Monthly Archives: May 2021

2021-2022 Season Announced by Beavercreek Community Theatre

bctThe 2021-2022 Season includes:

IT’S ONLY A PLAY 
Aug. 27-Sept. 5, 2021

BLOODY BLOODY ANDREW JACKSON
Oct. 22-31, 2021

A WINNIE-THE-POOH CHRISTMAS TAIL 
Dec. 3-10, 2021

PICASSO AT THE LAPIN AGILE
Jan. 28-Feb. 5, 2022

THE SURPRISING STORY OF THE THREE LITTLE PIGS 
March 5-14, 2022

THERE SHOULD BE ROSES
April 22-May 21, 2022

SOMETHING ROTTEN!
June 17-26, 2022

For more information visit www.bctheatre.org.

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Auditions Announced for TWELVE ANGRY MEN at Merit Theatre Company

MTC_logoDirected by Leah Perry and Kaitlyn Iocco

  • Friday, June 11, 7–9pm
  • Saturday, June 12, 6–9pm

Please prepare a monologue chosen from THIS LIST. Bring a resume, recent headshot, completed AUDITION FORM, and list of conflicts between June 21–August 22. 

Please wear a mask and help us maintain social distancing.

Cast size: 13m

Looking for a wide range of ages and ethnicities.

Possible Callbacks (Save the Date): Monday, June 14, 7–9pm

Auditions, callbacks, and rehearsals will be held at First Baptist Church of Newport (801 York St, Newport, KY 41071).

Rehearsals will be held three nights weekly based on cast availability beginning the week of June 21. Because of the nature of the play, every cast member will be called to every rehearsal. We will take prior conflicts into account such as vacations, etc.

Performances will be held at the Anderson Center Theater in Cincinnati, Ohio (7850 Five Mile Rd, Cincinnati, OH 45230) August 27–September 3, 2021.

Please contact us with any questions at , or if you would like to audition but have a conflict with the audition dates.

A 19-year-old man has just stood trial for the fatal stabbing of his father. It looks like an open-and-shut case—until one of the jurors begins opening the others’ eyes to the facts. Tempers get short, arguments grow heated, and the jurors become 12 angry men. How they reach their final verdict will keep you on the edge of your seat. “This is a remarkable thing about democracy,” says one juror, “that we are notified by mail to come down to this place—and decide on the guilt or innocence of a person; of a man or woman we have not known before.”

Characters

  • Foreman: He is a small, petty man who is impressed with the authority he has and handles himself quite formally. He is not overly bright, but dogged.
  • Juror No. Two: He is a meek, hesitant man who finds it difficult to maintain any opinions of his own. He is easily swayed and usually adopts the opinion of the last person to whom he has spoken.
  • Juror No. Three: He is a very strong, very forceful, extremely opinionated man within whom can be detected a streak of sadism. Also, he is a humorless man who is intolerant of opinions other than his own, and accustomed to forcing his wishes and views upon others.
  • Juror No. Four: He seems to be a man of wealth and position, and a practiced speaker who presents himself well at all times. He seems to feel a little bit above the rest of the jurors. His only concern is with the facts in this case and he is appalled with the behavior of the others.
  • Juror No. Five: He is a naive, very frightened young man who takes his obligations in this case very seriously but who finds it difficult to speak up when his elders have the floor.
  • Juror No. Six: He is an honest but dull-witted man who comes upon his decisions slowly and carefully. He is a man who finds it difficult to create positive opinions, but who must listen to and digest and accept those opinions offered by others which appeal to him most.
  • Juror No. Seven: He is a loud, flashy, glad-handed salesman type who has more important things to do than to sit on a jury. He is quick to show temper and equally quick to form opinions on things about which he knows nothing. He is a bully, and, of course, a coward.
  • Juror No. Eight: He is a quiet, thoughtful, gentle man—a man who sees all sides of every question and constantly seeks the truth. He is a man of strength tempered with compassion. Above all, he is a man who wants justice to be done, and will fight to see that it is.
  • Juror No. Nine: He is a mild, gentle old man, long since defeated by life, and now merely waiting to die. He recognizes himself for what he is, and mourns the days when it would have been possible to be courageous without shielding himself behind his many years.
  • Juror No. Ten: He is an angry, bitter man—a man who antagonizes almost at sight. He is also a bigot who places no values on any human life save his own. Here is a man who has been nowhere and is going nowhere and knows it deep within him.
  • Juror No. Eleven: He is a refugee from Europe. He speaks with an accent and is ashamed, humble, almost subservient to the people around him. He will honestly seek justice because he has suffered through so much injustice.
  • Juror No. Twelve: He is a slick, bright advertising man who thinks of human beings in terms of percentages, graphs and polls, and has no real understanding of people. He is a superficial snob, but trying to be a good fellow.
  • Guard: Any age​

TWELVE ANGRY MEN produced by special arrangement with the Dramatic Publishing Company of Woodstock, Illinois. 

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MATERIAL MESSAGE: PHOTOGRAPHS OF FABRIC Opens at the Weston Art Gallery

CAA_Red

Selina Román, Red, 2016, archival pigment print, 24” x 36”

CINCINNATI, OH—On Saturday, May 15, the Cincinnati Arts Association’s Alice F. and Harris K. Weston Art Gallery in the Aronoff Center for the Arts will open Material Message: Photographs of Fabric, a group exhibition of photographers curated by Marcella Hackbardt (Mt. Vernon, OH) responding to fabric’s aesthetic, formal, and conceptual potential, exploiting the medium’s malleability to construct messages ranging from notions of the veil to reveries of memory. Participating artists include Patty Carroll (Chicago, IL), Elizabeth M. Claffey (Bloomington, IN), John Mann (Oak Park, IL), Selina Román (Tampa, FL), Jacinda Russell (Indianapolis, IN), Leonard Suryajaya (Chicago, IL), and Morgan Ford Willingham (Emporia, KS).

Curator Marcella Hackbardt provides an overview and the conceptual links between the participating artists in her curatorial statement: “In Material Message these artists use fabric in order to subvert preconceived notions of social roles and the self, as in Patty Carroll’s draped female figures, and Selina Román’s Burqa Project photographs that question power, politics, and the unreturned gaze. John Mann collapses distinctions between the literal and abstraction, and Jacinda Russell complicates performance and documentary presentation with hotel towels. Elizabeth M. Claffey’s glowing, ghost-like apparitions attest to the temporality and longevity of familial devotions. Using the most delicate and barely-there fabric as a substrate for overt programming, Morgan Ford Willingham’s masks whisper destructive desires. Leonard Suryajaya ignites the optical nerves with extravagant patterns, colors, and textile sources, in images of tenderness and a beautifully chaotic ethos.

In addition to the photographic works presented in the Weston’s lower galleries, Leonard Suryajaya will create New Stand, a new installation in the Weston’s atrium space that mimics a newsstand in a deconstructed form. Inspired by the disorienting impact of the COVID-19 pandemic, this skeletal stage serves as a selfie backdrop for viewers to reflect on their own pandemic experiences and share renewed commitments and positive outcomes through social media posts.

An opening reception for the exhibition will be held on Saturday, May 15 from 2:00 – 4:00 p.m. followed by a Gallery Talk with the curator and participating artists from 4:00 – 5:00 p.m.  To maintain social distancing and COVID-19 safety protocols, attendance capacity for the reception and Gallery Talk will be limited. Reservations are required for the reception and Gallery Talk at this e-mail address: dharrington@cincinnatiarts.org.

Regular daily visitation during the Gallery’s new hours (Wednesday – Saturday from 11:00 a.m. until 4:00 p.m.) will be available throughout the run of the exhibition (May 15 – June 26, 2021). Admission is free and open to the public, and no reservations are required for daily attendance. The health and well-being of the Gallery’s guests, staff, and artists continue to be our number one priority. COVID-19 pandemic Health and Safety Guidelines can be found on our website at CincinnatiArts.org/waghealthandsafety.    

Material Message is generously sponsored by FotoFocus Cincinnati and Helen and Brian Heekin.

All dates and times are subject to change.

Since 1995, the Weston Art Gallery’s mission has been to present and support the visual arts of the Tri-state region through exhibitions and special programs. Its objectives are to foster an awareness and appreciation of the visual arts among area residents and to support the development of professional and emerging artists of the region. 

Weston Art Gallery 2020-21 Season Sponsor: DEE and TOM STEGMAN

 Weston Art Gallery in the Aronoff Center for the Arts • 650 Walnut Street, Cincinnati, OH 45202-2517 • 513/977-4165
Wed. – Sat. 11 am – 4:00 pm.

www.westonartgallery.com • WestonArtGallery@CincinnatiArts.ORG • Admission is free.

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Hit the Lights! Theater Co. Presents HORSETALE at Cincinnati Fringe Festival

CFF21_Hit the Lights logoStreaming online June 4th – June 19th, 2021
For tickets visit cincyfringe.com/horsetale/

Hit the Lights! Theater Co. (HTL!) is pleased to stream its original shadow musical as part of the 2021 Digital Cincy Fringe Festival. In HORSETALE, two musicians share their story of love and heartbreak through the adventure of a horse and its tail that become separated and in their search for each other, find themselves. HTL! weaves together handmade shadow puppetry, six vintage overhead projectors, original folk/rock music, Looney Tunes homages, and American iconography to tell a story as wild and expansive as the West itself.

HIT THE LIGHTS! THEATER CO. is an award-winning company created out of an artistic agreement to tell simple stories in unconventional ways. Hit the Lights! follows the motto ‘Less Talk, More Rock.’ This motto drives the creative process, culminating in work that is hyper-theatrical in nature: performers multitasking onstage in real time to create the technical, musical, and narrative components of a story simultaneously. Believing that motion, color, sound, and atmosphere are more evocative and experiential than spoken text, a heavy emphasis is placed on dialogue-less, action-oriented storytelling. Consequently, this allows the work to connect with audience members of varying theatrical experience, physical ability, cultural background, and age.

Past highlights include original works DUNGEON (Audience Pick of the Fringe at the Cincinnati Fringe and Editors Pick at the Minnesota Fringe), WHALES (nominated for three New York Innovative Theater Awards including Outstanding Innovative Design, Outstanding Original Music, and Outstanding Premiere Production of a Play, Artist Pick and Venue Award Minnesota Fringe), an original site-specific immersive theater experience in collaboration with the Know Theatre of Cincinnati THE OTHER RHINE, developing original shadow puppets for Vogue Magazine’s March 2021 cover shoot featuring Gigi Hadid, a live cinematic puppet adaptation of Gimlet Media’s hit podcast The Habitat, a collaboration with New York Botanical Garden’s Spooky Pumpkin Nights; a live music video for Grammy Award-nominated Sammy Miller and the Congregation, and being nominated for an Off-Broadway Alliance Award for “Best Family Show” for their theatrical adaptation of the book TASTE THE CLOUDS commissioned by New York City Children’s Theater. HTL!’s Off-Broadway credits include performances at Dixon Place, La MaMa ETC, New Victory Theater Lab Works, The Flea Theater, Franklin Stage Company, and Ars Nova in NYC where they were Company in Residence in 2018 and 2019.

More info: hitthelights.org

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Auditions Announced for LITTLE SHOP OF HORRORS at The Carnegie

TC_Little Shop of Horrors logoCOVINGTON, KY – The Carnegie is pleased to announce auditions for the first production of its 2021-22 theatre season, LITTLE SHOP OF HORRORS. The show that has devoured the hearts of theatergoers for more than thirty years will be back this August with an outdoor production.

Seymour is a down-on-his-luck floral assistant living on Skid Row and pining for the love of his co-worker, Audrey. But his fortunes change when he meets a fast-talking plant who promises him wealth, fame, and the love of his dream girl to boot. There’s just one problem. In exchange for his wildest dreams coming true, Seymour must follow the plant down a murderous path to world domination.

Featuring a beloved score in a Motown style, you’ll be hopping and bopping to hits like “Suddenly Seymour,” “Skid Row,” and “Somewhere That’s Green.” Howard Ashman and Alan Menken (Disney’s THE LITTLE MERMAID, BEAUTY AND THE BEAST, and ALADDIN) are the creative geniuses behind what has become one of the most popular shows in the world.

Book and Lyrics by Howard Ashman | Music by Alan Menken

Directed and Choreographed by Maggie Perrino

Music Direction by Steve Goers

Performances: August 14th at 7:30pm, 15th at 3pm, 20th at 7:30pm, 21st at 2pm and 7:30pm, finally the 22nd at 3pm.

Rehearsals: July 13-15 from 6:30-10pm; July 20-22 from 6:30-10pm; July 25 from 1- 6pm; July 26-29 from 6:30-10pm; August 1 from 1-6pm; August 2-5 from 6:30-10pm; August 8 from 2-10pm (tech); August 9-13 from 6-11pm (tech).

In Person Auditions by Appointment:

Please prepare 32 bars of a Motown or musical theatre song in the style of the show. Bring sheet music for the accompanist, as well as headshot and resume for production team. You may be asked to stay and read a scene or learn a dance call. Dates:

  • May 23: Auditions groups at 3pm, 4pm, and 5pm
  • May 24: Audition groups at 6pm, 7pm, 8pm
  • May 25: Audition groups at 6pm, 7pm, 8pm
  • Callbacks: By video if needed

Sign up for an in-person audition spot by visiting https://signup.com/go/bXskeHx.

Auditions by Video Submission. What to send:

  • 32 bars of a Motown or musical theatre song in the style of the show.
  • Comedic or serio-comic monologue no longer than 1 minute in length
  • Movement reel or 32 counts of improvised movement to a Motown song. Please try to incorporate some 60s social dance moves such as the pony, the jerk, the twist, etc.

Please send video with resume and headshot attached to Maggie Perrino, mperrino@thecarnegie.com by May 23rd by 5pm to be considered for the show.

ALSO NOTE:

  • You will be asked to turn in a full list of conflicts for rehearsal dates listed. Please have that prepared if asked to provide this info.
  • No performance conflicts will be accepted.
  • Cast members do not have to be the actual ages of the characters, but must be able to look age appropriate and act accordingly.
  • All roles are paid. Stipends offer will be between $650-$1000 for all roles. Not AEA eligible. No housing provided.
  • The Carnegie is committed to inclusive, non-traditional casting of classic musical theatre shows to give them new relevance and accessibility to all actors. All races, ethnicities, ages, gender identities, body types, and mobilities encouraged to apply. 

COVID-19 Policies
Please wear a mask to enter the building if auditioning in person. You will be allowed to remove it for your song, but will need to wear it while not actively auditioning.

The Carnegie fervently encourages all auditioners to seek the Covid-19 vaccination before attending auditions or rehearsals should they be cast. While we cannot ask you to disclose your vaccination status, it is in the best interest of our cast, crew, and artform if everyone is vaccinated in our show circle. A return to theatre-making is only possible if we help protect each other. 

AVAILABLE ROLES:

  • Seymour Krelborn: (Age 25 to 35. Vocal range G4 – A2) An insecure, put-upon florist’s clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills.
  • Audrey: (Age 25 to 35. Vocal range D5 to G#3) Bleached-blond, Billie-Dawn-like, secret love of Seymour’s life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor.
  • Mushnik: (Age 55 to 65. Vocal range F4 to G2) The seasoned owner of the failing East Side flower shop and Seymour’s nosy boss. He is profit-driven, greedy, and manipulative.
  • Orin Scrivello: (Age 30 to 40. Vocal range G4 to G2) An egotistical dentist with a passion for leather and sadistic tendencies. Audrey’s abusive boyfriend, who is targeted by Seymour.
  • Voice of The Plant: (Vocal range G4 to G2) An actor/vocalist located offstage. The voice is that of a conniving, street-smart ‘villain.’ Rhythm and Blues styling with a touch of Soul.
  • Crystal: (Age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • Ronnette: (Age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • Chiffon: (Age 20 to 35. Vocal range F5 to Ab3) Crystal, Ronnette, and Chiffon are African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality.
  • The Plant (Audrey II) (2 Roles): Puppeteers and Ensemble members. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteers will focus on all sizes of the plant and appear in chorus numbers as ensemble performers.
  • Ensemble (2 Roles): Strong singers/actors with capable movement ability; they portray various people on the street, bums, and florist shop customers; these actors will also understudy the principals.

The Carnegie’s 2021-22 Theatre Series is presented by the Otto M. Budig Family Foundation.

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 About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the City of Covington. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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