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CFF17: My Fringe Schedule: Day 4

Much to do today before I head down to OTR. (Mabel can’t drive herself to the dog park dont’ cha know.) Short and sweet, today I am seeing:

CFF_Busted BumpersBUSTED BUMPERS AND OTHER METAPHORS, written and perfomed by local performer Alexx Rouse. Rouse may be the first FringeNext entrant (2012-YOU WILL HAVE 25 MINUTES) who graduated into the primary line-up.

We all have those friends who tell us every detail about their lives. That person isn’t usually your father. Told in entries taking place on the car rides to school, BUSTED BUMPERS AND OTHER METAPHORS is a heartfelt, funny one woman show about what it’s like to realize that maybe your perfect nuclear family isn’t exactly all it’s cracked up to be. So hop in the car with Alexx. There’s White Castle in here.

CFF_Fight for 52 logoAlso in 2012, Howard Petrick made his first appearance at the Cincy Fringe with BREAKING RANK! His entry this year is called FIGHT FOR 52¢:

V. R. Dunne’s whole life and character had prepared him for the Minneapolis truck drivers strike of 1934. The workers knew him as a good organizer, who smoked union-made cigarettes, was fond of the movies, didn’t get drunk, and was honest. He never raised his voice or wrote someone off without giving them a chance. The men followed his leadership and many of them, if the occasion offered, would be willing to die for him.

CFF_HomeBen Dudley, best know for his unique sense of humor, offers a psychological thriller this year with HOME:

Rachel struggles to write her next book after a home invasion leaves her unable to feel safe. Hoping to work in peace, she takes a job watching a vacationing couple’s apartment, but is distracted by a suspicious neighbor, Tasha. Slowly, both women become convinced something nefarious happened to the Coopers. From the artists responsible for BOO-BOO (2016) and OCCUPATIONAL PLEASURES (2015) comes a psychological thriller told through text and live sound effects.

Directed by Buz Davis, the cast includes David Levy, Mark Bowen, Tricia Allen & Leah Strasser.

CFF_Spy in the House of Men_1x1From Rochester, NY is SPY IN THE HOUSE OF MEN, written and performed by Penny Sterling:

Forgo the frill, abandon pretension, and dig in for 50 minutes of humble and humorous insight as Penny Sterling relates the very true story of her fictitious life as a man, and her true life as a transgender woman. Rochester comedienne, parent, TV producer/director, improv artist, storyteller, and now informant, Penny will report the findings from her 54 years as a SPY IN THE HOUSE OF MEN.

CFF_Sumantran RhinoClosing out my night is SUMATRAN RHINO presented in partnership with local Hugo West Theatricals:

At one time, the numbers of the Sumatran Rhinoceros were in the thousands. The count has now dwindled to under a hundred. Our conservation efforts are being met with criticism, as there are ethical concerns, and we would like an opportunity to answer them. Please attend our conference as we explore the aspects of these issues and explain why this species is so vital. 

Written by Michael Douglas Hall and directed by Greg Proccacino, the cast includes Darnell Pierre Benjamin & Burgess Byrd.

There are 23 performances today. Make a trip down to Over-the-Rhine today and join the weirdness.

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CFF17: My Fringe Schedule: Day 3

I’m back in Over-the-Rhine tonight for three more shows.

CFF_Is That All There IsFirst scheduled is IS THAT ALL THERE IS? This is Cincinnati LAB Theatre’s first entry in the Cincy Fringe, but you may have caught their original productions that last couple of summers over at Falcon Theater.

Ronald Ryan, known professionally as cabaret star “Rita,” prepares for one final performance. Amidst the wigs and gowns are also regrets, booze, and broken relationships. Will this finale – and an encounter with his sister and former duet partner – provide the closure he’s looking for? Or will Ronald leave the stage wondering “Is That All There Is?”

The cast includes Jared Doren, Danielle Muething & Sean Michael Flowers. Local actress Sara Mackie is the playwright of the piece. You can see Sara on stage as Jennifer Keaton in FAMILY TIES (yes, based on the TV sitcom) at Human Race Theatre Company in Dayton through June 25 AFTER the fringe closes, of course. 🙂 Happy opening Sara!

CFF_God of Obsidian promoShow number two is GOD OF OBSIDIAN from Gideon Productions based out of Queens, NY. This is their second visit to the Cincinnati Fringe having presented LIGATURE MARKS in 2014.

You have to cross a bridge to get to Nathan’s house. Crossing in is tricky. But crossing out – as Alice soon discovers – is almost impossible. From the writer of the global hit podcast THE MESSAGE and the creative team behind CityBeat Critic’s Pick LIGATURE MARKS comes a dark fairytale about a psychologically abusive relationship, as one woman seeks the story that will take her back across the bridge and set her free.

CFF_Gen_and_Mabel promoMy Friday night concludes with GEN AND MABEL, the sophomore effort from Caps Lock Theatre from New York, NY.

From last year’s Producer’s Pick Award winner comes a heartbreaking queer dramedy! GEN and MABEL like each other. A whole lot. So why can’t this relationship seem to get off the ground? As they try to shortcut their way to intimacy by baring their souls, they break each other’s hearts repeatedly in tiny, devastating ways – and then come back together. A story about trust, lust, and the quest for connection.

Please say hello if you see me out and about tonight. I’ll be at the Know after the final show for the Fringe News. Happy Fringing!

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CFF17: LARRY 13:2 Review

LARRY 13:2 presented by Muwahahaha Productions as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_Larry 132“Be not forgetful to entertain strangers…”

As much as I enjoy a performance in the moment, it’s when I sit down in front of the computer to put my experience into words that I come to realize how much I enjoyed a production. Color me impressed with LARRY 13:2.

The script by Tracy Hoida is very smart, funny, engaging and succinct. Even though religion is a central conceit to the story, I did not find it to be preachy or condescending. I also appreciated that no attempt was made to pad the story in order to push the length closer to 60 minutes. Brevity is the soul of wit, after all.

Katie Mitchell is a joy to watch as Larry. High energy, fast-talking and yet always in control of herself and the situation. I look forward to seeing her on stage again.

As Keagan, Rory Sheridan is committed and believable as his character deals with the world-altering information being thrown at him.

Director Rebecca Bromels shows a deft hand in staging and pacing. At times the show barrels ahead at almost break neck speed, but Bromels also allows important moments to have the weight and impact.

LARRY 13:2 is an extremely well-written story, with compelling performances by two talented actors, and expertly directed. The synergy of the three elevates the production. Best to buy your tickets sooner rather than later. Four performances remain through June 9.

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CFF17: THE DISAPPEARANCE OF NICOLE JACOBS: PART 1: THE SISTER Review

THE DISAPPEARANCE OF NICOLE JACOBS: PART 1: THE SISTER presented by Queen City Flash as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_The Disappearance logo“They also serve who only stand and wait.”

We’ve all seen those press conferences where tearful family members plead for information and the safe return of their missing loved ones. Using this as a jumping off point, playwright Trey Tatum explores how one sister deals with the loss and scrutiny as the search for her sister drags into months.

Miranda McGee is dutiful, older sister Crystal who is struggling to find purpose in her new reality. McGee handles the conflicting emotions very well in an on-point and engaging performance.

As Daniel, Nicole’s boyfriend, Henry Eden is believably earnest and awkward. The relationship between his character and Crystal, born out of mutual loss and need, matures naturally over the course of the show.

Rounding out the cast is Cassie Delicath as the missing Nicole. Even having little interaction with the other two actors, she is still equal parts engaging and ethereal on stage.

Director Bridget Leak elicits strong performances from all three actors. The pacing is solid, yet she allows some quieter moments to appropriately linger. I never found the blocking to be confined or repetitive; very nicely done considering the limitations of the playing area.

For such a heavy topic, Tatum brings a nice balance of humor to the script that never seems forced. The dialogue is natural and appropriate for the characters. However, at times, the discourse does become a bit verbose, particularly during a couple of Nicole’s soliloquies.

Perhaps the best compliment I can pay to the show is that I’m looking forward to see what comes next in Part 2. Four performances remain through June 10.

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CFF17: MY DARLING DILOPHOSAURUS Review

MY DARLING DILOPHOSAURUS presented by Autumn Kaleidoscope as part of the 2017 Cincinnati Fringe Festival. You can read the show description here

CFF_My Darling DilophosaurusLove, loss and what a dinosaur?!?!?

Autumn Kaleidoscope takes a tongue-in-cheek look at love and obsession with this year’s entry, MY DARLING DILOPHOSAURUS.

Laura Berkemeier is appropriately perky and distracted as dinosaur-obsessed Artie. As Claudia, the put-upon girlfriend, Sara Kenny finds a good balance between love and exasperation. Always fun on stage is Andrew Ian Adams as Edward who serves as semi-clueless friend, confidant, and enabler to Artie.

In their multiple supporting characters’ roles, Kenny, Adams, and Cassidy Steele are appropriately quirky and over-the-top and generate some great laugh-out-loud moments.

The scene stealer of the show is Deanna the Dilophosaurus, well-managed by her handlers: Michael Galusick and Mandy Goodwin.

The script by Sean P. Mette is cute and clever, but could be a bit more focused. For me, a brief, final scene between Artie and Claudia could have been more satisfying.

Fun, funny and family friendly, four performances remain through June 10.

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