Monthly Archives: February 2024

Pones & Cincinnati State Premiere Groundbreaking Presentation Highlighting the Power of the Deaf Community in Times of Unrest

PONES_Deaf Republic(Cincinnati, OH) A new presentation by local dance company Pones will bring to life an award-winning collection of poems by combining spoken word, dance, and “shadow interpretation,” an innovative form of delivering sign language where interpreters are part of the action on stage.

The performance, titled DEAF REPUBLIC, presents a collection of poems with the same name that has won numerous national awards, written by Ilya Kaminsky. The poems describe the military occupation of the fictional village of Vasenka, where villagers use Deafness and a novel sign language to subvert the military authorities.

Performances will be held on Cincinnati State’s Clifton Campus (ATLC 211 Auditorium) on Thursday, February 22 at 7:30 p.m., Friday, February 23 at 7:30p.m., and Saturday, February 24 at 2:00 p.m. and 7:30 p.m. Cincinnati State is easily accessible via Cincinnati Metro bus service, and on campus parking is $5 per vehicle.

Thanks to the generosity of our sponsors, tickets for DEAF REPUBLIC are free of charge, but space Is limited, so reservations are required. They can be made online at https://ponesdeafrepublic.eventbrite.com.

The presentation is suitable for ages high school and up. It contains adult language and situations, including references to sex and sex work, warfare, military occupation, violence, and death.

DEAF REPUBLIC  shows that Deafness is a source of strength, a long-held tenet of Deaf Culture. This visual presentation will demonstrate that strength to all audience members, Deaf and hearing alike.

DEAF REPUBLIC will combine the expertise of renowned director Gina Kleesattel, who has incorporated shadow interpretation into her work for over 10 years, and Pones, which has been developing novel productions and collaborative works since 2008.

American Sign Language (ASL) is a highly physical language, lending itself well to dance, and this innovative presentation will combine dance, shadow interpretation with ASL, and Kaminsky’s poetry.

Shadow interpretation moves beyond accessibility and into a new artistic space. Traditional interpreted performances force the Deaf audience to choose between the action and visual dynamics of the performance on stage in front of them and what the characters are saying as translated by interpreters who are often at the side of the stage. In shadow interpretation, interpreters are on stage, in costume, and integrated seamlessly with the cast to deliver dialogue next to the speaking character so that action and speech are connected. Shadow interpreters are complementary cast members who allow audience members to enjoy a truly accessible show.

Featuring Cincinnati actors Eileen Earnest, Ian Timothy Forsgren, Dominique Owen, Torie Pate Perdue, Joysoline Smith, Liz Smith, and Dylan Van Camp, dancers Courtney Duncan, Haley Haskin, Jillian Kreimer, Ashley O. Morton, Noah Warner, and John Woll, and certified interpreters Kristen Bowen, Emma Kist, Gail Maue, Richard Miller, and Angie Walker, we are thrilled to bring one of the first ASL Shadow Interpreted works to our region.

Production team: Gina Kleesattel (Director), Kim Popa (Producer/Choreographer), Ruby Downie (Director of Artistic Sign Language), Jensen Riley & Sarah Spurling (Choreographers), Douglas Borntrager (Scenic, Lighting, and Sound Designer), Maria Fernanda Ortiz (Costume Designer), Chuck Kleesattel (Composer), Josh Neumeyer (Stage Manager), and Jared O’Roark (Assistant Stage Manager).

The Interpreter Training Program at Cincinnati State is a stepping stone toward competency in the field of sign language interpreting, including extensive coursework in American Sign Language (ASL) and Deaf Studies. According to the U.S. Bureau of Labor Statistics, employment of all types of interpreters is projected to grow by 4% through 2032 (as fast as the average for all professions), and demand for ASL interpreters is expected to grow rapidly as well.

This presentation is supported by the National Endowment for the Arts, the David C. Herriman Fund of the Greater Cincinnati Foundation, and the Carol Ann and Ralph V. Haile, Jr. Foundation, in collaboration with Cincinnati State Technical and Community College and the Wylie Agency.

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2024-2025 Season Announced by Troy Civic Theatre

TROY_logoThe Troy Civic Theatre board of directors is excited to announce the 2024-2025 season

THE MOUSETRAP by Agatha Christie – directed by Michael J Schumacher. September 27-29 and October 4-6, 2024

THE WOMEN OF LOCKERBIE by Deborah Brevoort – directed by Derek Dunavent. November 15-17 and 22-24, 2024

NOW AND THEN by Sean Grennan – directed by Niccole SueAnn Wallace. February 21-23 and February 28-March 2, 2025.

ONE SLIGHT HITCH by Lewis Black – directed by Don Campbell. April 25-27 and May 2-4, 2025

Season tickets will be on sale soon! Season tickets include one seat for each of the 4 shows, and are $50 each. They will be sold online at troycivictheatre.com, and seating will be first come, first served.

More information regarding season tickets and our new patron levels will be available soon!

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Xavier University Theatre Presents XAVIER THEATRE STUDENT SHOWCASE, Feb. 9-18

(CINCINNATI, January 16, 2023) – Xavier University Theatre continues the 2023-24 season with its innovative Xavier Theatre Student Showcase. The repertory series will run February 9 through 17 and feature productions of The Moors by Jen Silverman and Non-Player Character by Walt McGough, as well as a student-developed Choreographers’ Workshop.

XUT_The Moors

Max Winski as the Masitff, Sarah Malarney as Agatha & Mattie Ceiplak as Huldey in THE MOORS.

The Moors tells the story of two sisters, their maid, and their dog who live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set off a strange and dangerous course of events. It is a dark comedy about love, desperation, and visibility.

XUT_NPC

Erin Bonham as Katja in NON-PLAYER CHARACTER

Non-Player Character explores more current events, following aspiring video game designer Katja and her longtime friend Trent, who are an unstoppable team against animated monsters in the virtual underworlds of SpearLight, an online role-playing game. Comic and poignant, it is a timely, boldly theatrical exploration of gender bias in the digital entertainment industries. The play is roughly inspired by true events.

XUT_Choreographers Workshop

Choreographers Abigail Dirr, Tierra London Rush, Sienna Glaze, Alexis Pinto & Anthony Frederickson.

The Choreographers’ Workshop showcases physicality and movement as one of the greatest indicators of emotion that play a key role in storytelling. Through a range of styles including hip hop, contemporary, theatre jazz, and more, audiences will experience ten different stories told completely through movement.

When asked about the Student Showcase, senior Tessa D’Errico, who directs The Moors, says, “I’m excited to work with everyone because I know how passionate we all are about bringing these shows to life. It’s going to be a whirlwind two weekends, but these opportunities are what Xavier Theatre is all about. It brings out the best in us students and is so rewarding!” This sentiment was echoed by many, including the fellow student director, senior Anna Verderber.

Verderber, who directs Non-Player Character, says, “I adore the Student Showcase, because it showcases the incredible talent of the program in every single role. From sound design to directing to acting, this is the only time where EVERYTHING is done by the students. And that’s beautiful. At the end of the day, this is what we all want to do with our lives. This is what we will be doing when we graduate. How amazing we get an opportunity to start practicing that now.”

Senior Sienna Glaze, who is a choreographer, remarked on the importance of learning the skill of leadership. She says, “As a choreographer, I am grateful to be trusted to run a rehearsal room by myself. It has helped me grow in my own leadership and confidence which, I feel, is vital to entering the professional world outside of college.”

The showcase is not only seen as vital to the students most involved. First-year Bri Willingham, who is in the Choreographers’ Workshop, says, “I love that Xavier Theatre gives students the ability to showcase their talent and artistry, it is one of the factors that led me to commit to Xavier University. I can’t wait to see how these productions turn out because I know they will be absolutely incredible.”

The cast for The Moors includes seniors Sarah Malarney (Agatha), Max Winski (Mastiff); junior Mattie Cieplak (Huldey); sophomores Bridget Dean (Marjory) and Molly Franzen (Emilie); and first-year student Josi Pietrzyk (Moor-Hen).

The show is directed by senior Tessa D’Errico. The design team includes Joe Leonard (technical director), junior Mary McMurray and first-year Jaime Israel (costume designers), senior Katie Noth (assistant technical director/set designer), junior Owen Clark and sophomore Leo Jenkins (lighting designers), junior Mattie Cieplak and first-year Luke Heetderks (sound designers), and juniors Matthew Callas and Richie Pokrywka and first-year Loretta Rubin (props designers). Stephen Skiles acts as producer, with seniors Cristin Fries, Ally Linser, and Renee Maloney acting as assistant producers. The stage manager is senior Allison Dible and the assistant stage manager is sophomore Benny Mitchell.

Performances take place at 7:00 p.m. on February 9 and 16, as well as at 2 p.m. on February 11. Tickets are available now. They are $15 each for adults and $10 each for Xavier students, faculty and staff. To purchase tickets, visit https://www.showtix4u.com/event-details/80029 or call 513-745-3939.

The cast for Non-Player Character includes juniors Erin Bonham (Katja/Aria) and Emma Halloran (Naomi/The Crone/Cast); sophomores Caleb Freed (Trent/Caspar), Brady Rogers (Feldrick/Cast), and Jayley Sams (Morwyn/Officer/Voice/Cast); and first-year students Nathan Fisher (Grant/Farmer Jenkins/Cast), Loretta Rubin (understudy), and Julianne Schultz (understudy).

The show is directed by senior Anna Verderber. The design team includes Joe Leonard (technical director), junior Mary McMurray and first-year Jaime Israel (costume designers), senior Katie Noth (assistant technical director/set designer), junior Owen Clark (lighting designer), junior Reece Niederhausen and first-year Raya Franklin (sound designers), and juniors Matthew Callas and Richie Pokrywka and first-year Loretta Rubin (props designers). Stephen Skiles acts as producer, with seniors Cristin Fries, Ally Linser, and Renee Maloney acting as assistant producers. The stage manager is Reece Niederhausen and the assistant stage manager is first-year Hannah Barbee.

Performances take place at 7:00 p.m. on February 15 and 17, as well as at 2 p.m. on February 10. Tickets are available now. They are $20 each for adults and $15 each for Xavier students, faculty and staff. To purchase tickets, visit https://www.showtix4u.com/event-details/80032 or call 513-745-3939.

The cast for the Choreographers’ Workshop includes seniors Abigail Dirr, Anthony Frederickson, and Regan Utrup; juniors Tierra London Rush and Maria Zierolf; sophomore Mia D’Ascenzo; and first-year students Gracie Phlipot, Kyra Sander, Reilly Somerville, Brianna Starkey, Corrine Tiernan, and Willingham.

The show is choreographed by seniors Dirr, Glaze, Frederickson, and Alexis Pinto and junior Rush. The design team includes Leonard (technical director), senior Noth (assistant technical director), and senior Linser and sophomore Ben Hunt (lighting designers). Skiles acts as producers, with seniors Fries, Linser, and Maloney acting as assistant producers. The stage managers are junior Zierolf and first-year Starkey.

Performances take place at 7:00 p.m. on February 10, as well as at 2 p.m. on February 17. Tickets are available now. They are $20 each for adults and $15 each for Xavier students, faculty and staff. To purchase tickets, visit https://www.showtix4u.com/event-details/80064 or call 513-745-3939.

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Auditions Announced for 2024-2025 Resident Company at Mutual Dance Theatre

MDT_logoMutual Dance Theatre (Resident Company Auditions for 2024-2025 Season)

Virtual auditions for Mutual Dance Theatre’s resident company (2024-2025 season) are now OPEN. Seeking skilled and creative Modern Dancers. BIPOC artists are strongly encouraged to apply!

Mutual Dance Theatre is formerly known as MamLuft&Co. Dance and Contemporary Dance Theater. MDT is the resident company of the organization, which also presents outside artists from across the country (see mutualdance.org/season). The resident company works with local artists and national artists commissioned by the organization. The Artistic Director is Jeanne Mam-Luft.

Mutual Dance Theatre strives for an equitable audition process with minimal financial strain on the applicant. Thus, application materials will be submitted virtually, and dancers may choose to also attend weekly company class.  The earlier we can receive your video materials, the better! We hope to make decisions no later than April 30, 2024.

Location: Cincinnati, OH
Season start: August 1, 2024 (subject to change).
Preferred submission deadline: February 28, 2024.
Application materials and instructions can be found at mutualdance.org/performances/audition/.

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Auditions Announced for PLAY ON! at The Drama Workshop

TDW_VERTThe Drama Workshop and director Victoria Covarrubias are pleased to announce auditions for PLAY ON! by Rick Abbot on Monday Feb 19th and Thursday Feb 22nd, 2024 beginning each evening at 6PM. Auditions will be held at The Drama Workshop located at 3716 Glenmore Ave.

Synopsis: This is the hilarious story of a theatre group trying desperately to put on a play in spite of maddening interference from a haughty author who keeps revising the script. Act I is a rehearsal of the dreadful show, Act II is the near disastrous dress rehearsal, and the final act is the actual performance, in which anything that can go wrong, does. When the author decides to give a speech on the state of the modern theatre during the curtain calls, the audience is treated to a madcap climax and a thoroughly hilarious romp. Even the sound effects reap their share of laughter.

Please sign up for a time slot here:
www.signupgenius.com/go/70A094FA8A622A6FC1-47685930-play

Audition Requirements: Please bring a headshot and resume, and your conflicts from June through August. An audition form will be emailed to those who sign up.  Please email the director at covarrubias1975@gmail.com with which character(s) you are interested in before auditions. You will be emailed the sides ahead of time so you can be prepared. Auditions will consist of readings from the script. You may be requested to stay past your audition time to read with other actors. All cast members are required to be up-to-date with Covid-19 vaccinations before rehearsals start.

Character Breakdown: listed ages are approximate stage ages – The characters of Aggie, Gerry and Louise can be played by male identifying persons.

  • Aggie Manville (20’s-40’s): The capable but pessimistic stage manager.
  • Gerry Dunbar (30’s-50’s): The often exasperated director.
  • Henry Benish (50’s-60’s): A character actor, plays “Lord Dudley”.
  • Polly Benish (50’s-60’s): Married to Henry, plays “Lady Margaret” – a “diva” somewhat concerned and teased about her weight. There is dialogue in the script about this character’s body shape.
  • Marla “Smitty” Smith (late teens-early 20’s): Inexperienced high school actress, plays “Doris the Maid”.
  • Saul Watson (30’s-40’s): Actor who can’t resist a wisecrack, plays “Dr.
  • Rex Forbes” – the villain. Note: This character has an onstage kiss. An intimacy director will be engaged.
  • Billy Carewe (mid-late 20’s): Spirited young, leading man type actor, plays “Stephen Sellers”. Note: This character has an onstage kiss. An intimacy director will be engaged.
  • Violet Imbry (20’s): The not-too-bright ingenue, plays “Diana Lassiter”. Note: This character has an onstage kiss. An intimacy director will be engaged.
  • Louise Peary (20’s-40’s): The overworked, sad-faced sound, lighting and scenic technician.
  • Phyllis Montague (40’s-60’s): The novice, inept, eccentric author of Murder Most Foul.

Production Dates: Performances run 3 weekends from August 2nd through Aug 18, 2024.. There are a total of 10 performances. Friday 8pm, Saturday 8pm, Sunday 2pm each weekend, with a Thursday 730pm performance the final weekend.

Rehearsal Plan: Pending confirmation of actors’ availability, the draft rehearsal schedule is as follows. Read thru June 3. Table work June 4 and 6. Break for the week of ACT. Then resume June 17. Rehearsals will probably be Monday , Tuesday and Thursday.

If you have any questions, please do not hesitate to contact Victoria Covarrubias at covarrubias1975@gmail.com.

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