAST

  • Charlie: (female) A good little worker, wants recognition, success and pats on the back
  • Winston: Entrepreneurial spirit, loses interest in things once he achieves them
  • JT: A sharp-tongued trend-hater
  • Santa: Silicon valley founder, petty little bitch beneath a charismatic exterior, a man-child
  • Roxanne: Madly in love with Santa, mothers him
  • DadBot: Just so friendly
  • Ensemble

Sign Up Now To Secure Your Spot! If you can’t attend the audition on 10/5, please e-mail Gauravi Shah at gauravi.shah14@gmail.com.

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Auditions Announced for ROOM FOR SECONDS at Village Players

VP_new logoVillage Players of Fort Thomas announce auditions for ROOM FOR SECONDS by A.K. Forbes.

  • Sunday, Oct. 27, 2 pm
  • Monday, Oct. 28, 7 pm

Street level at 8 N. Ft. Thomas Ave., Fort Thomas, KY 41075

Cast requirements (stage ages may be adjusted somewhat based on casting):

  • TRUDY, to play 50s-60s, Zen’s mother. Eccentric. Easily bored.
  • ZEN, to play 36, Trudy’s son. Experiencing the early stages of a mid-life crisis.
  • MAGGIE, to play 24½ , Zen’s girlfriend. A surprisingly low-energy dance teacher. Probably sounds Kardashian.
  • MEGAN, to play late 30s, Zen’s ex-girlfriend and Trudy’s co-conspirator. Earnest, but a little off.
  • SAM, to play 65, Trudy’s ex-husband; Zen’s father. Recovering from a mid-life crisis.
  • Voice of ALPHONSE, M, any age, to sound like a mid 40s hair stylist with an accent. The accent is probably fake. (This role can be read from the script off stage.)

Resumes and head shots encouraged, but not required. Cold readings from the script.

Synopsis: When Zen brings his new, young girlfriend Maggie home to meet Trudy, his mother, Trudy enlists his ex-girlfriend, Megan, to help in the kitchen. Their plan to “see Maggie blotchy” by serving a sauce made of strawberries, to which she is allergic, backfires in a big way. Maggie is rushed to the hospital, suffering from anaphylactic shock, leaving Trudy and Megan to worry about legal culpability. Hoping that Sam, her tax attorney ex-husband, can be of some assistance (because maybe he knows a “real lawyer”), Trudy reaches out, only to have him show up at her house, luggage in tow. At the same time, Zen threatens to alert the police unless Trudy and Megan help him repair his relationship with Maggie, which has soured after the strawberry incident. Sam, wanting a re-do with Trudy, agrees to help. Their efforts prove to be ineffective but humorous, revealing hidden motives and secrets, ultimately ending with the status quo mostly intact.

Show dates: March 6, 7, 8, 12, 13, 14 (2020)

Questions, contact Angela – emailangelakf@yahoo.com

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