Category Archives: Auditions

Auditions Announced at THE BOOK CLUB PLAY at Lebanon Theatre Company

LTC_logoTHE BOOK CLUB PLAY by Karen Zacarias

We will be holding auditions at our theatre on 10 S. Mechanic St., on:

  • Monday, February 27 at 7pm
  • Tuesday, February 28 at 7pm

All roles (unless stated) are in their 30s and 40s, but these are guidelines only. The ensemble fit/chemistry of the 5 friends is more important. Pace and flow are vital for this comedy. Lily is written as black, but all ethnicities for all roles are options.

  • Ana – Beautiful. Charming. Smart. Accomplished. Organized. A columnist for a daily paper. The “Mother Bee.” Her grace masks a need to control.
  • Robert – Ana’s golden-boy; handsome, charismatic, underachiever husband who is starting to search for meaning. Met in college. Upper-crust background.
  • William – Rob’s conservative, well-read, well-dressed, disciplined college roommate. Ana’s former boyfriend. History buff. Unmarried.
  • Jen – Ana’s friend. Pretty. Shy. Smart. Tends to burst out with awkward truthful comments. Despite some lack of self-confidence, she is the grounding centre of the group. Unorganized and oblivious to her own attractiveness. Unmarried.
  • Lily (black, 20s) – A go-getter. Former debate captain who is on the cusp of all current trends and yet can still put her foot in her mouth on social occasions. Laughs at appropriate and inappropriate times. A great lover of books and Ana’s protégé at the paper.
  • Alex – The new guy. A very smart, well-read academic who has lost his moorings and is searching for a real connection. Professor of comparative literature.
  • Pundit (either 1 or several actors, any age/gender): playing five characters: Sam, Wal-Mart guy; Frank, Secret Service agent; Elsa, jaded literary agent; Mrs Simpson, skydiver; Carl, an inmate book dealer.

Production dates: April 28-May 7

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Auditions Announced for HEDDA GABLER at Dayton Theatre Guild

DTGOpen audition notice for HEDDA GABLER, adapted by Christopher Shinn

Auditions will be held Mon & Tue, Mar 20 & 21, 2023, starting at 7:00 pm both nights.

Production dates: Jun 2-18, 2023

Rehearsals with begin March 23 and will run generally Mondays-Thursdays thereafter, subject to the schedules and conflicts of the cast and staff.

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — http://www.daytontheatreguild.org

Directed by David Shough
Produced by Rick Flynn & Christina Tomazinis

THE PLAY: Hedda Gabler (now Mrs. Tesman), newly married but not wisely, and facing a diminished future, an unwelcome past, and a smothering present, struggles to find the one decisive, beautiful act that will help her feel alive.
This production will be set in the very late 19th century with some anachronistic elements to make clear the story it tells is not time-bound. Actors should use a neutral, non-British, non-regional accent.

Casting Requirements:

  • A Note about Age: The four younger characters ‐‐ Hedda, Thea, Tesman and Løvborg ‐‐ are written as in their late twenties or early thirties, but the complexity of the role of Hedda may mean that a somewhat older actor is best for the role, and I will consider actors well into their forties if they otherwise meet the role’s needs. If that is the case, the ages of the actors for the other “young” characters may need to balance the Hedda actor, so I will consider somewhat older actors for those roles as well.
  • You need only attend one night, but are welcome at both. If you cannot attend either audition date, contact the director at davids@pbstudios.com or 937-626-2674, and we will make time.
  • Audition selections will be available for download beginning mid-February. Familiarity with (but not memorization of) the selections will be a good thing at audition; cold readings demonstrate your ability to read; I would like to see something of your ability to create a character. In the meantime, another translation of the play is available online at gutenberg.org, if you want to start early exploring the story and the characters
  • Please bring a a résumé. A photo is helpful if the director doesn’t know you, but not required. Director’s note: I have cast actors I don’t know in every show I’ve directed; always looking for new folks.
  • Please be prepared to list all conflicts, including weekends, between Mar 22 & Jun 18, 2023.
  • All cast and crew are required to be vaccinated for COVID-19

Hedda Gabler (Heh-dah, Gah-bler):
(plays 29 years old) Beautiful, strong, controlling, demanding, but step by step losing control of her life and future; daughter of a prominent military officer, newly married to an unremarkable academic. Ibsen titled the play with her maiden name to indicate she “as a personality, is to be regarded rather as her father’s daughter than as her husband’s wife.” Indeed, she seems to be at war with everyone and everything around her, for which her favorite possession ‐‐ her father’s set of dueling pistols ‐‐ serves as more than a metaphor. This is one of the most complex and powerful roles for women in the age of modern drama.

Jørgen Tesman (Yur-gen Tess-mahn):
(plays 33 years old, or a few years older than Hedda) Naïve academic; a student of the past excited about his future, and more fascinated with things like his books, his old slippers, and his work, than with his new wife; according to Hedda, he spent most of their six-month honeymoon trip studying dusty manuscripts in old libraries. He has been described as a “ninny” but must not appear as a fool. Therefore, it’s a challenging, nuanced role.

Eilert Løvborg (Eye-lert Louv-borg):
(same age as Tesman): A scholar, like Tesman, but otherwise unlike Tesman in every way: handsome, impulsive, romantic, perhaps alcoholic, on the edge. An ex-flame of Hedda’s, now in something of a relationship with Thea. He has returned to town to attempt to rebuild his reputation after a scandal. The right actor will make him a character the audience cannot stop watching

Thea Elvsted (Tay-eh Elv stehd):
(a couple years younger than Hedda): At first appearance, weak submissive and fearful, but she is stronger than she first appears. A former schoolmate, but not school friend, of Hedda’s, she has come to Tesman and Hedda seeking help regarding Løvborg, whom she likely loves. Many levels for the actor to explore.

Judge Brack (rhymes with clock):
(plays 45, or clearly older than Hedda) Handles Tesman’s business affairs, and seems to be seeking a different kind of affair with Hedda. Lascivious, scheming, but the actor cannot go so far as at make him odious; this is not melodrama.

Juliane Tesman:
(60s or older) Tesman’s maiden aunt; she raised Tesman and now cares for her dying sister. Smart, practical; not above throwing back an insult, though in the nicest way.

Berte (Bear-Teh):
(60s or older). Maid to the young Tesmans; formerly maid to Tesman’s aunts. Competent; afraid of Hedda.

For more information please contact Director David Shough at davids@pbstudios.com or 937-626-2674

The show runs weekends Jun 2-18, 2023
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

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Auditions Announced for SUNDAY IN THE PARK WITH GEORGE at Middletown Lyric Theatre

MLT_logoSUNDAY IN THE PARK WITH GEORGE
Music and Lyrics by STEPHEN SONDHEIM
Book by JAMES LAPINE
Directed by Ryan Heinrich

Audition Dates:

  • Sunday, March 12 – 2pm – 4:30pm
  • Monday, March 13 – 7pm – 9pm
  • Tuesday, March 14 – 7pm – 9pm
    Wednesday, March 15 – 7pm – 9pm – CALL backs if necessary

Audition Requirements:

  • Please sign up for an audition time slot (HERE)
  • Please fill out our audition form PRIOR to your audition
  • Please prepare 2 songs, of different style; approximately 32 measures. Can be a Sondheim or something from the Broadway songbook. Please have songs cut and or marked for the accompanist. You may be asked to read from the script.

Rehearsals will start Mid April
Please be conflict free for the week of June 5th leading up to the opening on June 16th

Production dates: June 16-24

Synopsis
SUNDAY IN THE PARK WITH GEORGE, merges past and present into beautiful, poignant truths about life, love and the creation of art. The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Seurat’s artistic ability thrives while his love diminishes.

Casting Requirements: 7 Males / 8 Females

Character Descriptions:

George Seurat: Male, 25-40
Act 1: An artist obsessed with his work at the cost of his personal life.
Act 2: Seurat’s burnt-out descendant and inventor-sculpture searching for his purpose; tenor, Ab4-G#2. Ethnicity: All Ethnicities

Dot/Marie: Female, 20-40 mezzo-soprano, D5-E3.
Dot is George’s headstrong, discontent mistress and occasional model. Marie is George’s elderly wheelchair-bound grandmother. Ethnicity: All Ethnicities

Old Lady/Blair Daniels: Female, 60-80 mezzo-soprano, Eb5-F#3.
Old Lady is George’s mother, a cranky and rather demanding fixture in the park, finds solace in nostalgia.
Blair Daniels is an art critic.
Ethnicity: All Ethnicities

Nurse/Mrs./Harriet Pawling: Female, 40-60 mezzo-soprano, F4-G3.
Nurse is the Old Lady’s attendant, calming and assertive.
Mrs. Harriet Pawling is part of an American couple, patron of the arts.
Ethnicity: All Ethnicities

Jules/Bob Greenberg: Male, 25-45 baritone, F4-G2. Jules is a rival artist; callous, critical, shallow, pursues his cook Frieda.
Bob Greenberg is a museum director. Ethnicity: All Ethnicities

Yvonne/Naomi Eisen: Female, 25-35 mezzo-soprano, Eb5-E3.
Yvonne is Jules’ pampered wife, snippy and snooty.
Naomi Eisen is a composer.
Ethnicity: All Ethnicities

Boatman/Dennis: Male, 35-60 baritone, Eb4-Eb2.
Boatman is a surly blue-collared laborer, simple-minded and slovenly.
Dennis is a technician.
Ethnicity: All Ethnicities

Franz/Lee Randolph: Male, 30-50 baritone, G4-B2.
Franz is Jules’ disgruntled coachman and Frieda’s husband, yearns for the Nurse.
Lee Randolph is the museum’s publicist.
Ethnicity: All Ethnicities

Frieda/Young Man/Betty: Female, 35-55 soprano, F5-G3.
Frieda is Jules’ and Yvonne’s cook and Franz’s wife, caring, positive surrogate nanny to Louise, pursued by Jules.
Young Man and Betty, an artist. Ethnicity: All Ethnicities

Soldier/Alex: Male, 20-35 baritone, F4-A2.
Soldier is a French military man, polite and a gentleman.
Alex is an artist.
Ethnicity: All Ethnicities

Mr. Charles Redmond: Male, 18+ baritone, D#4-Eb2.
Mr. is part of an American couple, married to Mrs. Charles Redmond is a visiting curator.
Ethnicity: All Ethnicities

Louis/Man/Billy Webster: Male, 35-55 baritone, A4-B2.
Louis is a baker, kind, friendly, and very popular, but a bit dull.
Man and Billy Webster are Harriet’s friend.
Ethnicity: All Ethnicities

Celeste #1/Elaine: Female, 18-30 soprano, G5-A3.
Celeste #1 is a young, gossipy, flirtatious shopgirl.
Elaine is George’s former wife.
Ethnicity: All Ethnicities

Celeste #2/A Photographer: Female, 18-30 soprano, Eb5-G3.
Celeste #2 is another young, gossipy, flirtatious shopgirl. Also plays a photographer.
Ethnicity: All Ethnicities

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Auditions Announced for 2023 Season at Commonwealth Artists Student Theatre

CAST_logoSat, March 11 from 2-5:30pm
Sun, March 12 from 6-9:30pm

Crew interviews are Sat, March 11 from 9am to 1pm

Audition information for MEAN GIRLS running July 14-23

  • 32 measure excerpt from a Broadway show that showcases your vocal talents

    • An accompanist and iPod/phone connection will be provided. If you intend on using the accompanist, please provide a clearly marked score that is either hole-punched or placed in a three-ring binder.  A cappella singing is strongly discouraged.​

  • A memorized 45 second to 1 minute comedic or serio-comedic monologue from a play.

  • Review and learn the dance from the video (video available soon).

    • ***Please remember that the dance audition is an assessment of your dance ability, comprehension, acting while dancing, and most of all, your willingness to have fun.​

      • There will be a voluntary dance workshop to brush up on the video for anyone interested  for 30 minutes prior to auditions starting on both days of auditions.​

  • A synopsis can be found here.

  • A character breakdown can be found here.


Audition information for THE FERRYMAN running June 30-July 9


Technical interview requirements

For Designer positions, if possible, please bring photos or sketches from a design portfolio from any recent work.  If you do not have any photos, sketches or design portfolio, you are not disqualified from the possibility and opportunity of being a designer.  Also, please familiarize yourself with the material for the season so that you can best answer show specific questions or ideas.

For all other technical positions, please come prepared to answer questions about the shows, your previous work, and what you might like to learn or achieve throughout the process.

For an idea of what type of crew positions we offer, please click here for a crew breakdown and descriptions.


Links to audition forms and to sign up for an audition slot are available at https://www.caststages.org/auditions.

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Auditions Announced for RIPCORD at Oxford Area Community Theatre

OXACT_logoRIPCORD
Directed by Lisa Biales

Sat, Feb. 25 at 11am
Mon, Feb. 27 at 5:30pm
Wed, March 1 at 7pm

Oxford Community Arts Center
10 South Collage Ave.
Oxford, OH 45056

Parts available for two women age 60-80 and tour flexible roles age 20-50.

Production dates: April 21-30.

For more information, contact the director at BigSongMusic@yahoo.com.

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