Monthly Archives: June 2024

Auditions Announced for CAMPAIGNS, INC. at Dayton Theatre Guild

DTG_logoSpecial Early Audition For The Role of Upton Sinclair

Because of preproduction needs, the role of Upton Sinclair will be cast early so that a short movie can be shot for use in the production.

The audition date for this role: Wed, July 10, 2024*, at 7:00 pm
There may be a callback, if and when TBD

The short movie: The movie will be shot the weekend of Aug 10. The location is to be determined. Principal photography is slated for Sat., Aug 10 with a possibility of Sunday, Aug 11 as a pickup day, if it’s necessary.

There is only a small amount of dialogue that needs memorized for the movie.

THE CASTING REQUIREMENTS FOR UPTON SINCLAIR: 55, white male

Please see below for the rest of the requirements for the production as a whole.

For more information please contact:
K.L.Storer at kl.storer@daytontheatreguild.org

General Auditions will be held Mon & Tue, Aug 26 & 27, 2024, starting at 7:00 pm both nights.

Production dates: Oct 11-20, 2024

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993

Directed by K.L.Storer
Produced by Debra Kent

A comedic docudrama based on the actual first American political consulting firm, formed by Leone Baxter and Clem Whitaker, CAMPAIGNS, INC. is a behind‐the‐scenes look at orchestrated political dirty tricks executed through what may be the original “fake news” strategy. With dark humor, the play examines Baxter and Whitaker’s propaganda machine that sabotages novelist Upton Sinclair’s 1934 bid to become the first Democratic governor of California.

Remaining Casting Requirements: (to be announced soon)

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts.

All cast and crew are required to be vaccinated for COVID-19

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Auditions Announced for THE ENCHANTED COTTAGE at Dayton Theatre Guild

DTG_logoOpen audition notice for
THE ENCHANTED COTTAGE
by Sir Arthur Wing Pinero

Auditions will be held Mon & Tue, Jul 8 & 9, 2024, starting at 7:00 pm both nights.

Production dates: Aug 23-Sep 8, 2024

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993

Directed by Ray Gambrel
Produced by Barbara Jorgensen, Michael Welly, & Brian Buttrey

THE ENCHANTED COTTAGE is a charming and romantic fable, written in 1921. It ran on Broadway for 65 performances in 1923 and was made into a film in 1945. It was, in fact, produced here at The Guild in the 1953/1954 season. Socialite Oliver Bradshaw returns home from WWI disfigured by war wounds and convinced that no one will accept him as he is now. He hides from his family and the rest of the world, taking a secluded cottage overseen by a mysterious housekeeper. Laura Pennington, a painfully shy young woman from the village comes to look after Oliver. She tells him that the cottage in which he is staying is in fact a very old honeymoon cottage. The two begin developing feelings for each other and ultimately fall in love and marry. They discover the enchantment of the cottage has the power to transform. This play is about true beauty lying within, and about acceptance. Everyone deserves to love.

Casting Requirements:

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts.
    character breakdowns:

    • 4 Women ‐‐ between mid 20’s to late 60’s
    • 5 Men ‐‐ between mid 20’s to late 60’s
    • Several young people (between the ages of 8 and 20). Any gender

For more information please contact Director Ray Gambrel at raygambrel@yahoo.com

All cast and crew are required to be vaccinated for COVID-19

The show runs weekends Aug 23-Sep 8, 2024

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Beloved Regional Monster Legend Takes the Stage in Bluegrass Musical

HWT_Hot Damn Its the Loveland FrogCINCINNATI, OH- It prowls along the wooded banks of the Little Miami River. Seen and documented by few, the creature has nonetheless captured the imagination of many across the country, immortalized in local lore, countless cryptozoology guides, and (naturally), a stage musical!

Hugo West Theatricals proudly presents the tenth anniversary production of HOT DAMN! IT’S THE LOVELAND FROG!, playing September 5, 6 and 7, 2024 at 7:30pm at The Loveland Stage Company (111 S. 2nd Street) in Loveland, Ohio. Tickets are $25 and may be purchased at LovelandStageCompany.org or by phone at 513.443.4572.

Book, music and lyrics of THE LOVELAND FROG are written by Loveland native Michael D. Hall and Cincinnati native Joshua Steele.

Show Synopsis
Something is lurking in Loveland, the Sweetheart of Ohio, where the disappearance of a community outcast has rekindled the hysteria surrounding America’s most alluring cryptozoological phenomenon: The Loveland Frog. Join Luke Honeywell and a smokin’ bluegrass band on a riotous river adventure with maniacal moonshiners, a strange professor and crooked cops as they rescue Peepaw from the wondrous and elusive Loveland Frog. Based on real accounts, and featuring an all-star local cast.

It Came From Loveland…
Native Cincinnatian and Loveland High School alumnus Michael D. Hall grew up in the haunts of the Frog, which has bred campfire stories and local sports team nicknames, as well as the Loveland Frogman Festival and a triathlon. Upon sharing the story with collaborator Joshua Steele in 2013, the two instantly committed to penning an original musical on the fun (if bizarre) subject matter.

“I lived in Loveland for a good part of my life, and somehow didn’t hear the story until after I had graduated high school,” says Hall. “Once I did, I learned as much as I could about this creature. I still find the story fascinating, and I feel like he’s a part of my life now.”

The 2024 staging celebrates the tenth anniversary of the musical, which premiered to sold-out houses at the 2014 Cincinnati Fringe Festival. Critics raved about the debut production:

“Hot Damn! It’s The Loveland Frog! is what’s going on – smart and funny, amiable and high energy.” – LINK nky

“There’s a lot to love about this little gem of a musical. Let’s start with Mike Hall and Joshua Steele, the talented playwrights and songwriters who have crafted a riotously funny but infectiously endearing tale… a joy from start to finish.” – Citybeat Cincinnati

“The sold-out opening night audience laughed out loud through the entire production… great bits peppered throughout the show… THE LOVELAND FROG will make you hoot and holler with laughter.” – Behind The Curtain Cincinnati

The timing of the 2024 production isn’t happenstance; performances will share a weekend with The Loveland Frogman Race, a mini triatholon that sees teams and individuals run, kayak and bike to the finish line.

The 2024 production of THE LOVELAND FROG will be helmed by director, actor, playwright and educator Kevin Crowley. A Cincinnati native with a world-class resume, Crowley spent much of his acting career in Los Angeles, California, where his television appearances included CSI, Reba, Without a Trace, Murphy Brown, Drew Carey, Malcom in the Middle and Boy Meets World. Crowley’s film credits include Major League I and II, The Fugitive, Backdraft, Suicide Kings, The Package and Goat, as well as the feature films Carol and Dark Waters filmed recently in Cincinnati. On the boards, Crowley was a director and teacher with the famed Second City in Chicago, Illinois, where he also performed with Steppenwolf Theatre Company, Northlight Theatre and Victor Gardens Theatre. His other regional theatre credits at the David Geffen Theatre, St. Louis Repertory Theatre and Cincinnati’s Playhouse in the Park and Ensemble Theatre. No stranger to new and “fringe”-style works, Crowley’s writing credits include DISGRUNTLED EMPLOYEES (National Playwrights Conference; productions in New York, LA, Chicago and Cincinnati), THE MONKEY’S PAW (London, New York and Cincinnati Fringe Festivals), HITCHHIKERS MAY BE INMATES, WE DID IT GIRL, SARGE (Critics Pick of the Cincinnati Fringe 2014) and THE VEGETABLES (Audience Pick of Cincinnati Fringe 2019). Most recently, Crowley concluded an unexpected “second act” teaching acting at Cincinnati’s School for Creative and Performing Arts.

Reprising his role in the 2014 production of THE LOVELAND FROG, Steve Goers will serve as music director and pianist for the production, and will do a spot of acting. One of the region’s premier musical directors, Goers recently served as music director of HANDS ON A HARDBODY at Ensemble Theatre Cincinnati, where his other credits include FUN HOME, THE GREAT AMERICAN TRAILER PARK MUSICAL, and GREY GARDENS. Goers is a member of the musical theatre faculty at the University of Cincinnati’s College-Conservatory of Music and has worked locally with theatres throughout the region, including Cincinnati Playhouse in the Park, The Children’s Theatre of Cincinnati, The Carnegie, Cincinnati Landmark Productions and Northern Kentucky University. A composer of musicals himself, Goers has written numerous works for a variety of media, including ten feature film scores and twenty internationally produced musicals for young audiences. He toured the U.S. and Africa with productions of BARNUM, JERSEY BOYS, and BUBBLING BROWN SUGAR.

The Loveland Frog 101: Based on Real Accounts
It was a late night in May of 1955 when Robert Hunnicut, a short-order cook, was driving home from his shift at a Loveland diner and saw three strange figures by the side of Hopewell Road. Feeling as though they may have been stranded motorists, Hunnicut brought his vehicle to a stop and got out, only to find that the creatures were gray and vaguely frog-like, one of them wielding a strange chain that emitted blue sparks. Hunnicut left the scene and gathered Police Chief Fritz. They returned to the location to find no sign of the creatures, save for the strange odor of almond and alfalfa.

17 years later, March 7, 1972, Loveland police officer Ray Shockey was driving his beat when his headlights revealed a figure in a field along Twightwee Road. The figure rose up on two legs, revealing itself to be a frog creature, which fled in the direction of the river. A mere ten days had passed when on St. Patrick’s Day, Shockey’s fellow officer Mark Matthews drew his cruiser to a stop on the Riverside Drive overpass, where a creature he presumed to be a dead dog lay in the road. As Matthews slammed his car door, the creature rose up to its full 4.5’ height and leapt over the guardrail. Matthews inexplicably fired his gun, either missing or only grazing the creature, creating a local controversy which attracted national media attention.

In 2016, local news outlets covered a supposed sighting of The Loveland Frog from the banks of Lake Isabella.

While often with different details and exaggerated accounts, tales of The Loveland Frog are readily available on the internet and in many published cryptozoology handbooks and publications.

About Hugo West Theatricals
Hugo West Theatricals is the lunatic hobbyhorse of Cincinnati native writing and producing team Mike Hall and Joshua Steele. Called “smart playwright[s] who know how to surprise an audience in unexpected ways” (LINK nky) with an “uncanny ability to bring us local history in theatrical form” (Behind The Curtain Cincinnati), their often sold-out productions have been dubbed “fun and mysterious” (Cincinnati Enquirer) and “unexpectedly entertaining and thoughtful” (National Review).

HWT’s most recent production, UTOPIA, OHIO, enjoyed a sold-out run at The Carnegie Center of Columbia Tusculum in 2023. The original musical followed the real history of three little-known utopian experiments through the voices of individuals whose lives led them there: a widowed shoemaker, a Black man who escapes enslavement with his family, and a Jewish immigrant fleeing persecution.

Founded in 2012, HWT has produced award-winning stagings of original, adapted and existing works, with a special interest in remarkable Cincinnati history topics. Their production history includes DON’T CROSS THE STREAMS: THE CEASE AND DESIST MUSICAL; A KLINGON CHRISTMAS CAROL; HOT DAMN! IT’S THE LOVELAND FROG!; ZOMBIE-LOGUE; CESSNA; THE LETTERS OF VINCENT VAN GOGH: A LIVE PERFORMANCE; SUMATRAN RHINO; THE GOSPEL OF BARABBAS, HARAMBE and UTOPIA, OHIO. Their works have appeared at The Cincinnati and Indianapolis Fringe Festivals, The Art Academy of Cincinnati, the Cincinnati Art Museum, The Carnegie Center of Columbia Tusculum and Falcon Theater (Newport, KY).

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Call for 2025-2026 Directors at Mariemont Players

MPI_logo 2020The Mariemont Players Inc. Artistic Committee cordially invites you to submit to direct for our 2025-26 season!

Interested directors must submit an application, theatrical resume and scripts for proposed shows by Sunday, July 14, 2024.  The application can be found and completed here: MPI 2025-26 Directing Application

By early August, the MPI Artistic Committee will narrow down the applicant pool to a select number of applicants to be interviewed. Those selected will be contacted to schedule an interview with the Artistic Committee. Interviews will take place in mid-August.

Our goal is to present an exciting, well-rounded season of shows that will bring in and entertain audiences, featuring, but not limited to, comedic, timeless shows with wide-ranged and diverse casts (race, age, gender, etc.). Ultimately, we encourage directors to submit shows they are passionate about and offer the above criteria to keep in mind as you make your selections.

We encourage directors from diverse backgrounds to apply as we actively seek to represent and promote the many insights, opinions and talents of our diverse artistic community.

Each production runs for three weeks, consisting of 13 performances. The rehearsal process is roughly six weeks prior to opening. Our season slots are September, November, January, March, May, and July.

Again, the deadline for applications is Sunday, July 14, 2024. Please reach out to Artistic Chair, Natasha Boeckmann, at MPIArtisticChair@gmail.com with any questions.

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HANDS ON A HARDBODY Review

By Katrina “Kat” Reynolds

HANDS ON A HARDBODY presented by Ensemble Theatre Cincinnati through June 30th. I attended the Opening Sunday matinee performance. NOTE: At this performance, Sara Mackie and KG Rucker went on as Janis Curtis and Frank Nugent, respectively. 

ETC_Hands on a Hardbody

The cast of Hands on a Hardbody presented by Ensemble Theatre Cincinnati. Photo by Ryan Kurtz.

Ensemble Theatre Cincinnati is closing out their 2023-2024 with a show they produced a decade ago: Tony-nominated HANDS ON A HARDBODY. Featuring book by Doug Wright, Lyrics by Amanda Green, and Music by both Phish frontman Trey Anastasio and Amanda Green, HARDBODY is inspired by the true events of the 1997 documentary of the same name. 10 hard-on-their-luck Texans are chosen at random to compete for a brand new truck by keeping at least one hand on the vehicle in order to win it. What follows is funny and touching journey rife with catchy tunes. 

Under the direction of D. Lynn Meyers, a formidable cast does it utmost to sing their way into our hearts. Ms. Meyers knows how to put together some of the best casts in Cincinnati theatre and this one is no exception. Music Director extraordinaire Steve Goers works his magic on the beautiful harmonies the cast takes on. His work with the singers brings out the perfect emotional setting for each and every song which is no small task. Choreography by Chaz Wolcott is smart, extremely creative, and holds its own as both enhancement to the characters’ stories as well as being a character by itself. Bravx to this incredible creative team!

A lovely problem to have a reviewer is when you find it hard only to mention certain artists. When a show boasts the talents of Jamie Cordes, Denise Devlin, Phil Fiorini, Annie Fitzpatrick, Jim Hopkins, Jared Joplin, Sara Mackie (performing for Deb G. Girdler), Andrew Maloney, Deondra Kamau Means, Patrick Earl Phillips, KG Rucker (performing for Michael G. Bath), Brooke Steele, Franco Valerga, Aleah Vassell, and Kate Wilford, you know you are in for a feast for the senses. But I shall try to cite specific examples.

Two words: Jared Joplin. We all know Mr. Joplin has one of most melodic speaking voices in theatre – but did you know the man can wail? As previous hardbody winner Benny Perkins, he gives us strong, incredible vocals coupled with an acting turn which will send your heart on a roller coaster of emotions. I’d imagine this has to be an exhausting role to play, but it must also be incredibly satisfying and fulfilling. Perfect execution at its finest. (And for the record, I didn’t have “Jared Joplin executes perfect choreography mimicking bull-riding on the bed of truck” on my 2024 Bingo card, but here we are. Thank you for that, Mr. Wolcott.)

Speaking of incredible vocals, may I mention Aleah Vassell in the role of Norma Valverde? Not only does Mx. Vassell have an incredible gift of song, they possess an impressive set of acting skills as well. Norma is a generally happy, positive character – but days in the Texas heat with your hands on a scorching truck will get to just about anyone. Mx. Vassell expertly navigates their character’s arc with grace and grit.

I did not have the pleasure of seeing ETC’s original go at HANDS ON A HARDBODY – but I am secure in stating that even if you did, you should see this one. With an entertaining and engaging story, stellar performances, and atypical musical music (read: actually good), it is a win-win. Further, you will not leave the theatre in anything but a better mood than when you entered. In what is ultimately a story of perseverance, we are reminded how much human beings have in common, no matter how different we may seem.

Click here for more information about the production.

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