Monthly Archives: January 2021

Cincinnati Ballet to Stage Free, Outdoor Performance This Spring

CB_Ballet in the Park6

Samantha Riester and Daniel Wagner; FINDING OUR WAY; Choreography: Suzette Boyer Webb; Photography: Hiromi Platt

Additional changes to remainder of 20-21 Season announced

CINCINNATI, OH (January 27, 2021) – Ballet in the Park returns this May! Last fall’s free, outdoor production was so popular, a second Ballet in the Park has been added to the Company’s spring schedule. “We were overwhelmed with the positive response to our performances at P & G Pavilion at Sawyer Point Park. Dance lovers snapped up reservations within minutes,” said Victoria Morgan, Cincinnati Ballet’s Artistic Director. “We are so excited to share this unique, interactive experience with the community this spring.” The production will feature Main Company dancers, as well as our elite Otto M. Budig Academy Professional Training Division. Multiple socially-distanced performances will take place at Eden Park’s Seasongood Pavilion, May 21-23. Reservations will open in early March.

Last fall, Cincinnati Ballet made the critical and creative decision to shift programming to both in-person and virtual options for the 2020-2021 Season. In addition to Ballet in the Park, the Company staged Cincinnati Made, an intimate, limited-capacity performance at the Cincinnati Music Hall Ballroom. Audiences also enjoyed the first-ever broadcast production of our reimagined The Nutcracker at Home. Given the success of this virtual production and current pandemic trends, The Kaplan New Works Series will shift to an
innovative, digital experience. The program will explore the theme of ‘Unheard Voices.’ Audiences can look forward to thought-provoking new works that reflect this unprecedented moment in time. Cincinnati Ballet’s Resident Choreographer Jennifer Archibald and choreographers Dana Genshaft and Helen Pickett will share their personal perspectives through movement. The digital program also features new choreographic creations from Principal Dancer Melissa Gelfin De-Poli and Corps de Ballet Dancer Taylor Carrasco. New Works will be recorded at the Aronoff Center’s Jarson-Kaplan Theater with multiple cameras for an immersive, intimate production. New Works will stream free at cballet.org during the weekends of February 25-28 and March 5-7, 2021.

While we continue to modify choreography and use technology to successfully stage both in-person and virtual performances, we must also ensure the artistic integrity of large-scale productions planned prior to the pandemic. We have made the difficult decision to postpone both our annual Family Series: Snow White and Cinderella to future seasons. “Both full-length ballets require large casts of dancers and Otto M. Budig Academy students on stage to adequately tell the stories. Unfortunately, this is not possible given current health and safety guidelines,” said Scott Altman, Cincinnati Ballet President + CEO. “We are so grateful for the community’s support as we navigate through these challenging circumstances. Our patrons are our mission and the reason our dancers perform each season.”

This season’s Bold Moves Plus will also shift from April 2021 to June 2021. This in-person, mixed-rep program will be reimagined and staged at Procter & Gamble Hall at the Aronoff Center, with the health and safety of our dancers and patrons top of mind. Tickets will be available in in mid to late March.

In June, Cincinnati Ballet will celebrate the opening of the new Cincinnati Ballet Margaret and Michael Valentine Center for Dance in Walnut Hills. The 57,000-sqaure-foot facility includes nine studios and more than double Cincinnati Ballet’s current space. The $31 million capital campaign to fund the project is nearing completion. Stay tuned for more exciting news about the Ballet Center opening this summer.

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to enrich, expand, and excel in the art of dance through performance, a high-caliber academy, and impactful education and outreach in local to global communities, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, provides extensive education and community engagement programs, and offers top-level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

Cincinnati Ballet 2020-2021 Season Sponsors: Rhonda & Larry A. Sheakley, Margaret and Michael Valentine, ArtsWave, Mercy Health, Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, Frisch’s, The Austin E. Knowlton Foundation

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Filed under On Stage

SERIALS! 11: LIGHTNING ZOOM Runs Feb. 1-March 29

KTC_Serials 11 logoSERIALS! 11:  LIGHTNING ZOOM
Know Theatre of Cincinnati
Feb. 1-March 29
[Online]

15 minute episodes of new plays, every two weeks, for a total of 5 installments. Every week, YOU, the audience, votes on which 3 plays will continue for another episode, and which 2 will be banished to a dystopian theatrical wasteland… You’ll also have an additional vote in Week 4 to determine which 2 previously-eliminated shows will be resurrected for one more episode.

 

  • Mon, Feb. 1 at 7:30pm
  • Mon, Feb. 15 at 7:30pm
  • Mon, March 1 at 7:30pm
  • Mon, March 15 at 7:30pm
  • Mon, March 29 at 7:30pm

Official page |

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Filed under Events, Online Performance

Auditions Announced for THE LIFESPAN OF A FACT and OUTSIDE MULLINGAR at Middletown Lyric Theatre

MLT_logoSunday, February 14th
Monday, February 15th
Tuesday, February 16th
2:00pm – 8:00pm

Audition dates for The All-American Cabaret and The Importance of Being Earnest will be announced at a later date.

In person auditions will be held by APPOINTMENT ONLY at our theater.
1530 Central Ave., Middletown, Ohio 45044

To schedule an appointment, please complete an addition form here.
Once you fill out our audition form, you’ll be taken to our sign up genius page to schedule your audition slot.

COVID-19 INFORMATION
If you feel sick or have a fever, please cancel your scheduled timeslot.
Please do not arrive more than 15 minutes prior to your audition time.
Your temperature will be taken (using a touch-less thermometer) once entering the building.
A face covering must be worn while in the theatre.

CHARACTER DESCRIPTIONS/SIDES:
Please download the pdf of the sides you will be reading for that particular role from the official MLT website.

THE LIFESPAN OF A FACT:

  • JIM FINGALE (20’s) – This role has been cast
  • EMILY PENROSE (40’s – 60’s) Editor-in-Chief at a high-end Manhattan magazine. Possess a great ambition to couple cultural meaningfulness with commercial success. A tiger professionally, it’s all or nothing.
  • JOHN D’AGATA (40’s – 60’s) One of the world’s greatest living essayists. Highly intelligent and often frustrated by what he views as trivial concerns — “trivial,” to him, meaning those things that are not in direct contact with beauty and the divine.

OUTSIDE MULLINGAR:

  • ANTHONY REILLY (40’s) an intense dreamer, dutiful and quiet. His subdued manner masks a full, yearning heart. Resigned to a life alone because he’s afraid to reveal himself. Sensitive and guarded.
  • ROSEMARY MULDOON (40’s) a farmer’s daughter and a tough cookie. A bit of a tomboy, but with a romantic soul. Single-minded, willful, patient and optimistic. Her hopes are fervent, but secret. She’s playing the long game.
  • TONY REILLY (60’s – early 70’s) Anthony’s father. A wily old Irish farmer, cantankerous, set in his ways, and sly. Proud, stubborn, and gruff. A fixture of his part of the Irish countryside.
  • AOIFE REILLY (60’s – 70’s) Rosemary’s mother, in bad health. When we meet her, she is grief-stricken because her husband has just died. A sharp, straight-shooting old bird. Doesn’t suffer fools. Weathered, opinionated, and set in her ways.

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Filed under Auditions

Director of Education Position Available at Cincinnati Shakespeare Company

CSC_logoTitle: Director of Education

Reports to: Producing Artistic Director

Start Date:    After April 1, 2021 (Flexible)

About the Cincinnati Shakespeare Company

Cincinnati Shakespeare Company (CSC) is a resident ensemble theatre company bringing Shakespeare and the Classics to life for all. Operating out of The Otto M. Budig Theater, CSC hosts a year-round theatrical season in addition to special events, educational programming, and community engagement activities. In its theatrical portfolio, CSC executes up to 10 mainstage productions and 6 touring productions annually. Beyond its theatrical portfolio, CSC supports collaborations with many local community and arts organizations.

Diversity, equity, inclusion, and access (DEIA) are priorities of the Cincinnati Shakespeare Company. CSC strongly supports equal employment opportunity for all applicants regardless of race, sex, religion, creed, national origin, age, disability, sexual orientation or any other legally protected classification. Successful candidates will be committed to advancing CSC’s DEIA commitments with a particular emphasis on education and youth engagement.

Position Overview

The Director of Education creates and directs the curriculum of Cincinnati Shakespeare Company’s Education Department. The base schedule of this position is 9am-5pm Monday through Friday and flexes to accommodate programming schedules, teaching assignments, and event attendance.

The Director of Education hires and manages six Touring Company members annually who are the backbone of the teaching artist team. In addition to this core team, the Director of Education engages additional teaching artists throughout the year to assist with Summer Camp, PROJECT38, and other programs that cannot be covered by the Director of Education and the Touring Company. As CSC rebuilds following pandemic-mandated closure, successful candidates will have a “roll up their sleeves” mentally to execute programming directly.

The Director of Education is a member of the Leadership Team and Artistic Visionary Circle (AVC), alongside other directors and managers within the company. Within this team, the Director of Education represents the voices and interests of the students, teachers, and community members for whom they create programming while weighing in on the overall operations of the company. As a member of the AVC, the Director of Education is involved in the programming and artistic decisions of the company.

The Education Department delivers programming that is connected to CSC’s contributed and earned revenues. As a result, the Director of Education is responsible for collaborating with members of the Business Visionary Circle to ensure that curriculum and programming executed within their department delivers against engagement, mission, and financial goals. The Director of Education monitors the success of their programming regularly through engagement and audience development targets as well as through sales and expense tracking.

As this position requires working with minors, candidates will be required to complete a criminal background check.

Qualifications

Required skills include:

  • Passion for creating theatrical education experiences that support CSC’s DEIA commitments.
  • Experience as a teacher.
  • Knowledge of Theater Education.
  • Demonstrable abilities in stage direction and acting.
  • Desire for year-over-year increased impact and improved financial performance of the Education Department.
  • Knowledge and/or desire to learn more about Financial Management of a Department.
  • Interest in coaching young actors and teaching artists early in their careers.
  • Interest in working with classroom teachers to assess and address their curriculum needs.
  • Passion for working with students of all ages K-12.
  • Ability to serve as an ambassador for CSC’s mission and vision locally, nationally, and internationally.

Preferred skills include:

  • Proficiency with the Microsoft Office suite including Microsoft Outlook.
  • Proficiency with virtual meeting and distance learning platforms such as Zoom.
  • Demonstrable abilities in stage direction for small touring productions.
  • Demonstrable abilities in digital content creation.
  • Experience managing budgets and resources.
  • Understanding and consideration of access and equity in all programming.
  • Knowledge of trends in education and learning.
  • Knowledge of Shakespeare and other classical theater.

A successful candidate will also possess the following attributes:

  • Genuine passion in cultivating and supporting a diverse, equitable, inclusive, and accessible work environment.
  • Ability to keep calm under pressure and remain tactful in stressful situations.

Responsibilities

Programming & Artistic

  • Spearhead efforts to raise the profile of CSC’S Education programs through connections and conversations on a local, regional, national, and international level.
  • Serve as the primary liaison for Education Collaborations with multiple organizations from Shakespeare’s Globe in London, our neighbors at the School for Creative and Performing Arts, and other institutions.
  • Direct touring productions annually as scheduled.
  • Attend all dress rehearsals and design runs for all education projects to maintain quality and be a visible and supportive presence.
  • Attend tours occasionally throughout the year to maintain quality.
  • Develop and execute new programming for the education department.
  • Execute established CSC education programming to maintain CSC’s existing customer base.
  • Direct Shakespeare Summer Camp for all age groups.
  • Develop and implement curriculum for Groundlings, Groundlings Junior, camps, workshops, and classes.
  • Serve as a frontline teaching artist for Groundlings, Groundlings Junior, Summer Camp, and multiple PROJECT38 schools as scheduled.
  • Serve as the artistic director and project manager of PROJECT38.
  • Invest in development of CSC-teacher relationships through preview events, coaching sessions, and other engagement opportunities.
  • Lead professional development opportunities for CSC’s school and teacher partners.

Personnel & Leadership

  • Serve as a member of Artistic Visionary Circle with a specific focus on Educational mission and priorities.
  • Hold auditions across the region and the nation to find the best talent to join the CSC intern company.
  • Foster established audition relationships.
  • Hire and manage of touring company members and teachers for classes, camps, PROJECT38, etc.
  • Manage the Education Department calendar and coordinate schedules.
  • Train acting interns and teaching artists about CSC education program standards and strategies to ensure high quality and consistent experiences from CSC representatives at all schools.
  • Annually review lesson plans to be put into a Shakespearience and Classics in the Classroom Manual that will consist of lesson plans for various workshops for the touring company. Through this manual, tour members will be provided with a solid foundation for their lesson planning.
  • Preview all Touring Company lesson plans and be a resource to the touring company as they plan workshops and residencies throughout the year.

Audience Engagement

  • Create study guides for each production utilizing Common Core and STEM standards.
  • Collaborate with the CSC Marketing Department to drive audience engagement.
  • Work with Director of Marketing and Data Analytics on content creation for website and print marketing materials for education.
  • Focus on audience engagement as part of the creative process for each mainstage production through engagement activities before, during, and after productions.
  • Lead or facilitate pre/post-workshops for the mainstage shows. These can include actors talk backs, survivors’ talks, lectures, bar series, etc.

Planning and Budgeting

  • Work with Director of Marketing and Data Analytics and Producing Artistic Director to determine program ideas and needs of schools and community as balanced against financial goals.
  • Work closely with the Director of Marketing and Data Analytics for annual budgeting and quarterly sales checks to make sure the product is aligning with customer feedback and requests.
  • Assist Director of Marketing and Data Analytics with marketing copy for educational brochures and email campaigns that include detailed explanations of our programs and educational objectives.

In addition to the responsibilities above, all CSC staff may be asked to perform additional duties at the request of their supervisor.

Compensation & Benefits

This is a full time, salaried, exempt position with an annual salary range of $36,000-40,000 (received through biweekly payroll). In addition to this salary, the Director of Education receives:

  • Ten days of paid vacation, accrued seasonally.
  • Six days of paid sick leave, accrued seasonally.
  • Paid holiday leave.
  • Access to group health insurance through Anthem with 50% of employee premiums paid by CSC.
  • Optional enrollment in Health Savings Account plan.
  • Access to dental insurance through Dental Care Plus with 50% of employee premiums paid by CSC.
  • Life and AD&D coverage for the employee paid by CSC.
  • Parental leave, short-term medical leave.
  • 401(k) Retirement Savings Plan with employer match.
  • Free access to CSC educational programming for dependents (Groundlings Junior, Groundlings, Summer Camp).
  • Complimentary enrollment and membership to the Y which offers fitness facilities throughout the region and other wellness benefits.
  • Complimentary and discounted tickets to all CSC productions.

To Apply

To apply for this position, candidates should complete the job application submission form available online below.

This application requires candidates to submit PDFs of their cover letter and resume. For this position, work sample submissions are optional and may include content such as: curriculum or teaching plans, project budgets, project proposals, program schedules or calendars, study guides, etc. Candidates also have the option to provide URLs to online portfolios and profiles. Please take note of the submission file size limits.

If a candidate has questions about this position or requires different accommodations to submit an application, please contact lettie.vanhemert@cincyshakes.com. Applications will be accepted until the position is filled.

To submit a Job Application click here (and scroll down).

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Filed under Casting Call

20TH CENTURY BLUES Available Feb. 1-28

ETC_20th Century Blues logo20TH CENTURY BLUES
Ensemble Theatre Cincinnati
Feb. 1-28
[Online]

Directed by D. Lynn Meyers

Cast: Burgess Byrd as Mac, Annie Fitzpatrick as Sil, Dale Hodges as Bess, Regina Pugh as Danny, Kate Wilford as Gabby & Crystian Wiltshire as Simon

An impromptu behind-bars snapshot taken during a 1970s protest lockup sparks an eccentric, four-decade friendship. Every year, photographer Danny and her friends reunite to take a new photo showcasing their changing selves. However, when Danny is offered a career retrospective, the ritual that has been the glue holding them together for 40 years may now also tear them apart. The images unearth secrets, prompting the women to question who they are in this evocative play. Virtual dramatic reading.

  • Available for streaming Feb. 1-28.

Meet the Artists Series
Thu, Feb. 4 at 7pm
Free live discussion with playwright Susan Miller

Official page | Press release

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Filed under Online Performance