Monthly Archives: April 2017

MATILDA Review

MATILDA presented by Broadway in Cincinnati through April 16. Click here for more information on the production. I attended the opening Wednesday performance.

Matllda

“Miracle” – The company of MATILDA THE MUSICAL ©2016, Joan Marcus

Kids take center stage in a not-so-kid-friendly production of MATILDA at the Aronoff Center. Not much is bright and cheerful in her world, so think more along the lines of A Series of Unfortunate Events than Annie for the tone of the show.

Matilda, Mirvish Productions Toronto

Jaime MacLean (Matilda) in MATILDA THE MUSICAL ©2016, Cylla von Tiedemann

In Wednesday’s performance, Jaime MacLean is a force to be reckoned with as the incredibly smart and wise-beyond-her-years title character. Serving as her classmates and partners in crime are Soren Miller as Bruce, Gabby Beredo as Lavender, Jacob Anderson as Nigel, Isabella Stuebing as Amanda, Abigail Nicholson as Eric, Molly Richardson as Alice, Talia Cosentino as Hortensia & Heidi Friese as Tommy. The entire children’s ensemble is amazingly talented and handled their roles and the energetic choreography extremely well.

For the adults roles, the comedy skews a bit broad to keep the show from becoming too dark. Matilda’s family consists of Darcy Stewart as her wardrobe-challenged, dance-obsessed mother; Matt Harrington as her deal-making, shyster father; and Darren Burkett as her monosyllabic brother. In addition to the adults that make up the family, Dan Chameroy is hilarious as the androgynous former hammer-thrower and current headmistress, Miss Trunchbull.

BIC_Matilda10

Jennifer Bowles (Miss Honey) in MATILDA THE MUSICAL ©2017, Tim Trumble

Thankfully there are a couple of adults who are on Matlida’s side. As her teacher, Miss Honey, Jennifer Bowles is spot on as she struggles with her insecurities for the sake of her brilliant student. I also found Keisha T. Fraser easily likable and endearing as Mrs. Phelps, the librarian who served as the audience of one for Matilda’s stories.

I very much enjoyed the stylized look of the costumes and set. The choreography was well-staged and well-executed. The timing of the use of the blocks in School Song was a personal favorite.

The big (and only) disappointment of the production was the sound. There was a tinny-ness to it that worked against the quality of the young actors’ voices, especially in the group numbers. The lyrics for Revolting Children were almost completely lost to me.

Matllda

“Bruce” – The company of MATILDA THE MUSICAL ©2016, Joan Marcus

Overall a fun and energetic show for the child in all of us, but not so much for young children. While the recommendation is for ages six and up, if the child can’t sit through a full-length (2.5 hours with intermission) show, you may want to wait the show’s return to Cincinnati.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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SHREK The Musical Runs May 12-20

CMT_Shrek the Musical logoSHREK The Musical
Cincinnati Music Theatre
May 12-20
Aronoff Center Jarson-Kaplan Theatre [Downtown]

Directed by Lizanne Ingram
Musical directed by Charlie Wilhelm
Vocal direction by Kate Mock Elliot
Choreographed by Jerry Wiesenhahn & Karen Galliers
Produced by Kathy Beiting and Chad DeMatteis

Cast: Joey Schnell as Shrek, Katelyn Reid as Princess Fiona, Matt Santeler as Donkey, Brett Parr as Lord Farquaad & Brad Baldwin as Pinocchio
Ensemble: Clayton Abbott, Christian Arias, Kevin Bell, Natasha Boeckmann, Adrianna Boris, Megan Carlson, Brooke Chamberlin, Anna Dudley, Donny Elkins, Laurel Ellis, Karen Galliers, Cody Hendershot, Lukas Hummeldorf, Chuck Ingram, Liz Koch, Jay Louden, Katie McCarthy, Benny Mitchell, Erin Russell, Kristen Schisler, Beth Schnell, McLean Strickland, Lori Valentine, Jack Williams, Megan Williams & Aubrey Wilson.

Based on the Oscar-winning DreamWorks Animation film, Shrek The Musical is a Tony Award-winning fairy tale adventure, featuring all new songs from Jeanine Tesori and a sidesplitting book by David Lindsay-Abaire. Shrek brings all the beloved characters you know from the film to life on stage and proves there’s more to the story than meets the ears.

“Once upon a time, there was a little ogre named Shrek….” And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand… and his name is Shrek.

  • Fri-Sat, May 12-13 at 7:30pm
  • Sun, May 14 at 2pm
  • Wed-Thu, May 17-18 at 7:30pm
  • Fri-Sat, May 19-20 at 7:30pm

Official page |

 

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BORN YESTERDAY Runs May 12-20

BPI_Born Yesterday promo

Wayne Kirch as Harry Brock & Amy Stier as Billie Dawn.

Beechmont Players Inc.
May 12-20
Anderson Center

Directed by jef brown

Cast: John Conrard as Assistant Manager, Mary Ann Fagel as Mrs. Hedges, Andrew Gephardt as a Barber, Wayne Kirsch as Harry Brock, Lon Nease as Paul Verrall, Steve Phelan as Senator Norval Hedges, Tim Rogers as Eddie Brock, Cindy Rumke as a Manicurist, Amy Stier as Billie Dawn, Amanda Szarmack as Helen & Jim Waldfogle as Ed Devery

Arriving in Washington D.C., a roughneck junk dealer is convinced that with money and a zeal for power, he can “run the men who run the country.” His only problem seems to be his very blonde and brash girlfriend — she’s just not smart enough to fit in. He decides she needs some culture. But he gets more than he bargained for as she and her tutor prove that a little big of learning can be a dangerous thing!

  • Fri, May 12 at 8pm
  • Sat, May 13 at 3pm & 8pm
  • Fri, May 19 at 8pm
  • Sat, May 20 at 3pm & 8pm

Official page |

 

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MASTER HAROLD…AND THE BOYS Runs May 5-20

FT_Master Harold and the Boys logoMASTER HAROLD…AND THE BOYS
Falcon Theatre
May 5-20
Newport

Directed by Ted Weil

Cast: Ken Early as Sam, Rupert Spraul as Hally & Deondra Means as Willie

The story recounts a long and rainy afternoon that a white teenager named Hally spends with Willie and Sam, black servants who work in the tearoom owned by Hally’s mother. Sam has affectionately regarded the teen almost as a nephew since Hally was a child and has tried to shepherd the youth into adulthood. The afternoon’s friendly conversations of pleasant, shared memories and of Hally’s current life are halted by the news that Hally’s absent alcoholic and racist father is coming home from the hospital. Knowing that his father’s tyrannical presence will make his home life unbearable with his drinking, fighting, and need for constant attention, Hally becomes distraught and lashes out at his longtime mentor. The possibly permanent rifts that the teen causes in the relationship become the focus of the story.

  • Fri-Sat, May 5-6 at 8pm
  • Thu-Sat, May 11-13 at 8pm
  • Thu-Sat, May 18-20 at 8pm

Official page |

 

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Auditions Announced for THE FOREIGNER at Beechmont Players

BPI_logoAuditions for Beechmont Players’ production of THE FOREIGNER

Director: Richard Zenk
Assistant Director: Doug Decauter
Producer: Barbara Alenduff

Auditions are May 21 noon to 2pm, May 22 7-9pm and May 24 7-9pm at the Anderson Center in the large conference room.

Auditionees must contact the director, Richard Zenk, (richardjoseph@gmail.com) to set an appointment for the audition rather than show up without an appointment at the time of the auditions.

Rehearsals run from late August or early September until the first performance.

Performance dates are October 20-28, 2017

Email the director (richardjoseph@gmail.com) to receive the audition form and further instructions. The director will send you information on how to sign up for an audition time and date.The director has designed the audition process for a positive experience by the auditionees.

The in-person audition will consist of readings from the script and improv activities.  The script readings for each character and the improv activity will be provided to auditionees ahead of the audition. At auditions, the director asks that you embody the character as you see him/her so he can see your interpretations of the voice, emotions and body movement you believe are appropriate for the character.  You will be asked to perform other roles during the audition so he recommends you read all script excerpts and read the entire play prior to auditions.  Improv will be part of the audition as well as it is an important element for some of the characters in the show.

Character Breakdown

  • Charlie Baker – Stage Age 40-55 – Background: A science-fiction copy editor for a book publishing house, Charlie is British and a shy man who has an unfaithful wife, no personality that he can think of, and a need for peace and quiet. He has accompanied his friend, Froggy to a Georgia fishing lodge much against his own better judgment.  Charlie is a painfully shy man so he and Froggy agree to pretend that Charlie doesn’t speak English so that he won’t have to make small talk with the other characters in the play. Personality: At the start of the play the script states, he is “standing in his forlorn trenchcoat, seems quietly, somehow permanently, lost.” He is sweet, intelligent, and the idea of contact with strangers throws him into a debilitating panic. He has an innocent face and is capable of expert physical comedy and has exceptional vocal versatility. He is forced to adopt a different persona out of fear and desperation and does so on the spot. He is always improvising a step ahead of disaster. His natural accent is middle-class English, but he adopts an accent that can be vaguely middle to eastern European….plus various other “creepy ogre-alien” voices.NOTE: Those auditioning for Charlie will be expected to audition in a British accent and speak in the various dialects as described in the script.
  • Froggy Lesueur:  Stage Age 40 – 60 – Background: A British military demolitions expert who occasionally conducts field operations in rural Georgia. Froggy is Charlie’s caring friend and devises the scheme that protects Charlie from having to interact with the other guests at the lodge. His army buddies probably gave him the nickname “Froggy” because of his French last name. He speaks with a working-class English accent. Personality: He is open, hearty, cheerful and well traveled. He is a natural storyteller and all-around good fellow. To quote the script, he “seems well-fed, flushed with the spirit of adventure, and right at home”.NOTE: Those auditioning for Froggy will be expected to audition in a British (ideally Cockney) accent. The director may have a British dialect coach for these two characters, but ask that audtionees use their best accent at the audition.

NOTE: Those auditioning for the remaining characters will be expected to audition in a Georgian accent.  Resource: http://www.dialectsarchive.com/georgia

  • Catherine Simms: Stage Age 25-35 – Background: Catherine is a debutante and comes from a wealthy Southern family. She is the heiress to her father’s estate and is engaged to Reverend David Lee. She is the direct opposite of her brother, Ellard. She is a fading “deb” and a graduate of the University of Georgia. Personality: She has a ready wit, is smart and has a sharp tongue.  She can be a formidable force and is occasionally almost too much for the good Reverend to handle. She has a bit of a temper, but she also has a sense of humor. She badly needs someone to talk to, and, since Charlie doesn’t bother giving advice, he suits her needs perfectly.
  • Ellard Simms: Stage Age 20-30 – Background: He is Catherine’s younger brother.  Ellard is Catherine’s younger brother. He will inherit a portion of the family money, unless Catherine decides that he is mentally unfit to handle it. Personality: The playwright describes him as “…a lumpy, overgrown, backward youth…”. Backward does not mean mentally damaged. He is actually quite bright and gentle, but is emotionally stunted. He has been overlooked, ignored, and untended, without ever getting a chance to grow and prosper as a person. He is naturally quiet and shy. He speaks cautiously for fear of making a blunder. His family has expected him to get things wrong, and he usually lives up to their expectations.
  • Reverend David Marshall Lee: Stage Age 30-45 – Background: He is engaged to Catherine and he is a guest staying at Betty’s lodge. He is not what he seems, however, and he is clearly the brains behind the plot he engages in with Owen to get control of Betty’s fishing lodge and Catherine’s fortune. Personality: A friendly, open-faced man, and as the playwright says: “neither the stereotypically pallid, remote, divinity student, nor the hearty, backslapping evangelist. He seems rather like ‘a regular fella,’ humorous and open, and good man to have on our side.” He is patient, polite, intelligent, and friends with everyone, but we soon discover that David is hiding something.
  • Owen Musser: Stage Age 40-60 – Background: Owen and the Reverend Lee are cooking up a plot to condemn Betty’s lodge so that it can be bought for their own nefarious purposes. He is a man with the instincts of a playground bully, and is using his position as Tilghman County Property Inspector to confiscate Betty’s lakeside lodge. Owen is definitely the villain of the play. Personality: Owen is the absolute stereotype of an ill-bred southern Klansman. He is not stupid; but, like all racists, he is profoundly ignorant. Owen takes advantage of anyone that is weaker than he is, but like most bullies he is easily intimidated by a show of strength.
  • Betty Meeks: Stage age 55-70 – Background: A widow who owns the lakeside lodge that is the setting for the play. Betty and her late husband have owned and operated this ‘bed and breakfast” for as long as anyone can remember. When her husband died, Betty just kept right on welcoming the summer tourists. She is a motherly woman who has probably never left her home state of Georgia. She is naively excited to learn about anything “foreign”. She is a long-time friend of Froggy. Personality: She is pleasant, wise in some ways, naïve in others. She is a good-hearted, generous, “down-home” Southerner who speaks the hardy local dialect.

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