Monthly Archives: January 2019

Submissions Needed for RISK Podcast in Cincinnati

misc_risk logoRISK!, a live show and podcast “where people tell true stories they never thought they’d dare to share,” is coming to Cincinnati at The Ludlow Garage on Feb 8 and we’re looking for writers, performers and anyone else who might have an extraordinary story to share about something they’ve lived through to pitch us. The suggested themes for stories that night are Surprise! or What Was I Thinking? or A Secret.

RISK! stories tend to be extremely revealing and uncensored. People share about the most hilarious or heartbreaking or terrifying or devastating peak experiences they’ve lived through in a brutally honest way on the show. We help the storytellers prepare their stories before the show, so even people who have never stepped foot on a stage before have taken the risk.

For a good idea of what the podcast is like, check out one or two of our BEST OF RISK! episodes below:

http://risk-show.com/podcast/the-best-of-risk-12/

http://risk-show.com/podcast/the-best-of-risk-13/

For all the info on how to pitch a story, there’s a 6-minute video on this page here:
www.risk-show.com/submissions

Facebook event for Cincinnati taping |

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AN ADAM EXPERIMENT: A One-Man Play on the Life of Adam Clayton Powell, Jr. | Fri., March 1 | Aronoff Center – Jarson-Kaplan Theater

caa_an adam experiment

CINCINNATI, OH – In celebration of Black History Month, the Cincinnati Arts Association (CAA) is pleased to present  An Adam Experiment: A one-man play on the life of Adam Clayton Powell at the Aronoff Center’s intimate Jarson-Kaplan Theater on Friday, March 1, 2019 at 7:30 PM. Written by and starring New York based actor, Michael Chenevert, An Adam Experiment explores the day in the life of Adam Clayton Powell, Jr., a pioneering crusader for justice and equality during the Civil Rights movement. The show is part of CAA’s 2018-19 Presenting Season.

Tickets are $25 for Adults and $15 for Students/Educators and are on sale now at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.

“I always knew Adam Clayton Powell, Jr. was one of our strongest leaders,” states Michael Chenevert. “As a boy, I was called ‘Little Adam’ because I looked like him. He has always given me strength.”

Produced by L.A.I. Communications, the U.S. Tour of An Adam Experiment is celebrating Black History Month with a ‘play for the people’ by presenting a comprehensive program for the communities where the play will be performed that not only entertains, but also educates and empowers audiences. On stage, An Adam Experiment educates audiences on Adam Clayton Powell, Jr., who was a Baptist Minister at the famed Abyssinian Baptist Church in New York City and a Member of the U.S. House of Representatives, representing Harlem, New York, from 1945 to 1971.

By 1961, Mr. Powell was appointed to the powerful position of Chairman of the Education and Labor Committee and was one of the influential voices in the passing of significant social and civil rights legislation under Presidents John F. Kennedy and Lyndon B. Johnson. An Adam Experiment takes this political backdrop and creatively delves into Mr. Powell’s life where he is dealing with an angry country due to integration as well as with personal challenges with his marriage. After each performance, audience members will have a chance to do a Q&A with Mr. Chenevert and discuss the play, as well as its parallels with social justice issues facing our society today.

In each local community, from high schools and universities to other service-based organizations, the ‘An Adam Experiment’ Producer-in-Residency program is complementing each performance. The Producer-in-Residency program presents a unique method of exposing young people to the “behind the scenes” and business of producing a play and teaching them how it also parallels with entrepreneurship and the skills that it takes to be an entrepreneur. In Cincinnati, five Producer-in-Residency workshops are scheduled in middle schools and high schools on February 26-27 and March 1.  In addition, CAA is presenting two daytime performances of the show at the Aronoff Center on February 28 for students as part of its SchoolTime education program.

“We are thrilled and so honored to have An Adam Experiment touring across the country for its third year in 2019 and in celebration of Black History Month. Giving reverence to the past with such an incredible play, as well as empowering young people to embrace the ‘spirit of Adam’ and pursue their passions in life, is truly a gift,” states Dr. Tyrha M. Lindsey-Warren, Managing Director of L.A.I. Communications and Producer of the U.S. Tour of An Adam Experiment. “At the end of the day, we hope audiences will learn something new as well as provoke thought about being the change that they seek in their own lives.”

AN ADAM EXPERIMENT KEY PLAYERS

Michael Chenevert
Originally, from Detroit, Michigan, Michael Chenevert is a well-trained and multifaceted actor who works on stage, TV, and film. He studied at the University of Detroit Mercy where he received his Bachelor of Fine Arts degree. Over the course of his career, Mr. Chenevert has worked at the New Federal Theatre, The Billie Holiday Theatre, Take Wing and Soar, The National Black Theater, Arkansas Repertory Theatre, Cincinnati Playhouse in the Park, and The Public Theater. His film credits include: Syrup, Soul Mates, The Tombs, Eugenia and John, Soil, and The Breathing Room. Mr. Chenevert’s TV credits include: The Following, Boardwalk Empire, Ugly Betty, Guiding Light, One Life to Live, and Final Appeal.

Dr. Tyrha M. Lindsey-Warren
Originally from Cincinnati, Ohio, Tyrha M. Lindsey-Warren is an experienced Producer and Marketing Executive who has worked for Quincy Jones*David Salzman Entertainment, NBC, Creative Artists Agency, Edmonds Entertainment, Alvin Ailey American Dance Theater, and advertising agency, UniWorld Group. She has assisted in overseeing the production of such programs as MAD TV (FOX), In the House (UPN), Lost on Earth (USA) and VIBE (syndication). She is currently producing the motion picture Tryin’ To Sleep in the Bed You Made, based on The New York Times bestselling novel of the same name. Ms. Lindsey-Warren is also on the producing team for the International Faith and Family Film Festival at MegaFest. As an entrepreneur, Ms. Lindsey-Warren heads her family’s award-winning marketing and public relations agency, L.A.I. Communications, which is “dedicated to delivering EMPOWERING communications.” The firm specializes in creating strategic marketing and communications solutions, with a focus on cross-cultural themes, for media companies, corporations, arts institutions, non-profits, and small businesses.

CINCINNATI ARTS ASSOCIATION SPONSORS

SEASON SPONSORS:  AMERITAS (Founding Season Sponsor), FIFTH THIRD BANK (Lifetime Endowment Partner), Cincinnati-Northern Kentucky Honda DealersFURNITURE FAIRLOCAL12 WKRC, The  P&G FUNDof The Greater Cincinnati Foundation

SEASON PRESENTING SPONSORS:  21C Museum Hotel, Cincinnati Herald, CityBeat, Courtyard Marriott & Residence Inn-Rookwood, Graphic Village, Heidelberg Distributing, Hilton Cincinnati Netherland Plaza,Holiday Inn Hotel & Suites Cincinnati Downtown, Hyatt Regency-Cincinnati, Macy’s, Millennium Cincinnati, Pepsi, Skyline Chili, TriHealth, Ultimate Air Shuttle, USI

Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. Each year, CAA presents a diverse schedule of events; serves upwards of 600,000 people in its venues; features the work of talented local, regional, and national artists in the Weston Art Gallery (located in the Aronoff Center); and supports the work of more than one dozen resident companies. Since the inception of its acclaimed arts education programs in 1995, CAA has reached more than 1.6 million students. For more information, visit www.CincinnatiArts.org.

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KSO’s Passport to Musical Adventure Continues with STOP THE WORLD — I WANT TO GET OFF!

kso_stop the world i want to get off logoSTOP THE WORLD —
I WANT TO GET OFF!
(Success vs. Happiness)

7:30 p.m. Saturday, January 26, 2019
3:00 p.m. Sunday, January 27, 2019
Greaves Concert Hall, NKU

The Kentucky Symphony Orchestra’s 2018-19 Passport to musical adventure continues to whisk audiences across the globe. On January 26 & 27, the KSO dusts off the 1961 musical STOP THE WORLD — I WANT TO GET OFFby the British team of Anthony Newley and Leslie Bricusse, for the first Cincinnati performances since 1978.

The KSO has produced a number of semi-staged, concert performances of Broadway musicals in Greaves Concert Hall — Kismet (1993), Jesus Christ Superstar (1997), Sweeney Todd (2002), Evita (2005) and West Side Story (2008). “While programming the orchestra’s 27th season, I was looking for a musical that was small and lesser known, and recalled this quirky little show from the ‘60s that offered three big songs, a small cast and orchestra, with a title that seems more relevant today than it did in 1961,” commented KSO music director James Cassidy.

STOP THE WORLD — I WANT TO GET OFF is a thought-provoking musical pointing out the ephemeral nature of worldly success, often achieved to the detriment of one’s personal happiness. Littlechap (played by Joshua Steele) finds himself a father before his time and agrees to marry Evie, the boss’s daughter (played by Brooke Steele). Though this helps him climb the business ladder, Littlechap (the everyman) finds himself trapped in the responsibility of a premature family. He turns to women of the world, yet finds only empty fulfillment. In the twilight of his years, he finally discovers that he has wasted his life looking for something that he actually had all the time — his wife’s true love. Hit songs include: “Gonna Build a Mountain”, “Once in a Lifetime” and “What Kind of Fool Am I.”

As with West Side Story a decade ago, the KSO again partners with NKU’s School of the Arts as faculty member and stage director Brian Robertson, along with the show’s seven-member chorus, all hail from the University’s Theatre Department. The original 14-piece orchestration will be performed by members of the KSO under the musical direction of James Cassidy.

Stop your world, and join the The Kentucky Symphony Orchestra for a rare opportunity to experience this charming, tuneful musical at 7:30 p.m., Saturday, January 26, and 3:00 p.m., Sunday, January 27, at Greaves Concert Hall on the campus of NKU. Reserved seating tickets are $19, $27, $35 (children ages 6-18 are 50% off) and are available online at kyso.org, by phone—(859) 431-6216, or at the door.

STOP THE WORLD —
I WANT TO GET OFF!
(Success vs. Happiness)

7:30 p.m. Saturday, January 26, 2019
3:00 p.m. Sunday, January 27, 2019
Greaves Concert Hall, NKU

Music and lyrics by Leslie Bricusse and Anthony Newley

Cast:

  • Joshua Steele as Littlechap
  • Brooke Steele as Evie, (Anya, Ilse, Ginnie)
  • Victoria Avery as Susan
  • Mary Mills as Jane

Chorus:

  • Victoria Avery
  • Halee Hood
  • Mary Mills
  • Courtney Mulford
  • Chloe Price
  • Danielle Ullman
  • Adria Whitfill

Stage Director: Brian Robertson
Music Director: James Cassidy
Music Preparation: Stephen Variames

Queen’s Theatre London – July 20, 1961 (485 performances)
Shubert Theatre, New York – October, 1962 (555 performances)

The KSO’s 2018-19 Subscription Series is supported in part by a generous grant from the
Louise Taft Semple Foundation

2019 KSO Subscription concerts are supported by the
Louise Dieterle Nippert Musical Arts Fund of the Greenacres Foundation

KSO Podium Sponsor: Macy’s
Concert Sponsor: The Party Source
Season support provided by Artswave & The Kentucky Arts Council

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OUR COUNTRY’S GOOD Runs Feb. 13-17

ccm_our countrys good promoOUR COUNTRY’S GOOD
UC College-Conservatory of Music Acting
Feb. 13-17
Patricia Corbett Theatre [University Heights]

Directed by Susan Felder

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

  • In preview, Wed, Feb. 13 at 8pm
  • Thu-Fri, Feb. 14-15 at 8pm
  • Sat, Feb. 16 at 2pm & 8pm
  • Sun, Feb. 17 at 2pm

Official page | Facebook event |

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THE KING AND I Runs Feb. 12-17

BIC_TheKingandI_600X600THE KING AND I
Victoria Theatre Association
Feb. 12-17
Schuster Center [Dayton]

Lincoln Center Theater’s critically acclaimed production of Rodgers & Hammerstein’s THE KING AND I directed by Tony Award winner Bartlett Sher won four 2015 Tony Awards, including Best Revival of a Musical. One of Rodgers & Hammerstein’s finest works, THE KING AND I boasts a score which features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.”

Set in 1860’s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna Leonowens, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children.

  • Tue-Fri, Feb. 12-15 at 8pm
  • Sat, Feb. 16 at 2pm & 8pm
  • Sun, Feb. 17 at 2pm & 7:30pm

Official page |

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