Monthly Archives: March 2026

Auditions Announced for THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812 at Commonwealth Artists Student Theatre

THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812

Auditions will be Sunday, March 15th from 6pm to 9:30pm and Sunday, March 22nd from 6pm to 9:30pm in the School of the Arts (SOTA) Building at Northern Kentucky University located at 100 Nunn Drive, Highlands Heights, KY 41076.

If you are auditioning for:

  • THE SEAGULL – you need to bring a memorized 60 second serio-comedic monologue and please bring out the subtext of the material.
  • NATASHA, PIERRE & THE GREAT COMET OF 1812 – you need to bring a memorized 45 second to 1 minute serio-comedic monologue and 32 measures of music from a Broadway show. Also, you need to learn the dance audition which will be posted here soon.
  • If you are auditioning for both, please cater your memorized monologue towards THE SEAGULL and your song towards NATASHA, PIERRE & THE GREAT COMET OF 1812. Also, you need to learn the dance audition which will be posted here soon.

Please make sure to fill in an audition form which can be found here. Please fill in the audition form completely as well as including all schedule conflicts. Please bring your resume and headshot to your audition time if you have one.  Please show up for the auditions on time and ready to go.  Also, remember to learn the dance audition before you arrive. There will be a voluntary dance audition workshop/brush-up for 30 minutes prior to auditions starting at 5:30pm.  

​​Callbacks for THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812 will be Sunday, March 29th from 6 PM to 10 PM at School of the Arts (SOTA) Building at Northern Kentucky University located at 100 Nunn Drive, Highlands Heights, KY 41076

To Sign up for a time click here.

Official page |

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Video Auditions Announced for CLOS(IN)G at American Legacy Theatre

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program, that is in its 2nd round of workshops. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive.

As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE
Video Auditions: NOW. Submit by March 13th, 2026 for first consideration. Auditions accepted after as well.

Rehearsals: May 11th, 2026 – May 15th, 2026 ; 6:00pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)

Performances: May 16th 6:00pm-10:00pm, May 17th 5:00pm-9:00pm

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high-quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. 

COMPENSATION

This contract provides a one-time stipend of $225. 

Artists are able to earn additional compensation for key audience referrals. 

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES 

Character List

  • George- African American, Male, 68
  • Theresa- African American, Female, 42
  • Brent- African American, Male, 16
  • Carter – Any race, Male, 59
  • Brandy – Caucasian, Female, 39
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45
  • Isabelle – Latina, Female 17

A Character Breakdown and audition sides can be found HERE

SUBMISSION

Video Auditions: NOW. Submit by March 13th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: May 11th, 2026 – May 15th, 2026 ; 6:00pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)

Performances: May 16th 6:00pm-10:00pm, May 17th 5:00pm-9:00pm

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

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Auditions Announced for THE NANCE at Middletown Lyric Theatre

THE NANCE
By Douglas Carter Beane
Original Music by Glen Kelly​

Directed by Charley Shafor​

AUDITIONS

  • Sunday, March 29, 2026 – 1pm – 4pm
  • Monday, March 30, 2026 – 6:30pm – 8:30pm
  • Tuesday, March 31, 2026 – 6:30pm – 8:30pm

First Meeting: April 6, 2026
Rehearsals will be 3-4 times a week beginning in May
You must be CONFLICT FREE: June 13 – June 28, 2026

SYNOPSIS:
A bold, heartfelt comedy/drama set in 1930s New York, where burlesque and politics collide. At its center is Chauncey Miles, a witty performer who plays the flamboyant “Nance” caricature onstage, an outrageous stereotype of a gay man, while secretly living as one in a world that refuses to accept him. As Mayor LaGuardia cracks down on “indecency” in entertainment, Chauncey grapples with the rising tide of censorship, the costs of hiding his true self, and a surprising romance that threatens his carefully constructed facade. A sharp blend of comedy, tragedy, music and showbiz sparkle, The Nance explores identity, repression, and the fight for dignity with unflinching honesty. This play deals with mature themes, gay & political issues and suggestive humor of the era. Recommended for 16+​

AUDITION REQUIREMENTS
You must complete an audition form & sign up for an audition time slot cold reading from the script

CHARACTERS
While this is a play with music. Musical abilities is a bonus as there is light singing and movement. The three female burlesque performers will be costumed in “burlesque style” costumes. (no nudity) They are bold, brash and unapologetic. They all have been around the block and then some. This is an historic piece and deals with burlesque style humor, there is no room for being offended by jokes and dialogue that may be considered inappropriate by today’s standards. When it comes to singing the males are baritones and there are 2 mezzo-sopranos and one alto. Do not let your fear of singing keep you from auditioning.

Chauncey Miles:
Should appear to be in his mid 40’s. He is a closeted gay comic who plays a “nance” on-stage. Witty, quick humored, sarcastic and a little bitter about life. On stage he is over-the-top. This will be a challenging but albeit rewarding role for even the most seasoned performer. The actor must be comfortable with male intimacy.

NED:
Should appear to be in his 20’s. Good-looking, fit and a little innocent. He was once married but now shares in a secret relationship with Chauncey. He later becomes a stage performer. Role will require the illusion of being nude. Must be comfortable with male intimacy.

EPHRAIM:
Should appear to be in his 50’s. Straight, homophobic, a little gruff and is the lead comedian and theatre manager.

SYLVIE:
Should appear to be in her mid 20’s to early 30’s. A burlesque dancer and member of the communist party. Not afraid to argue politics.

JOAN:
Should appear to be in her 20’s. Somewhat innocent, perky and vivacious.

CARMEN:
Should appear to be in her mid 20’s to early 30’s. On stage she specializes in playing with an exaggerated Latin-American accent.

There are two additional roles one female and one male. These are non-singing roles who may play a variety of characters both verbal and non-verbal. Both should range in age from 30’s to 50’s

Official page |

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2026-2027 Season Announced by Beavercreek Community Theatre

THE WAIT IS OVER

BCT’s 2026-2027 SEASON IS HERE!

Get ready for an unforgettable year of theatre as we officially unveil our 2026-2027 season! We’ve put together an exciting lineup of shows that will thrill, chill, and entertain.
  • HEATHERS THE MUSICAL
  • DRACULA: A COMEDY OF TERRORS
  • THE PHILADELPHIA STORY
  • GLENGARRY GLEN ROSS
  • DIRTY ROTTEN SCOUNDRELS

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Pitch Night for trueBIRD at trueTHEATRE

Our next Pitch Night is coming up!

Tuesday, March 17 (yes, St. Patrick’s Day), at Northside Tavern, from 7-9pm.

Come to pitch a story for “trueBIRD” or just to listen. Free to attend either way!
Check out the comments for links with more details.

As always, a HUGE thanks to the Northside Tavern for hosting! …and, this time, also a HUGE thanks to Rhinegeist Brewery! Any purchase of a Rhinegeist product at the Northside Tavern the evening of Pitch Night, will lead to a donation to True Theatre.

See you on the 17th! (P.S., while some participants will be invited to expand on their stories for our April show, “trueBIRD,” ALL participants who pitch a bird-themed story will receive a free ticket to the show!)

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